DOCSLIB.ORG

Malcolm Lowry's Poetics of Space

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Malcolm Lowry's Poetics of Space AND MIGUEL MOTA LANE EDITED BY RICHARD J. Malcolm Lowry’s Poetics of Space offers new and controversial readings that seek to readdress Lowry’s masterpiece Under the Volcano and many of his MALCOLM Lowry’S other writings. With contributions by international Lowry scholars, the collection focuses on Lowry’s spatial dynamics and engages with the P notion of Lowry as a multi-media artist who influenced and was deeply OETICS influenced by a broad range of modernist and postmodernist aesthetic practices. OF Space Acutely aware of the world of film and deeply immersed in a vast range of literary traditions and the avant-garde, Lowry worked within an inter- textual space that transgressed aesthetic boundaries. Malcolm Lowry’s Poetics of Space offers a new approach to the author’s life and work that EDITED BY RICHARD J. LANE AND MIGUEL MOTA will undoubtedly inspire a fresh debate. MALCOLM LOWRY’S POETICS OF SPACE MALCOLM LOWRY’S Richard J. Lane is Professor of English at Vancouver Island University, BC. He directs the Seminar for Advanced Studies in the Humanities and the Literary Theory Research Group at VIU, where he is also the principal investigator of the MeTA Digital Humanities Lab. Lane is also a director of Innovation Island Technology Association, as well as an Associated Researcher at The Electronic Textual Cultures Lab at the University of Victoria. Miguel Mota is Associate Professor of English at the University of British Columbia in Vancouver, BC. In addition to his work on Lowry, Mota has published in the areas of contemporary British literature and culture and on the relationship between literature and film, including articles on Jeanette Winterson, John King, Mike Leigh, Derek Jarman, and Peter Greenaway. ISBN 978-0-7766-2340-5 Page left blank intentionally 0059_Poetics_of_Space_5.5x8_ES_01_vs04_September30_2016.indd 2 2016-09-30 6:17 AM Malcolm Lowry’s Poetics of Space 0059_Poetics_of_Space_5.5x8_ES_01_vs04_September30_2016.indd 1 2016-09-30 6:17 AM Page left blank intentionally 0059_Poetics_of_Space_5.5x8_ES_01_vs04_September30_2016.indd 2 2016-09-30 6:17 AM Malcolm Lowry’s Poetics of Space — Edited by richard j. lane and miguel mota University of Ottawa Press | OTTAWA 0059_Poetics_of_Space_5.5x8_ES_01_vs04_September30_2016.indd 3 2016-09-30 6:17 AM The University of Ottawa Press gratefully acknowledges the support extended to its publishing list by the Government of Canada, the Canada Council for the Arts, and the Ontario Arts Council. This book has been published with the help of a grant from the Federation for the Humanities and Social Sciences, through the Awards to Scholarly Publications Program, using funds provided by the Social Sciences and Humanities Research Council of Canada. Copy editing: Robbie McCaw Proofreading: Marionne Cronin Layout: CS Cover design: Édiscript enr. Cover image: Dollarton, North Vancouver, still image from After Lowry: A Film Essay Library and Archives Canada Cataloguing in Publication Malcolm Lowry’s poetics of space / edited by Richard J Lane and Miguel Mota. (Canadian literature collection) Includes bibliographical references. Issued in print and electronic formats. ISBN 978-0-7766-2340-5 (paperback).--ISBN 978-0-7766-2341-2 (PDF).-- ISBN 978-0-7766-2342-9 (EPUB).--ISBN 978-0-7766-2343-6 (MOBI) 1. Lowry, Malcolm, 1909-1957--Criticism and interpretation. 2. Space in literature. I. Mota, Miguel, editor II. Lane, Richard J., 1966-, editor III. Series: Canadian literature collection PS8523.O96Z7644 2016 C813’.52 C2016-906249-X C2016-906250-3 © University of Ottawa Press, 2016 Printed in Canada by Gauvin Press 0059_Poetics_of_Space_5.5x8_ES_01_vs04_September30_2016.indd 4 2016-09-30 6:17 AM Contents introduction Richard J. Lane and Miguel Mota 1 . i situating under the volcano 1: Under the Volcano . the Beach: Malcolm Lowry and the Situationists 13 Mark Goodall 2: Lowry, Sebald, and the Coincidental Landscape 31 Laurence Piercy 3: Lowry and Jakobson: Spatial Pyrotechnics and Poetic Writing in Under the Volcano 45 Christine Vandamme 4: Pathologies of Knowledge: David Markson, Under the Volcano, and the Experience of Thought 61 Mathieu Duplay 5: Phantom Priapusspuss: The Phantom-Dog Tradition in Under the Volcano 71 Charles Hoge . ii the spatial dynamics of sight and sound 6: Spectatorial Bodies and the Everyday Spaces of Cinema 87 Paul Tiessen 7: Projecting the Volcano: The Possibilities of Margerie Bonner Lowry’s Film Proposal 101 W. M. Hagen 8: Soundscapes in Lunar Caustic 113 Ailsa Cox 0059_Poetics_of_Space_5.5x8_ES_01_vs04_September30_2016.indd 5 2016-09-30 6:17 AM 9: Dwelling In-Between: Rituals and Jazz as Reconcilable Opposites in “The Forest Path to the Spring” 129 Catherine Delesalle 10: The Expressionist Gaze in the Psychic Space of Under the Volcano 145 Josiane Paccaud-Huguet . iii charting the human landscape 11: From Liverpool to Eridanus in the Twinkling of an Eye 161 Annick Drösdal-Levillain 12: Outgrowing the Alienating Inscape? The Voyage Out in October Ferry to Gabriola 175 Pierre Schaeffer 13: The Path to Translation: Ex-isting and Becoming in the Divinely Grotesque Comedy of “Elephant and Colosseum” 191 Pascale Tollance 14: Placing Agency in the Cultural Landscapes of La Mordida 205 Ryan Rashotte 15: The Poetics of Exposed, Irreparable Space in Lunar Caustic; or, Reading Lowry Through Agamben 221 Richard J. Lane . coda After Lowry: A Film Essay 237 Miguel Mota . contributors 239 0059_Poetics_of_Space_5.5x8_ES_01_vs04_September30_2016.indd 6 2016-09-30 6:17 AM Introduction richard j. lane and miguel mota iven that Malcolm Lowry saw himself not only as a writer of words, but also as being written by those words, it is hardly surprising that Lowry Gcriticism has always drawn strong connections between Lowry’s writ- ing and his life. Even aside from the two substantial and influential biographies in the conventional sense (by Douglas Day, in 1973, and Gordon Bowker, in 1993), much of the scholarly criticism involving Lowry has had the hint of the biographical about it, even when the principal approach has been formalist or post-structuralist. The most important recent collection of critical essays on Lowry (Frederick Asals and Paul Tiessen’s A Darkness That Murmured: Essays on Malcolm Lowry and the Twentieth Century, 2000), though clearly encouraging a new, postmodernist reading of Lowry, nevertheless begins with an implicit acknowl- edgment of the central place of biography in critical approaches to Lowry’s work: “His habit of personal mythmaking sometimes obscured with its transforma- tions what (in so far as it could be determined) had actually occurred, but even when Lowry’s own fictions were penetrated, dark areas remained, incidents, even periods, wholly or partially mysterious” (11). For its part, Bryan Biggs and Helen Tookey’s Malcolm Lowry: From the Mersey to the World, published in 2009 to celebrate the centenary of Lowry’s birth, offers a suggestively hybrid collection of personal reminiscences, scholarly pieces, fiction, and photographic repro- ductions of visual works that, while acknowledging the impossibility of fully doing so, nevertheless seeks to “place” Lowry by addressing the geographical, psychological, and creative “voyaging” undertaken by the author throughout his life. This search for the “mystery” of the life in the work is perhaps inescapable, given the extent to which Lowry turned himself, and has subsequently been turned by others, into a “textual” being. It is perhaps equally unsurprising that such a connection between “textuality” and “identity” wrought such anxiety through- out Lowry’s life and work. Sherrill Grace’s early assessment of Lowry as “Ortega [y Gasset]’s man in the process of creating (as opposed to finding) his identity through the creation of masks” (Voyage 102) resonates in Patrick McCarthy’s later insistence that “for Lowry, writing was both his life and a threat to his life: although he seems to have assumed that he could discover or define his identity 0059_Poetics_of_Space_5.5x8_ES_01_vs04_September30_2016.indd 1 2016-09-30 6:17 AM 2 Malcolm Lowry’s Poetics of Space only through writing, he also feared that the process of composition would leave him without any identity apart from the work” (Forests 4). The question becomes, then, not how to extricate Lowry’s writing from his life—for that is surely an impossible, perhaps even undesirable, task, the two being so ingrained—but, rather, how to create a critical space within which the relations between writing and life can be both materially located and given imaginative play. One possibility is to see space itself as a category capable of such mobility. In his essay “Of Other Spaces,” Michel Foucault suggests that if the “great obsession” of the nineteenth century was history, then that of the twentieth was space: “The present epoch will perhaps be above all the epoch of space” (Foucault 22). Yet, as Foucault himself insists, space has a history and is impli- cated in various historical discursive practices and relations: The space in which we live, which draws us out of ourselves, in which the erosion of our lives, our time and our history occurs, the space that claws and gnaws at us, is also, in itself, a heterogeneous space. In other words, we do not live in a kind of void, inside of which we could place individuals and things. We do not live inside a void that could be colored with diverse shades of light, we live inside a set of relations that delineates sites which are irreducible to one another and absolutely not superimposable on one another. (23) How to situate Malcolm Lowry in space, then, given that “space” can mean so much to so many, produced as it is by a seemingly infinite web of relations— especially in an age when the virtual increasingly challenges the material as the place of the imagination? In her article “The Creative Process: An Introduction to Time and Space in Malcolm Lowry’s Fiction,” Grace writes intriguingly of Lowry’s “fear of space”: Just as Lowry cannot be fully appreciated without prior knowledge of his voyage theories, those theories cannot be understood without an aware- ness of Lowry’s reverence for time and his fear of space.
Load more

Recommended publications
  • THE DESCENT INTO HELL of JACQUES LARUELLE Chapter I of " Under the Volcano"
    THE DESCENT INTO HELL OF JACQUES LARUELLE Chapter I of " Under the Volcano" David Falk 1IT IS HARDLY NEWS that Malcolm Lowry's Under the Vol- cano is a profoundly autobiographical work, but worth stressing is the extent to which the novel was prompted by a desire, not for self-discovery, but for self- mastery. The writing of the novel was meant to provide Lowry with the neces- sary psychic distance from what he called the "forces in man which cause him to be terrified of himself"1 so that he would not succumb to them. By projecting these forces from within the self into the novel, Lowry hoped to transform them permanently into fiction : to confine them between the covers of his work so that they could no longer function as a real force in his life. The process is most obvious with Geoffrey Firmin, whom Lowry described as composed of "self 4- bad guilty imagination."2 The Consul is the nexus for what was most self-despairing and self-destructive in Lowry. As the Consul's story, Under the Volcano tells of his capitulation before the terrifying forces within, and tells us in such a way that this defeat is a given. For Chapter I is set on the anniversary of the Consul's death so that what we witness in the eleven ensuing chapters is the unfolding of a fate we know already to be sealed. The inescapability of the Consul's doom contributes heavily to its tragic weight and makes him the towering figure he is.
    [Show full text]
  • Of Time, Dissonance and the Symphonic-Poetic City Les Roberts, University of Liverpool
    Published in Eselsohren: Journal of the History of Art, Architecture and Urbanism, 2 (1-2): 87-104 (2015). Of Time, Dissonance and the Symphonic-Poetic City Les Roberts, University of Liverpool The „time‟ of Terence Davies‟s celebrated cine-poem Of Time and the City (2008) can in one sense be characterised as linear inasmuch as it accords with a biographical period – the 1940s to 1970s – that maps on to the history of a specific place: the port-city of Liverpool in the north west of England. The duration of the seventy-five minute film is thus homologous to that of the director‟s own time growing up on post-war Merseyside, from his birth in 1945 until 1973 when he moved away from the city. In other words, the film tells a story that unfolds as a linear narrative: a time-line of geobiographical memory. But the „time‟ of Of Time and the City also conveys a different temporal geography, one that works against the linearity of narrative form. Time in this other sense is poetically woven from the fluid and contingent temporalities of Terence Davies‟s Liverpool: a city reassembled from the excavatory fragments of an archaeology of memory. It is as fitting to describe Of Time and the City as a „symphony‟ as it is for other classics of the genre, such as Walter Ruttman‟s Berlin: Symphony of a Great City (1927) or Dziga Vertov‟s Man with a Movie Camera (1929). However, the film‟s rich orchestration of archival memory (around 85% of the film consists of archive material) and its dissonant poetics of everyday time map out the contours of what might better be described as a „symphonic-poetic city‟.
    [Show full text]
  • Title Index • 223
    THE HORN BOOK GUIDE July–December 2015 Title Index • 223 Title Index A from Miss Keller, 44 Another Kind of Hurricane, 94 Bear’s Surprise, 25 Blue-Ringed Octopuses, 158 Aaron and Alexander, 203 Ants, 157 Bear’s Year, 8 Boats Float!, 12 Aaron Loves Apples and Pumpkins, Apache, 205 Beast of Cretacea, 129 Bob and Flo, 5 55 Apatosaurus, 151 Beastly Babies, 34 Bobby Bear, 62 Aaron Rodgers, 183 Apocalypse Meow Meow, 90 Beastly Bones, 125 Body Manners, 174 ABC School’s for Me!, 11 Appleblossom the Possum, 94 Beastly Verse, 188 Bombing of Hiroshima and About a Girl, 119 Aqua Sports, 183 Beatrix Potter and Her Paint Box, Nagasaki, 199 About Habitats, 156 Archie the Daredevil Penguin, 45 177 Bone Gap, 126 Abracadabra, 180 Arctic Tundra Food Chain, 156 Because You’ll Never Meet Me, 130 Bonobos, 164 Abukacha’s Shoes, 49 Are Crop Circles Real?, 135 Because Your Grandparents Love Boo!, 15 AC Milan, 185 Are We There, Yeti?, 20 You, 7 Book, 133 Accidental After Life of Thomas Are You Seeing Me?, 111 Becoming Darkness, 102 Book Itch, 193 Marsden, 96 Are You Still There, 126 Becoming Maria, 193 Book of Beasts, 71 Ace Dragon Ltd., 34 Around the Moon 1, 2, 3, 171 Been There, Done That, 188 Book Scavenger, 72 Achoo!, 23 Around the World, 197 Beep! Beep! Go to Sleep!, 17 Boom Snot Twitty, 7 Adam & Thomas, 70 Art-Rageous, 68 Behind the Lines, 199 Borrowed Time, 94 Adeline Porcupine, 62 Ask Me, 51 Believarexic, 114 Bottlenose Dolphins, 164 Adrift, 111 Astounding Broccoli Boy, 73 Believe It or Not, My Brother Has a Bowhunting, 182 Adventures of Miss Petitfour,
    [Show full text]
  • Malcolm Lowry: a Study of the Sea Metaphor in "Ultramarine" and "Under the Volcano"
    University of Windsor Scholarship at UWindsor Electronic Theses and Dissertations Theses, Dissertations, and Major Papers 1-1-1967 Malcolm Lowry: A study of the sea metaphor in "Ultramarine" and "Under the Volcano". Bernadette Wild University of Windsor Follow this and additional works at: https://scholar.uwindsor.ca/etd Recommended Citation Wild, Bernadette, "Malcolm Lowry: A study of the sea metaphor in "Ultramarine" and "Under the Volcano"." (1967). Electronic Theses and Dissertations. 6505. https://scholar.uwindsor.ca/etd/6505 This online database contains the full-text of PhD dissertations and Masters’ theses of University of Windsor students from 1954 forward. These documents are made available for personal study and research purposes only, in accordance with the Canadian Copyright Act and the Creative Commons license—CC BY-NC-ND (Attribution, Non-Commercial, No Derivative Works). Under this license, works must always be attributed to the copyright holder (original author), cannot be used for any commercial purposes, and may not be altered. Any other use would require the permission of the copyright holder. Students may inquire about withdrawing their dissertation and/or thesis from this database. For additional inquiries, please contact the repository administrator via email ([email protected]) or by telephone at 519-253-3000ext. 3208. MALCOLM LOWRY: A STUDY OF THE SEA METAPHOR IN ULTRAMARINE AND UNDER THE VOLCANO BY SISTER BERNADETTE WILD A T hesis Submitted to the Faculty of Graduate Studies through the Department of English in Partial Fulfillment of the Requirements for the Degree of Master of Arts at the University of Windsor Windsor, Ontario 1967 Reproduced with permission of the copyright owner.
    [Show full text]
  • 7. Conclusion: Telefilm, Cross-Media Migration, and the Demise of the Film Serial
    7. Conclusion : Telefilm, Cross-Media Migration, and the Demise of the Film Serial Abstract The conclusion offers an outlook past the 1940s. It places film serials in the context of the shifting cinema landscape in the 1940s and 1950s and the rise of television. The chapter compares the viewer address of film serials to television’s programming in terms of a ‘segmented flow’ and argues that film serials imagined and practiced a televisual mediality before the advent of TV. Serials and television thus became convergent media, which counters the prevalent notion that television killed film serials. The chapter further stresses the adaptability of the film-serial form to varying exhibition and distribution contexts, which helps to explain their continuous reappearance in the multiple ‘new media’ in the second half of the twentieth century and in the digital culture of the twenty-first century. Keywords: television programming, televisual flow, post-WWII film history, independent film production The present moment is an arbitrary one to end a study of film serials. Al- though the heyday of their production is well in the past, serials that were thought to be lost continue to reappear in archives or in private collections. Online fan groups like the serialsquadron.com offer increasing numbers of serials on DVD. Other enthusiasts make them available on youtube or upload them to archive.org, and scholars like Richard Koszarski are making an effort to locate ‘new’ film serials. In the final months of writing, for instance, Pathe’s The House of Hate (1918) was located in Russia, digitalized, and translated back into English.
    [Show full text]
  • MARGARET ATWOOD: WRITING and SUBJECTIVITY Also by Colin Nicholson
    MARGARET ATWOOD: WRITING AND SUBJECTIVITY Also by Colin Nicholson POEM, PURPOSE, PLACE: Shaping Identity in Contemporary Scottish Verse ALEXANDER POPE: Essays for the Tercentenary (editor) CRITICAL APPROACHES TO THE FICTION OF MARGARET LAURENCE (editor) IAN CRICHTON SMITH: New Critical Essays (editor) Margaret Atwood photo credit: Graeme Gibson Margaret Atwood: Writing and Subjectivity New Critical Essays Edited by Colin Nicholson Senior Lecturer in English University of Edinburgh M St. Martin's Press Editorial material and selection © Colin Nicholson 1994 Text © The Macmillan Press Ltd 1994 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No paragraph of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, 90 Tottenham Court Road, London W1P 9HE. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages. First published in Great Britain 1994 by THE MACMILLAN PRESS LTD Houndmills, Basingstoke, Hampshire RG21 2XS and London Companies and representatives throughout the world A catalogue record for this book is available from the British Library. ISBN 978-0-333-61181-4 ISBN 978-1-349-23282-6 (eBook) DOI 10.1007/978-1-349-23282-6 First published in the United States of America 1994 by Scholarly and Reference Division, ST. MARTIN'S PRESS, INC., 175 Fifth Avenue, New York, N.Y. 10010 ISBN 978-0-312-10644-7 Library of Congress Cataloging-in-Publication Data Margaret Atwood : writing and subjectivity I edited by Colin Nicholson.
    [Show full text]
  • Four Poems by Malcolm Lowry
    383 FOUR POEMS BY MALCOLM LOWRY Quartermaster at the Wheel The Harkness light! Another hour spelled out, Struck by myself with unction but with doubt. A man is killed but does not hear the shot Which kills him; four bells kills me. Lucky to hear it jf I killed myself,- Whose age haunts calendars upon the screen; The heroine horn in nineteen eighteen, Who yesterday was born in nineteen eight. A pile of magazines assess dead love On shore, where one light burns no love will wait. -Past years are volcanoes beyond the wake, Tomorrow is the sea and then the sea, To both least faithless when we most forsake, The one unsealed, the other vomltless Of Jonah to his gourd or Nineveh .... It is a straw to tickle bloodshot eyes Of quartermasters soldered to darkness, The stiff wheel and the remembrance of the drowned, For sinking men to suck at or to claw, The thought that what we saw we often hear Too late or not at all, or cannot bear To know resounding eardrums register ... Our siren now! What ugliest ship has not Borne heart from heart with that deep plangency, Sadder than masthead's light, a soul In mourning whose voice is grief gone by. Roll on, you witless, dark brown ocean, roll, And light light years and grey ones let us live Within that gracious nexus of reprieve Between the fated sight and fatal sound - Now leave the world to Harkness and to me. 384 THE DALHOUSIE REVIEW [This Bitterest Coast] This is the end but since it is the end, You are happy at least in this one certainty, As you were in the eternity Of childhood's blue summer with seagull and yacht for friend, When God was good; love, true; sea, sea; land, land.
    [Show full text]
  • San Fernando Valley State College a Criticism of Malcolm Lowry's Under
    San Fernando Valley State College A Criticism of Malcolm Lowry's Under the Volcano A thesis submitted in partial satisfaction of the requirements for the degree of Bachelor of Arts with Honors in English by Betty Koerber Received: Approved: C:fiairman, fZommittee on Honors June, 1965 With grateful acknowledgment of the help of Richard W. Lid, Ph.D Under the Volcano is the story of a man to whom the problem of his own relationship with the universe is over­ whelming; pursued by guilt and harassed by those Who love him, he allows himself to be destroyed. In a particular way, the details of Under the Volcano closely mirror those of Lowry's own life, particularly his tragic preoccupation with alcoholism. (See appendix for a brief biographical account of Lowry's life.) Fact and fiction are so interwoven in Under the Volcano that it is impossible to separate them--nor is it necessary, for it is the larger pattern of Lowry's life, his search for a personal identity and a meaningful life to accompany it, which informs his work and gives depth and perspecti.ve to otherwise isolated fragments in the his­ tory of a man's personal destruction. Evidence of Lowry's preoccupation with his various selves and their fictional counterparts can be found in Conrad Knickerbocker's brief biographical account, "The Voyages of Malcolm Lowry." Knickerbocker tells how Lowry reacted when he was notified that Under the Volcano had been accepted finally in both America and England: What Lowry ..•recogni zed in a moment of terror was the self-consuming quality of the work.
    [Show full text]
  • Index to Volume 26 January to December 2016 Compiled by Patricia Coward
    THE INTERNATIONAL FILM MAGAZINE Index to Volume 26 January to December 2016 Compiled by Patricia Coward How to use this Index The first number after a title refers to the issue month, and the second and subsequent numbers are the page references. Eg: 8:9, 32 (August, page 9 and page 32). THIS IS A SUPPLEMENT TO SIGHT & SOUND Index 2016_4.indd 1 14/12/2016 17:41 SUBJECT INDEX SUBJECT INDEX After the Storm (2016) 7:25 (magazine) 9:102 7:43; 10:47; 11:41 Orlando 6:112 effect on technological Film review titles are also Agace, Mel 1:15 American Film Institute (AFI) 3:53 Apologies 2:54 Ran 4:7; 6:94-5; 9:111 changes 8:38-43 included and are indicated by age and cinema American Friend, The 8:12 Appropriate Behaviour 1:55 Jacques Rivette 3:38, 39; 4:5, failure to cater for and represent (r) after the reference; growth in older viewers and American Gangster 11:31, 32 Aquarius (2016) 6:7; 7:18, Céline and Julie Go Boating diversity of in 2015 1:55 (b) after reference indicates their preferences 1:16 American Gigolo 4:104 20, 23; 10:13 1:103; 4:8, 56, 57; 5:52, missing older viewers, growth of and A a book review Agostini, Philippe 11:49 American Graffiti 7:53; 11:39 Arabian Nights triptych (2015) films of 1970s 3:94-5, Paris their preferences 1:16 Aguilar, Claire 2:16; 7:7 American Honey 6:7; 7:5, 18; 1:46, 49, 53, 54, 57; 3:5: nous appartient 4:56-7 viewing films in isolation, A Aguirre, Wrath of God 3:9 10:13, 23; 11:66(r) 5:70(r), 71(r); 6:58(r) Eric Rohmer 3:38, 39, 40, pleasure of 4:12; 6:111 Aaaaaaaah! 1:49, 53, 111 Agutter, Jenny 3:7 background
    [Show full text]
  • To View Book Inventory
    BOOK INVENTORY alphabetical by TITLE Title Last Name 1 2 3 Geddes 1 to 100 Counting Book Rosenberg 101 Holiday Jokes Magruder 101 Things You Need to Know Scholastic 44 Stories Kids Can Read by Following Pictures Rebus Treasury A Ballad of the Civil War Stolz A Cache of Jewels Heller A Candy Apple Book: Drama Queen Bergen A Cheese-Colored Camper Stilton A Children's Almanac of Words at Play Espy A Christmas Blessing VanLiere A Christmas Carol Dickens A is for Apple Tiger A Jigsaw Jones Mystery: The Case of the Stolen Baseball Cards Preller A Little Childs First Bible Lane A Picture of Freedom: The Diary of Clotee, a Slave Girl McKissack A Pop-up Book: Planes Scholastic A Rainbow of Friends Hallinan A Rotten Apple Book: Drop-Dead Gorgeou Lenhard A Series of Unfortuante Events: The Bad Beginning Snicket A Series of Unfortuante Events: The Bad Beginning Snicket A Smart Girl's Guide to Boys American Girl A Smart Girl's Guide to Friendship Trouble American Girl A Story: An African Tale Haley A Storytellers Story Martin A Taste of Chicken Soup for the Mother's Soul A Time of Angels Hesse A to Z a Picture Dictionary Landoll's A to Z Mysteries: Sleepy Hallow Sleepover Roy A to Z Mysteries: The Runaway Racehorse Roy A toZ Mysteries: White House White-Out Roy A Wish for Whisper Brown A World of Opposites Modern Publishing ABC is for Christmas Walson Abracadabra! Zap! Science Fair Surprise! Lerangis Absolutely Normal Chaos Creech Addie and the King of Hearts Rockwell Adventures of Tom Thumb Troll Aesop's Fables McGovern Agatha, Girl of Mystery: The
    [Show full text]
  • Nat Geo Wild Program Schedule May(Weekly) MON TUE WED THU FRI SAT SUN 7.14.21.28 1.8.15.22.29 2.9.16.23.30 3.10.17.24.31 4.11.18.25 5.12.19.26 6.13.20.27
    Nat Geo Wild Program Schedule May(weekly) MON TUE WED THU FRI SAT SUN 7.14.21.28 1.8.15.22.29 2.9.16.23.30 3.10.17.24.31 4.11.18.25 5.12.19.26 6.13.20.27 Invaders、 400 Animal Superpowers 400 Africa's Hunters、 Cesar To The Rescue、 Wild Indonesia、 旅の日 Cougar V. Wolf、 Alien Deep With Bob Ballard、 Cesar To The Rescue 2、 World's Deadliest Animals Cameramen Who Dare Europe's Great Wildernesses Phantom Cat, The、 Snakes In The City Cesar Millan: Doggie Storm Cats Nightmares [9th]NO TRANSMISSION DUE 430 430 TO MAINTENANCE（～7：00） Survive The Tribe、 500 Killer Shots、 Return of The Lion、 500 Alien Deep With Bob Ballard、 America The Wild IV、 Journey into Amazonia Pride、 Crimes Against Nature、 Hunter Hunted 2、 Snakes In The City Wild Indonesia Attack of The Big Cats、 Wild Australia、 Hunter Hunted 3 旅の日 Super Cat Australia's Deadly Monsters、 African Mega Flyover 530 Australia’s Deadliest:Shark 530 Coast、 Incredible Fangs、 Hippo Vs Croc、 Turf War- Lions and Hippos、 Hunter Hunted 3 600 Wild Indonesia、 600 Africa's Hunters、 Cameramen Who Dare Warrior Road Trip、 Cougar V. Wolf、 Great Serengeti, The、 Phantom Cat, The、 旅の日 Dead Or Alive Storm Cats Wild Islands: Zanzibar 630 Living Edens Living Edens 630 700 Return of The Lion、 America The Wild IV、 700 Pride、 Shane Untamed、 Attack of The Big Cats、 旅の日 Dead Or Alive Super Cat Wild Galapagos Fish Tank Kings II、 730 Night Stalkers 730 Wild Mysteries 800 800 Africa's Hunters、 Shane Untamed、 Cougar V.
    [Show full text]
  • Walpole Public Library DVD List A
    Walpole Public Library DVD List [Items purchased to present*] Last updated: 9/17/2021 INDEX Note: List does not reflect items lost or removed from collection A B C D E F G H I J K L M N O P Q R S T U V W X Y Z Nonfiction A A A place in the sun AAL Aaltra AAR Aardvark The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.1 vol.1 The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.2 vol.2 The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.3 vol.3 The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.4 vol.4 ABE Aberdeen ABO About a boy ABO About Elly ABO About Schmidt ABO About time ABO Above the rim ABR Abraham Lincoln vampire hunter ABS Absolutely anything ABS Absolutely fabulous : the movie ACC Acceptable risk ACC Accepted ACC Accountant, The ACC SER. Accused : series 1 & 2 1 & 2 ACE Ace in the hole ACE Ace Ventura pet detective ACR Across the universe ACT Act of valor ACT Acts of vengeance ADA Adam's apples ADA Adams chronicles, The ADA Adam ADA Adam’s Rib ADA Adaptation ADA Ad Astra ADJ Adjustment Bureau, The *does not reflect missing materials or those being mended Walpole Public Library DVD List [Items purchased to present*] ADM Admission ADO Adopt a highway ADR Adrift ADU Adult world ADV Adventure of Sherlock Holmes’ smarter brother, The ADV The adventures of Baron Munchausen ADV Adverse AEO Aeon Flux AFF SEAS.1 Affair, The : season 1 AFF SEAS.2 Affair, The : season 2 AFF SEAS.3 Affair, The : season 3 AFF SEAS.4 Affair, The : season 4 AFF SEAS.5 Affair,
    [Show full text]