DOCSLIB.ORG

Ebook Download Remembering Dennis Potter Through Fans, Extras

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

REMEMBERING DENNIS POTTER THROUGH FANS, EXTRAS AND ARCHIVES PDF, EPUB, EBOOK J. Garde-Hansen | 109 pages | 29 Apr 2014 | Palgrave MacMillan | 9781137349293 | English | Basingstoke, United Kingdom Remembering Dennis Potter Through Fans, Extras and Archives PDF Book Louis native fired a yard bullet to sophomore Williams, kicking off EMU's best drive of the half. It has to be said that there were also children from the other side of the city -Burmantofts, Headingley, etc. With Neal Neathery's defensive unit playing stout, the Eagle offense regained possession and took advantage of the momentum it had built. In our research for our most recent publication Remembering Dennis Potter through Fans, Extras and Archives , we took the view that Potter matters to a different set of stakeholders in the cultural memory of television. He was also an athlete, having run at The White City. On one occasion I even got to dance with the head's daughter whose name escapes me. I was in awe of anyone who went there. The Marion County firefighters involved go through hundreds of hours of training for rescues like these. Carithers added the extra point to give the Eagles their first lead of the game, Mr Glanville, also maths, left teaching to go into the commercial world. In response to questions about Benson's harness, Dixon said: ''Nobody really knows what happened in that water tank. Mr Starbuck wanted to have me caned for smoking behind the tuck shop, but an ensuing visit from my father put paid to that. Firefighters rescue injured worker it took a tall ladder truck and more than a half-hour of work by firefighters to rescue an injured worker from a four-story cement-handling structure - the accident occurred about a. EMU received the ensuing kickoff and ran off one play before losing the ball on a fumble as the final gun sounded. In our research for our most recent publication Remembering Dennis Potter through Fans, Extras and Archives , we took the view that Potter matters to a different set of stakeholders in the cultural memory of television. Police did not have his address, but were told by fellow workers that he lives in Brewster. I loved the Gym and its curiously greenhouse-like changing room with its soft diffusion of light, duckboards and gentle body odour. As far as I am aware, it was the teacher who taught german, Mr. Somewhere along the line of dramatic productions made at the school my german teacher Terry Hawkins was often heavily involved. This is a study of Potter's whole life's work, from early plays in the s through to his final works in I would hesitate to speculate on the nature of the relationship with Ms Crowther - other than to say that complete decorum was observed at all times. Worker tumbles off church roof while repairing the roof of the Church, a year-old worker slid down the shingles and landed in bushes, fracturing his right leg and right wrist - according to police reports, the accident happened at p. The book explores the connections of memory and remembering with transformations in intimate relationships, migration and spatial mobilities, loss and bereavement involving loved ones or those with whom close affinities are felt, resulting in a volume that helps fill the gap in memory studies caused by lack of sustained ethnographic work. I was very touched that he remembered his promise and also that he actually cared enough to apologise. The seals used by the workmen proved to be inadequate and asbestos got out into these basement corridors and was carried all round the building. Read the article at the Tucson Citizen. Remembering Dennis Potter Through Fans, Extras and Archives Writer Monica Sanchez '21 immigrated to the U. I have it on good authority from one close to the action at that time, so to speak, that the reason is as mundane as that a building impregnated with fine asbestos dust, no hidden agendas no politics no "Reds under the bed" just simple economics. A worker lost his balance and fell more than 30 feet to a concrete floor. UA took advantage of a yard return by Jalil Carter on its next drive, to place the Zips near midfield and set up a yard rush by Kennedy. Son of Man. Professor of Sociology and Environmental Studies Andrew Jorgenson is recognized for outstanding service, innovation, and publication. Thomas Love Peacock — deserves much better than that. FATAL FALL WVU worker falls to his death at football stadium university officials have released the name of a maintenance worker, 50, who fell about 30 feet to his death at Milan-Puskar Stadium - he died after falling off the stadium's north end zone building at 5 p. A couple of years ago the judges for the Bollinger Everyman Wodehouse prize for comic fiction decided that none of the sixty two books submitted was funny enough to win, so they withheld the award. Sometime in the late s, when I was staying in Dublin with my sister Marie Heaney and her husband Seamus, he was working on the introduction to a book called A Way of Life, Like Any Other , which I took to be a novel. The Zips elected to kick a field goal, but a yard field goal by Igor Iveljic was blocked by LeDuc. He was I was at Cockburn from until O-levels in - when the family moved South. After finding Williams twice more in the ensuing three plays, Glass found Arthur Jackson III on a yard strike in the back of the endzone. Time dulls the memory, and I cannot recall all the teachers' names from my time. As I stood at the graveside on a bright spring day, on that exposed ridge above the Evenlode valley, I supposed that now I would never possess a copy — that the one book for which I had been searching so long had eluded me. But on the back was glowing praise by Patrick Leigh Fermor for a previous work by the author, Shusha Guppy. Pennies from Heaven and The Singing Detective amply demonstrate how far he has pushed the frontiers of television drama. Meet BC New class demonstrates the academic strength and geographical and ethnic diversity that have become hallmarks of BC undergraduate enrollment. BC students, faculty, staff, and student organizations are invited to show solidarity in support of racial justice on October Paths to priesthood BC graduates share formative experiences that led them to their vocation. Popular Books. They say he was happy to see them. That happiness was particularly precious to a man who also experienced the fathomless miseries of depression. Girls School sound the 's? A new report explores opportunities, challenges, and resources, with a blueprint for advancement. New tailgating hours are among changes announced by William V. Just to let you know. It is also, for some reason, one of the least known. In December the Council closed the school for a few days to remove asbestos round a boiler and pipes in a room off the basement corridors. Yet while his subversive television plays, such as Pennies from Heaven and The Singing Detective, scandalized and delighted the nation, they also made him the butt of the tabloids, who nicknamed him 'Dirty Den' for his serial Blackeyes. The annual blessing for School of Theology and Ministry graduating students, reimagined due to the coronavirus, was emotional, intimate, and virtual. We would teeter in slow motion beside the dark timbers of a medieval bridge. Although the hole had been covered earlier, the cover had been removed. The teacher was very unsure and inapt, and sadly our class made his life pretty miserable. If you read my comments, you will see that that is the basis of my conjecture, and if you go back up the list of comments to where Ian Ingram has written, you will see that I am in some agreement with what he says, and have tentatively elaborated and explored his argument. Frantic co-workers tried to save his life, but were unsuccessful. It introduces readers to the institutional culture, functions, and records common to museums, and examines the legislative and regulatory environments affecting record-keeping practices. I enjoy reading thrillers. In providing insight into issues of visibility, memory and television production, it fulfils a vital need for better understanding of television production history as heritage. Yes the boys and girls had separate playgrounds and I recall, clearly, getting to the age of 12 and admiring the older girls in their playground, especially on windy days! This fortieth issue is a very special one for us. I was so captivated that I stayed up late into the night, reading the book in one sitting. BC international population up Bucking national trends, the number of international students has increased by more than seven percent. It is a book for browsing, for it takes the form of a journal which White kept through four seasons in —5, the year he took flying lessons at a small airfield in the middle of England. And the segregated playgrounds were certainly separated by a wall, although I don't think the railings were there in my day. One question remains. Any chance you could get back to me? Remembering Dennis Potter Through Fans, Extras and Archives Reviews Fielding who taught Geography. Stewart replies to Rainey. I would hesitate to speculate on the nature of the relationship with Ms Crowther - other than to say that complete decorum was observed at all times. The toll of air pollution in India Pollution-related deaths numbered 1.
Recommended publications
  • Eckart Voigts-Virchow: Männerphantasien

    Eckart Voigts-Virchow: Männerphantasien

    Repositorium für die Medienwissenschaft Werner Barg Eckart Voigts-Virchow: Männerphantasien. Introspektion und gebrochene Wirklichkeitsillusion im Drama von Dennis Potter 1996 https://doi.org/10.17192/ep1996.4.4187 Veröffentlichungsversion / published version Rezension / review Empfohlene Zitierung / Suggested Citation: Barg, Werner: Eckart Voigts-Virchow: Männerphantasien. Introspektion und gebrochene Wirklichkeitsillusion im Drama von Dennis Potter. In: MEDIENwissenschaft: Rezensionen | Reviews, Jg. 13 (1996), Nr. 4, S. 469– 470. DOI: https://doi.org/10.17192/ep1996.4.4187. Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Deposit-Lizenz (Keine This document is made available under a Deposit License (No Weiterverbreitung - keine Bearbeitung) zur Verfügung gestellt. Redistribution - no modifications). We grant a non-exclusive, Gewährt wird ein nicht exklusives, nicht übertragbares, non-transferable, individual, and limited right for using this persönliches und beschränktes Recht auf Nutzung dieses document. This document is solely intended for your personal, Dokuments. Dieses Dokument ist ausschließlich für non-commercial use. All copies of this documents must retain den persönlichen, nicht-kommerziellen Gebrauch bestimmt. all copyright information and other information regarding legal Auf sämtlichen Kopien dieses Dokuments müssen alle protection. You are not allowed to alter this document in any Urheberrechtshinweise und sonstigen Hinweise auf gesetzlichen way, to copy it for public or commercial purposes, to exhibit the Schutz beibehalten werden. Sie dürfen dieses Dokument document in public, to perform, distribute, or otherwise use the nicht in irgendeiner Weise abändern, noch dürfen Sie document in public. dieses Dokument für öffentliche oder kommerzielle Zwecke By using this particular document, you accept the conditions of vervielfältigen, öffentlich ausstellen, aufführen, vertreiben oder use stated above.
  • Blue Remembered Hills by Dennis Potter Directed by Jamesine Livingstone

    Blue Remembered Hills by Dennis Potter Directed by Jamesine Livingstone

    Skipton Little Theatre Skipton Players’ Present Blue Remembered Hills By Dennis Potter Directed By Jamesine Livingstone Tuesday 20th to Saturday 24th April 2010 Director’s notes From the Chairman Dennis Potter was born in 1935 in Gloucestershire. After National Service he won a place at New College, Oxford where he read Philosophy, Politics and Economics. Hello and welcome to our penultimate play of He became one of Britain’s most accomplished and acclaimed dramatists. His plays for television include this our anniversary season, celebrating 50 Blue Remembered Hills (1979), Brimstone and Treacle years of dramatic art at the Little Theatre. (commissioned in 1975 but banned until 1987), the series Pennies from Heaven (1978), The Singing Detective (1986), Blackeyes (1989) and Lipstick on Your Collar (1993). He also wrote novels, stage plays and screenplays. He died Next month on Saturday May 15th here We are always wanting to invite anyone Dennis Potter in June 1994. in the Little Theatre we are putting on who would like to help in any of our Some television drama ages badly: even the most revered classics creak a bit when watched again a fond remembrance in the form of an productions in any capacity whatever (no in the cold, contemporary, high-definition light of day. This does not apply to Dennis Potter’s 1979 television film Blue Remembered Hills. It was part of the ‘Play For Today’ strand, and it originally evening of “Nosh and Neuralgia”, sorry experience necessary!) from helping on lasted an hour and a quarter. Being Potter it looks without romanticism and with an analytical eye that should be “Nosh and Nostalgia” the door, selling refreshments, backstage at the long summer days of childhood during the war.
  • Report on the Singing Detective25th Anniversary Symposium, University

    Report on the Singing Detective25th Anniversary Symposium, University

    JOSC 4 (3) pp. 335–343 Intellect Limited 2013 Journal of Screenwriting Volume 4 Number 3 © 2013 Intellect Ltd Conference Report. English language. doi: 10.1386/josc.4.3.335_7 Conference Report David Rolinson University of Stirling Report on The Singing Detective 25th Anniversary Symposium, University of London, 10 December 2011 [I]n keeping with the modernist sensibility and self-reflexivity of Hide and Seek and Only Make Believe, the decision to root a view of the past in the experiences and imagination of a writer protagonist, emphasises the fact that, far from being an objective assessment, any perspective on history can only ever be subjective. (Cook 1998: 217) This one-day symposium, organized by the Department of Media Arts at Royal Holloway, University of London, celebrated the 25th anniversary of Dennis Potter’s The Singing Detective (tx. BBC1, 16 November 1986–21 December 1986). As the notes for the event explained, it sought to pay trib- ute to the BBC serial’s ‘narrative complexity, generic hybridity and formal experimentation’ and to bring scholars and practitioners together ‘to assess its subsequent influence upon television drama and the cinema’. This combination of academic and practitioner perspectives has been a welcome 335 JOSC_4.3_Conference Report_335-343.indd 335 7/19/13 9:56:44 PM David Rolinson 1. Although not feature of British television conferences in recent years, facilitating a reward- discussed on the day, biographical-auteurist ing exchange of ideas. This piece is, therefore, partly a report of the day’s approaches reward but proceedings but also a response to some of the many ideas that were raised by also imprison critics the interviews and presentations.
  • Dennis Potter: an Unconventional Dramatist

    Dennis Potter: an Unconventional Dramatist

    Dennis Potter: An Unconventional Dramatist Dennis Potter (1935–1994), graduate of New College, was one of the most innovative and influential television dramatists of the twentieth century, known for works such as single plays Son of Man (1969), Brimstone and Treacle (1976) and Blue Remembered Hills (1979), and serials Pennies from Heaven (1978), The Singing Detective (1986) and Blackeyes (1989). Often controversial, he pioneered non-naturalistic techniques of drama presentation and explored themes which were to recur throughout his work. I. Early Life and Background He was born Dennis Christopher George Potter in Berry Hill in the Forest of Dean, Gloucestershire on 17 May 1935, the son of a coal miner. He would later describe the area as quite isolated from everywhere else (‘even Wales’).1 As a child he was an unusually bright pupil at the village primary school (which actually features as a location in ‘Pennies From Heaven’) as well as a strict attender of the local chapel (‘Up the hill . usually on a Sunday, sometimes three times to Salem Chapel . .’).2 Even at a young age he was writing: I knew that the words were chariots in some way. I didn’t know where it was going … but it was so inevitable … I cannot think of the time really when I wasn’t [a writer].3 The language of the Bible, the images it created, resonated with him; he described how the local area ‘became’ places from the Bible: Cannop Ponds by the pit where Dad worked, I knew that was where Jesus walked on the water … the Valley of the Shadow of Death was that lane where the overhanging trees were.4 I always fall back into biblical language, but that’s … part of my heritage, which I in a sense am grateful for.5 He was also a ‘physically cowardly’6 and ‘cripplingly shy’7 child who felt different from the other children at school, a feeling heightened by his being academically more advanced.
  • FOX SEARCHLIGHT PICTURES Presents PATHÉ, BBC FILMS

    FOX SEARCHLIGHT PICTURES Presents PATHÉ, BBC FILMS

    FOX SEARCHLIGHT PICTURES Presents PATHÉ, BBC FILMS, INGENIOUS MEDIA and BFI present with the participation of CANAL+ and CINÉ+ A YORUBA SAXON / HARBINGER PICTURES / PERFECT WEEKEND / FILM UNITED PRODUCTION An AMMA ASANTE Film DAVID OYELOWO ROSAMUND PIKE JACK DAVENPORT TOM FELTON LAURA CARMICHAEL TERRY PHETO JESSICA OYELOWO ARNOLD OCENG NICHOLAS ROWE ANTON LESSER ANASTASIA HILLE JACK LOWDEN MERVEILLE LUKEBA and NICHOLAS LYNDHURST DIRECTED BY ........................................................................... AMMA ASANTE SCREENPLAY BY ..................................................................... GUY HIBBERT PRODUCED BY .......................................................................... RICK MCCALLUM ..................................................................................................... DAVID OYELOWO ..................................................................................................... PETER HESLOP ..................................................................................................... BRUNSON GREEN ..................................................................................................... JUSTIN MOORE-LEWY ..................................................................................................... CHARLIE MASON EXECUTIVE PRODUCERS ....................................................... CAMERON MCCRACKEN ..................................................................................................... CHRISTINE LANGAN ....................................................................................................
  • In Spite of History? New Leftism in Britain 1956 - 1979

    In Spite of History? New Leftism in Britain 1956 - 1979

    In Spite of History? New Leftism in Britain 1956 - 1979 Thomas Marriott Dowling Thesis Presented for the Degree of PhD Department of History University of Sheffield August 2015 ii iii Contents Title page p. i Contents p. iii Abstract p. vi Introduction p. 1 On the Trail of the New Left p. 5 Rethinking New Leftism p. 12 Methodology and Structure p. 18 Chapter One Left Over? The Lost World of British New Leftism p. 24 ‘A Mood rather than a Movement’ p. 30 A Permanent Aspiration p. 33 The Antinomies of British New Leftism p. 36 Between Aspiration and Actuality p. 39 The Aetiology of British New Leftism p. 41 Being Communist p. 44 Reasoning Rebellion p. 51 Universities and Left Review p. 55 Forging a Movement p. 58 CND p. 63 Conclusion p. 67 iv Chapter Two Sound and Fury? New Leftism and the British ‘Cultural Revolt’ of the 1950s p. 69 British New Leftism’s ‘Moment of Culture’? p. 76 Principles behind New Leftism’s Cultural Turn p. 78 A British Cultural Revolt? p. 87 A New Left Culture? p. 91 Signifying Nothing? p. 96 Conclusion p. 99 Chapter Three Laureate of New Leftism? Dennis Potter’s ‘Sense of Vocation’ p. 102 A New Left ‘Mood’ p. 108 The Glittering Coffin p. 113 A New Left Politician p. 116 The Uses of Television p. 119 History and Sovereignty p. 127 Common Culture and ‘Occupying Powers’ p. 129 Conclusion p. 133 Chapter Four Imagined Revolutionaries? The Politics and Postures of 1968 p. 135 A Break in the New Left? p.
  • Popular Song Recordings and the Disembodied Voice

    Popular Song Recordings and the Disembodied Voice

    Lipsynching: Popular Song Recordings and the Disembodied Voice Merrie Snell Doctor of Philosophy School of Arts and Cultures April 2015 Abstract This thesis is an exploration and problematization of the practice of lipsynching to pre- recorded song in both professional and vernacular contexts, covering over a century of diverse artistic practices from early sound cinema through to the current popularity of vernacular internet lipsynching videos. This thesis examines the different ways in which the practice provides a locus for discussion about musical authenticity, challenging as well as re-confirming attitudes towards how technologically-mediated audio-visual practices represent musical performance as authentic or otherwise. It also investigates the phenomenon in relation to the changes in our relationship to musical performance as a result of the ubiquity of recorded music in our social and private environments, and the uses to which we put music in our everyday lives. This involves examining the meanings that emerge when a singing voice is set free from the necessity of inhabiting an originating body, and the ways in which under certain conditions, as consumers of recorded song, we draw on our own embodiment to imagine “the disembodied”. The main goal of the thesis is to show, through the study of lipsynching, an understanding of how we listen to, respond to, and use recorded music, not only as a commodity to be consumed but as a culturally-sophisticated and complex means of identification, a site of projection, introjection, and habitation,
  • Appendix 1: Selected Films

    Appendix 1: Selected Films

    Appendix 1: Selected Films The very random selection of films in this appendix may appear to be arbitrary, but it is an attempt to suggest, from a varied collection of titles not otherwise fully covered in this volume, that approaches to the treatment of sex in the cinema can represent a broad church indeed. Not all the films listed below are accomplished – and some are frankly maladroit – but they all have areas of interest in the ways in which they utilise some form of erotic expression. Barbarella (1968, directed by Roger Vadim) This French/Italian adaptation of the witty and transgressive science fiction comic strip embraces its own trash ethos with gusto, and creates an eccentric, utterly arti- ficial world for its foolhardy female astronaut, who Jane Fonda plays as basically a female Candide in space. The film is full of off- kilter sexuality, such as the evil Black Queen played by Anita Pallenberg as a predatory lesbian, while the opening scene features a space- suited figure stripping in zero gravity under the credits to reveal a naked Jane Fonda. Her peekaboo outfits in the film are cleverly designed, but belong firmly to the actress’s pre- feminist persona – although it might be argued that Barbarella herself, rather than being the sexual plaything for men one might imagine, in fact uses men to grant herself sexual gratification. The Blood Rose/La Rose Écorchée (aka Ravaged, 1970, directed by Claude Mulot) The delirious The Blood Rose was trumpeted as ‘The First Sex Horror Film Ever Made’. In its uncut European version, Claude Mulot’s film begins very much like an arthouse movie of the kind made by such directors as Alain Resnais: unortho- dox editing and tricks with time and the film’s chronology are used to destabilise the viewer.
  • Dennis Potter: an Unconventional Dramatist

    Dennis Potter: an Unconventional Dramatist

    Dennis Potter: An Unconventional Dramatist Dennis Potter (1935–1994), graduate of New College, was one of the most innovative and influential television dramatists of the twentieth century, known for works such as single plays Son of Man (1969), Brimstone and Treacle (1976) and Blue Remembered Hills (1979), and serials Pennies from Heaven (1978), The Singing Detective (1986) and Blackeyes (1989). Often controversial, he pioneered non-naturalistic techniques of drama presentation and explored themes which were to recur throughout his work. I. Early Life and Background He was born Dennis Christopher George Potter in Berry Hill in the Forest of Dean, Gloucestershire on 17 May 1935, the son of a coal miner. He would later describe the area as quite isolated from everywhere else (‘even Wales’).1 As a child he was an unusually bright pupil at the village primary school (which actually features as a location in ‘Pennies From Heaven’) as well as a strict attender of the local chapel (‘Up the hill . usually on a Sunday, sometimes three times to Salem Chapel . .’).2 Even at a young age he was writing: I knew that the words were chariots in some way. I didn’t know where it was going … but it was so inevitable … I cannot think of the time really when I wasn’t [a writer].3 The language of the Bible, the images it created, resonated with him; he described how the local area ‘became’ places from the Bible: Cannop Ponds by the pit where Dad worked, I knew that was where Jesus walked on the water … the Valley of the Shadow of Death was that lane where the overhanging trees were.4 I always fall back into biblical language, but that’s … part of my heritage, which I in a sense am grateful for.5 He was also a ‘physically cowardly’6 and ‘cripplingly shy’7 child who felt different from the other children at school, a feeling heightened by his being academically more advanced.
  • 1 Week 27 Jesus and the Tax Collector

    1 Week 27 Jesus and the Tax Collector

    WEEK 27 JESUS AND THE TAX COLLECTOR---------- Dennis Watson Although we may think we have a good excuse for a particular sin, there is no excuse for sin except the fact that we are sinners. What do sinners do? Sin! Many of us have been stopped for speeding or running a traffic light. No matter what excuse you gave the officer you were probably ticketed anyway. There is no excuse for breaking the law. There is no excuse for breaking God’s law except the fact that we are sinners. This is the human predicament and our predicament must be acknowledged! The acknowl- edgement is the prelude to be being delivered and rescued—saved from our predicament. Pride prevents many people from admitting that they are plagued by sin. Everyone is, except Jesus. He is the only one who can remedy our predicament. This week we will look at a tax collector who acknowledged his sin and a Pharisee who was prideful and refused to. Day 1 First Read Luke 18:9-12 “I am just as good as anyone else.” I have heard that said many times and have, at some point, even said it myself. Most of us can come up with plen- ty of excuses for our sinful behavior. The easiest and most popular excuse is usually “someone else made me do it.” No matter how bad a person’s sin is he can usually find someone whose sin, he thinks, is worse than his own. After all, we might be tempted to say, “I have never killed anyone so I am a lot better than those that have.” In the passage we read today Jesus tells a parable about a religious man (a Pharisee) and a tax collector.
  • DREAMCHILD London W1J 9LN Followed by a Q&A with Director Gavin Millar, Cinematographer Billy Williams and Producer Kenith Trodd, Hosted by Larushka Ivan-Zadeh

    DREAMCHILD London W1J 9LN Followed by a Q&A with Director Gavin Millar, Cinematographer Billy Williams and Producer Kenith Trodd, Hosted by Larushka Ivan-Zadeh

    BAFTA HERITAGE SCREENING Sunday 24 May 2015 BAFTA 195 Piccadilly DREAMCHILD London W1J 9LN Followed by a Q&A with director GAVIN Millar, cinematographer BillY Williams and producer Kenith TROdd, hosted by LARUshka IVAN-Zadeh Celebrating the thirtieth anniversary of its release we are delighted to present a special screening of he magical world created by Lewis Dreamchild (1985), the double BAFTA-nominated Carroll has beguiled film-makers and writers since the publication of his collaboration between respected film and television children’s classic Alice in Wonderland (1865) director Gavin Millar and acclaimed screenwriter Tone hundred and fifty years ago. In Dreamchild Potter re-imagines key moments in the life of Carroll’s Dennis Potter. The screening is followed by a Q&A famous muse Alice Liddell as she travels in old age to with Gavin Millar, cinematographer Billy Williams Columbia University to receive an honorary degree. Potter skilfully fuses together past and present, and long time Potter producer, Kenith Trodd. fantasy and reality, breaking the rules of narrative so as to echo the structure of the famous book itself. The discussion will be hosted by Larushka Ivan- There are standout performances by Coral Browne (in her final screen role) as the irascible old Alice, Zadeh, Film Editor for Metro newspaper and a Sir Ian Holm as the intense Reverend Dodgson regular contributor on BBC Radio 4 and Sky News. and Amelia Shankley as the engaging young Alice. BAFTA HERITAGE SCREENING Sunday 24 May 2015 BAFTA 195 Piccadilly DREAMCHILD London W1J 9LN With two BAFTA Television Awards “I read a paragraph somewhere – I don’t Millar wrote in the production notes nominations already under his belt, know where – which said that Alice that “I liked the idea of the fantasy and Gavin Millar approaches the challenge Liddell went to New York when she reality, and never quite knowing where of Dreamchild with relish.
  • Literariness.Org-Beatrix-Hesse-Auth

    Literariness.Org-Beatrix-Hesse-Auth

    Crime Files Series General Editor: Clive Bloom Since its invention in the nineteenth century, detective fi ction has never been more popular. In novels, short stories, fi lms, radio, television and now in computer games, private detectives and psychopaths, prim poisoners and overworked cops, tommy gun gangsters and cocaine criminals are the very stuff of modern imagination, and their creators one mainstay of popular consciousness. Crime Files is a ground- breaking series offering scholars, students and discerning readers a comprehensive set of guides to the world of crime and detective fi ction. Every aspect of crime writing, detective fi ction, gangster movie, true- crime exposé, police procedural and post- colonial investigation is explored through clear and informative texts offering comprehensive coverage and theoretical sophistication. Titles include: Maurizio Ascari A COUNTER- HISTORY OF CRIME FICTION Supernatural, Gothic, Sensational Pamela Bedore DIME NOVELS AND THE ROOTS OF AMERICAN DETECTIVE FICTION Hans Bertens and Theo D’haen CONTEMPORARY AMERICAN CRIME FICTION Anita Biressi CRIME, FEAR AND THE LAW IN TRUE CRIME STORIES Clare Clarke LATE VICTORIAN CRIME FICTION IN THE SHADOWS OF SHERLOCK Paul Cobley THE AMERICAN THRILLER Generic Innovation and Social Change in the 1970s Michael Cook DETECTIVE FICTION AND THE GHOST STORY The Haunted Text Michael Cook NARRATIVES OF ENCLOSURE IN DETECTIVE FICTION The Locked Room Mystery Barry Forshaw BRITISH CRIME FILM Subverting the Social Order Barry Forshaw DEATH IN A COLD CLIMATE A Guide to Scandinavian