Study Guide for Teachers

Total Page:16

File Type:pdf, Size:1020Kb

Study Guide for Teachers Study Guide for Teachers YOUNG AUDIENCES OF CONNECTICUT GREEK MYTHS What exactly is a myth? Is it a fantastic story created by the imagination or a kind of scientific explanation, an early attempt to define the world around us? Perhaps the “Chariot of the Sun” myth marks the early stages of religious thought? Or a one­man show on Greek mythology could it possibly be a story with historical truth, one Grades 3­8 that's based on actual characters and events? These are the types of questions scholars have asked. What we know for sure is that Greek myths have been popular for centuries and have always maintained a special place in ABOUT THE PROGRAM Students meet the heroes, gods and monsters of Greek Western culture. Writers, artists, and great thinkers of all kinds have often relied on them for inspiration and mythology. Using a combination of poetry, masks, mime, and guidance. Young people enjoy them because they’re audience participation, Chariot of the Sun brings these classic great stories. tales to life. Included is the myth of Phaethon, which tells the story of a young man's attempt to drive his father's sun chariot across the sky. It's a dynamic presentation that offers an accessible and fun introduction to the stories of ancient Greece. 50 Minutes OBJECTIVES § To offer a live, interactive theatrical performance for students and teachers. § To introduce students to Greek mythology through theater. § To create a forum where ideas concerning Greek mythology may be shared. § To inspire students to learn more about ancient Greek history. HISTORY OF ANCIENT GREECE The history of ancient Greece can be divided into five periods: 1200­ 700 BCE, The Dark Ages (when Homer lived); 700­500, the Archaic Period; 500­336, the Classical Period (probably the best known); 336­331, the Hellenistic Period (Alexander the Great); and The Decline of Ancient Greece. It was during the last century BCE that the Roman Empire became a great power, surpassing Greece. At the same time, though, it was very much influenced by Greek culture – and so begins the story of Western civilization. Today, as we look back, it’s remarkable to think that so many areas of accomplishment – in art, architecture, literature, music, government, science, theater – can be traced back to the Greeks. GREEK THEATER The Greeks performed and celebrated their myths in honor of the god Dionysus. Early on, spectators sat on the side of a hill as performers danced and sang below in front of an altar. Eventually, they constructed theaters out of stone, capable of seating thousands of spectators. By 450 BCE, theater had reached an ideal form, achieving a unique balance between the following: (1) the writing (which includes the plays of Aeschylus, Sophocles, Euripides, and Aristophanes) (2) the subject matter (Greek myths, stories and history) (3) the overall stagecraft (masks, costumes, scenery) (4) the connection between society and its theater, which lay somewhere between a civic event and communal worship. Page 1 of 2 BEFORE THE PROGRAM VOCABULARY § Set up a chart on the board listing what students Know about Aphrodite goddess of love and beauty ancient Greece, and what they Want to Know. Apollo god of the sun, a skilled musician Ares god of war § Make sure to discuss the cosmology of the ancient world if Artemis goddess of the moon Athena goddess of wisdom and war students do not include it in the previous exercise. Demeter: goddess of earth and harvest Especially important is the idea that the ancient Greeks Dionysus god of wine and the theater believed in many gods, and that each god controlled some Hades god of the Underworld aspect of life on earth. Hera wife of Zeus, queen of the gods Hermes messenger god § Read several Greek or Roman myths as a class, or Pandora first woman, is given a box by Zeus individually. Discuss the ancient world as presented in the Poseidon god of the ocean myths. What can they now add to their chart under Know? Zeus king of the gods, ruler of Olympus Atalanta a human heroine, killed the Calydonian Boar § Discuss how they might act out one or more of the myths Centaur a mythical creature; half man, half horse Chimera a mythical creature with the head of a lion, that they read. What aspects of the myths might be difficult middle of a goat, tail of a poisonous snake to convey on stage? How might they solve the problem of Cyclops one­eyed giant staging the supernatural aspects of the myths? Medusa a dragon­like creature, turned men to stone Griffin a creature with the body of a lion, and head § Make sure to talk about the difference between seeing a live and wings of an eagle performance and watching a performance by an actor on Hydra nine­headed monster television or in the movies. Students need to know that they Minotaur half man, half bull are an important part of the show they are about to see. The Odysseus fought in the Trojan War, hero of the Odyssey actor gets energy from them, so they need to make sure to Perseus cut off head of Medusa Theseus hero of Athens, killed the Minotaur give their full attention during the performance. Chariot a two­wheeled, horse­drawn vehicle Chiton a garment worn by men and women Lyre a stringed instrument, similar to a harp River Styx river where the gods swear an unbreakable oath; AFTER THE PROGRAM § Discuss the myths that you heard in the program. Did you the river of death hear any of the ones you read? How were they different when you saw them acted out? CUT & MAKE MASKS § Talk about the ways that the actor was able to convey aspects of the story that were difficult to stage. How did he portray the monsters in the myths? How did he portray the supernatural elements? § Parts of the show are performed in rhyming couplets. Why do you think this style was used? Do you know the difference between perfect and imperfect rhyme? Select a myth, fable or fairy tale. Have students adapt different Template available at chariotusa.com. segments of the story in rhyming verse (try using perfect rhyme). Afterwards, put together and present in class. BOOKS § Ancient Greek World by Jennifer T. Roberts Have students draw a picture (or create a diorama) depicting Ancient Greece (FlashCharts Series) by FlashKids Editors a scene from their favorite myth. Then have them present The Life and Times of Archimedes by Susan Zannos their pictures to the class and explain why this was their Inside Ancient Athens by Fiona Macdonald favorite part. Tales of the Dead: Ancient Greece by Stewart Ross The Ancient Greeks at Home and Work by Don Nardo § The Adventures of Odysseus and The Tale of Troy by Padraic Colum Ask students write about a personal encounter they have with D'Aulaire's Book of Greek Myths by Ingri D'Aulaire an ancient Greek god. They could begin the story with Usborne Illustrated Guide to Greek Myths & Legends by Cheryl Evans something that really happened to them, and then add in the A Wonder Book: Heroes and Monsters…by Nathaniel Hawthorne Ancient Greece by Richard L. Tames meeting with the god, or they could make up all aspects of Mythology by Edith Hamilton the story. After writing, have them illustrate their tale. The MacMillan Book of Greek Gods and Heroes by Alice Low § Share pictures of buildings that have Greek or Roman design elements. Discuss these elements (arches, types of columns, YOUNG AUDIENCE OF CONNECTICUT etc.). Then have students keep an architectural notebook 3074 WHITNEY AVENUE BUILDING 2, 2 ND FLOOR where they document all the Greek or Roman design HAMDEN, CT 06518 elements they can find in their school, neighborhood, or 203­230­8101 tel 203­230­8131 fax home. [email protected] Page 2 of 2.
Recommended publications
  • Course Description Course Objectives & Goals Skills Assignments Time
    COMM 509 Classical Rhetorical Theory Spring 2019 – Section 20787r Mondays 3:30 – 6:20 pm 4 units Location: ASC 331 Instructor: G. Thomas Goodnight Office Hours: Monday 9:00 – 9:00 am Office: ASC 206a Contact Info: [email protected] 213-821-5384 Course Description The aim of the course is to introduce students to the cultural development of rhetoric as part of Greek art, literature, drama, philosophy and public practice during the classical enlightenment. The course will feature reading, report, discussions of primary texts, with key contemporary secondary works. The course will include rhetorical, dialectical, and aesthetic theories of human being, knowledge, practice and culture. The cultural forms of mapping, sports, medicine, well- being, and conflict will furnish topics for inquiry. Course Objectives & Goals Classical rhetoric is a tradition that begins from a constellation of cultural practices in the Mediterranean located in the bronze age and extends through writing into the formative literature and history of Hellenic times. The course familiarize students with the emergence of culture and symbolic forms that persist within and against codes of honor, the household, and the market. Cultural forms focus conflict, manifest antagonism, and generate opposition, controversy and debate. The political and normative cultural forms find articulation in moral instruction, political persuasion, ethical life, and aesthetic pleasures. The relationship of rhetoric to contemporary communication assemblies, problematics, resources, and speculative ventures serves as the broad focus of inquiry. Skills Students will (1) acquire a vocabulary for rhetorical studies, (2) be able to assemble and annotate authoritative sources, (3) be taught to map the influence of classical concepts over time, (4) appreciate international, forms of life in cultural expression.
    [Show full text]
  • LESSON PLAN Senator Robert F. Kennedy Speaks on Martin Luther King Jr
    LESSON PLAN Senator Robert F. Kennedy Speaks on Martin Luther King Jr. Analyzing Speeches Given on April 4 and 5, 1968 after the Death of Dr. King Gregory Thornton Collection / The Sixth Floor Museum at Dealey Plaza Grade 9th – 12th Time Two 90-minute class periods Brief Synopsis This lesson allows students to analyze, compare, and contrast Senator Robert Kennedy’s speeches after the assassination of Dr. Martin Luther King Jr. 1. Senator Robert F. Kennedy, “Statement on Assassination of Martin Luther King Jr.,” Indianapolis, April 4, 1968 2. Senator Robert F. Kennedy, “Remarks at the Cleveland City Club,” April 5, 1968 Lesson Plan | Robert Kennedy’s Speech Analysis and Comparison | 2020–2021 Page 1 of 21 Historic Context On April 3, 1968, Dr. Martin Luther King Jr. spoke in Memphis to a capacity crowd at the Mason Temple Church. He gave his final speech, the now-famous “Mountaintop” speech, in which he tells the audience, preparing to participate in protests that were to begin the next day, that “he may not get there with them.” Some feel it was foreshadowing his death – on April 4, 1968, Dr. Martin Luther King Jr. was assassinated in Memphis, Tennessee at the Lorraine Motel. Senator Robert F. Kennedy was campaigning in Indiana for the Democratic Nomination for President of the United States at that time, and he gave two speeches within 24 hours in response to Dr. King’s assassination: one was spontaneous and unscripted, and the other was prepared and scripted. Essential Questions 1. How do the two speeches by Senator Robert F.
    [Show full text]
  • IAU College Alumni E-Newsletter ______
    IAU College Alumni e-Newsletter ___________________________ Edition 12 November 2015 In This Issue Two Alumni Events: Save the Date! Princeton University and The Marchutz School of Fine Arts Trustees' Meeting Council of Academic Advisors #GivingTuesday Scholars at Risk Alumni Office in San Diego Alumni Visit IAU Campus Two Alumni Events: Save the Date! April 9, 2016 marks the date for a very special IAU Alumni reception at the lovely home of alumna Victoria Riskin (1965/66) in Santa Barbara, California. The Alumni Affairs and Development office will share more information about this very special #GivingTuesday evening in the next newsletter. IAU College is happy to announce that it will IAU College's 60th Anniversary Reunion - 'Vive IAU participate in #GivingTuesday, the annual global College!' - will be held on the weekend of June 8- initiative to support non-profit organizations during 11, 2017. Details of the weekend will be available soon! the holiday giving season. #GivingTuesday will be Following on from the success and popularity of our held on December 1, 2015, and will be promoted 50th anniversary reunion, there will be a host of with the hashtag #GivingTuesday on social media. activities, tours and events for alumni to enjoy, with IAU's 501(c)3 status as a US non-profit chances to revisit popular locations that alumni organization (tax ID# 52-6056979) enables the cherished during their student days in Aix. We will also Institute's participation in this fundraiser as showcase the progress IAU has made in the past ten a means to support our scholarship and other giving years and disclose our exciting plans for the future: 'Vive opportunities.
    [Show full text]
  • W. S. Gilbert & a Classic in Humour
    W. S. GILBERT A MID-VICTORIAN ARISTOPHANES BY EDITH HAMILTON & THE ENGLISH ARISTOPHANES BY WALTER SICHEL & A CLASSIC IN HUMOUR BY MAX BEERBOHM Edited 2011 by David Trutt Los Angeles, California, USA email: [email protected] Web Site: www.haddon-hall.com 2 INTRODUCTION Included herein are two lengthy essays which seek to relate the Victorian comic playwright W. S. Gilbert to the Greek comic poet Aristophanes. Aristophanes lived from about 450 BC to 385 BC, mostly under the shadow of the Peloponnesian War between Greece and Sparta, which eventually led to the downfall of Greece. He was the most celebrated writer of what is known as Old Comedy and the only one whose plays have survived in more than fragmentary form. Aristophanes is credited with writing at least forty plays, of which eleven have survived to the present. One critic states that “Savoy opera captures some of Aristophanes’ mingling of topsy- turvy fantasy and tripping rhythm. But in sheer poetic invention Aristophanes’ lacks a real successor.” This critic considers Aristophanes a master satirist, but the two authors, Edith Hamilton and Walter Sichel make a distinction between satire and irony. They claim that the plays of Aristophanes and Gilbert were displays of masterful irony; further they claim that in this genre Gilbert is on the same high level as Aristophanes. As Sichel writes, “Both Aristophanes and Gilbert were pure ironists. Direct satire maps out the country which it invades, but irony is always on the confines of ambiguous territory. As we survey its inhabitants they seem to be in perpetual somersaults — and yet they are always standing on their feet.” AND “That is Gilbert’s irony.
    [Show full text]
  • Seminar Readings
    SEMINAR READINGS Table of Contents Seminar Session 1: Page 1 • Oriah Mountain Dreamer, “The Invitation” Checking In • Rainer Maria Rilke, “Widening Circles” Tuesday, July 28 Seminar Session 2: Page 5 • Tony Hoagland, “The Hero’s Journey” • Susan Cain, “When Collaboration Kills Creativity” Collaborative • Edith Hamilton, “Xenophon” Leadership Wednesday, July 29 Seminar Session 3: Page 23 • Walter Isaacson, selections from “The Innovators” Our Collective • Dr. Martin Luther King Jr., “I’ve Been to the Mountaintop” Impact Thursday, July 30 Seminar Session 4: Page 45 • David Brooks, “The Moral Bucket List” Call to Action • W.H. Murray, “Commitment” Friday, July 31 SEMINAR SESSION 1 TUESDAY, JULY 28 “CHECKING IN” PAGE 1 THE INVITATION BY: ORIAH MOUNTAIN DREAMER It doesn't interest me what you do for a living. I want to know what you ache for and if you dare to dream of meeting your heart's longing. It doesn't interest me how old you are. I want to know if you will risk looking like a fool for love, for your dream, for the adventure of being alive. 5 It doesn't interest me what planets are squaring your moon. I want to know if you have touched the centre of your own sorrow, if you have been opened by life's betrayals or have become shrivelled and closed from fear of further pain. I want to know if you can sit with pain, mine or your own, without moving to hide it, or fade it, or fix it. 10 I want to know if you can be with joy, mine or your own; if you can dance with wildness and let the ecstasy fill you to the tips of your fingers and toes without cautioning us to be careful, be realistic, remember the limitations of being human.
    [Show full text]
  • Summer Assignment / Edith Hamilton's MYTHOLOGY
    Summer Assignment / Edith Hamilton’s MYTHOLOGY English I Honors (Grade 9) Many times, the terms “folk tale,” “fairy tale,” “legend," and “myth” are used interchangeably. Folk tales or fairy tales are usually purely imaginative, fictional stories intended to amuse, entertain, or teach. Legends are usually true stories of events in history but exaggerated for dramatic or humorous effect. Myths are imaginative stories resulting from man's attempt to understand the phenomena of nature or to explain cultural customs and rituals. Mythology is a way to explain things in the world that had no explanation before. Your summer reading assignment is Edith Hamilton’s Mythology: Timeless Tales of Gods and Heroes (1942). The book is long, but the reading is not difficult. It has been established as a popular classic, a valuable tool, and a necessary reference work that is essential for any well-read student. Much of the literature you will read in school will contain allusions to Greek, Roman, or Norse mythology. For example, a character in a novel may be described as narcissistic, as an Adonis, or as undertaking Herculean tasks; all of these are references to Greek myths. Recognizing the myth leads to greater understanding of the character. As Western culture traces its political, philosophical, and social roots back to Greek culture, mythological stories also serve as the subject for works of art, commercial products and advertisements, comic books, and much more. REQUIRED ACTIVITIES ¨ Reading Guide: Character Chart ¨ Short-answer Responses ¨ Creative Writing: Poetry ¨ “Magical Musings: Harry Potter in Greece?” and Open-ended Response ¨ Literary Crossword Puzzle READING GUIDE: CHARACTER CHART OLYMPIAN GODS & GODDESSES Greek name Roman name Realm SymboM T Facts / Characteristics Zeus Hera Poseidon Hades Athena Apollo Artemis Aphrodite Hermes Ares Hephaestrus Hestia Demeter Dionysus SHORT-ANSWER RESPONSES .
    [Show full text]
  • Plato (1961), the Collected Dialogues of Plato Including the Letters, Edited by Edith Hamilton and Huntington Cairns
    Costica BRADATAN Department of Philosophy, Miami University Email: [email protected] Jan Patočka’s Socratic Art of Dying “It is only thanks to death that our life serves us to express ourselves.” (Pier Paolo Pasolini) [Draft – please do not cite without the author’s permission] It happens sometimes that philosophers need something stronger than words to express themselves. In such cases, their words stop helping them, their arguments do not convince anyone anymore, and their remaining rhetorical tricks only betray their impotence. If these philosophers are not to remain completely voiceless, they must unfailingly appeal to some other means of expression, to some non-verbal or, better, trans-verbal ones. Yet, apparently, philosophy is in a structural way tied to the use of language and the art of writing, to the utterance of words and the production of texts. If philosophers’ words and texts become mute, then what is left to them? Contrary to the pessimistic view, there is something left. Under such radical circumstances, when words irremediably fail and any rhetoric only embarrasses itself, philosophers are still left with a very effective persuasive tool: namely, with their own lives – with their own bodies, with their own flesh. True, this would necessarily be their last trick, but, if used properly, it can prove to be a most powerful one. Socrates’ death was the most effective means of persuasion he ever used, and over the centuries he has come to be venerated not such much for what he did when he was alive, as precisely for the way in which he died.
    [Show full text]
  • Epics, Myth, and Modern Magic: Where Classics and Fantasy Collide
    Student Research and Creative Works Book Collecting Contest Essays University of Puget Sound Year 2015 Epics, Myth, and Modern Magic: Where Classics and Fantasy Collide Alicia Matz University of Puget Sound, [email protected] This paper is posted at Sound Ideas. http://soundideas.pugetsound.edu/book collecting essays/8 Alicia Matz Book Collecting Contest 2015 Epics, Myth, and Modern Magic: Where Classics and Fantasy Collide I really love books. So much so, that I happen to have a personal library of over 200 of them. The majority of this rather large collection is split two ways: modern fantasy novels and books on or from the classical antiquity. I started my fantasy collection at a very young age, with the books that formed my childhood: Harry Potter . While I had always been an avid reader, these books threw me into a frenzy. I just had to get my hands on fantasy books. I kept growing and growing my collection until my senior year in high school, when, as an AP Latin student, I read Vergil’s Aeneid in Latin. Although I had always had a love for ancient Greece and Rome, reading this work changed my life, and I decided to become a Classics major. Now when I go to the bookstore, the first place I browse is the fantasy section, and then I quickly move to the history section. Because of this, I have a lot of books on both of these topics. Ever since my freshman year I have wanted to submit a collection to the book collecting contest, but being the book aficionado that I am, I struggled to narrow down a theme.
    [Show full text]
  • 28 Maroufi.Pm7
    Chogollah Maroufi 173 Protagoras versus Socrates Chogollah Maroufi California State University, Los Angeles One of the central characteristics of liberal education has always been its intellectual integrity or authenticity. For Socrates this is manifested in his skepticism and “consistency” criteria; for Protagoras, in his relativism or Homo Mensura criterion, which means “man is the measure.” Mensura criterion is simply this: what seems to us to be the case is the case, and that is all we are able to claim if we are honest with ourselves. Claiming anything more is beyond our epistemic reach. This is an epistemology, which prevents us from making claims we cannot and we ought not. Mensura reveals to us that all human knowledge and values may ultimately turn out to be “relative” and that we may be imprisoned within the five walls of our senses; that we may only know what things seem to us and never what they may be in themselves. Such homocentric epistemology, however, does not have to leave us with epistemic doom and gloom. That we can, with some degree of confidence, know the world and even the ultimate reality from human perspective, and this by itself is enriching, fulfilling, and insightful. Simply put, knowledge requires a knower. However, this claim neither denies us knowledge nor truth. Any knower has inherent epistemic limitations and that she understands reality only from her own perspec- tive. Despite Plato’s caricaturization, the latter does not lead to epistemological egoism. Protagoras’s relativism entertains the possibility of cultural relativity and even universal relative knowledge and truth.
    [Show full text]
  • Alice Hamilton: the Making of a Feminist-Pragmatist Rhetor
    Georgia State University ScholarWorks @ Georgia State University Communication Theses Department of Communication 1-12-2006 Alice Hamilton: The Making of a Feminist-Pragmatist Rhetor Vicki J. McCoy Follow this and additional works at: https://scholarworks.gsu.edu/communication_theses Part of the Communication Commons Recommended Citation McCoy, Vicki J., "Alice Hamilton: The Making of a Feminist-Pragmatist Rhetor." Thesis, Georgia State University, 2006. https://scholarworks.gsu.edu/communication_theses/5 This Thesis is brought to you for free and open access by the Department of Communication at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Communication Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. DR. ALICE HAMILTON: THE MAKING OF A FEMINIST-PRAGMATIST RHETOR by VICKI J. MCCOY Under the Direction of James F. Darsey ABSTRACT Dr. Alice Hamilton (1869-1970), the leading American figure in industrial medicine during the early to mid-1900s, left behind a body of rhetoric that is important in the history of American feminist discourse and American public address. Her discourse is the exemplary of feminist-pragmatist rhetoric, a genre of cross-gender communication developed by New Women associated with Hull House and the University of Chicago between 1892 and 1918. Hamilton’s rhetoric illuminates a key event in the history of the American rhetorical tradition—the emergence of the modern woman from her late- Victorian beginnings through her Progressive self-transformation. This study is approached as a rhetorical biography. It tracks Hamilton’s evolution from “reticent scientist” to outspoken feminist-pragmatist by examining family, educational, peer and social influences on her development; and through critical analysis of her speeches, technical writing, books, and popular and specialty magazine articles over a 36-year period, from 1907 to 1943.
    [Show full text]
  • Howard U. Choir to Sing from the Philip Murray Memo- "For Pleasure.' Today She Holds ( of the Golden Age of Greece
    •• THE EVENING STAR, Washington, D. C. it[taught to read Greek and Latin I two close friends who "bullied”,i , | from the William Green Me- B-21 WEDNESDAY. ATKBL 17, 1987 byt her scholarly father at the 1'her into writing “the Greek Cathedral Windows > morial Fund, and the third is age of 7. Soon she was reading 1 Way,” a widely admired study JHoward U. Choir to Sing from the Philip Murray Memo- "for pleasure.' Today she holds ( of the golden age of Greece. A; To Honor Gompers, r rial Fund. a unique position in the world I few years latter she was "driven” The gifts come at the end of Edith Hamilton, Nearing of the classics. by her publishers into follow-iIn Boys Club Benefit Green, Murray the first year of union between typical of the the AFL the A expression ing up with “the Roman Way.”j American labor leaders Sam- _ and CIO and also | high regard in which she is The Howard University Chqir been underway since April 1. The during the 50th anniversary Her next was “Mythology,” a ; uel Gompers, William Green i 90, Feted by Friends [held was voiced some years ago will sing a benefit concert on concert will end the drive. 1 year of the Cathedral. |: by Brown, classic in its field. and Philip Murray will be John Mason the emi- April 27 for the Columbia The Columbia Heights Boys hon- They memorialize a Protes- Miss Edith Hamilton, the grand old lady of Washington : lecturer author, the After translating three Greek the nent and on Club to December, ored by memorial windows to tant (Green), a Catholic <Mur- literary scene, was a beloved guest of honor at a gathering of she ‘took to the Scrip- Heights Boys Clyb.
    [Show full text]
  • UNH Classics Program Pays Tribute to Edith Hamilton at Rouman Lecture April 21
    University of New Hampshire University of New Hampshire Scholars' Repository Media Relations UNH Publications and Documents 4-19-2010 UNH Classics Program Pays Tribute to Edith Hamilton at Rouman Lecture April 21 Lori Wright UNH Media Relations Follow this and additional works at: https://scholars.unh.edu/news Recommended Citation Wright, Lori, "UNH Classics Program Pays Tribute to Edith Hamilton at Rouman Lecture April 21" (2010). UNH Today. 3303. https://scholars.unh.edu/news/3303 This News Article is brought to you for free and open access by the UNH Publications and Documents at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Media Relations by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. UNH Classics Program Pays Tribute to Edith Hamilton at Rouman Lecture April 21 Page 1 of 1 Media Relations Home | Calendar | UNH Home Media Relations UNH Classics Program Pays Tribute To Edith Hamilton At Rouman Lecture April 21 Apr 19, 2010 DURHAM, N.H – Edith Hamilton was one of the most influential writers on the Classics during the 20th Century. This spring, the SHARE University of New Hampshire will pay tribute to a scholar that the New York Times described as the Classical scholar who Print “brought into clear and brilliant focus the Golden Age of Greek life and thought . with Homeric power and simplicity in her Email style of writing.” Subscribe This spring the annual John C. Rouman Lecture sponsored by Facebook the Classics Program at the University of New Hampshire will pay tribute to Hamilton.
    [Show full text]