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Luigne Breg and the Origins of the Uí Néill. Proceedings of the Royal Irish Academy: Archaeology, Culture, History, Literature, Vol.117C, Pp.65-99
Gleeson P. (2017) Luigne Breg and the Origins of the Uí Néill. Proceedings of the Royal Irish Academy: Archaeology, Culture, History, Literature, vol.117C, pp.65-99. Copyright: This is the author’s accepted manuscript of an article that has been published in its final definitive form by the Royal Irish Academy, 2017. Link to article: http://www.jstor.org/stable/10.3318/priac.2017.117.04 Date deposited: 07/04/2017 Newcastle University ePrints - eprint.ncl.ac.uk Luigne Breg and the origins of the Uí Néill By Patrick Gleeson, School of History, Classics and Archaeology, Newcastle University Email: [email protected] Phone: (+44) 01912086490 Abstract: This paper explores the enigmatic kingdom of Luigne Breg, and through that prism the origins and nature of the Uí Néill. Its principle aim is to engage with recent revisionist accounts of the various dynasties within the Uí Néill; these necessitate a radical reappraisal of our understanding of their origins and genesis as a dynastic confederacy, as well as the geo-political landsape of the central midlands. Consequently, this paper argues that there is a pressing need to address such issues via more focused analyses of local kingdoms and political landscapes. Holistic understandings of polities like Luigne Breg are fundamental to framing new analyses of the genesis of the Uí Néill based upon interdisciplinary assessments of landscape, archaeology and documentary sources. In the latter part of the paper, an attempt is made to to initiate a wider discussion regarding the nature of kingdoms and collective identities in early medieval Ireland in relation to other other regions of northwestern Europe. -
The Death-Tales of the Ulster Heroes
ffVJU*S )UjfáZt ROYAL IRISH ACADEMY TODD LECTURE SERIES VOLUME XIV KUNO MEYER, Ph.D. THE DEATH-TALES OF THE ULSTER HEROES DUBLIN HODGES, FIGGIS, & CO. LTD. LONDON: WILLIAMS & NORGATE 1906 (Reprinted 1937) cJ&íc+u. Ity* rs** "** ROYAL IRISH ACADEMY TODD LECTURE SERIES VOLUME XIV. KUNO MEYER THE DEATH-TALES OF THE ULSTER HEROES DUBLIN HODGES, FIGGIS, & CO., Ltd, LONDON : WILLIAMS & NORGATE 1906 °* s^ B ^N Made and Printed by the Replika Process in Great Britain by PERCY LUND, HUMPHRIES &f CO. LTD. 1 2 Bedford Square, London, W.C. i and at Bradford CONTENTS PAGE Peeface, ....... v-vii I. The Death of Conchobar, 2 II. The Death of Lóegaire Búadach . 22 III. The Death of Celtchar mac Uthechaib, 24 IV. The Death of Fergus mac Róich, . 32 V. The Death of Cet mac Magach, 36 Notes, ........ 48 Index Nominum, . ... 46 Index Locorum, . 47 Glossary, ....... 48 PREFACE It is a remarkable accident that, except in one instance, so very- few copies of the death-tales of the chief warriors attached to King Conchobar's court at Emain Macha should have come down to us. Indeed, if it were not for one comparatively late manu- script now preserved outside Ireland, in the Advocates' Library, Edinburgh, we should have to rely for our knowledge of most of these stories almost entirely on Keating's History of Ireland. Under these circumstances it has seemed to me that I could hardly render a better service to Irish studies than to preserve these stories, by transcribing and publishing them, from the accidents and the natural decay to which they are exposed as long as they exist in a single manuscript copy only. -
Honour and Early Irish Society: a Study of the Táin Bó Cúalnge
Honour and Early Irish Society: a Study of the Táin Bó Cúalnge David Noel Wilson, B.A. Hon., Grad. Dip. Data Processing, Grad. Dip. History. Submitted in partial fulfilment of the requirements of the degree of Masters of Arts (with Advanced Seminars component) in the Department of History, Faculty of Arts, University of Melbourne. July, 2004 © David N. Wilson 1 Abstract David Noel Wilson, Honour and Early Irish Society: a Study of the Táin Bó Cúalnge. This is a study of an early Irish heroic tale, the Táin Bó Cúailnge (The Cattle Raid of the Cooley). It examines the role and function of honour, both within the tale and within the society that produced the text. Its demonstrates how the pursuit of honour has influenced both the theme and structure of the Táin . Questions about honour and about the resolution of conflicting obligations form the subject matter of many of the heroic tales. The rewards and punishments of honour and shame are the primary mechanism of social control in societies without organised instruments of social coercion, such as a police force: these societies can be defined as being ‘honour-based’. Early Ireland was an honour- based society. This study proposes that, in honour-based societies, to act honourably was to act with ‘appropriate and balanced reciprocity’. Applying this understanding to the analysis of the Táin suggests a new approach to the reading the tale. This approach explains how the seemingly repetitive accounts of Cú Chulainn in single combat, which some scholars have found wearisome, serve to maximise his honour as a warrior in the eyes of the audience of the tale. -
THE WOOING of CHOICE: Prosimetric Reconstruction of the Female Journey in Irish Mythology
THE WOOING OF CHOICE: Prosimetric Reconstruction of the Female Journey in Irish mythology by Roxanne Bodsworth 2020 This thesis is submitted in fulfilment of the requirements for the degree of Doctor of Philosophy, Institute of Sustainable Industries and Liveable Cities, Victoria University. i Abstract: In “The Wooing of Choice: prosimetric reconstruction of the female journey in Irish mythology”, I examine the representation of female characters in Irish mythological tales where the woman chooses her lover in contravention of social expectations. In the traditional versions, the woman recedes into the background as the narrative develops around the male hero. I ask what happens to the discourse of the narrative when it is subverted so that the focus is placed upon the female experience. This is explored through a creative component, called ‘Meet Me in My World’, a prosimetric reconstruction of three Irish tales in which the woman chooses her lover and compels him to follow her. The three tales are: Aislinge Óengusso (The Dream of Óengus); Tóruigheacht Dhiarmada agus Ghráinne (The Pursuit of Diarmaid and Gráinne); and Longes mac nUislenn (The Exile of the Sons of Uisliu). The exegetical component, comprising 50% of the thesis, is composed of two sections. In the first, I examine theories of feminist writing and remythologizing, and develop a new model for feminist reconstruction, which I apply to the creative product. In the second section, I explore the relationship between narrative and poetry, from medieval prosimetric translations to contemporary hybrid texts, and consider which form provides the best framework for my female-centred narrative and the verse. -
Irish National Imagination Through Mythology and Materiality
College of the Holy Cross CrossWorks English Honors Theses English Department 5-11-2020 The Poetry of History: Irish National Imagination Through Mythology and Materiality Ryan Fay College of the Holy Cross, [email protected] Follow this and additional works at: https://crossworks.holycross.edu/engl_honor Part of the Celtic Studies Commons, European History Commons, Folklore Commons, and the Literature in English, British Isles Commons Recommended Citation Fay, Ryan, "The Poetry of History: Irish National Imagination Through Mythology and Materiality" (2020). English Honors Theses. 1. https://crossworks.holycross.edu/engl_honor/1 This Departmental Honors Thesis is brought to you for free and open access by the English Department at CrossWorks. It has been accepted for inclusion in English Honors Theses by an authorized administrator of CrossWorks. The Poetry of History: Irish National Imagination Through Mythology and Materiality Ryan Fay English Honors Program Adviser: Professor Melissa Schoenberger Reader: Professor Paige Reynolds Fay 2 Table of Contents Abstract………………………………………………………………………………………………………………………….4 Preface…………………………………………………………………………………………………………………………...7 Chapter 1—Gendered Modalities of Power: Historico-Poetics Through Medieval Irish Poetry…………………………………………………………………………………………………………………………...9 - Introduction - Part One—Traditional Bardic Poetry: A Contested Culture - Part Two—An Táin Bó Cúailnge: Queen Medb - Part Three—An Táin Bó Cúailnge: Sétanta, Cúchulainn - Conclusion: History, Land, Narrative, and Viscera Chapter -
Robert Graves the White Goddess
ROBERT GRAVES THE WHITE GODDESS IN DEDICATION All saints revile her, and all sober men Ruled by the God Apollo's golden mean— In scorn of which I sailed to find her In distant regions likeliest to hold her Whom I desired above all things to know, Sister of the mirage and echo. It was a virtue not to stay, To go my headstrong and heroic way Seeking her out at the volcano's head, Among pack ice, or where the track had faded Beyond the cavern of the seven sleepers: Whose broad high brow was white as any leper's, Whose eyes were blue, with rowan-berry lips, With hair curled honey-coloured to white hips. Green sap of Spring in the young wood a-stir Will celebrate the Mountain Mother, And every song-bird shout awhile for her; But I am gifted, even in November Rawest of seasons, with so huge a sense Of her nakedly worn magnificence I forget cruelty and past betrayal, Careless of where the next bright bolt may fall. FOREWORD am grateful to Philip and Sally Graves, Christopher Hawkes, John Knittel, Valentin Iremonger, Max Mallowan, E. M. Parr, Joshua IPodro, Lynette Roberts, Martin Seymour-Smith, John Heath-Stubbs and numerous correspondents, who have supplied me with source- material for this book: and to Kenneth Gay who has helped me to arrange it. Yet since the first edition appeared in 1946, no expert in ancient Irish or Welsh has offered me the least help in refining my argument, or pointed out any of the errors which are bound to have crept into the text, or even acknowledged my letters. -
Abbey Theatre, 443, 544; Rioting At, 350 Abbot, Charles, Irish Chief Secretary, 240 Abercorn Restaurant, Belfast, Bomb In, 514 A
Cambridge University Press 978-0-521-19720-5 - Ireland: A History Thomas Bartlett Index More information INDEX Abbey Theatre, 443, 544; rioting at, 350 247, 248; and Whiteboys, 179, 199, Abbot, Charles, Irish chief secretary, 240 201, 270 Abercorn restaurant, Belfast, bomb in, 514 Ahern, Bertie, Taoiseach, 551, 565;and Aberdeen, Ishbel, Lady, 8 Tony Blair, 574; investigated, 551;and abortion, in early Ireland, 7; in modern peace process talks (1998), 566 Ireland, banned, 428, 530–1; Aidan, Irish missionary, 26 referendum on, 530; see ‘X’case AIDS crisis see under contraception ActofAdventurers(1642), 129 Aiken, Frank, 419, 509; minister of defence, ActofExplanation(1665), 134 440; wartime censorship, 462 Act to prevent the further growth of popery aislingı´ poetry, 169 (1704), 163, 167, 183 Al Qaeda, attacks in United States, 573 Act of Satisfaction (1653), 129 Albert, cardinal archduke, 97 ActofSettlement(1652), 129 alcohol: attitudes towards in Ireland and ActofSettlement(1662), 133 Britain, nineteenth century, 310; Adams, Gerry, republican leader, 511, consumption of during ‘Celtic Tiger’, 559–60, 565; and the IRA, 522;and 549; and see whiskey power-sharing, 480–1; and strength of Alen, Archbishop John, death of, 76 his position, 569; and study of Irish Alen, John, clerk of council, 76 history, 569; and talks with John Hume, Alexandra College, Dublin, 355 559, 561; and David Trimble, 569;and Alfred, king, 26 visa to the United States, 562; wins Algeria, 401 parliamentary seat in West Belfast, Allen, William, Manchester Martyr, 302 526 -
König Von Irland« Fiktion Und Wirklichkeit Teil I: Oberherrscher Und Oberherrschaft in Irland
Bonner Beiträge zur Keltologie, Band 2 Rí Érenn — »König von Irland« Fiktion und Wirklichkeit Teil I: Oberherrscher und Oberherrschaft in Irland Rí Érenn — »König von Irland« Fiktion und Wirklichkeit Teil I: Oberherrscher und Oberherrschaft in Irland (Teil II: Texte und Übersetzungen, Register) Gisbert Hemprich curach bhán publications 2015 Berlin Bibliographische Information der Deutschen Nationalbibliothek Die Deutschen Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliographie; detaillierte bibliographische Daten sind im Internet unter http://dnb.ddb.de abrufbar. Gisbert Hemprich: Rí Érenn — »König von Irland«: Fiktion und Wirklichkeit Teil I: Oberherrscher und Oberherrschaft in Irland Teil II: Texte und Übersetzungen, Register (In zwei Teilbänden.) Bonner Beiträge zur Keltologie; 2 Schriftenreihe des Instituts für Anglistik, Amerikanistik und Keltologie, Abteilung Keltologie, der Rheinischen Friedrich-Wilhelms-Universität Bonn, herausgegeben von Gisbert Hemprich. ISBN: 978-3-942002-19-6 ISSN: 1869-053X Zugleich Dissertation Friedrich-Schiller-Universität Jena 2006. Copyright 2015 Gisbert Hemprich und curach bhán publications – daniel büchner Verlag für Kunst & Kulturwissenschaften Malplaquetstr. 25 — D-13347 Berlin — Germany http://www.curach-bhan.com Alle Rechte, auch die der Übersetzung, des auszugsweisen Nachdrucks, der Herstellung von Microfilmen, der digitalen und fotomechanischen Wiedergabe, vorbehalten. All rights reserved. No part of this book may be reprinted or reproduced or utilised in any electronic, mechanical or other means, including photocopying and recording, or otherwise without prior written consent of the publishers. Gedruckt auf säurefreiem und alterungsbeständigem Papier gemäß ISO9706. Satz: curach bhán publications Druck: SDL Digitaler Buchdruck, Berlin Printed in Germany 2015 Vorwort Eine Untersuchung zu den „Königen von Irland“ (ríg Érenn) — das klingt nach einem griffigen, längst abgehandelten Thema. -
Celtic Woman's Manifesto Journeybook
Celtic Woman's Manifesto celticembodiment.com Celtic Woman's Manifesto I stand and face the East I give thanks that I have risen on this day Guided from my slumber by the light of the rising sun I let the waves of the Irish sea wash me into flow I am the Selkie reclaiming my own skin. I stand and face the South A golden mist of enchantment descends on me As I walk into Brigid’s fire, the exalted flame I stir my cauldron of creativity And drink its potent brew. I stand and face the West The wild landscape of the setting sun Home to Warrior Queen Medb, she who intoxicates I am rooted in my power, my sovereignty, this earthly body My ghostly fear is my weak opponent. I surrender to my truth. I stand and face the North The bitter wind blows lifeforce into my bones As the Cailleach fattens me in her apron, in wisdom’s embrace The voices of my ancestors whisper “It’s time to come home” - to come home to me. I stand in the Heart of this land Dancing to the rhythm of its sacred beat I am ready to unfold into my life With the shapeshifting grace of Étaín I am ready for my beautiful becoming. CELTIC SCHOOL OF EMBODIMENT | PAGE 01 Mythical Women and Pronounciation Selkie ("SEHL-kee") - The East Means 'Seal Folk'. A selkie is a shapeshifting* mythical creature that resembles a seal in the water but assumes human form on land. Stories of selkies feature in Irish, Scottish, and Nordic folklore. -
Ancient Irish Rhetoric
Rhetoric of Myth, Magic, and Conversion: Ancient Irish Rhetoric Of our conflicts with others we make rhetoric; of our conflicts with ourselves we make poetry—William Butler Yeats Our first tendency is to look outside Europe when searching for ancient rhetorics that do not follow the Greco-Roman tradition. After all, much of European culture was strongly influenced by Roman culture, especially following the conquests of Julius Caesar in 58-51 BCE and subsequent conquests that brought most of Europe under Roman control. Rome’s civic practices, including variations of Greco-Roman rhetoric, were eventually taught in most parts of the continent. Even after the fall of the Roman Empire in 476 A.D., Greco-Roman rhetoric continued to flourish in Europe, because St. Augustine, a generation earlier, had re-purposed it for the Roman Catholic Church in his On Christian Doctrine (426 A.D.). Ireland, however, offers us an interesting exception to Romanized Europe. The island’s remoteness allowed it to preserve much of its Celtic culture while keeping at arm’s length the cultural influences of Rome and much of medieval Europe. The Irish traded with the Roman world, and eventually they were converted to Christianity after the arrival of St. Patrick in 431 AD. Nevertheless, Irish culture stood apart from European culture, especially during the crucial period of the so-called “Dark Ages” from the fifth to ninth centuries. It was not until the date 1172 AD, when England’s Henry II conquered Ireland, that we might mark Ireland’s capitulation to European civic and educational practices—and then only as a conquered people. -
Cuchulain of Muirtheme
Cuchulain of Muirtheme Lady Gregory Cuchulain of Muirtheme Table of Contents Cuchulain of Muirtheme..........................................................................................................................................1 Lady Gregory.................................................................................................................................................1 Dedication of the Irish Edition to the People of Kiltartan.............................................................................1 Note by W.B. Yeats.......................................................................................................................................2 Notes by Lady Gregory..................................................................................................................................3 Preface by W. B. Yeats...........................................................................................................................................12 I. Birth of Cuchulain....................................................................................................................................15 II. Boy Deeds of Cuchulain..........................................................................................................................18 III. Courting of Emer...................................................................................................................................23 IV. Bricrius Feast.........................................................................................................................................34 -
The Violent Death of Derbforgaill”
Aided Derbforgaill “The violent death of Derbforgaill” Aided Derbforgaill “The violent death of Derbforgaill” A critical edition with introduction, translation and textual notes Kicki Ingridsdotter Dissertation presented at Uppsala University to be publicly examined in Ihresalen, Språkvetenskapligt centrum, Engelska parken, Uppsala, Friday, June 12, 2009 at 10:15 for the degree of Doctor of Philosophy. The examination will be conducted in English. Abstract Ingridsdotter, K. 2009. Aided Derbforgaill “The violent death of Derbforgaill”. A critical edition with introduction, translation and textual notes. Engelska institutionen. 129 pp. Uppsala. ISBN 978-91-506-2083-2. This dissertation contains a critical edition of the early Irish tale Aided Derbforgaill “The violent death of Derbforgaill”. It includes an introduction discussing the main thematic components of the tale as well as intertextuality, transmission and manuscript relationship. The edition is accompanied by transcripts from the three manuscript copies of the tale and textual notes. Aided Derbforgaill is an Ulster Cycle tale and belongs to a category of tales describing the death of prominent heroes, rarely heroines, in early Irish literature. Arriving in the shape of a bird to mate with the greatest of all heroes, Cú Chulainn, Derbforgaill is refused by Cú Chulainn on account of him having sucked her blood. Forced to enter a urination competition between women, and upon winning this, Derbforgaill is mutilated by the other competitors. The tale ends with two poems lamenting the death of Derbforgaill. This very short tale is complex, not only in its subject matter, but in the elliptical language of the poetry. Thematically the tale is a combination of very common motifs found elsewhere in early Irish literature, such as the Otherworld, metamorphosis and the love of someone unseen, and some rare motifs that are almost unique to this tale, such as blood sucking and the urination competition.