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The Role of Pawnshops in Risk Coping in Early Twentieth-Century Japan∗ Tatsuki Inoue†
The role of pawnshops in risk coping in early twentieth-century Japan∗ Tatsuki Inoue† Abstract This study examines the role of pawnshops as a risk-coping device in prewar Japan. Using data on pawnshop loans for more than 250 municipalities and exploiting the 1918–1920 influenza pandemic as a natural experiment, we find that the adverse health shock increased the total amount of loans from pawnshops. This is because those who regularly relied on pawnshops borrowed more money from them than usual to cope with the adverse health shock, and not because the number of people who used pawnshops increased. Keywords: Pawnshop; Risk-coping strategy; Borrowing; Influenza pandemic; Prewar Japan ∗ I would like to express my gratitude to Tetsuji Okazaki, Kota Ogasawara, and participants at the Economic History Society Annual Conference 2019 at Queen’s University Belfast and 2019 Japanese Economic Association Spring Meeting at Musashi University for their helpful comments. This work was supported by Grant-in-Aid for JSPS Fellows (Grant Number: 17J03825). Any errors are my own. † Graduate School of Economics, The University of Tokyo, Akamon General Research Building, 3F 353, 7-3-1, Hongo, Bunkyo-ku, Tokyo 113-0033, Japan. E-mail: inoue- [email protected]. 1 Introduction Most industrialized countries were characterized by huge income inequality before World War II (Piketty 2014). Since formal systems of social insurance were underdeveloped, the poor were more vulnerable to unforeseen accidents such as illness than today’s poor people in developed countries. Furthermore, an increase in migration removed people from the traditional informal social insurance systems provided by their local communities (Gorsky 1998). -
University Microfilms International 300 North Zeeb Road Ann Arbor, Michigan 48106 USA St
INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation. -
The Roots of the Fondazione Roma: the Historical Archives
The Historical Archives are housed in the head-offices of the Fondazione Roma, situated in the THE ROOTS OF THE FONDAZIONE ROMA: THE HISTORICAL prestigious Palazzo Sciarra which was built in the second half of the sixteenth century by the ARCHIVES Sciarra branch of the Colonna family who held the Principality of Carbognano. Due to the beauty of the portal, the Palace was included amongst the ‘Four Wonders of Rome’ together with the In 2010, following a long bureaucratic procedure marked by the perseverance of the then Borghese cembalo, the Farnese cube and the Caetani-Ruspoli staircase. During the eighteenth Chairman, now Honorary President, Professor Emmanuele F.M. Emanuele, Fondazione Roma century, Cardinal Prospero Colonna renovated the Palace with the involvement of the famous acquired from Unicredit a considerable amount of records that had been accumulated over five architect Luigi Vanvitelli. The Cardinal’s Library, the small Gallery and the Mirrors Study, richly hundred years, between the sixteenth and the twentieth century, by two Roman credit institutions: decorated with paintings, are some of the rooms which were created during the refurbishment. the Sacro Monte della Pietà (Mount of Piety) and the savings bank Cassa di Risparmio. The documents are kept inside a mechanical and electric mobile shelving system placed in a depot The Honorary President Professor Emanuele declares that “The Historical Archives are a precious equipped with devices which ensure safety, the stability and constant reading of the environmental source both for historians and those interested in the vicissitudes of money and credit systems and indicators and respect of the standards of protection and conservation. -
MAGAZINE from MEDIEVALISTS.NET the Medieval Magazine Volume 3 Number 4 March 2, 2017
MEDIEVAL STUDIES MAGAZINE FROM MEDIEVALISTS.NET The Medieval Magazine Volume 3 Number 4 March 2, 2017 Miniature of Christine de Pizan breaking up ground while Lady Reason clears away letters to prepare for the building of the City of Ladies. Additional 20698 f. 17 (Netherlands, S. (Bruges) (The British Library). Philippa of Hainault & WomenBook Review of the Medici Travel Tips Anne of Bohemia Eleanor of Toledo The Uffizi The Medieval Magazine March 2, 2017 31 Etheldreda & Ely Cathedral 6 The Queenships of Philippa of Hainault and Anne of Bohemia 28 Book Tour: The Turbulent Crown 37 Travel Tips: Firenze - The Uffizi 57 Queen of the Castle Table of Contents 4 Letter from Editors 6 Intercession and Motherhood: Queenships of Philippa of Hainault and Anne of Bohemia by Conor Byrne 21 Conference News: Medieval Ethiopia at U of Toronto 22 Book Excerpt: Everyday Life in Tudor London by Stephen Porter 28 Book Tour: The Turbulent Crown by Roland Hui 31 Etheldreda: Queen, Abbess, Saint by Jessica Brewer 53 Historic Environment Scotland: Building relationships with metal detectorists 57 Queen of the Castle: Best Medieval Holiday Homes on the Market 63 Book Review: A Medieval Woman's Companion by Susan Signe Morrison 66 Leprosy and Plague at St. Giles in the Fields by Rebecca Rideal Regular Features 20 Talk the Talk - Old Italian, "Fáte Sángue" 27 Building the Medieval - Lady Chapel THE MEDIEVAL MAGAZINE 37 Travel Tips - Florence Editors: Sandra Alvarez and Danielle Trynoski 46 Londinium - Museum of London Website: www.medievalists.net This digital magazine is published bi-monthly. 52 Art/ifact Spotlight - Spindle Whorls & Loom Weights Cover Photo Credit: British Library In Honour of Women “We cannot live in a world that is interpreted for us by others. -
“Unlucky in Affairs of Business….” Turning Points in the Life of Lorenzo
“Unlucky in affairs of business….” Turning Points in the life of Lorenzo de Medici Harry Don Stephenson, Jr. Faculty Advisor: Thomas Robisheaux, Ph.D. Fred W. Schaffer Professor of History History Department November 2015 This project was submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Graduate Liberal Studies Program in the Graduate School of Duke University. Copyright by Harry Don Stephenson, Jr. 2015 i Contents Abstract ………………………………………………………………………………………………………………………………….…iii List of Tables and Figures ……………………………………………………………………………………………………….…iv Acknowledgements …………………………………………………………………………………………………………………..v Introduction ………………………………………………………………………………………………………………………………1 Chapter One: Banking in Fifteenth Century Italy………………………………………………………………………. 5 Chapter Two: Family Tree ………………………………………………………………………………………………………...12 Chapter Three: Lorenzo in Rome – 1466 ………………………………………………………………………………….. 30 Chapter Four: The Pazzi Conspiracy- April 1478 ………………………………………………………………………. 36 Chapter Five: The Pazzi War – 1479-1480 ………………………………………………………………………………….50 Chapter Six: Restoration with Rome - 1488 …………………………………………………………………………….. 59 Chapter Seven: Conclusion ……………………………………………………………………………………………………… 66 Bibliography ii Abstract The Medici family name is inextricably tied to Florence and the Italian Renaissance. For three hundred and fifty years, through twelve generations, the Medici lived in, work in, and to a considerable degree ruled the city. No Medici name rises higher in recorded history than Lorenzo di Piero de’ Medici. Lorenzo il Magnifico is remembered as a patron of the arts, poet, humanist, diplomat and savior of Florence during the Pazzi War. His legacy as a competent banker, manager and caretaker of the family business empire is sadly much less triumphant. Through the “quirks of genealogical fortune”, including a string of untimely deaths of male members of the Medici, Lorenzo found himself to be the sole owner of the Medici Bank in its sixth decade of business. -
The New World Mythology in Italian Epic Poetry: 1492-1650
THE NEW WORLD MYTHOLOGY IN ITALIAN EPIC POETRY: 1492-1650 by CARLA ALOÈ A thesis submitted to the University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Department of Italian Studies School of Languages, Cultures, Art History and Music College of Arts and Law University of Birmingham September 2015 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT My thesis explores the construction of the New World mythology as it appears in early modern Italian epic poems. It focuses on how Italian writers engage with and contribute to this process of myth-creation; how the newly created mythology relates to the political, social and cultural context of the time; and investigates extent to which it was affected by the personal agendas of the poets. By analysing three New World myths (Brazilian Amazons, Patagonian giants and Canadian pygmies), it provides insights into the perception that Italians had of the newly discovered lands in the Sixteenth and Seventeenth Centuries, as well as providing a greater understanding of the role that early modern Italy had in the ‘invention’ of the Americas. -
Betting on the Papal Election in Sixteenth-Century Rome John M
Number 32 May 2015 Center for Gaming Research Occasional Paper Series University Libraries University of Nevada, Las Vegas Betting on the Papal Election in Sixteenth-Century Rome John M. Hunt ABSTRACT: Wagering on the papal election was a popular pastime among all levels of society in sixteenth-century Rome. Brokers and their clients kept well-informed of the election taking place within the closed doors of the con- clave. Consequently, wagering on the election proved to be a source of disruption since—intentionally or not—it begat rumors of a pope’s election and spurred brokers to use illicit means of discovering the secrets of the conclave. The papacy thus initiated a campaign against the practice during the last twenty-five years of the sixteenth century. This campaign, partially inspired by the Counter-Reformation’s impulse to reform popular mores, proved successful as wagering on papal elections disappeared after 1592. Keywords: Rome, sixteenth century, popes, conclave, papal elections, wagering, the Banchi, avvisi, scommesse, Counter Reformation, papacy Preferred Citation: John M. Hunt, “Betting on the Papal Election in Sixteenth-Century Rome,” Occasional Paper Series, 32. Las Vegas, Center for Gaming Research, University Libraries, 2015. Few events excited the people of Rome more than The reality, however, was another picture altogeth- the election of the pope, the holy father of the Catho- er. Despite being closed up in the conclave and with lic Church and the supreme prince of the Eternal City. thousands of guards levied to watch over them in the Rome sat in the center of a great political process that Vatican Palace, the cardinals and election itself could would determine not only its future but that of the en- never escape influence from without. -
The Evolution of the Medici Portrait: from Business to Politics
THE EVOLUTION OF THE MEDICI PORTRAIT: FROM BUSINESS TO POLITICS A Thesis Submitted to the Office of Graduate Studies College of Arts and Sciences of John Carroll University in Partial Fulfillment of the Requirements for the Degree of Master of Arts By Mark J. Danford Spring, 2013 This thesis of Mark Danford is hereby accepted ________________________________________ ____________________ Reader – Dr. Edward Olszewski Date ________________________________________ ____________________ Reader – Dr. Brenda Wirkus Date ________________________________________ ____________________ Advisor – Dr. Linda Koch Date I certify that this is the original document ________________________________________ ____________________ Author – Mark J. Danford Date Acknowledgements There are many people I would like to thank for their encouragement and support during my graduate studies. I would like to thank the following people at John Carroll University: Dr. William Francis Ryan for introducing me to the Humanities Program; Dr. Brenda Wirkus for advising me and working with my hectic schedule so that I could complete my studies; and Dr. Linda Koch for providing me with an excellent foundation in the field of Art History as well as taking the extra time out of her schedule in order to be my thesis advisor. I would also like to thank Dr. Edward Olszewski from Case Western Reserve University for agreeing to be an additional reader of my thesis and offering his expertise concerning Florence and the Medici. I would like to thank the following people for making my research a little easier and offering me access to the curatorial files in their respective institutions: Andrea Mall from Registration at the Toledo Museum of Art; Anne Halpern from the Department of Curatorial Records at the National Gallery of Art; and Jennifer Vanim from the department of European Painting & Sculpture before 1900 at the Philadelphia Museum of Art. -
Informal Financing of Small-Scale Enterprises in Sri Lanka
GERMAN DEVELOPMENT INSTITUTE GDI Informal Financing of Small-Scale Enterprises in Sri Lanka Kathrin Berensmann Karl Bartels Heike Höffler Kathrein Hölscher Karen Losse Johannes Majewski GERMAN DEVELOPMENT INSTITUTE Informal Financing of Small-Scale Enterprises in Sri Lanka Kathrin Berensmann Karl Bartels Heike Höffler Kathrein Hölscher Karen Losse Johannes Majewski Reports and Working Papers 10/2002 Bonn 2002 © German Development Institute Tulpenfeld 4 · D-53113 Bonn Telephone +49 (0)228 94927-0 · Fax +49 (0)228 94927-130 [email protected] www.die-gdi.de ISBN 3-88985-248-3 Preface Microfinance is one oft the most successful tools of development policy. Nevertheless, there is a consider- able gap between demand and supply in microfinance. Demand for microcredits cannot be satisfied by for- mal and semi-formal suppliers. This also holds true for Sri Lanka, even though many microfinance institu- tions there supply credits. This gap is closed by informal credit suppliers in Sri Lanka. However, the credit supply of informal financial actors such as moneylenders and ROSCAs is inadequate because credit condi- tions are unfavourable. Moneylenders, for example, charge very high interest rates compared with suppliers from the formal or semi-formal financial sector, and moneylenders sometimes adopt illegal practices. Despite the important role of informal credit suppliers for microfinance, they have until now been the subject of very little research in Sri Lanka. Clearly, it is very difficult to approach informal credit suppliers, par- tic ularly moneylenders. Nevertheless, our research team managed to conduct a number of interviews with the two most important informal suppliers of credit: moneylenders and ROSCAs. -
PD 1 Book.Ind
FAMILY HISTORY RESEARCH The French Connection Volume One by Patrick Delaforce FAMILY HISTORY RESEARCH: The French Connection by Patrick Delaforce This is a book designed and produced to interest and encourage readers to delve back into the centuries in search of their ancestry. Interest in Family History research has grown considerably and is now widespread. A hundred regional Family History Societies cover the U.K. with a total membership of over 50,000 families. Another hundred societies are to be found in America, Australia, Canada and New Zealand, with over 1,000,000 families as members. The romantic story of the Delaforces over the last five hundred years has been carefully researched. Step by step the reader is shown how the research was accomplished using dozens of different sources. Genealogy is the construction of a family tree, but Family History research puts flesh on the bare bones. Delaforces were diplomats and fishmongers, Kingsʼ men and silk weavers, Secret Agents and wine shippers, French Huguenots and pawnbrokers. A very detailed chapter lists 500 cross-indexed Sources in the U.K. for the reader and would-be Family Historian. Other chapters bring to life the discovery of American, Australian and Canadian families with appropriate local sources of family history research for readers interested in locating possible relatives in those countries. Twelve pages of old prints, certificates, wills and photographs illustrate the by-gone centuries. The book jacket cover depicts the dramatic landing of the French Huguenot refugees -
Sofonisba Anguissola's Bernardino Campi Painting
SOFONISBA ANGUISSOLA’S BERNARDINO CAMPI PAINTING SOFONISBA ANGUISSOLA AND THE IDEAL CORTEGIANA By Claire E. Sandberg Submitted to the Faculty of the College of Arts and Sciences of American University in Partial Fulfillment of the Requirements for the Degree of Master of Arts In Art History Chair: Dr. Kim Butler Wingfield, Ph.D. Dr. Andrea Pearson, Ph.D. Dean of the College of Arts and Sciences April 29, 2020 Date 2020 American University Washington, D.C. 20016 © COPYRIGHT by Claire E. Sandberg 2020 ALL RIGHTS RESERVED SOFONISBA ANGUISSOLA’S BERNARDINO CAMPI PAINTING SOFONISBA ANGUISSOLA AND THE IDEAL CORTEGIANA BY Claire E. Sandberg ABSTRACT Italian Renaissance artist Sofonisba Anguissola is well-known for the array of self- portraits she painted during her early career. Through her self-portraits created between 1548 and 1559, Sofonisba constructed her identity as a virtuous young noblewoman and skilled artist. One key to Sofonisba’s portraiture was her adaptation of the ideas prescribed by humanist Baldassar Castiglione in his famous text The Courtier in order to depict herself as the ideal female courtier. Sofonisba’s courtly self-fashioning reached its pinnacle with her 1559 self-portrait Bernardino Campi Painting Sofonisba Anguissola, which was among the last works Sofonisba completed before she was invited to join the Spanish court of Philip II as a lady-in-waiting-cum-painter. This thesis examines the means by which Sofonisba strategically shaped her identity for a court position in her 1559 portrait. I argue she utilized accepted principles for 16th century noble portraiture and costuming, the secondary figure of her former painting teacher, and courtly wit as described by Castiglione, to portray herself as the ideal noblewoman and to firmly secure her position as the first professional female “noble artist” at court. -
Portrait of a Lady, Possibly the Poet Maddalena Salvetti
Bartolommeo Traballesi (Florence c. 1540 - Florence 1585) Portrait of a Lady, possibly the Poet Maddalena Salvetti (1557-1610), in a Green Dress and Pearls, Standing at a Draped Table, with a Pet Squirrel oil on panel, the reverse branded with the mark ‘A•A’ 97.2 x 73.7 cm (38¼ x 29 in) This elegantly aloof and elevated portrait, possibly of the poet Maddalena Salvetti (c.1557-1610), has recently been attributed as a rare work by the Florentine artist, Bartolommeo Traballesi. Previous attributions have been made to Agnolo Bronzino (1503-1572) - and later his school - and Tommaso Manzuoli, called Maso da San Friano (1536-1571).¹ It is likely that this portrait was commissioned to celebrate the marriage in 1572 of Maddalena Salvetti to Zanobi Acciaiolli (1548-1613), a commander in the Order of Saint Stephen - a dynastic military order founded in 1561 by Cosimo I de’ Medici (1519-1574). In its early years, the Order successfully took part in the Spanish wars against the Ottomans, being present at the siege of Malta (1565), the Battle of Lepanto (1571) and the capture of Annaba in Algeria. 125 Kensington Church Street, London W8 7LP United Kingdom www.sphinxfineart.com Telephone +44(0)20 7313 8040 Fax: +44 (0)20 7229 3259 VAT registration no 926342623 Registered in England no 06308827 The Acciaioli were a prominent Florentine banking family (Compagna di Ser Leone degli Acciaioli e de’ suoi consorti) whose business spread from Greece to Western Europe. During the mid-fourteenth century Bishop Angiolo Acciaioli (1298-1357) briefly ruled Florence and subsequently from about 1390 until 1460, the family ruled the Duchy of Athens, maintaining close ties with the younger branch of the Medici through the marriage of Laudomia Acciaioli to Pierfrancesco de’ Medici (1430-1436).