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Walter Hasenclever
Gregor Ackermann Walter Hasenclever Weitere Hinweise zur Überlieferung seiner Werke Eine Handreichung für seine Leserinnen und Leser . JUNI ONLINES 4 Mönchengladbach 2020 Impressum: JUNI ONLINES werden herausgegeben von Gregor Ackermann und Walter Delabar. Sie sind ausschließlich auf der Website des JUNI Magazins erhältlich und liegen ansonsten nicht im Druck vor. Sie dürfen unentgeltlich heruntergeladen und verwendet werden. Wir bitten bei Verwendung um den eindeutigen Quellenverweis mit Verweis auf die Bezugsquelle (www.juni-magazin.de). Alle Rechte liegen bei den Autoren: © Gregor Ackermann. Zitieren Sie JUNI ONLINES 4 bitte folgendermaßen: Gregor Ackermann: Walter Hasenclever. Weitere Hinweise zur Überlieferung seiner Werke Mönchengladbach 2020 (JUNI ONLINES 4). Auf: juni-magazin.de/Onlines (Datum des Zugriffs). Mönchengladbach, den 28. August 2020 2 Walter Hasenclever Weitere Hinweise zur Überlieferung seiner Werke Eine Handreichung für seine Leserinnen und Leser Die nachfolgenden Hinweise ergänzen und korrigieren die in Hasenclevers Sämtlichen Werken dokumentierte Drucküberlieferung und die kleine Broschüre des Verfassers aus dem Jahr 2015. Erfasst werden nun auch postume Übersetzungen von Hasenclevers Werken; die Berichterstattung wird sukzessive bis in die Gegenwart fortgeführt. Nicht berücksichtigt werden hierbei Unterrichtswerke für den Schulgebrauch und die Angebote der elektronischen Zweit- und Drittverwerter. Beigefügt wurden Nachweise von Adaptionen (zumeist für den Rundfunk), Lesungen im Rundfunk und Verfilmungen. Das Verzeichnis der Autografen wird fortgeschrieben. (Stand: 21. Oktober 2019) Eine Publikation war zum jetzigen Zeitpunkt nicht vorgesehen. Nur äußere Umstände bedingten eine vielleicht voreilige Veröffentlichung. Dank an Stephan Berelsmann, Hans-Joachim Heerde, Dirk Heißerer, Ariane Martin, Ursula Marx, Rainer-Joachim Siegel und Bernhard Veitenheimer für freundliche Hinweise und Unterstützungen. Siglen * = Keine Autopsie. Biographie = Bert Kasties: Walter Hasenclever. -
A Guide to the Archival and Manuscript Collection of the Ukrainian Academy of Arts and Sciences in the U.S., New York City
Research Report No. 30 A GUIDE TO THE ARCHIVAL AND MANUSCRIPT COLLECTION OF THE UKRAINIAN ACADEMY OF ARTS AND SCIENCES IN THE U.S., NEW YORK CITY A Detailed Inventory Yury Boshyk Canadian Institute of Ukrainian Studies University of Alberta Edmonton 1988 Canadian Institute of Ukrainian Studies University of Alberta Occasional Research Reports Publication of this work is made possible in part by a grant from the Stephania Bukachevska-Pastushenko Archival Endowment Fund. The Institute publishes research reports periodically. Copies may be ordered from the Canadian Institute of Ukrainian Studies, 352 Athabasca Hall, University of Alberta, Edmonton, Alberta, T6G 2E8. The name of the publication series and the substantive material in each issue (unless otherwise noted) are copyrighted by the Canadian Institute of Ukrainian Studies. PRINTED IN CANADA Occasional Research Reports A GUDE TO THE ARCHIVAL AND MANUSCRIPT COLLECTION OF THE UKRAINIAN ACADEMY OF ARTS AND SCIENCES IN THE U.S., NEW YORK CITY A Detailed Inventory Yury Boshyk Project Supervisor Research Report No. 30 — 1988 Canadian Institute of Ukrainian Studies University of Alberta Edmonton, Alberta Dr . Yury Boshyk Project Supervisor for The Canadian Institute of Ukrainian Studies Research Assistants Marta Dyczok Roman Waschuk Andrij Wynnyckyj Technical Assistants Anna Luczka Oksana Smerechuk Lubomyr Szuch In Cooperation with the Staff of The Ukrainian Academy of Arts and Sciences in the U.S. Dr. William Omelchenko Secretary General and Director of the Museum-Archives Halyna Efremov Dima Komilewska Uliana Liubovych Oksana Radysh Introduction The Ukrainian Academy of Arts and Sciences in the United States, New York City, houses the most comprehensive and important archival and manuscript collection on Ukrainians outside Ukraine. -
Sophocles' Antigone Reworked in the Twentieth
NEW VOICES IN CLASSICAL RECEPTION STUDIES Issue 12 (2018) SOPHOCLES’ ANTIGONE REWORKED IN THE TWENTIETH CENTURY: THE CASE OF HASENCLEVER’S ANTIGONE (1917) © Rossana Zetti (University of Edinburgh) INTRODUCTION AND CONTEXTUALIZATION This article examines a little-known example of Antigone’s reception in the twentieth century: the adaptation by the German expressionist writer Walter Hasenclever. This version is the first and arguably most innovative of several European adaptations of Sophocles’ play to appear in the first half of the twentieth century. Although successful at the time of its production, Hasenclever’s Antigone is scarcely read in contemporary scholarship and is discussed mainly in German-language scholarship.1 Whereas Flashar’s wide-ranging study, in German, refers to Hasenclever’s drama (Flashar 2009: 127– 29), in Fischer-Lichte’s 2017 book Tragedy’s Endurance, in English, Hasenclever appears only in one endnote (Fischer-Lichte 2017: 143). The only English translation of the play available (Ritchie and Stowell 1969: 113–60) is rather out of date and inaccessible. Hasenclever’s Antigone is briefly mentioned in Steiner’s essential reference book Antigones (Steiner 1984: 142; 146; 170; 218), in the chapter on Antigone in the recent Brill’s Companion to the Reception of Sophocles (Silva 2017: 406–7) and in Cairns’ 2016 book on Sophocles’ Antigone (Cairns 2016: 133). However, it is absent in some of the most recent contributions dedicated to the play’s modern reception, including Wilmer’s and Žukauskaitė’s edited collection on Antigone in postmodern thought (2010), Mee’s and Foley’s essays (2011) discussing adaptations of Antigone staged around the world, and Morais’, Hardwick’s and Silva’s recent volume (2017).2 The absence of Hasenclever from contemporary scholarship can be explained by the fact that his Antigone lacks the complexity of later adaptations, such as Anouilh’s and Brecht’s. -
Cinematic Vitalism Film Theory and the Question of Life
INGA POLLMANN INGA FILM THEORY FILM THEORY IN MEDIA HISTORY IN MEDIA HISTORY CINEMATIC VITALISM FILM THEORY AND THE QUESTION OF LIFE INGA POLLMANN CINEMATIC VITALISM Cinematic Vitalism: Film Theory and the INGA POLLMANN is Assistant Professor Question of Life argues that there are in Film Studies in the Department of Ger- constitutive links between early twen- manic and Slavic Languages and Litera- tieth-century German and French film tures at the University of North Carolina theory and practice, on the one hand, at Chapel Hill. and vitalist conceptions of life in biology and philosophy, on the other. By consi- dering classical film-theoretical texts and their filmic objects in the light of vitalist ideas percolating in scientific and philosophical texts of the time, Cine- matic Vitalism reveals the formation of a modernist, experimental and cinema- tic strand of vitalism in and around the movie theater. The book focuses on the key concepts rhythm, environment, mood, and development to show how the cinematic vitalism articulated by film theorists and filmmakers maps out connections among human beings, mi- lieus, and technologies that continue to structure our understanding of film. ISBN 978-94-629-8365-6 AUP.nl 9 789462 983656 AUP_FtMh_POLLMANN_(cinematicvitalism)_rug17.7mm_v02.indd 1 21-02-18 13:05 Cinematic Vitalism Film Theory in Media History Film Theory in Media History explores the epistemological and theoretical foundations of the study of film through texts by classical authors as well as anthologies and monographs on key issues and developments in film theory. Adopting a historical perspective, but with a firm eye to the further development of the field, the series provides a platform for ground-breaking new research into film theory and media history and features high-profile editorial projects that offer resources for teaching and scholarship. -
The Anti-Imperial Choice This Page Intentionally Left Blank the Anti-Imperial Choice the Making of the Ukrainian Jew
the anti-imperial choice This page intentionally left blank The Anti-Imperial Choice The Making of the Ukrainian Jew Yohanan Petrovsky-Shtern Yale University Press new haven & london Disclaimer: Some images in the printed version of this book are not available for inclusion in the eBook. Copyright © 2009 by Yale University. All rights reserved. This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and ex- cept by reviewers for the public press), without written permission from the publishers. Set in Ehrhardt type by The Composing Room of Michigan, Inc. Printed in the United States of America. Library of Congress Cataloging-in-Publication Data Petrovskii-Shtern, Iokhanan. The anti-imperial choice : the making of the Ukrainian Jew / Yohanan Petrovsky-Shtern. p. cm. Includes bibliographical references and index. ISBN 978-0-300-13731-6 (hardcover : alk. paper) 1. Jewish literature—Ukraine— History and criticism. 2. Jews in literature. 3. Ukraine—In literature. 4. Jewish authors—Ukraine. 5. Jews— Ukraine—History— 19th century. 6. Ukraine—Ethnic relations. I. Title. PG2988.J4P48 2009 947.7Ј004924—dc22 2008035520 A catalogue record for this book is available from the British Library. This paper meets the requirements of ANSI/NISO Z39.48–1992 (Permanence of Paper). It contains 30 percent postconsumer waste (PCW) and is certified by the Forest Stewardship Council (FSC). 10987654321 To my wife, Oxana Hanna Petrovsky This page intentionally left blank Contents Acknowledgments ix Politics of Names and Places: A Note on Transliteration xiii List of Abbreviations xv Introduction 1 chapter 1. -
The Ukrainian Weekly 2001, No.37
www.ukrweekly.com INSIDE:• Verkhovna Rada finally passes election law — page 3. •A journal from SUM’s World Zlet in Ukraine — pages 10-11. • Soyuzivka’s end-of-summer ritual — centerfold. Published by the Ukrainian National Association Inc., a fraternal non-profit association Vol. LXIX HE No.KRAINIAN 37 THE UKRAINIAN WEEKLY SUNDAY, SEPTEMBER 16, 2001 EEKLY$1/$2 in Ukraine UKRAINE REACTS TO TERRORIST ATTACKS ON U.S. EU Tand UkraineU W by Roman Woronowycz President Leonid Kuchma, who had and condemned the attacks, according to Kyiv Press Bureau just concluded the Ukraine-European Interfax-Ukraine. meet in Yalta Union summit in Yalta with European “We mourn those who died in this act KYIV – Ukraine led the international Commission President Romano Prodi and response to the unprecedented terrorist of terrorism,” said Mr. Prodi. European Union Secretary of Foreign and Immediately upon his return from for third summit attacks on Washington and New York on Security Policy Javier Solana on by Roman Woronowycz September 11 when its Permanent Yalta, President Kuchma first called a Kyiv Press Bureau September 11, issued a statement express- special meeting of the National Security Mission to the United Nations called a ing shock and offering condolences. and Defense Council for the next day and KYIV – Leaders of the European special meeting of the U.N. Security Messrs. Prodi and Solana, who were at Union and Ukraine met in Yalta, Crimea, Council to coordinate global reaction. Symferopol Airport in Crimea on their then went on national television to call For security reasons, the meeting was on September 10-11 for their third annu- way back to Brussels, expressed shock (Continued on page 23) al summit – the first in Ukraine – which held outside the confines of the United had been advertised as a turning point Nations at the mission headquarters of during which relations would move from the Ukrainian delegation in New York. -
Ukrainian Literature in English: Articles in Journals and Collections, 1840-1965
Research Report No. 51 UKRAINIAN LITERATURE IN ENGLISH: ARTICLES IN JOURNALS AND COLLECTIONS, 1840-1965 An annotated bibliography MARTA TARNAWSKY Canadian Institute of Ukrainian Studies Press University of Alberta Edmonton 1992 Canadian Institute of Ukrainian Studies Press Occasional Research Reports The Institute publishes research reports periodically. Copies may be ordered from the Canadian Institute of Ukrainian Studies Press, 352 Athabasca Hall, University of Alberta, Edmonton, Alberta, Canada T6G2E8. The name of the publication series and the substantive material in each issue (unless otherwise noted) are copyrighted by the Canadian Institute of Ukrainian Studies Press. This publication was funded by a grant from the Stephania Bukachevska-Pastushenko Archival Endowment Fund. PRINTED IN CANADA 1 Occasional Research Reports UKRAINIAN LITERATURE IN ENGLISH: ARTICLES IN JOURNALS AND COLLECTIONS, 1840-1965 An annotated bibliography MARTA TARNAWSKY Research Report No. 5 Canadian Institute of Ukrainian Studies Press University of Alberta Edmonton 1992 TABLE OF CONTENTS Introduction v Journals and Collections Included in this Bibliography ix Bibliography 1 General Index 144 Chronological Index 175 INTRODUCTION The general plan Ukrainian Literature in English: Articles in Journals and Collections. 1840-1965 is part of a larger bibliographical project which attempts, for the first time, a comprehensive coverage of translations from and materials about Ukrainian literature published in the English language from the earliest known publications to the present. After it is completed this bibliographical project will include: 1/books and pamphlets, both translations and literary studies; 2/articles and notes published in monthly and quarterly journals, yearbooks, encyclopedias, symposia and other collections; 3/translations of poetry, prose and drama published in monthly and quarterly journals, yearbooks, anthologies etc.; and 4/ book reviews published in journals and collections. -
In the Realm of Politics, Nonsense, and the Absurd: the Myth of Antigone in West and South Slavic Drama in the Mid-Twentieth Century
DOI: https://doi.org/10.4312/keria.20.3.95-108 Alenka Jensterle-Doležal In the Realm of Politics, Nonsense, and the Absurd: The Myth of Antigone in West and South Slavic Drama in the Mid-Twentieth Century Throughout history humans have always felt the need to create myths and legends to explain and interpret human existence. One of the classical mythi- cal figures is ancient Antigone in her torment over whether to obey human or divine law. This myth is one of the most influential myths in European literary history. In the creation of literature based on this myth there have always been different methods and styles of interpretation. Literary scholars always emphasised its philosophical and anthropological dimensions.1 The first variants of the myth of Antigone are of ancient origin: the playAntigone by Sophocles (written around 441 BC) was a model for others throughout cultural and literary history.2 There are various approaches to the play, but the well-established central theme deals with one question: the heroine Antigone is deeply convinced that she has the right to reject society’s infringement on her freedom and to act, to recognise her familial duty, and not to leave her brother’s body unburied on the battlefield. She has a personal obligation: she must bury her brother Polyneikes against the law of Creon, who represents the state. In Sophocles’ play it is Antigone’s stubbornness transmitted into action 1 Cf. also: Simone Fraisse, Le mythe d’Antigone (Paris: A. Colin, 1974); Cesare Molinari, Storia di Antigone da Sofocle al Living theatre: un mito nel teatro occidentale (Bari: De Donato, 1977); George Steiner, Antigones (Oxford: Clarendon Press, 1984); Elisabeth Frenzel, Stoffe der Weltlitera- tur: Ein Lexikon Dichtungsgeschichtlicher Längsschnitte, 5. -
OSNOVY Publi CATALOGUE DISTRIBUTION & RIGHTS Shing
OSNOVY publi CATALOGUE & RIGHTS DISTRIBUTION shing 2019 about Osnovy Publishing was founded in 1992 by Bohdan Krawchenko and Solomiya Pavlychko. Over the past twenty years, Osnovy has published over three hundred titles. After the collapse of the USSR, Ukraine critically needed literature in Ukrainian. Osnovy was created to fill this need. The editorial board – headed by Solomiya Pavlychko from 1992 to 1999 – focused on providing readers in the newly independent Ukraine with high quality translations of classic masterpieces and a wide range of academic works. Osnovy supplied a new generation of students with world-class publications in literature, economics, political science, sociology and other key disciplines. Osnovy has translated and published Aristotle, W. Shakespeare, W. Golding, H. Matsuura, J. Kerouac and other important authors from antiquity to the present day. In 2012, Osnovy published Franz Kafka’s collection of his early works Contemplation, stylized after its first printing in 1912. Osnovy has also published numerous fundamental works in philosophy – F. Nietzsche, Simone de Beauvoir, M. Foucault, S. Freud and many others. The textbooks Microeconomics and Macroeconomics (P. Samuelson and W. Nordhaus) and Fundamentals of Financial Accounting (G. Welsch and D. Short) helped students of the early 1990s through the transition to a market economy. Osnovy has also published a Ukrainian translation of renowned historian Norman Davies’ Europe: A History in 2001. This monumental work is currently in its seventh run. Osnovy is also proud of its own original titles. The works of D. Nalyvaiko, V. Lytvynov, M. Zerov, L. Kurbas, S. Pavlychko, D. Pavlychko and S. Yefremov have made valuable contributions to Ukrainian scholarship. -
Literary Combination: Memory and Space in Contemporary Ukrainian Anthologies
Copyright @2013 Australian and New Zealand Journal of European Studies http://www.eusanz.org/ANZJES/index.html Vol. 2013 5(2) ISSN 1837-2147 (Print) ISSN 1836-1803 (On-line) Literary CombiNation: Memory and Space in Contemporary Ukrainian Anthologies OLENA HALETA Ivan Franko National University of Lviv, Ukraine [email protected] Abstract Finding itself at the end of the twentieth century in a situation of post-totalitarianism, post-colonialism and postmodernism, Ukrainian literature faced the problem of finding its own identity. Genres dedicated to the representation of literature, including the increasingly popular genre of anthology, were among the foremost means of creating an image of the literature in its totality. From the end of the 1990s onward, the search for a usable tradition was accompanied by a sense of obligation to highlight one’s own modernity, delimit its periods and define its constitutive properties. The national literature has faced the problem taking into account the heritage of totalitarianism and colonialism, which involves coming to terms with its internal space as a multilingual one. On the other hand, the space of literature has extended over the state border, promising to create a new homogeneity of literature and overcoming the differences between domestic and diaspora literature. Key words: anthology, memory, post-colonialism, post-totalitarianism, space, Ukrainian literature. Three Histories and One Theory In the course of the last 20 years Ukrainian literature has been the central character in at least three narratives which have yet to be thoroughly comprehended or described by literary history. During this period Ukrainian literature faced the problem of self-determination in a post-totalitarian, post- colonial, and postmodern situation. -
Iuliia Kysla
Rethinking the Postwar Era: Soviet Ukrainian Writers Under Late Stalinism, 1945-1949 by Iuliia Kysla A thesis submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in History Department of History and Classics University of Alberta © Iuliia Kysla, 2018 Abstract This dissertation advances the study of late Stalinism, which has until recently been regarded as a bizarre appendage to Stalin’s rule, and aims to answer the question of whether late Stalinism was a rupture with or continuation of its prewar precursor. I analyze the reintegration of Ukrainian writers into the postwar Soviet polity and their adaptation to the new realities following the dramatic upheavals of war. Focusing on two parallel case studies, Lviv and Kyiv, this study explores how the Soviet regime worked with members of the intelligentsia in these two cities after 1945, at a time when both sides were engaged in “identification games.” This dissertation demonstrates that, despite the regime’s obsession with control, there was some room for independent action on the part of Ukrainian writers and other intellectuals. Authors exploited gaps in Soviet discourse to reclaim agency, which they used as a vehicle to promote their own cultural agendas. Unlike the 1930s, when all official writers had to internalize the tropes of Soviet culture, in the postwar years there was some flexibility in an author’s ability to accept or reject the Soviet system. Moreover, this dissertation suggests that Stalin’s postwar cultural policy—unlike the strategies of the 1930s, which relied predominantly on coercive tactics—was defined mainly by discipline by humiliation, which often involved bullying and threatening members of the creative intelligentsia. -
KOPF – Eigentümer / Verwalter
Fachbereich Presse und Marketing Der Oberbürgermeister Presseinformation Robert Menasse mit dem Walter-Hasenclever-Literaturpreis Info 1412/18 ausgezeichnet Der Wiener Schriftsteller und Essayist erhält den Preis für sein Gesamtwerk und seine konkrete Vision einer „konsequent Währung, Wirtschaft und Politik einschließenden Europäischen Union.“ Oberbürgermeister Marcel Philipp würdigt Menasse als aufrechten Kämpfer gegen den Nationalismus. In einer ergreifenden Rede äußert der Preisträger seine Sorgen um die Lage Europas. Der Wiener Schriftsteller und Essayist Robert Menasse hat am Sonntag, 18. November, den Walter-Hasenclever-Literaturpreis der Stadt Aachen erhalten. Bei der festlichen Preisverleihung vor etwa 250 Zuhörern im Ludwig Forum ging es allen Rednern vor allem um die Lage Europas – einem zentralen Thema in Menasses Werk. Die Jury würdigte in ihrer Begründung das Gesamtwerk des Autors und dessen konkrete Vision einer „konsequent Währung, Wirtschaft und Politik einschließenden Europäischen Union.“ Menasse setze sich in seinen Essays verstärkt für eine gesamteuropäische Idee ein und stelle sich entschieden gegen nationale Interessen. Gerade in der heutigen Zeit, mit dem Aufschwung von nationalistischen Bewegungen in ganz Europa, sei eine entschiedene Stimme wie die des Österreichers besonders wertvoll. Aufrechter Kämpfer gegen Antieuropäer Erst vor acht Tagen ließ Menasse in einer gemeinsamen Kunstaktion mit Ulrike Guérot ein von ihnen verfasstes „Manifest zur Ausrufung der Europäischen Datum: Haus Löwenstein, Markt 39 19.11.2018