The Goethe Mask on Another Occasion, in a Letter to Charles
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Publishers for the People: W. § R. Chambers — the Early Years, 1832-18S0
I I 71-17,976 COONEY, Sondra Miley, 1936- PUBLISHERS FOR THE PEOPLE: W. § R. CHAMBERS — THE EARLY YEARS, 1832-18S0. The Ohio State University, Ph.D., 1970 Language and Literature, general University Microfilms, A XEROXCompany , Ann Arbor, Michigan © Copyright by Sondra Miley Cooney 1971 PUBLISHERS FOR THE PEOPLE: W. & R. CHAMBERS THE EARLY YEARS, 1832-1850 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Sondra Miley Cooney, B.A., A.M. The Ohio State University 1970 Approved by Adviser Department of English ACKNOWLEDGMENTS X wish to thank first those to whom I am indebted in Scotland. Had it not been for the assistance and co-operation of Mr. Antony S. Chambers, chairman of W. & R. Chambers Ltd, this study would never have become a reality. Not only did he initially give an unknown American permission to study the firm's archives, but he has subsequently provided whatever I needed to facilitate my research. Gracious and generous, he is a worthy descendent of the first Robert Chambers. All associated with the Chambers firm— directors and warehousemen alike— played an important part in my research, from answering technical queries to helping unearth records almost forgotten. Equally helpful in their own way were the librarians of the University of Edinburgh Library and the National Library of Scotland. Finally, the people of Edinburgh made a signif icant, albeit indirect, contribution. From them I learned something of what it means to a Scot to be a Scot. In this country I owe my greatest debt to my adviser, Professor Richard D. -
THE BOOK ONLY (F)> CO OU1 68061 Co
TEXT FLY WITHIN THE BOOK ONLY (f)> CO OU1 68061 co ,OSMANIA UNIVERSITY LIBRARY / Q JL Accession No. Call No. tf airrfl-V/ G S" ^ U & 6 0^ 1 Author Title This book should be returned on or before the date last marked below. GOETHE Selections by Ludwig Curtius Translated and edited, with an Introduction, by Hermann J. Weigand ROUTLEDGE & KEGAN PAUL LTD First Edition in England 1949 <b- Paul Ltd. Copyright 1949 by Routledgc Kegan Broadway House- 68-74 Carter Lane, London, E, C. 4 Printed in U.S.A. Introduction 7 b\j Hermann ]. Wcigand Editor's Note 38 RELIGION 43 Religion in General 45 Christianity 49 Protestantism - Catholicism 55 Old and New Testament 64 Superstition 67 Faith 70 God and Nature 73 God and the World 77 God and Man 79 NATURE 85 The Creative Process 87 The Incommensurable 92 Idea and Experience 95 Genius 97 The Daemonic 98 Imagination 102 The Aging Process 104 Youth 108 Happiness 109 CONTENTS SCIENCE AND PHILOSOPHY 113 Theory 115 Subject - Object 123 Truth 125 Antinomies 128 Relativism 131 Life 134 Spirit 137 Immortality - Entelechy 139 Man and History 145 THE SOCIAL SPHERE 149 Bildung 151 Humanity 156 Man Among Men 159 Man and the World 163 Man and Fate 166 Man and Society 167 The Individual arid the Public 170 Knowledge of Human Nature 172 - Spiritual Community Friendship 172 Critique of the Times 174 THE MORAL SPHERE 181 Freedom 183 Conscience 184 Law and Order 185 Authority 185 Faults - Virtues 187 Humility - Reverence - Mystery 189 - - Character Personality Individuality 190 Education 195 Love 197 CONTENTS Marriage 200 -
Heroic Individualism: the Hero As Author in Democratic Culture Alan I
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2006 Heroic individualism: the hero as author in democratic culture Alan I. Baily Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Political Science Commons Recommended Citation Baily, Alan I., "Heroic individualism: the hero as author in democratic culture" (2006). LSU Doctoral Dissertations. 1073. https://digitalcommons.lsu.edu/gradschool_dissertations/1073 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. HEROIC INDIVIDUALISM: THE HERO AS AUTHOR IN DEMOCRATIC CULTURE A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Political Science by Alan I. Baily B.S., Texas A&M University—Commerce, 1999 M.A., Louisiana State University, 2003 December, 2006 It has been well said that the highest aim in education is analogous to the highest aim in mathematics, namely, to obtain not results but powers , not particular solutions but the means by which endless solutions may be wrought. He is the most effective educator who aims less at perfecting specific acquirements that at producing that mental condition which renders acquirements easy, and leads to their useful application; who does not seek to make his pupils moral by enjoining particular courses of action, but by bringing into activity the feelings and sympathies that must issue in noble action. -
Ralph Waldo Emerson and Thomas Carlyle on Slavery
B093509 1 Examination Number: B093509 Title of work: Ralph Waldo Emerson and Thomas Carlyle on Slavery: Transatlantic Dissentions and Philosophical Connections Programme Name: MSc United States Literature Graduate School of Literatures, Languages & Cultures University of Edinburgh Word count: 15 000 Thomas Carlyle (1854) Ralph Waldo Emerson (1857) Source: archive.org/stream/pastandpresent06carlgoog#page/n10/mode/2up Source: ebooks.adelaide.edu.au/e/emerson/ralph_waldo/portrait.jpg B093509 2 Ralph Waldo Emerson and Thomas Carlyle on Slavery: Transatlantic Dissentions and Philosophical Connections Table of Contents Introduction 3 Chapter One: On Slavery and Labor: Racist Characterizations and 7 Economic Justifications Chapter Two On Democracy and Government: Ruling Elites and 21 Moral Diptychs Chapter Three On War and Abolition: Transoceanic Tensions and 35 Amicable Resolutions Conclusion 49 Bibliography 51 B093509 3 Introduction In his 1841 essay on “Friendship”, Ralph Waldo Emerson defined a “friend” as “a sort of paradox in nature” (348). Perhaps emulating that paradoxical essence, Emerson’s essay was pervaded with constant contradictions: while reiterating his belief in the “absolute insulation of man” (353), Emerson simultaneously depicted “friends” as those who “recognize the deep identity which beneath these disparities unites them” (“Friendship” 350). Relating back to the Platonic myth of recognition, by which one’s soul recognizes what it had previously seen and forgotten, Emerson defined a friend as that “Other” in which one is able to perceive oneself. As Johannes Voelz argued in Transcendental Resistance, “for Emerson, friendship … is a relationship from which we want to extract identity. Friendship is a relationship from which we seek recognition” (137). Indeed, Emerson was mostly concerned with what he called “high friendship” (“Friendship” 350) - an abstract ideality, which inevitably creates “a tension between potentiality and actuality” (Voelz 136). -
LM Findlay in the French Revolution: a History
L. M. Findlay "Maternity must forth": The Poetics and Politics of Gender in Carlyle's French Revolution In The French Revolution: A History ( 1837), Thomas Carlyle made a remarkable contribution to the history of discourse and to the legiti mation and dissemination of the idea of history qua discourse.' This work, born from the ashes of his own earlier manuscript, an irrecover able Ur-text leading us back to its equally irrecoverable 'origins' in French society at the end of the eighteenth century, represents a radical departure from the traditions of historical narrative.2 The enigmas of continuity I discontinuity conveyed so powerfully by the events of the Revolution and its aftermath are explored by Carlyle in ways that re-constitute political convulsion as the rending and repair of language as cultural fabric, or. to use terms more post-structuralist than Carlyl ean, as the process of rupture/suture in the rhetoric of temporality.3 The French Revolution, at once parodic and poetic, provisional and peremptory, announces itself as intertextual, epigraphic play, before paying tribute to the dialogic imagination in a series of dramatic and reflective periods which resonate throughout the poetry and prose of the Victorian period. In writing what Francis Jeffrey considered "undoubtedly the most poetical history the world has ever seen- and the most moral also,"4 Carlyle created an incurably reflexive idiom of astonishing modernity. And an important feature of this modernity indeed, a feature that provides a salutary reminder of the inevitably relative, historically mediated modernity of the discourse of periods earlier than our own - is the employment of countless versions of human gender to characterize and to contain the phenomenon of revolution. -
Family Experiments Middle-Class, Professional Families in Australia and New Zealand C
Family Experiments Middle-class, professional families in Australia and New Zealand c. 1880–1920 Family Experiments Middle-class, professional families in Australia and New Zealand c. 1880–1920 SHELLEY RICHARDSON Published by ANU Press The Australian National University Acton ACT 2601, Australia Email: [email protected] This title is also available online at press.anu.edu.au National Library of Australia Cataloguing-in-Publication entry Creator: Richardson, Shelley, author. Title: Family experiments : middle-class, professional families in Australia and New Zealand c 1880–1920 / Shelley Richardson. ISBN: 9781760460587 (paperback) 9781760460594 (ebook) Series: ANU lives series in biography. Subjects: Middle class families--Australia--Biography. Middle class families--New Zealand--Biography. Immigrant families--Australia--Biography. Immigrant families--New Zealand--Biography. Dewey Number: 306.85092 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. The ANU.Lives Series in Biography is an initiative of the National Centre of Biography at The Australian National University, ncb.anu.edu.au. Cover design and layout by ANU Press. Photograph adapted from: flic.kr/p/fkMKbm by Blue Mountains Local Studies. This edition © 2016 ANU Press Contents List of Illustrations . vii List of Abbreviations . ix Acknowledgements . xi Introduction . 1 Section One: Departures 1 . The Family and Mid-Victorian Idealism . 39 2 . The Family and Mid-Victorian Realities . 67 Section Two: Arrival and Establishment 3 . The Academic Evangelists . 93 4 . The Lawyers . 143 Section Three: Marriage and Aspirations: Colonial Families 5 . -
American Book-Plates, a Guide to Their Study with Examples;
BOOK PLATE G i ? Y A 5 A-HZl BOUGHT WITH THE INCOME PROM THE SAGE ENDOWMENT "FUND THE GIFT OF Weuru m* Sage 1891 /un^x umtim 1969 MB MAR 2 6 79 Q^tJL Cornell University Library Z994.A5 A42 American book-plates, a guide to their s 3 1924 029 546 540 olin Cornell University Library The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924029546540 AMERICAN BOOK-PLATES (EX-LIBRIS) j&m. American Book-Plates A Guide to their Study with Examples By Charles Dexter Allen Member Ex-Libris Society London • Member Grolier Club New York Member Connecticut Historical Society Hartford With a Bibliography by Eben Newell Hewins Member Ex-Libris Society Illustrated with many reproductions of rare and interesting book-plates and in the finer editions with many prints from the original coppers both old and recent * ^XSU-- 1 New York • Macmillan and Co. • London Mdcccxciv All rights reserved : A-77<*0T Copyright, 1894, By MACMILLAN AND CO. NotfoootJ JSrniB — Berwick Smith. J. S. Cushing & Co. & Boston, Mass., U.S.A. PREFACE. a ^ew ears Book-plate i, ^ litera- II , i|i|lW|lfl|||| Y ture w*^ ^ ave a ace n tne iiSill illllll P^ ' mWnmi i&lfflBH catalogues of the Libraries, as it now has in those of the dealers in books. The works of the Hon. J. Leicester Warren (Lord de Tabley), Mr. Egerton Castle, and Mr. W. J. Hardy on the English plates, Mr. -
155 Otto Heinrich Von Der Gablentz
ARCHIV FÜR CHRISTLICH-DEMOKRATISCHE POLITIK DER KONRAD-ADENAUER-STIFTUNG E.V. 01 – 155 OTTO HEINRICH VON DER GABLENTZ SANKT AUGUSTIN 2017 I Inhaltsverzeichnis 1 Vorträge, Aufsätze, Publikationen 1 1.1 Eigene Manuskripte 1 1.1.1 1921 - 1926 1 1.1.2 1927 - 1942 2 1.1.3 1945 5 1.1.4 1946 5 1.1.5 1947 6 1.1.6 1948 8 1.1.7 1949 11 1.1.8 1950 13 1.1.9 1951 15 1.1.10 1952 16 1.1.11 1953 17 1.1.12 1954 19 1.1.13 1955 22 1.1.14 1956 25 1.1.15 1957 27 1.1.16 1958 29 1.1.17 1959 31 1.1.18 1960 33 1.1.19 1961 34 1.1.20 1962 36 1.1.21 1963 38 1.1.22 1964 41 1.1.23 1965 43 1.1.24 1966 45 1.1.25 1967 46 1.1.26 1968 47 1.2 Vorlesungen 48 1.3 Literaturauszüge 50 1.4 Rezensionen und sonstige Stimmen zu Publikationen von der Gablentz' 51 2 Wirtschaft und Industrie nach dem 2. Weltkrieg 52 2.1 Agrarprobleme 52 2.2 Bodenreform 52 2.3 Demontage und Reparationen 52 2.4 Ernährungslage 53 2.5 Industrieplanung und -verwaltung 53 2.6 Volkswirtschaftlicher Arbeitsrat beim Magistrat der Stadt Berlin 53 2.7 Wirtschaftsplanung 53 2.8 Wirtschaftspolitischer Ausschuß der Arbeitsgemeinschaft CDU/CSU 54 3 Politischer Wiederaufbau nach dem Kriege 55 3.1 Politischer und geistiger Neubeginn 55 3.2 Deutsche Ostgebiete, Vertriebene 55 3.3 Landesverfassungen 56 3.4 Lastenausgleich 56 3.5 Staatliche Gliederung 56 4 CDU-Geschichte, Berliner CDU 57 II Inhaltsverzeichnis 4.1 Gründungs- und Aufbauprobleme 57 4.2 Programme 57 4.3 Christlicher Sozialismus 57 4.4 Bildungs- und Kulturpolitik 58 4.5 Tagungen und Parteitage 58 5 Kirchenfragen 60 5.1 Evangelische Kirche allgemein 60 5.2 -
Comic Actors and Comic Acting on the 19Th Century American Stage
"Those That Play Your Clowns:" Comic Actors and Comic Acting on the 19th Century American Stage Barnard Hewitt (Barnard Hewitt's Fellows Address was delivered at the ATA Convention in Chicago, August 16, 1977.) It seems to me that critics and historians of theatre have neglected comedians and the acting of comedy, and I ask myself why should this be so? Nearly everyone enjoys the acting of comedy. As the box office has regularly demonstrated, more people enjoy comedy than enjoy serious drama. I suspect that comedy and comedians are neglected because critics and scholars feel, no doubt unconsciously that because they arouse laughter rather than pity and fear, they don't deserve serious study. Whatever the reason for this neglect, it seems to me unjust. In choosing the subject for this paper, I thought I might do something to redress that injustice. I hoped to identify early styles of comic acting on our stage, discover their origins in England, note mutations caused by their new environment, and take note of their evolution into new styles. I don't need to tell you how difficult it is to reconstruct with confidence the acting style of any period before acting was recorded on film. One must depend on what can be learned about representative individuals: about the individual's background, early training and experience, principal roles, what he said about acting and about his roles, pictures of him in character, and reports by his contemporaries - critics and ordinary theatregoers - of what he did and how he spoke. First-hand descriptions of an actor's performance in one or more roles are far and away the most enlightening evidence, but nothing approaching Charles Clarke's detailed description of Edwin Booth's Hamlet is available for an American comic actor.1 Comedians have written little about their art.2 What evidence I found is scattered and ambiguous when it is not contradictory. -
The Carlyle Society Papers
THE CARLYLE SOCIETY SESSION 2013-2014 OCCASIONAL PAPERS 26 • Edinburgh 2013 1 2 President’s Letter 2013-14 will be a year of changes for the Carlyle Society of Edinburgh. Those of you who receive notification of meetings by email will already have had the news that, after many years, we are leaving 11 Buccleuch Place. We have enjoyed the hospitality of Lifelong Learning for decades but they, too, are moving. So we are meeting – for this year – in the seminar room on the first floor of 18 Buccleuch Place. There is one flight of stairs (I used it for decades! It’s not bad) and we will be comfortably housed there. Usual time. The Carlyle Letters are moving steadily towards the completion of the correspondence of Thomas and Jane; with Jane’s death in 1866 we will have published all the known letters between them, and we plan to tidy off the process with some papers from the months immediately following her death, and papers more recently come to light, namely volumes 43-44. The Carlyle Letters Online are also moving steadily to catch up with the published volumes. Volume 40 was celebrated with a public lecture in Autumn 2012; volume 41 will appear in printed form in about a month’s time, and the materials for volume 42 will be going to Duke in about a week’s time from when these words are written. We are grateful to the English Literature department for access to our new premises in 18 Buccleuch Place; to Andy Laycock of the University’s printing department for Herculean efforts with our annual papers; to those members who now accept their annual mailing in electronic form, a huge saving in time and money. -
Lauren Ford Collection -- the Little Book About God
Helen & Marc Younger Pg 25 [email protected] LAUREN FORD COLLECTION -- THE LITTLE BOOK ABOUT GOD. NY: Doubleday Doran 1934 (1934). 113. FORD,LAUREN. COLLECTION. We are pleased to be able to offer 8vo, full red leather binding with gilt decorations (by the French Binders), this interesting collection of Lauren Ford material including special copies of Fine. Stated 1st edition. THIS IS ONE OF ONLY TWO COPIES SPECIALLY books, original art and more. Lauren Ford (1891-1973) was not only an award BOUND BY THE PUBLISHER WITH AN EXQUISITE ORIGINAL SIGNED winning illustrator of children’s books but she wrote them as well. According WATERCOLOR BY FORD BOUND IN. Laid in is a letter from the original owner to her mother, she began to draw at the age of only four and eventually (who was Ford’s editor at Doubleday) discussing the production process and studied with F.V. du Mond and George Bridgman. She began professionally the difficulty and expense of printing in 7 colors. She notes: “ The text was by illustrating her mother’s books and dust wrappers (her mother was noted scrawled in ink by Lauren...Marguerite hand-lettered the whole thing for me as children’s author Julia Ellsworth Ford). She first collaborated with her mother a work of love because she had always admired Lauren’s paintings and wanted to on Imagina which was illustrated by Arthur Rackham. In 1923 she illustrated help me to make this little book a possibility.” With hand-lettered text, this entirely on her own, her mother’s book Pan and Santa Claus. -
The Essential Goethe
Introduction Reading a French translation of his drama Faust in 1828, Goethe was struck by how “much brighter and more deliberately constructed” it appeared to him than in his original German. He was fascinated by the translation of his writing into other languages, and he was quick to acknowledge the important role of translation in modern culture. Literature, he believed, was becoming less oriented toward the nation. Soon there would be a body of writing— “world literature” was the term he coined for it— that would be international in scope and readership. He would certainly have been delighted to find that his writing is currently enjoying the attention of so many talented translators. English- speaking readers of Faust now have an embarrassment of riches, with modern versions by David Luke, Randall Jarrell, John Williams, and David Constantine. Constantine and Stanley Corngold have recently produced ver- sions of The Sorrows of Young Werther, the sentimental novel of 1774 that made Goethe a European celebrity and prompted Napoleon to award him the Le- gion d’Honneur. Luke and John Whaley have done excellent selections of Goethe’s poetry in English. At the same time the range of Goethe’s writing available in English remains quite narrow, unless the reader is lucky enough to find the twelve volumes of Goethe’s Collected Works published jointly by Princeton University Press and Suhrkamp Verlag in the 1980s. The Princeton edition was an ambitious undertaking. Under the general editorship of three Goethe scholars, Victor Lange, Eric Blackall, and Cyrus Hamlyn, it brought together versions by over twenty translators covering a wide range of Goethe’s writings: poetry, plays, novels and shorter prose fiction, an autobiography, and essays on the arts, philosophy, and science.