5. Preliminaries to the Wedding Ceremony
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Temple Prototype
The Axis and the Perimeter of the Temple Subhash Kak Canonical texts describing the plan of the Hindu temple allude to its astronomical basis, and in this Indian sacred geometry is not different in conception from the sacred geometry of other ancient cultures,1 although it has its own unique features. If astronomical alignments characterize ancient temples of megalithic Europe, Egyptians, Maya, Aztecs, and Javanese, they also characterize Indian temples. In some temples, the garbhagÅha (innermost chamber) is illuminated by the setting sun only on a specific day of the year, or the temple may deviate from the canonical east-west axis and be aligned with a nak¬atra (constellation) that has astrological significance for the patron or for the chosen deity of the temple. A part of the astronomical knowledge coded in the temple lay-out and form is canonical or traditional, while the rest may relate to the times when the temple was erected. The astronomy of the temple provides clues relevant not only to the architecture but also the time when it was built. In this article, we consider the broadest design related to the sacred space associated with the Hindu temple. There is continuity in Indian architecture that goes back to the Harappan period of the 3rd millennium B.C.E., as described in Michel Danino’s important work on the plan for the Harappan city of Dholavira.2 For this reason, we devote our attention to the earliest description of the temple in Indian literature, which goes back to the Vedic period. For a background to the earliest Indian art and architecture the reader might refer to an earlier paper by the author.3 Specifically, we look at the astronomical significance of the lengths of the axis and the perimeter. -
Temple Prototype
The Axis and the Perimeter of the Hindu Temple Subhash Kak Louisiana State University, Baton Rouge E-mail: [email protected] Śāstric texts describing the plan of the Hindu temple allude to its astronomical basis, and in this Indian sacred geometry is not different from the sacred geometry of other ancient cultures.1 If astronomical alignments characterize ancient temples of megalithic Europe, Egyptians, Maya, Aztecs, Javanese and Cambodians, they also characterize Indian temples. For example, the garbhagÅha of certain temples is illuminated by the setting sun only on a specific day of the year, or the temple may deviate from the canonical east-west axis and be aligned with a nak¬atra that has astrological significance for the patron or for the chosen deity of the temple. A part of the astronomical knowledge coded in the temple lay-out and form is canonical or traditional, while the rest relates to the times when the temple was erected. The astronomy of the temple provides clues relevant not only to the architecture but also the time when it was built. The Agnicayana altar, the centre of the great ritual of the Vedic times that forms a major portion of the narrative of the Yajurveda, is generally seen as the prototype of the Hindu temple and of Vāstu. The altar is first built of 1,000 bricks in five layers (that symbolically represent the five divisions of the year, the five physical elements, as well as five senses) to specific designs. The Agnicayana ritual is based upon the Vedic division of the universe into three parts, earth, atmosphere, and sky (Figure 1), that are assigned numbers 21, 78, and 261, respectively; these numbers add up to 360, which is symbolic representation of the year. -
The Indian Wedding for Dummies Indiansamourai 27-03-2014 Http
The Indian Wedding for Dummies The "Indian wedding" (I should say the Hindu wedding to be exact) has made the subject of numerous books, movies, visits to India. In short it’s an institution. I will try here to understand something to it! The Indian wedding for Dummies - 1. The arranged marriage Arranged marriage: and why not?! Let's make the distinction between arranged marriage and forced marriage. If I can de-dramatize arranged marriages (read below), it is impossible to do the same with forced marriages which are still widely practiced in India: 40% of women do not have a word in the choice of the husband, less than 20% of women (over 25) knew their husbands before the fateful day and worse, almost 50% of women have married before the legal age of 18 (source http://www.thehindu.com/news/national/many-women-have-no-say-in- marriage/article5801893.ece ). Which means that there are still thousands of people (Hindus) who, each year, follow the tradition and find out whom they are going spend the rest of their lives with only when they are already married: SURPRISE! As per the custom to groom arrives first, and his view is hidden with a bed sheet, which is removed once the bride is brought in by her maternal uncle and cousins and the consent of the parents exchanged. The bed sheet is simply a less sexy version (but more promising ;)) of the veil used in Catholic marriages, originally to hide the face of the bride (source http://www.le- mariage.com/traditions/ )). -
HINDU WEDDING by Dipti Desai All Images Provided by Dipti Desai Copyright 2006
2 HINDU WEDDING By Dipti Desai All images provided by Dipti Desai Copyright 2006 Published by Henna Page Publications, a division of TapDancing Lizard LLC 4237 Klein Ave. Stow, Ohio 44224 USA All rights reserved. Printed in the United States of America No part of this book may be used or reproduced in any manner without written permission except in the case of brief quotations embodied in critical articles or reviews. Henna artists may freely use these patterns as inspiration for their own hand-drawn henna work. Library of Congress Cataloging in-Publication Data Dipti Desai Hindu Wedding Henna Traditions Weddings Hindu Traditions Copyright © 2006 Dipti Desai Tapdancinglizard.com This book is provided to you free by The Henna Page and Mehandi.com 3 Hindu Wedding © 2006 Dipti Desai Terms of use: you must agree to these terms to download, print, and use this book. All rights reserved. Terms of use for personal use: You may not sell, offer for sale, exchange or otherwise transfer this publication without the express written permission of the publisher. You may make one (1) printed copy of this publication for your personal use. You may use the patterns as inspiration for hand rendered ephemeral body decoration. You may not sell, lend, give away or otherwise transfer this copy to any other person for any reason without the express written permission of the publisher. You may make one (1) electronic copy of this publication for archival purposes. Except for the one (1) permitted print copies and the one (1) archival copy, you may not make any other copy of this publication in whole or in part in any form without the express written permission of the publisher. -
A Dictionary of the Vedic Rituals
A DICTIONARY OF THE VEDIC RITUALS BASED ON THE SRAUTA AND GRHYA SUTRAS CHITRABHANU SEN nn CONCEPT PUBLISHING COMPANY UJlS DELHI Reprint 1982, 2001 First edition 1978 © Chitrabhanu Sen 1976 Chitrabhanu Sen ( b. 1927) Published and Printed by Ashok Kumar Mittal Concept Publishing Company A/15-16, Commercial Block, Mohan Garden New Delhi- 11 0059 (India) Phones: 5648039, 5649024 Fax: 091-(ll)-5648053 E-mail: [email protected] W TO THE MEMORY OF MY FATHER ARUN SEN, B.A. (CANTAB), BARRIS TER-A T-LA ACADEMICIAN AND LINGUIST WHO TAUGHT ME TO UNDERSTAND INDIA AND HER PEOPLE THROUGH THE CLASSICS CONTENTS Introduction 9 Acknowledgements 17 Abbreviations 18 List of Works and Authors 2! Transliteration and Order of the NagarrLette Arrangement of the Entries 27 Measurements 28 The Dictionary: Srauta Section 29 The Dictionary: Grhya Section 127 APPENDICES 16 9 Description of Plates Plates I - m Plans 1-9 INTRODUCTION Our knowledge of the vedic ritual is derived with a varying degree of accuracy from three sources: the Sarhhitas, the Brahmanas, the Srauta and Grhyasutras. But noncTf these books can be taken as the starting point of the vedic ritual. The earliest form of the vedic ritual remains unrecorded. BUt tl CarHcSt refcrencc t0 the vcdic "^1 ^ found in the Rgvedasamhita. r « , ?. The names of sacnficia. objects are mentioned : yupa, idhma, samidh, juhu, gravanah, drone, etc Ihe three savanas of the Soma „ sacrifice have been mentioned. The Rgveda also knew the existence of at least seven priests : Hotr , Potr, Nesfr, Agnidh, Prasastr, Adhvaryu and Brahman i A stage was reached when the hymns, as a poet claims, could only be understood by mcaTof ajaenfice » It « certain therefore that in the Rgvedic period the ritual was fairly extenswe {h °thCr hand 8 largC number ' of hvmns in the R • gveda which «„, « , ™' °J? l have no ?gVtt,a8aifahUa Was not a book of ^ ritual. -
About Yajna, Yaga & Homa
Mahabharata Series About Yajna, Yaga & Homa Compiled by: G H Visweswara PREFACE I have extracted these contents from my other comprehensive & unique work on Mahabharata called Mahabharata-Spectroscope. (See http://www.ghvisweswara.com/mahabharata-2/mahabharata-spectroscope-a-unique- resource/). Whereas the material in that was included in the order in which it appears in the original epic, in this compilation I have grouped them by meaningful Topics & Sub- topics thus making it much more useful to the student/scholar of this subject. This is a brief compilation of the contents appearing in the great epic Mahabharata on the topics of Yajna, Yaga & Homa. The compilation is not exhaustive in the sense that every para appearing in the great epic is not included here for the sake of limiting the size of this document. Some of the topics like japa-yajna have already been compiled in another document called Japa-Dhayana-Pranayama. But still most of the key or representative passages have been compiled here. The contents are from Mahabharata excluding Bhagavad Gita. I hope the readers will find the document of some use in their study on these topics. Please see http://www.ghvisweswara.com/mahabharata-2 for my other topic based compilations based on Mahabharata. G H Visweswara [email protected] www.ghvisweswara.com March 2017 About Yajna, Yaga & Homa in Mahabharata: G H Visweswara Page 1 Table of Contents About Yajna, Yaga & Homa in Mahabharata .......................................................................................... 4 Eligibility, -
Origins of Marriage Customs
ORIGINS OF MARRIAGE CUSTOMS: AN ANALYSIS OF RELIGIOUS TRADITIONS HONORS THESIS Presented to the Honors Committee of Texas State University in Partial Fulfillment of the Requirements for Graduation in the Honors College by Kourtney Lynn Ruth San Marcos, Texas May 2018 ORIGINS OF MARRIAGE CUSTOMS: AN ANALYSIS OF RELIGIOUS TRADITIONS Thesis Supervisor: ________________________________ Stefanie Ramirez, Ph.D. School of Family and Consumer Sciences Approved: ____________________________________ Heather C. Galloway, Ph.D. Dean, Honors College COPYRIGHT by Kourtney Ruth 2018 FAIR USE AND AUTHOR’S PERMISSION STATEMENT Fair Use This work is protected by the Copyright Laws of the United States (Public Law 94-553, section 107). Consistent with fair use as defined in the Copyright Laws, brief quotations from this material are allowed with proper acknowledgement. Use of this material for financial gain without the author’s express written permission is not allowed. Duplication Permission As the copyright holder of this work I, Kourtney Ruth, authorize duplication of this work, in whole or in part, for educational or scholarly purposes only. ACKNOWLEDGEMENTS My thesis would not have been possible without the guidance and support of my thesis supervisor, Dr. Stefanie Ramirez. She has been diligent in providing me with feedback and suggestions since the beginning of this process. She did not have to take on the extra responsibility of supervising me during this extremely busy semester, I am so thankful for everything she has done for me! My parents have always pushed me to do my absolute best at eveything I do. They molded me into the competitive person I am today, and without their motivation and support, I would never have been in the honors college in the first place. -
Implications for the Modern Hindu Woman in Partial Fulhlment of the Requirements for MASTER of ARTS University of Manitoba Winni
Sitã in Tulasidãsa' s Rãmachari tamãnasa: Implications for the Modern Hindu Woman by Karen E. Green Submiued to the #ii:t Graduate studies in Partial Fulhlment of the Requirements for the Degree of MASTER OF ARTS Department of Religion University of Manitoba Winnipeg, Manitoba (c) August, 1993 NationalLibrarY Bibliothèque nationale W@W du Canada et Acouisitions and Direction des acquisitions BibliograPhic Services Branch des services bibliograPhiques Wellington Street 395, rue Wellington 395 (Ontario) Otiawa, Ontario Onawa K1A ON4 K1A ON4 YNt Iile Volre rèlërffie Our lile Nolre èl,ffie The author has E¡'anted an ß-'auteu¡r a accordé !'Jne ßice¡rce et non exclusive i nrevocable non-exclus¡ve licemce irnévoeable tslbliotlrèque allowing the frtüatio¡'lal ü-ibrary of perrnettarxt à la Ca¡rada to reproduce, loan, matio¡'¡ale du Canada de distribute 0r sell cop¡es of reproduire, Prêter, distribuer ou sa thèse his/l,er thesis bY anY sneans and vendre des coPies de sous in any for¡m or format, maldng de quelque manière et que ce soit this thesis available to interested EuelEue for¡ne Pour de cette persons. mettre des exemPlaires thèse à !a disPosition des personnes intéressées. du The author retains owt'lershiP ot t-'auteur conserve la ProPriété the copyrlght in his/her tl'lesis' droit d'auteur qu¡ Protège sa ¡ri des extraits hleither the thesis nor substantia! thèse. F',üi !a thèse ne extracts from it maY be Printed or substantiels de celle-ci otherwise reProduced without doivent être irnPrimés oL¡ son his/her permiss¡on" autrement reProduits sans autorisation. -
2.Hindu Websites Sorted Category Wise
Hindu Websites sorted Category wise Sl. No. Broad catergory Website Address Description Reference Country 1 Archaelogy http://aryaculture.tripod.com/vedicdharma/id10. India's Cultural Link with Ancient Mexico html America 2 Archaelogy http://en.wikipedia.org/wiki/Harappa Harappa Civilisation India 3 Archaelogy http://en.wikipedia.org/wiki/Indus_Valley_Civil Indus Valley Civilisation India ization 4 Archaelogy http://en.wikipedia.org/wiki/Kiradu_temples Kiradu Barmer Temples India 5 Archaelogy http://en.wikipedia.org/wiki/Mohenjo_Daro Mohenjo_Daro Civilisation India 6 Archaelogy http://en.wikipedia.org/wiki/Nalanda Nalanda University India 7 Archaelogy http://en.wikipedia.org/wiki/Taxila Takshashila University Pakistan 8 Archaelogy http://selians.blogspot.in/2010/01/ganesha- Ganesha, ‘lingga yoni’ found at newly Indonesia lingga-yoni-found-at-newly.html discovered site 9 Archaelogy http://vedicarcheologicaldiscoveries.wordpress.c Ancient Idol of Lord Vishnu found Russia om/2012/05/27/ancient-idol-of-lord-vishnu- during excavation in an old village in found-during-excavation-in-an-old-village-in- Russia’s Volga Region russias-volga-region/ 10 Archaelogy http://vedicarcheologicaldiscoveries.wordpress.c Mahendraparvata, 1,200-Year-Old Cambodia om/2013/06/15/mahendraparvata-1200-year- Lost Medieval City In Cambodia, old-lost-medieval-city-in-cambodia-unearthed- Unearthed By Archaeologists 11 Archaelogy http://wikimapia.org/7359843/Takshashila- Takshashila University Pakistan Taxila 12 Archaelogy http://www.agamahindu.com/vietnam-hindu- Vietnam -
Contents - at a Glance
Contents - at a glance Preface xm • What are the Vedas? 1. Yajna - A Celebration • Why study the Vedas? • Subjects of the Vedas of life 1 • Original form of the Vedas 2. Introduction to the Yajna • Origin of the Vedas Tradition 4 The Vedas individually 34 Genesis of yajna 4 Rig Veda • Rig Veda Yajur Veda • Yajur Veda Sama Veda • Shatapatha Brahmana Arthava Veda • Bhagavad Gita • Usage of the word 'brahman' • Puranas • Brahmana Granthas Vedas, Vedic dharma and yajna 8 • Aranyaka • Purushartha and kratvartha • Upanishads • Birth of the Vedic concept of yajna • Vedangas Etymology of the term 'yajna 11 • Puranas Universal principle of give Supportive articles of the and take 12 yajna structure 41 Relevance of yajna today 15 Mantras 41 Vastness of yajna 15 Devatas 41 Yajna - foundation of life 16 Dravya 43 3. Vedic Foundations 4. Devata - the Luminary of Yajna 18 in a Yajna 46 Foundation of the concept The concept of devata 46 of yajna 19 Etymology of the term'devata' 47 Culture 19 Characteristics of devatas 48 Culture and civilization 21 Importance of devata dhyanam 49 Culture and religion 23 Yoga and devata dhyanam 51 Culture and literature 25 Number of devatas 5 2 Plinth of the yajna structure 2 6 Devatas in Vedic verses 54 • The Vedas collectively Forms of devatas 56 • Parts of the Vedas Functions of devatas from the Samhita three lokas 57 Brahmanas Description of devatas 5 7 Aranyakas 1. Prithivi based devatas Upanishads 2. Antariksha based devatas Vll 3. Dyu loka-based devatas 7, Mechanics of Yajna 4. Vishvedeva 97 5. -
Rama, Sita, Hanuman
Hinduism Rama, Sita, Hanuman Rama, Sita, Hanuman Summary: Rama, Sita, and Hanuman are central, divine characters in the Ramayana. Rama is both worshipped and admired as a righteous king and a fully human incarnation of Lord Vishnu. During a Rama Navami Celebration, Rama's birth is celebrated and his wedding to Sita is reenacted. Families with daughters of marriageable age serve as sponsors for the divine wedding, which is also a chance to pray for the good marriage of their daughters in the future. In the Bharatiya Temple in Troy, Michigan, the Hindu community gathers for Rama Navami, the annual festival celebrating Lord Rama. Bharatiya literally means the temple of India, highlighting the fact that this a pan-Hindu temple, not dedicated to a specific deity. Modern in its design, Bharatiya set on a wooded hillside in the northern suburbs of Detroit. Four huge arching wooden trusses support the roof of the carpeted sanctuary where more than three hundred people are sitting for the “Wedding of Rama and Sita,” the divine couple who are hero and heroine of the beloved Ramayana. The images of Rama and Sita have been brought forward on the raised platform which serves as the altar of the temple. Rama is both worshipped and admired as a righteous king and a fully human incarnation of Lord Vishnu. Today Rama’s birth is celebrated and his wedding to Sita is re-enacted. Two families from the community are seated with the priests near the altar which bears the small images of Rama in a yellow silk dhoti and Sita in red silk sari and pearls. -
1.Hindu Websites Sorted Alphabetically
Hindu Websites sorted Alphabetically Sl. No. Website Address Description Broad catergory Reference Country 1 http://18shaktipeetasofdevi.blogspot.com/ 18 Shakti Peethas Goddess India 2 http://18shaktipeetasofdevi.blogspot.in/ 18 Shakti Peethas Goddess India 3 http://199.59.148.11/Gurudev_English Swami Ramakrishnanada Leader- Spiritual India 4 http://330milliongods.blogspot.in/ A Bouquet of Rose Flowers to My Lord India Lord Ganesh Ji 5 http://41.212.34.21/ The Hindu Council of Kenya (HCK) Organisation Kenya 6 http://63nayanar.blogspot.in/ 63 Nayanar Lord India 7 http://75.126.84.8/ayurveda/ Jiva Institute Ayurveda India 8 http://8000drumsoftheprophecy.org/ ISKCON Payers Bhajan Brazil 9 http://aalayam.co.nz/ Ayalam NZ Hindu Temple Society Organisation New Zealand 10 http://aalayamkanden.blogspot.com/2010/11/s Sri Lakshmi Kubera Temple, Temple India ri-lakshmi-kubera-temple.html Rathinamangalam 11 http://aalayamkanden.blogspot.in/ Journey of lesser known temples in Temples Database India India 12 http://aalayamkanden.blogspot.in/2010/10/bra Brahmapureeswarar Temple, Temple India hmapureeswarar-temple-tirupattur.html Tirupattur 13 http://accidentalhindu.blogspot.in/ Hinduism Information Information Trinidad & Tobago 14 http://acharya.iitm.ac.in/sanskrit/tutor.php Acharya Learn Sanskrit through self Sanskrit Education India study 15 http://acharyakishorekunal.blogspot.in/ Acharya Kishore Kunal, Bihar Information India Mahavir Mandir Trust (BMMT) 16 http://acm.org.sg/resource_docs/214_Ramayan An international Conference on Conference Singapore