DOCSLIB.ORG

Indiana Central Students

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Indiana Central Students .. ., .. .. .. -, , - . .. .,.. .. ,-. .. ~;: THE MEANING'OF CHRISTMAS ,. In less than sixty seconds a story can be told that has , '. rdcked. nation after nation,, confused one ruler after an- .. ' ' other, upset the religious establishment of the day, caused . ':. countless numbers of people to shout "phoney" and millions ' ' of others to cry out "my Lord and my God." It is the story that is ever so old yet ever so new. It is the story of .the{ birth of Jesus, the Christ. Read it in the gospel of Luke,q the second chapter, and verses eight to twenty. As you consider all that this Christmas season means, give' careful thought to. the following ideas as brought together by .Jenny Graham, acting Religious Activities Chairman. Go placidly. amid the noise & ha&, & kmember what z , peace there may be in silence. As far as possible without surrender be on good terms with dl persons. Spe& your - truth quiety & clearly; and listen to other, even the dull & ignorant; they too have their story. Avoid loud &' aggressive persons, ' they are vexations Volume 51 December: 18, 1970 ' Indianapolis; Indiana No. 6'to the spirit. If you compare yourself mith others; you may .. become vain & bitter; for always there will be grater &XI . '. lesser persons than yourself. Enjoy your achievements as . .. .- . ' . .. '. '. .. :' me11 as your plans. The Reflective'herican .. .. ,. Forrest BNner '.. ' ' Keep interested in 'your om career, however humble; .. ' ' it is -a real possession in'the changing fortunes of time. Years ago a' former President made the statement,. "let . .' ' , ' ' . Exercise caution in your business affairs; for the world 4. .the people know the truth and the countrfwill be saved." . ,.,. ,: is full of trickery. But let this not blind you to what virtue Th'is.statement is so. simple and yet so profound that ..it there is; many persons strive for high ,ideals; and every-&#._ .where life is full.of heroism.' might'be well for each of us to look more deeply at it. .. First let us consider what truth is. Down through the .. Be yourself. Especially, do not feign affection. Neither years there have been various groups.and societies which ' be cynical about love; for in the face of all -aridity. & dis- .. enchantment it is perennial as the grass. declared the "truth." Some of these "truths" have been dia- .. meterically opposed to the "truths" of other groups and so- Take'kindly the counsel of the years, gracefully sur- ' . rendering the things.of.youth. Nurture strength of spirit cieties; yet, the members of &ch group felt that their : to shield you"in sudden. misfortune. But 'do not distress21 "truth" was the only one to be found. Thus we may make , '. yourself with imaginings. .illany few. are born of fatiye the general statement that while the truth is certain, no one & loneliness.,., Beyond a yholesome disclpline, be gentle with may be wholly certain of the truth. .. yourself. .. Another problem arises when we examine facts, the fun- .. You are a chi1d:of the universe, no less than the trees & the stars; you have a right to be here. And whether or dmental props of higher truth. It haa been the common . .. ' ' , ..not it is clear to you. no doubt the universe is unfolding as reaction of all men to see the f@s in relation to their pr- it should: .: 41 ' concieved beliefs, and so construct them as to prop up theso. ,. Therefore be at pa& with God,.whatever you conceive' beliefs;.Also, the,misrepreentation of facts by men of vari- Him to be, and whatever your.labors & aspirations, in the ous groups to support their beliefs has been used since the noisy confusion of life keep' peace with your soul. dawn of civilization. *. 'With all its sham, drudgery & broken dreams, it is At present there is little overt rebellion takin$ place on a beautiful world. Be careful, Strive to be happy. America's campuses, but I do not think I am being presump- * *'*.,.. tuous when I state that there will be a new radical offensive hrist is the light for man's dirk heart. - Rhea this spring. We may expect the same slogans and cat-calls - * .* * "i, : '. , ' liberally sprinkled with obsenities which we have been treated I to over the last several years. Although few radicals have "that mother kept saying to her son. '.me say to the closed mind. ' ' ' . - ever attended Central, and we have never experienceil any pen up," Jesus says to the, closed heart. real trouble; with each year's offensive a new sympathetic , reaction seems to grip the 'campus. ' *.* * .u While I do not propose that we bury our heads in the : '. There is but one time-the love-time . ' .. sand, neither do I think we should suddenly become self-ap- . ' .and all life begins'in this season that is so different in the each of us . ~* -Buxbaugh ', ' " pointed debators and .disturb .the'quiet of .our campus be . ' * *:*. ' cause students on other campuses have seen fit to disturb . .For such is the unbroken. circle ', theirs'. Rather, let each student examine the coming situa- from the earth to the sky above tions in quiet and reasonable manner; it is better that they . that to give of love is to give of life i.' examine nothing but their methods. .. d in giving life, find love. ,. ' ' . .. .. -Buxbaum .. *:'* *' .. .. .. ell our fallen .. .. J .. .. that the battle had been won! .- Buxbaum ,. dl .. .. *,*. * ., ' .. Then said a rich man; Speak to us of Giving. ,', .. .. .. .. .. .And he answered: .. .. ' You give but little khen you 'give of your pbssessions. .. .- k. .. .. ., when.you give of.yourself that you truly give. .. .. It is . There are those who give little of the much which .. .. , . they have - and they give it for recognition hnd ,their,, .... hidden desire makes their gifts unwholesome. ... ,. .. And there me those who have little and give it .,.. ' . , ., i, d. Midwest Students.Seek ...,. ..., These are the believers in life and therbounty of life, . .. .and their coffer is-never empty. Aid For Palcistan .. CHICAGO A group of 70 students enrolled '. '. .' . ' There are those who,give with joy, and that joy is (CPS) - their. reward.. i. ., . .. ' ' ' in .the -Associated Colleges of the Ididmest. Urban Studies ' ' ' ' . .. ., . ... And there are those who give with pain, hdthat paincl Program have issued a'call to U Thant;Secretary General . ., ..is their baptiism. ". of the United Nations to call upon the United States, North , , ' . '. : . And thero are those who give and knom'not pain in ~ and South Vietnam, and Cambodia, to proclaim an im- .' ' . giving, nor do they seek joy, nor. give.with mhdfulness mediate SO-day cecessatron of military activities so that ' , they might "direct all their relief capacities to the tram : .. of virtue; . ' They give US in yonder valley the'myrtle brkthes its and des rate situation in Pakistan,"mherc hundreds of .. thousan rs of people have been killed or injured by a cyclone ' ,franwance into space. and resultant tidal WOVCS. Through the hands of such as these.God spaks, and "Wo think that some third force like' the United Na- .' from behind their eyes He. smiles upon the earth. tIons should step In to give aid to Pakistan," said Jeff Bork, It is well to dve when asked, but it is better to give spokesman for the students. "RegzlrdIess of how. you feel . .. unnsked, tho through understanding; on the (Indochinese) War, both sides could stop and do .. And,to the open-handed the search for one who shall Somo good. HONcould the United Statestesturn this down?" ' . receive is .joy greater than giving. ha asked. And is there aught you would withhold? .. The Colleges of' the ' ilhdmest composed All you have shall some day be given; Associated is .. .. of 12 schools, mostly in the Chicago ma. All demonstra- ,. Therefore give now, that the season'of giving &y ' ' ', . : tions or shows of support should be directed at U Thant .. be yours and not your inheritors' . at the UN. I. .. -THE PROPHET, Gibm . - .. ... .. c .. .. December 18, 1970 ., . , . .. RE.FL‘E,CTOR . Page Three 4. The Perand The Gavel . Letter To The Editor ... .. ~ . Best &shes’ for a happy holiday and-hope for the new year.. Unsigned letters to the editor will not be considered for publication. Name may be withheld upon request: ., ,. .. .. MAS .’ c ... :. , . ...., , . ‘.To the’ Editor.;‘. ’. .. .. .. , , . : . ~ ’ , The Reflector: ”. ..In:the.Nov: ‘G issue of the’Reflector there ‘mere two items concerning the Black Panthers (in addition to an “PI 1 Letter To The Editor . ‘,article‘from ‘Detroit), the ‘one was your list. of “Important I “Numbers” in which you list.the Black Panther Party Infor- Dr. Edvard A. Vondrak.’.~. ” !:. ’. ,. I. mation’ Center number along with .some 20 numbers that ,;. ,;. Assoc. Prof. of Physics you. must, feel.are.important, the other !vas an announce- ’ In reply to your letter to the: Editor which &peared in ment, or perhaps a paid advertisement, soliciting help for the November20, 1070 issue of the Reflector: i Black.Panther project. “Criticism No. 1” Your criticism of the Reflector is rep- : The jttached article of, the Black Panthers offer to ititious. In all letters you have wrtten to the Reflector this ’, send troops’to Vietnam to help the Viet Cone fight Ameri- year you have said basically the same thing. ,.. ’ can’troops, his as’far as I know not been denied by the ‘Panther Party, and has had a’note of thanks from. the Viet F “Constructive Suggestion >?9: .l” Condense. all of your ,Cong who said in essence.’ “not just now but maybe later.” critical letters into one good letter. :. Aly question, to you is, are you approving of the Black “Criticism No. 2” Your constructive suggestions were Panther’ organization that advocates aid to the Viet Cong not constructive. I am quite sure that.you ire amare of the, .against America?.
Load more

Recommended publications
  • New Glass Review 10.Pdf
    'New Glass Review 10J iGl eview 10 . The Corning Museum of Glass NewG lass Review 10 The Corning Museum of Glass Corning, New York 1989 Objects reproduced in this annual review Objekte, die in dieser jahrlich erscheinenden were chosen with the understanding Zeitschrift veroffentlicht werden, wurden unter that they were designed and made within der Voraussetzung ausgewahlt, dal3 sie the 1988 calendar year. innerhalb des Kalenderjahres 1988 entworfen und gefertigt wurden. For additional copies of New Glass Review, Zusatzliche Exemplare des New Glass Review please contact: konnen angefordert werden bei: The Corning Museum of Glass Sales Department One Museum Way Corning, New York 14830-2253 (607) 937-5371 All rights reserved, 1989 Alle Rechtevorbehalten, 1989 The Corning Museum of Glass The Corning Museum of Glass Corning, New York 14830-2253 Corning, New York 14830-2253 Printed in Dusseldorf FRG Gedruckt in Dusseldorf, Bundesrepublik Deutschland Standard Book Number 0-87290-119-X ISSN: 0275-469X Library of Congress Catalog Card Number Aufgefuhrt im Katalog der KongreB-Bucherei 81-641214 unter der Nummer 81-641214 Table of Contents/lnhalt Page/Seite Jury Statements/Statements der Jury 4 Artists and Objects/Kunstler und Objekte 10 Bibliography/Bibliographie 30 A Selective Index of Proper Names and Places/ Verzeichnis der Eigennamen und Orte 53 er Wunsch zu verallgemeinern scheint fast ebenso stark ausgepragt Jury Statements Dzu sein wie der Wunsch sich fortzupflanzen. Jeder mochte wissen, welchen Weg zeitgenossisches Glas geht, wie es in der Kunstwelt bewer- tet wird und welche Stile, Techniken und Lander maBgeblich oder im Ruckgang begriffen sind. Jedesmal, wenn ich mich hinsetze und einen Jurybericht fur New Glass Review schreibe (dies ist mein 13.), winden he desire to generalize must be almost as strong as the desire to und krummen sich meine Gedanken, um aus den tausend und mehr Dias, Tprocreate.
    [Show full text]
  • 2010–2011 Our Mission
    ANNUAL REPORT 2010–2011 OUR MISSION The Indianapolis Museum of Art serves the creative interests of its communities by fostering exploration of art, design, and the natural environment. The IMA promotes these interests through the collection, presentation, interpretation, and conservation of its artistic, historic, and environmental assets. FROM THE CHAIRMAN 02 FROM THE MELVIN & BREN SIMON DIRECTOR AND CEO 04 THE YEAR IN REVIEW 08 EXHIBITIONS 18 AUDIENCE ENGAGEMENT 22 PUBLIC PROGRAMS 24 ART ACQUISITIONS 30 LOANS FROM THE COLLECTION 44 DONORS 46 IMA BOARD OF GOVERNORS 56 AFFILIATE GROUP LEADERSHIP 58 IMA STAFF 59 FINANCIAL REPORT 66 Note: This report is for fiscal year July 2010 through June 2011. COVER Thornton Dial, American, b. 1928, Don’t Matter How Raggly the Flag, It Still Got to Tie Us Together (detail), 2003, mattress coils, chicken wire, clothing, can lids, found metal, plastic twine, wire, Splash Zone compound, enamel, spray paint, on canvas on wood, 71 x 114 x 8 in. James E. Roberts Fund, Deaccession Sculpture Fund, Xenia and Irwin Miller Fund, Alice and Kirk McKinney Fund, Anonymous IV Art Fund, Henry F. and Katherine DeBoest Memorial Fund, Martha Delzell Memorial Fund, Mary V. Black Art Endowment Fund, Elizabeth S. Lawton Fine Art Fund, Emma Harter Sweetser Fund, General Endowed Art Fund, Delavan Smith Fund, General Memorial Art Fund, Deaccessioned Contemporary Art Fund, General Art Fund, Frank Curtis Springer & Irving Moxley Springer Purchase Fund, and the Mrs. Pierre F. Goodrich Endowed Art Fund 2008.182 BACK COVER Miller House and Garden LEFT The Wood Pavilion at the IMA 4 | FROM THE CHAIRMAN FROM THE CHAIRMAN | 5 RESEARCH LEADERSHIP From the In addition to opening the new state-of-the-art Conservation Science Laboratory this past March, the IMA has fulfilled the challenge grant from the Andrew W.
    [Show full text]
  • Empty Environments Dorothy Zinker
    Rochester Institute of Technology RIT Scholar Works Theses Thesis/Dissertation Collections 10-1-1968 Empty Environments Dorothy Zinker Follow this and additional works at: http://scholarworks.rit.edu/theses Recommended Citation Zinker, Dorothy, "Empty Environments" (1968). Thesis. Rochester Institute of Technology. Accessed from This Thesis is brought to you for free and open access by the Thesis/Dissertation Collections at RIT Scholar Works. It has been accepted for inclusion in Theses by an authorized administrator of RIT Scholar Works. For more information, please contact [email protected]. EMPTY ENVIRONMENTS by Dorothy Anne Coffey Zinker Candidate for the Degree Master of Fine Arts in the College of Fine and Applied Arts of the Rochester Institute of Technology October 1968 Advisor: Professor Philip W. Bornarth ACKNOWLEDGMENTS My special thanks go to Professor Philip W. Bornarth for stimulating discussions on color, as well as his many helps toward the thesis project and report; to Barbara O'Loane for struggling through pages of half-written text with me and encouraging me in my efforts; and to Julia McCorkle for her help with last-minute details connected with the typing of the report. 11 DEDICATION To A. M. B. A. Z. and R. C. Z. TABLE OF CONTENTS PAGE ACKNOWLEDGMENTS ii LIST OF ILLUSTRATIONS v INTRODUCTION vi PROCEDURE 1 Materials and Method 1 Research 5 DEVELOPMENT OF CONCEPT 17 Formulation of Ideas: Image to Abstraction ... 17 "R.eality" Formulation of Ideas: Image to .... 19 Geometry and Architecture 20 Size 22 Color 26 Discussion of Individual Paintings 28 Windows 29 Chinese Metaphysical Clouds 32 Tree 34 Doors 36 and Frames the Question of Varnish ...
    [Show full text]
  • PAVIA, PHILIP, 1915-2005. Philip Pavia and Natalie Edgar Archive of Abstract Expressionist Art, 1913-2005
    PAVIA, PHILIP, 1915-2005. Philip Pavia and Natalie Edgar archive of abstract expressionist art, 1913-2005 Emory University Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Descriptive Summary Creator: Pavia, Philip, 1915-2005. Title: Philip Pavia and Natalie Edgar archive of abstract expressionist art, 1913-2005 Call Number: Manuscript Collection No. 981 Extent: 38 linear feet (68 boxes), 5 oversized papers boxes and 5 oversized papers folders (OP), 1 extra oversized papers folder (XOP) and AV Masters: 1 linear foot (1 box) Abstract: Philip Pavia and Natalie Edgar archive of abstract expressionist art including writings, photographs, legal records, correspondence, and records of It Is, the 8th Street Club, and the 23rd Street Workshop Club. Language: Materials entirely in English. Administrative Information Restrictions on Access Unrestricted access. Terms Governing Use and Reproduction All requests subject to limitations noted in departmental policies on reproduction. Source Purchase, 2004. Additions purchased from Natalie Edgar, 2018. Citation [after identification of item(s)], Philip Pavia and Natalie Edgar archive of abstract expressionist art, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University. Processing Processed by Elizabeth Russey and Elizabeth Stice, October 2009. Additions added to the collection in 2018 retain the original order in which they were received. Emory Libraries provides copies of its finding aids for use only in research and private study. Copies supplied may not be copied for others or otherwise distributed without prior consent of the holding repository. Philip Pavia and Natalie Edgar archive of abstract expressionist art, Manuscript Collection No.
    [Show full text]
  • Ruth Vollmer
    RUTH VOLLMER Born 1903 in Munich, Germany Died 1982 in New York, NY Solo Exhibitions 2014 Ruth Vollmer: Five Platonic Polyhedra and Corresponding Spheres, 1974, Neuberger Museum of Art, Purchase College, Purchase, NY 2011-2013 Ruth Vollmer, Jane Voorhees Zimmerli Art Museum, Rutgers University, New Brunswick, NJ 2002 Drawings and Sculpture, curated by Graham Domke, Inverleith House, Royal Botanical Garden, Edinburgh, Scotland (catalogue) 1985 An Exhibition of Spheres, Jack Tilton Gallery, New York, NY 1983 Jack Tilton Gallery, New York, NY (catalogue) 1979 Pencil Drawings, Betty Parsons Gallery, New York, NY 1978 Drawings, Adler Gallery, Los Angeles, CA 1976 Neuberger Museum of Art, State University of New York, Purchase, NY (catalogue) 1974 Sculpture and Painting, 1962-1974, curated by Peg Weiss, Everson Museum of Art, Syracuse, NY (catalogue) 1973 Sculpture and Drawings, Betty Parsons Gallery, New York, NY 1971 Drew University, Madison, NJ 1970 Betty Parsons Gallery, New York, NY 1968 Exploration of the Sphere: Ruth Vollmer, Sculpture, Betty Parsons Gallery, New York, NY (catalogue) 1966 Sculpture, Spheres, Betty Parsons Gallery, New York, NY 1960 Sculpture, Betty Parsons Gallery, New York, NY SELECTED GROUP EXHIBITIONS 2019 The Negative Space, ZKM | Center for Art and Media, Karlsruhe, Germany 2018 In Tribute to Jack Tilton: A Selection from 35 Years, Tilton Galley, New York, NY 2017 Vanishing Points, curated by Adrianna Campbell, James Cohan Gallery, New York, NY 2015 BERMAN – TUTTLE – VOLLMER, Tilton Gallery, New York, NY 2014-2015
    [Show full text]
  • Encyklopédia Kresťanského Umenia
    Marie Žúborová - Němcová: Encyklopédia kresťanského umenia americká architektúra - pozri chicagská škola, prériová škola, organická architektúra, Queen Anne style v Spojených štátoch, Usonia americká ilustrácia - pozri zlatý vek americkej ilustrácie americká retuš - retuš americká americká ruleta/americké zrnidlo - oceľové ozubené koliesko na zahnutej ose, užívané na zazrnenie plochy kovového štočku; plocha spracovaná do čiarok, pravidelných aj nepravidelných zŕn nedosahuje kvality plochy spracovanej kolískou americká scéna - american scene americké architektky - pozri americkí architekti http://en.wikipedia.org/wiki/Category:American_women_architects americké sklo - secesné výrobky z krištáľového skla od Luisa Comforta Tiffaniho, ktoré silno ovplyvnili európsku sklársku produkciu; vyznačujú sa jemnou farebnou škálou a novými tvarmi americké litografky - pozri americkí litografi http://en.wikipedia.org/wiki/Category:American_women_printmakers A Anne Appleby Dotty Atti Alicia Austin B Peggy Bacon Belle Baranceanu Santa Barraza Jennifer Bartlett Virginia Berresford Camille Billops Isabel Bishop Lee Bontec Kate Borcherding Hilary Brace C Allie máj "AM" Carpenter Mary Cassatt Vija Celminš Irene Chan Amelia R. Coats Susan Crile D Janet Doubí Erickson Dale DeArmond Margaret Dobson E Ronnie Elliott Maria Epes F Frances Foy Juliette mája Fraser Edith Frohock G Wanda Gag Esther Gentle Heslo AMERICKÁ - AMES Strana 1 z 152 Marie Žúborová - Němcová: Encyklopédia kresťanského umenia Charlotte Gilbertson Anne Goldthwaite Blanche Grambs H Ellen Day
    [Show full text]
  • OBSERVER Vol
    OBSERVER Vol. 98 No. 18 February 15, 1991 Page 1 Budget Especially Tight This Semester Tanya Panin Red Hook Law May Threaten Bard’s Freedom Jonathan Englert Dear Mr. President Michael Stimac Page 2 Public Assembly Adopted by the Town Board of Red Hook Students Set Their Agenda Against the War Christie Searing David Steinberg Forms Alternative Society Melinda Loges Page 3 Bard Shuttle Bus Running “Like Clockwork” Greg Giaccio Database Seeks to Match Seniors With Jobs Rob Cutler Page 4 What is This! [Sculpture in Tewksbury Field] Goodbye, “Hello, America” Practicing Buddhism in Annandale Greg Giaccio Student Population Changes With Semesters Greg Giaccio Page 5 Ineffable Effrontery Ephen Glenn Colter Club Forum Coalition for Choice Spandex’s Return ZZYZX Page 6 Hey Guys, Check Out Those Skinny Legs Jonathan Miller No Food Rules and Food for Thought Rules [Restaurant Review] John J. Dalton Page 7 New Video Release Not for the Squeamish Matthew J. Lee and David Draper Page 8 Three New Administrators at Stevenson Gymnasium Jody Apap Bard Squash Team Earns First Win But railed when forced to step on the court Matt Phillips and Jody Apap Fencers Fare Well at Bard’s First Intercollegiate Match Jody Apap Dribblers Lose a Close One at Home Jody Apap Page 9 Valentine Proposals Page 10 Outlook From the Editor’s Sanctum All Aboard for a Bumpy Ride Page 11 Letter From the White House Justification for the Peace Movement Andrew Yoon Forum Corrections David O’Reilly Page 12 Calendar Non-profit Org. U.S. Postage PAID PermitNo. 1 Bard Annandale-on-Hudson College's I may not agree witli wliat you say, out I .
    [Show full text]
  • Revising the Status Quo of Revisionism, Grand Strategy, and International Order
    Florida International University FIU Digital Commons FIU Electronic Theses and Dissertations University Graduate School 3-19-2019 Revising the Status Quo of Revisionism, Grand Strategy, and International Order Onur Erpul Florida International University, [email protected] Follow this and additional works at: https://digitalcommons.fiu.edu/etd Part of the International Relations Commons Recommended Citation Erpul, Onur, "Revising the Status Quo of Revisionism, Grand Strategy, and International Order" (2019). FIU Electronic Theses and Dissertations. 4044. https://digitalcommons.fiu.edu/etd/4044 This work is brought to you for free and open access by the University Graduate School at FIU Digital Commons. It has been accepted for inclusion in FIU Electronic Theses and Dissertations by an authorized administrator of FIU Digital Commons. For more information, please contact [email protected]. FLORIDA INTERNATIONAL UNIVERSITY Miami, Florida REVISING THE STATUS QUO OF REVISIONISM, GRAND STRATEGY, AND INTERNATIONAL ORDER A dissertation submitted in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY in INTERNATIONAL RELATIONS by Onur Erpul 2019 To: Dean John F. Stack, Jr. Stephen J. Green School of International and Public Affairs This dissertation, written by Onur Erpul, and entitled Revising the Status Quo of Revisionism, Grand Strategy, and International Order, having been approved in respect to style and intellectual content, is referred to you for judgment. We have read this dissertation and recommend that it be approved. Ronald W. Cox John Oates Rebecca Friedman Félix E. Martín, Major Professor Date of Defense: March 19, 2019 The dissertation of Onur Erpul is approved. Dean John F. Stack, Jr. Stephen J.
    [Show full text]
  • Jean-Noel Archive.Qxp.Qxp
    THE JEAN-NOËL HERLIN ARCHIVE PROJECT Jean-Noël Herlin New York City 2005 Table of Contents Introduction i Individual artists and performers, collaborators, and groups 1 Individual artists and performers, collaborators, and groups. Selections A-D 77 Group events and clippings by title 109 Group events without title / Organizations 129 Periodicals 149 Introduction In the context of my activity as an antiquarian bookseller I began in 1973 to acquire exhibition invitations/announcements and poster/mailers on painting, sculpture, drawing and prints, performance, and video. I was motivated by the quasi-neglect in which these ephemeral primary sources in art history were held by American commercial channels, and the project to create a database towards the bibliographic recording of largely ignored material. Documentary value and thinness were my only criteria of inclusion. Sources of material were random. Material was acquired as funds could be diverted from my bookshop. With the rapid increase in number and diversity of sources, my initial concept evolved from a documentary to a study archive project on international visual and performing arts, reflecting the appearance of new media and art making/producing practices, globalization, the blurring of lines between high and low, and the challenges to originality and quality as authoritative criteria of classification and appreciation. In addition to painting, sculpture, drawing and prints, performance and video, the Jean-Noël Herlin Archive Project includes material on architecture, design, caricature, comics, animation, mail art, music, dance, theater, photography, film, textiles and the arts of fire. It also contains material on galleries, collectors, museums, foundations, alternative spaces, and clubs.
    [Show full text]
  • OBSERVER Vol
    OBSERVER Vol. 100 No. 1 August 5, 1992 Page 1 The Lowdown on Ludlow Emily Horowitz Page 2 The man with the bowtie: a portrait of Leon Botstein Joan Mielke Page 3 Practicing Buddhism in Annandale Greg Giaccio The giant paperclip of Tewksbury field Angela Jancius Page 4 Only at Bard Secret rabbit shrine discovered in the Enchanted Forest Rob Cutler Are they treehouses or batcaves?—ask a Ravine-dweller Rebekah Klein Page 5 Culture: Music, art and video Art Supplies Books Records and CDs Video Rentals Antique and junk shops Money: Where to spend it, where to save it Movie theaters Service stations Banks Page 6 Things to go, places to see Page 7 Glut your gastro-intestinal tract!!! Restaurants Pizza and Italian Page 8 Boating Info Page 9 The history of Bard College Jonathan Hearn Time and The Bard Observer Brenda Montgomery Page 10 Getting your name in print Matthew Apple Sample Sophomoric Letters My old school Matt “Not A Clue” Gilman New fangled first year students Greg “Grumpy” Giaccio The Beer Column Finnegan and Phantom Page 11 The hunchback of Bard Greg Giaccio The Student Forum: Making it work for you Matthew Apple Page 12 Freshman Rules [Reprinted from The Freshman Handbook 1934-35] Bard’s roving soccer teams Matthew Apple Attention, Sports Fans! Matt Gilman ' ~. ,., .. Non-profit Org. l.'. 5. PO!.tage PAlO -s..~~-1 Pennlt ~o.! Bard Annandale-on-Hudson .. - . .College~s. Brin_g ~P. Ot~ o!d ~aken_ bt1cket With Bard College's name upon it News, Arts, And we'll roll up another keg of beer; For it's not for knowledge that we came to college, & Sports Weekly But to raise hell while we're here.
    [Show full text]
  • Artist Philanthropist
    the artist as philanthropist strengthening the next generation of artist-endowed foundations a study of the emerging artist-endowed foundation field in the U.S. study report supplement 2013 the artist as philanthropist strengthening the next generation of artist-endowed foundations a study of the emerging artist-endowed foundation field in the US study report supplement 2013 Christine J. Vincent, Study Director Study Committee Alberta Arthurs Charles C. Bergman James T. Demetrion Lowery Stokes Sims James Allen Smith Stephen K. Urice Study Report published 2010. Study Report Supplement published 2013. www.aspeninstitute.org/psi/a-ef-report The views expressed are those of the authors and are not of the Program on Philanthropy and Social Innovation or the Aspen Institute, its trustees, or its funders. The Aspen Institute’s Program on Philanthropy and Social Innovation (PSI) seeks to inform and maximize the impact of grantmaking foundations, nonprofit organizations, social enterprises, and public-private partnerships through leadership development initiatives, convenings, and communications so that each can contribute to the good society at home and abroad. The Program’s theory of change rests on the premise that if their leaders have clarity about their values, are collaborative in their approach to problem-solving, and are aware of the strategies and potential partnerships available to them, they are more likely to succeed in advancing the social good. The Aspen Institute is an educational and policy studies organization with a mission to foster leadership based on enduring values and to provide a nonpartisan venue for dealing with critical issues. The Institute is based in Washington, DC; Aspen, Colorado; and on the Wye River on Maryland's Eastern Shore.
    [Show full text]
  • Résumé of Sasson Soffer
    Résumé of Sasson Soffer ONE-PERSON SHOWS 1958 Artists Gallery, New York City (paintings) 1961 Betty Parsons Gallery, New York City (paintings) 1963 Betty Parsons Gallery, New York City (paintings) 1963 Galerie Birch, Copenhagen, Denmark (paintings) 1964 Poindexter Gallery, New York City (sculpture/drawings) 1965 John Daniels Gallery, New York City (sculptures) 1965 Centennial Art Museum, Corpus Christi, Texas (paintings/sculpture) 1966 Portland Museum of Art, Portland, Maine (paintings/sculptures) 1974 Montclair State College, Montclair, New Jersey (sculpture) 1980-81 Indianapolis Museum of Art (sculptures) 1983-87 University of Maine, Augusta (sculptures) 1995 GRANDSTREET, New York City (paintings) 1996 GRANDSTREET, New York City (paintings) 1997 GRANDSTREET, New York City (sculptures) 2000 GRANDSTREET, New York City (paintings/multiples) 2001 GRANDSTREET, New York City (sculptures) GROUP SHOWS (partial list) 1958 Carnegie Internationales, Pittsburgh, Pennsylvania 1960 Whitney Museum of American Art, New York City 1961 Museum of Modern Art, New York City 1963 Yale University Art Gallery, New Haven, Connecticut 1964 Radcliff College, Cambridge, Massachusetts 1965 Brooklyn College, Brooklyn, New York 1967 Yale University, New Haven, Connecticut 1969 Hudson River Museum, Yonkers, New York 1970 Boston Museum of Fine Art, Massachusetts 1972 Harvard University, Cambridge, Massachusetts 1974 Indianapolis Museum of Fine Art, Indiana ONE-PERSON SCULPTURE SHOWS IN PUBLIC PLACES 1968 Queen Bee, Weinstein Hall, New York University, New York 1973
    [Show full text]