Ruth Vollmer
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Indiana Central Students
.. ., .. .. .. -, , - . .. .,.. .. ,-. .. ~;: THE MEANING'OF CHRISTMAS ,. In less than sixty seconds a story can be told that has , '. rdcked. nation after nation,, confused one ruler after an- .. ' ' other, upset the religious establishment of the day, caused . ':. countless numbers of people to shout "phoney" and millions ' ' of others to cry out "my Lord and my God." It is the story that is ever so old yet ever so new. It is the story of .the{ birth of Jesus, the Christ. Read it in the gospel of Luke,q the second chapter, and verses eight to twenty. As you consider all that this Christmas season means, give' careful thought to. the following ideas as brought together by .Jenny Graham, acting Religious Activities Chairman. Go placidly. amid the noise & ha&, & kmember what z , peace there may be in silence. As far as possible without surrender be on good terms with dl persons. Spe& your - truth quiety & clearly; and listen to other, even the dull & ignorant; they too have their story. Avoid loud &' aggressive persons, ' they are vexations Volume 51 December: 18, 1970 ' Indianapolis; Indiana No. 6'to the spirit. If you compare yourself mith others; you may .. become vain & bitter; for always there will be grater &XI . '. lesser persons than yourself. Enjoy your achievements as . .. .- . ' . .. '. '. .. :' me11 as your plans. The Reflective'herican .. .. ,. Forrest BNner '.. ' ' Keep interested in 'your om career, however humble; .. ' ' it is -a real possession in'the changing fortunes of time. Years ago a' former President made the statement,. "let . .' ' , ' ' . Exercise caution in your business affairs; for the world 4. .the people know the truth and the countrfwill be saved." . -
New Glass Review 10.Pdf
'New Glass Review 10J iGl eview 10 . The Corning Museum of Glass NewG lass Review 10 The Corning Museum of Glass Corning, New York 1989 Objects reproduced in this annual review Objekte, die in dieser jahrlich erscheinenden were chosen with the understanding Zeitschrift veroffentlicht werden, wurden unter that they were designed and made within der Voraussetzung ausgewahlt, dal3 sie the 1988 calendar year. innerhalb des Kalenderjahres 1988 entworfen und gefertigt wurden. For additional copies of New Glass Review, Zusatzliche Exemplare des New Glass Review please contact: konnen angefordert werden bei: The Corning Museum of Glass Sales Department One Museum Way Corning, New York 14830-2253 (607) 937-5371 All rights reserved, 1989 Alle Rechtevorbehalten, 1989 The Corning Museum of Glass The Corning Museum of Glass Corning, New York 14830-2253 Corning, New York 14830-2253 Printed in Dusseldorf FRG Gedruckt in Dusseldorf, Bundesrepublik Deutschland Standard Book Number 0-87290-119-X ISSN: 0275-469X Library of Congress Catalog Card Number Aufgefuhrt im Katalog der KongreB-Bucherei 81-641214 unter der Nummer 81-641214 Table of Contents/lnhalt Page/Seite Jury Statements/Statements der Jury 4 Artists and Objects/Kunstler und Objekte 10 Bibliography/Bibliographie 30 A Selective Index of Proper Names and Places/ Verzeichnis der Eigennamen und Orte 53 er Wunsch zu verallgemeinern scheint fast ebenso stark ausgepragt Jury Statements Dzu sein wie der Wunsch sich fortzupflanzen. Jeder mochte wissen, welchen Weg zeitgenossisches Glas geht, wie es in der Kunstwelt bewer- tet wird und welche Stile, Techniken und Lander maBgeblich oder im Ruckgang begriffen sind. Jedesmal, wenn ich mich hinsetze und einen Jurybericht fur New Glass Review schreibe (dies ist mein 13.), winden he desire to generalize must be almost as strong as the desire to und krummen sich meine Gedanken, um aus den tausend und mehr Dias, Tprocreate. -
2010–2011 Our Mission
ANNUAL REPORT 2010–2011 OUR MISSION The Indianapolis Museum of Art serves the creative interests of its communities by fostering exploration of art, design, and the natural environment. The IMA promotes these interests through the collection, presentation, interpretation, and conservation of its artistic, historic, and environmental assets. FROM THE CHAIRMAN 02 FROM THE MELVIN & BREN SIMON DIRECTOR AND CEO 04 THE YEAR IN REVIEW 08 EXHIBITIONS 18 AUDIENCE ENGAGEMENT 22 PUBLIC PROGRAMS 24 ART ACQUISITIONS 30 LOANS FROM THE COLLECTION 44 DONORS 46 IMA BOARD OF GOVERNORS 56 AFFILIATE GROUP LEADERSHIP 58 IMA STAFF 59 FINANCIAL REPORT 66 Note: This report is for fiscal year July 2010 through June 2011. COVER Thornton Dial, American, b. 1928, Don’t Matter How Raggly the Flag, It Still Got to Tie Us Together (detail), 2003, mattress coils, chicken wire, clothing, can lids, found metal, plastic twine, wire, Splash Zone compound, enamel, spray paint, on canvas on wood, 71 x 114 x 8 in. James E. Roberts Fund, Deaccession Sculpture Fund, Xenia and Irwin Miller Fund, Alice and Kirk McKinney Fund, Anonymous IV Art Fund, Henry F. and Katherine DeBoest Memorial Fund, Martha Delzell Memorial Fund, Mary V. Black Art Endowment Fund, Elizabeth S. Lawton Fine Art Fund, Emma Harter Sweetser Fund, General Endowed Art Fund, Delavan Smith Fund, General Memorial Art Fund, Deaccessioned Contemporary Art Fund, General Art Fund, Frank Curtis Springer & Irving Moxley Springer Purchase Fund, and the Mrs. Pierre F. Goodrich Endowed Art Fund 2008.182 BACK COVER Miller House and Garden LEFT The Wood Pavilion at the IMA 4 | FROM THE CHAIRMAN FROM THE CHAIRMAN | 5 RESEARCH LEADERSHIP From the In addition to opening the new state-of-the-art Conservation Science Laboratory this past March, the IMA has fulfilled the challenge grant from the Andrew W. -
Collected Writings
THE DOCUMENTS O F TWENTIETH CENTURY ART General Editor, Jack Flam Founding Editor, Robert Motherwell Other titl es in the series available from University of California Press: Flight Out of Tillie: A Dada Diary by Hugo Ball John Elderfield Art as Art: The Selected Writings of Ad Reinhardt Barbara Rose Memo irs of a Dada Dnnnmer by Richard Huelsenbeck Hans J. Kl ein sc hmidt German Expressionism: Dowments jro111 the End of th e Wilhelmine Empire to th e Rise of National Socialis111 Rose-Carol Washton Long Matisse on Art, Revised Edition Jack Flam Pop Art: A Critical History Steven Henry Madoff Co llected Writings of Robert Mothen/le/1 Stephanie Terenzio Conversations with Cezanne Michael Doran ROBERT SMITHSON: THE COLLECTED WRITINGS EDITED BY JACK FLAM UNIVERSITY OF CALIFORNIA PRESS Berkeley Los Angeles Londo n University of Cali fornia Press Berkeley and Los Angeles, California University of California Press, Ltd. London, England © 1996 by the Estate of Robert Smithson Introduction © 1996 by Jack Flam Library of Congress Cataloging-in-Publication Data Smithson, Robert. Robert Smithson, the collected writings I edited, with an Introduction by Jack Flam. p. em.- (The documents of twentieth century art) Originally published: The writings of Robert Smithson. New York: New York University Press, 1979. Includes bibliographical references and index. ISBN 0-520-20385-2 (pbk.: alk. paper) r. Art. I. Title. II. Series. N7445.2.S62A3 5 1996 700-dc20 95-34773 C IP Printed in the United States of Am erica o8 07 o6 9 8 7 6 T he paper used in this publication meets the minimum requirements of ANSII NISO Z39·48-1992 (R 1997) (Per111anmce of Paper) . -
Empty Environments Dorothy Zinker
Rochester Institute of Technology RIT Scholar Works Theses Thesis/Dissertation Collections 10-1-1968 Empty Environments Dorothy Zinker Follow this and additional works at: http://scholarworks.rit.edu/theses Recommended Citation Zinker, Dorothy, "Empty Environments" (1968). Thesis. Rochester Institute of Technology. Accessed from This Thesis is brought to you for free and open access by the Thesis/Dissertation Collections at RIT Scholar Works. It has been accepted for inclusion in Theses by an authorized administrator of RIT Scholar Works. For more information, please contact [email protected]. EMPTY ENVIRONMENTS by Dorothy Anne Coffey Zinker Candidate for the Degree Master of Fine Arts in the College of Fine and Applied Arts of the Rochester Institute of Technology October 1968 Advisor: Professor Philip W. Bornarth ACKNOWLEDGMENTS My special thanks go to Professor Philip W. Bornarth for stimulating discussions on color, as well as his many helps toward the thesis project and report; to Barbara O'Loane for struggling through pages of half-written text with me and encouraging me in my efforts; and to Julia McCorkle for her help with last-minute details connected with the typing of the report. 11 DEDICATION To A. M. B. A. Z. and R. C. Z. TABLE OF CONTENTS PAGE ACKNOWLEDGMENTS ii LIST OF ILLUSTRATIONS v INTRODUCTION vi PROCEDURE 1 Materials and Method 1 Research 5 DEVELOPMENT OF CONCEPT 17 Formulation of Ideas: Image to Abstraction ... 17 "R.eality" Formulation of Ideas: Image to .... 19 Geometry and Architecture 20 Size 22 Color 26 Discussion of Individual Paintings 28 Windows 29 Chinese Metaphysical Clouds 32 Tree 34 Doors 36 and Frames the Question of Varnish ... -
PAVIA, PHILIP, 1915-2005. Philip Pavia and Natalie Edgar Archive of Abstract Expressionist Art, 1913-2005
PAVIA, PHILIP, 1915-2005. Philip Pavia and Natalie Edgar archive of abstract expressionist art, 1913-2005 Emory University Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Descriptive Summary Creator: Pavia, Philip, 1915-2005. Title: Philip Pavia and Natalie Edgar archive of abstract expressionist art, 1913-2005 Call Number: Manuscript Collection No. 981 Extent: 38 linear feet (68 boxes), 5 oversized papers boxes and 5 oversized papers folders (OP), 1 extra oversized papers folder (XOP) and AV Masters: 1 linear foot (1 box) Abstract: Philip Pavia and Natalie Edgar archive of abstract expressionist art including writings, photographs, legal records, correspondence, and records of It Is, the 8th Street Club, and the 23rd Street Workshop Club. Language: Materials entirely in English. Administrative Information Restrictions on Access Unrestricted access. Terms Governing Use and Reproduction All requests subject to limitations noted in departmental policies on reproduction. Source Purchase, 2004. Additions purchased from Natalie Edgar, 2018. Citation [after identification of item(s)], Philip Pavia and Natalie Edgar archive of abstract expressionist art, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University. Processing Processed by Elizabeth Russey and Elizabeth Stice, October 2009. Additions added to the collection in 2018 retain the original order in which they were received. Emory Libraries provides copies of its finding aids for use only in research and private study. Copies supplied may not be copied for others or otherwise distributed without prior consent of the holding repository. Philip Pavia and Natalie Edgar archive of abstract expressionist art, Manuscript Collection No. -
Encyklopédia Kresťanského Umenia
Marie Žúborová - Němcová: Encyklopédia kresťanského umenia americká architektúra - pozri chicagská škola, prériová škola, organická architektúra, Queen Anne style v Spojených štátoch, Usonia americká ilustrácia - pozri zlatý vek americkej ilustrácie americká retuš - retuš americká americká ruleta/americké zrnidlo - oceľové ozubené koliesko na zahnutej ose, užívané na zazrnenie plochy kovového štočku; plocha spracovaná do čiarok, pravidelných aj nepravidelných zŕn nedosahuje kvality plochy spracovanej kolískou americká scéna - american scene americké architektky - pozri americkí architekti http://en.wikipedia.org/wiki/Category:American_women_architects americké sklo - secesné výrobky z krištáľového skla od Luisa Comforta Tiffaniho, ktoré silno ovplyvnili európsku sklársku produkciu; vyznačujú sa jemnou farebnou škálou a novými tvarmi americké litografky - pozri americkí litografi http://en.wikipedia.org/wiki/Category:American_women_printmakers A Anne Appleby Dotty Atti Alicia Austin B Peggy Bacon Belle Baranceanu Santa Barraza Jennifer Bartlett Virginia Berresford Camille Billops Isabel Bishop Lee Bontec Kate Borcherding Hilary Brace C Allie máj "AM" Carpenter Mary Cassatt Vija Celminš Irene Chan Amelia R. Coats Susan Crile D Janet Doubí Erickson Dale DeArmond Margaret Dobson E Ronnie Elliott Maria Epes F Frances Foy Juliette mája Fraser Edith Frohock G Wanda Gag Esther Gentle Heslo AMERICKÁ - AMES Strana 1 z 152 Marie Žúborová - Němcová: Encyklopédia kresťanského umenia Charlotte Gilbertson Anne Goldthwaite Blanche Grambs H Ellen Day -
OBSERVER Vol
OBSERVER Vol. 98 No. 18 February 15, 1991 Page 1 Budget Especially Tight This Semester Tanya Panin Red Hook Law May Threaten Bard’s Freedom Jonathan Englert Dear Mr. President Michael Stimac Page 2 Public Assembly Adopted by the Town Board of Red Hook Students Set Their Agenda Against the War Christie Searing David Steinberg Forms Alternative Society Melinda Loges Page 3 Bard Shuttle Bus Running “Like Clockwork” Greg Giaccio Database Seeks to Match Seniors With Jobs Rob Cutler Page 4 What is This! [Sculpture in Tewksbury Field] Goodbye, “Hello, America” Practicing Buddhism in Annandale Greg Giaccio Student Population Changes With Semesters Greg Giaccio Page 5 Ineffable Effrontery Ephen Glenn Colter Club Forum Coalition for Choice Spandex’s Return ZZYZX Page 6 Hey Guys, Check Out Those Skinny Legs Jonathan Miller No Food Rules and Food for Thought Rules [Restaurant Review] John J. Dalton Page 7 New Video Release Not for the Squeamish Matthew J. Lee and David Draper Page 8 Three New Administrators at Stevenson Gymnasium Jody Apap Bard Squash Team Earns First Win But railed when forced to step on the court Matt Phillips and Jody Apap Fencers Fare Well at Bard’s First Intercollegiate Match Jody Apap Dribblers Lose a Close One at Home Jody Apap Page 9 Valentine Proposals Page 10 Outlook From the Editor’s Sanctum All Aboard for a Bumpy Ride Page 11 Letter From the White House Justification for the Peace Movement Andrew Yoon Forum Corrections David O’Reilly Page 12 Calendar Non-profit Org. U.S. Postage PAID PermitNo. 1 Bard Annandale-on-Hudson College's I may not agree witli wliat you say, out I . -
Sol Lewitt Prints 1970-1995
The Museum of Modern Art, New York Sol LeWittPrints 1970-1995 January 25 to May 7, 1996 There are several ways of constructing a work of art. One is by LeWitt's "hands-on" approach to etching differs greatly from his allows the artist to simply sketch and diagram his ideas as he does making decisions at each step, another by making a system to approach to the screenprint technique, which he began in 1970 with for his wall drawings. So central has Watanabe become to LeWitt's 1 make decisions. -Sol LeWitt the printer John Campione. LeWitt provided Campione with a tem printmaking that when the printer's Brooklyn facilities expanded to plate of parallel lines in black ink, which he would use for over twenty include etching and woodcut, LeWitt in turn devoted increasing Sol LeWitt's art is about ideas, not form. The ideas that inform a sys editions by 1972. For each screenprint, LeWitt made a sketch of the efforts to these mediums. tem become the content of his work. Beginning in the mid-1960s, composition and numbered each component to indicate color and LeWitt's prints of the last ten years, composed of sumptuous sur with a simple artistic vocabulary of lines and cubes, LeWitt (born line direction. He restricted his palette to red, yellow, blue, and black, faces and layered colors, have taken on a new exuberance accom 1928) used systems to devise an art free from previous stylistic asso and the lines' orientations to vertical, horizontal, and the two diago panied by a softening of the geometry. -
Robertrymananthonycar
Minimalist Artists - Free Printable Wordsearch ROBERTRYMAN ANTHONYCARO DNL TONYSMITH RONIHORNLEL MARYEARLY RJ OKEWALTRAUTCO OPER UOG CBRGIDEONG ECHTMAN THNAY ORICHARDSERRA HNARR BFRANKSTELLAY VMCR E L OTCAO JSR LA LRMLT OIDT ENN LENAN EBLA SKEN MBHUE VAEN MHDTE EOOG WANEF OTRTT RJRHJF ARHRL RSAIR ALARALE AOMKW U OICVE TSVWHE EOI NNKS DESISCC LWT IY DSFRENLSI LNJIT MRJNZOO AADLTROA AT PUAEAUBN KNYEUBSM MZ EPCIKNI AEEDEMF ER TEKLG LLRIDBHAF SO ESGWEL DDDTAERU VB RHOIR BNRJHCAI EE HPLLM OAAUSKKVA RR AADLA LHDGO YBT LTSINRL CIDN SIM LRTAA IA NHCO EIEMCRN RI IKR YCIS GC EEYR NE RLI R DS ROBERT S MOSKOWITZ ROBERT MANGOLD KEITH SONNIER ANNE TRUITT FAYE HEAVYSHIELD JACK GOLDSTEIN FRED SANDBACK LARRY BELL WALTER DE MARIA KAZYS VARNELIS MINO ARGENTO CARL ANDRE JOHN MCLAUGHLIN CRAIG KAUFFMAN PETER HALLEY MARY EARLY JACK YOUNGERMAN BILL BOLLINGER FRANK STELLA TONY SMITH GIDEON GECHTMAN JOHN MCCRACKEN BRICE MARDEN DAN FLAVIN WALTRAUT COOPER NEIL WILLIAMS ROBERT RYMAN SOL LEWITT ELLSWORTH KELLY ROBERT MORRIS ANTHONY CARO RONI HORN RICHARD DEUTSCH RUPESH PATRIC RUTH VOLLMER EVA HESSE JAMES VERBICKY RICHARD SERRA DONALD JUDD JO BAER Free Printable Wordsearch from LogicLovely.com. Use freely for any use, please give a link or credit if you do. Minimalist Artists - Free Printable Wordsearch ROBERTRYMAN ROBERTMORRIS FRANKSTELLAN MINOARGENTOI R CCARLANDRE ES RONIHORNT II ANS RSNLM IED RMUNEA GDL AOOTNR KROI SBRHYY AGL HAEKV E MUKLT VCRCOA EFCI ISIITL R RCFAWE YBRML L AIIMJL KZRTPRA MY RNCAI AEAEJ NE BTTHNE KVPGTO GR ODHAN SHNEH O NOOR ESIRNF L YNNRDM ELHMR -
Sol Lewitt Biography
SOL LEWITT BIOGRAPHY BORN 1928-2007, Hartford, CT SELECTED SOLO EXHIBITIONS 2018 By Hand: Sol LeWitt; The Mattatuck Museum; Waterbury, CT Sol LeWitt Wall Drawings: Expanding a Legacy; Yale University Art Gallery; New Haven, CT Sol LeWitt: Between the Lines; Fondazione Carriero; Milan, Italy Sol LeWitt: Progression Towers ; Miami Design District & Institute of Contemporary Art; Miami, FL Sol LeWitt; Honor Fraser; Los Angeles, CA Sol LeWitt: 1 + 1 = 1 Million; Vito Schnabel Gallery; St. Moritz, Switzerland Sol LeWitt: Large Gouaches; Paula Cooper Gallery; New York, NY 2016 Sol LeWitt; Paula Cooper Gallery; New York, NY Sol LeWitt; Cardi Gallery; Milan, Italy Sol LeWitt: Seven Weeks, Seven Wall Drawings; Barbara Krakow Gallery; Boston, MA 2015 Soll LeWitt in Connecticut; James Barron; Kent, CT Sol LeWitt: 17 Wall Drawings 1970-2015; Fundacion Botin; Santander, Spain Sol LeWitt; Noire Gallery; Cappella del Brichetto, San Sebastiano, Italy Sol LeWitt: Wall Drawings, Grids on Color; Konrad Fischer Galerie; Dusseldorf, Germany Sol LeWitt: Wall Drawings, Grids on Black and White; Konrad Fischer Galerie; Berlin, Germany Sol LeWitt: Structures & Related Works on Paper 1968-2005; Barbara Krakow Gallery; Boston, MA Sol LeWitt: 40 Years at Annemarie Verna Gallery Part I; Annemarie Verna; Zurich, Switzerland Sol LeWitt; GalerÃa Elvira González; Madrid, Spain 2014 Sol LeWitt: Creating Place; Asheville Art Museum; Asheville, NC Sol LeWitt: Wall Drawing #370; The Metropolitan Museum of Art; New York, NY Sol LeWitt: Your Mind is Exactly at that Line; Art Gallery of New South Wales; Sydney, Australia Sol LeWitt: Prints; Pace Prints; New York, NY Sol LeWitt: Horizontal Progressions; Pace Gallery; New York, NY 2013 Sol LeWitt: Cut Torn Folded Ripped; James Cohan Gallery; New York, NY Sol LeWitt: Shaping Ideas; Laurie M. -
Revising the Status Quo of Revisionism, Grand Strategy, and International Order
Florida International University FIU Digital Commons FIU Electronic Theses and Dissertations University Graduate School 3-19-2019 Revising the Status Quo of Revisionism, Grand Strategy, and International Order Onur Erpul Florida International University, [email protected] Follow this and additional works at: https://digitalcommons.fiu.edu/etd Part of the International Relations Commons Recommended Citation Erpul, Onur, "Revising the Status Quo of Revisionism, Grand Strategy, and International Order" (2019). FIU Electronic Theses and Dissertations. 4044. https://digitalcommons.fiu.edu/etd/4044 This work is brought to you for free and open access by the University Graduate School at FIU Digital Commons. It has been accepted for inclusion in FIU Electronic Theses and Dissertations by an authorized administrator of FIU Digital Commons. For more information, please contact [email protected]. FLORIDA INTERNATIONAL UNIVERSITY Miami, Florida REVISING THE STATUS QUO OF REVISIONISM, GRAND STRATEGY, AND INTERNATIONAL ORDER A dissertation submitted in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY in INTERNATIONAL RELATIONS by Onur Erpul 2019 To: Dean John F. Stack, Jr. Stephen J. Green School of International and Public Affairs This dissertation, written by Onur Erpul, and entitled Revising the Status Quo of Revisionism, Grand Strategy, and International Order, having been approved in respect to style and intellectual content, is referred to you for judgment. We have read this dissertation and recommend that it be approved. Ronald W. Cox John Oates Rebecca Friedman Félix E. Martín, Major Professor Date of Defense: March 19, 2019 The dissertation of Onur Erpul is approved. Dean John F. Stack, Jr. Stephen J.