Fast Facts – New Zealand TV Viewing
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Tuesday October 14
www.press.co.nz THE BOX, The Press, Christchurch I Tuesday, October 14, 2014 I 5 TUESDAY OCTOBER 14 TV ONETV TWO TV THREE FOUR PRIME UKTV SKY SPORT 1 6am Breakfast 6am Crefl o Dollar 6am 3 News – Firstline 6am Sesame Street 3 6:30 The Crowd Goes Wild 6:35 Doctor Who PG 6am Cycling – Tour Of 9am Good Morning 6:30 Tiki Tour 0 6:55 8:30 Infomercials 6:55 Peppa Pig 3 3 An irreverent daily sports 7:20 The Bill Classics M Beijing (Replay) Stage Four. 10am The Ellen Degeneres Stitch! 0 7:20 Matt Hatter 10:30 The Dr Oz Show 7am Sticky TV 3 and entertainment show. 8:10 One Foot In The 8am Hockey – Sultan Of Show 0 Chronicles 0 7:45 The PGR Dr Oz and Dr Alan 7:30 The Winx Club 7am Deal Or No Deal 3 Grave PG Johor Cup (Replay) 11am The Chase 3 0 League Of Super Evil 0 Greene discuss the harmful Five teenage friends fight 7:30 Home Shopping 8:40 Waiting For God PG. Malaysia v New Zealand. Noon One News At 8:15 Sherriff Callie’s Wild chemicals in microwave witches in a magical world. Noon The Doctors PGR 3 9:10 EastEnders PG 9:30 The Crowd Goes Wild Midday 0 West 0 8:40 Mike The popcorn. 7:55 Rocko’s Modern Life 3 1pm The Test PGR 9:40 Hollyoaks PG 10am Golf Focus 12:30 Emmerdale PGR 0 Knight 0 8:50 Fireman 11:30 Entertainment 8:25 Chuggington Celebrities and viewers 10:05 Eggheads PG 11am L Golf Central 1:30 Coronation Street Sam 0 9am Infomercials Tonight 3 8:35 Humf 3 answer moral questions. -
JMAD Media Ownership Report
JMAD New Zealand Media Ownership Report 2014 Published: 2014 December 5 Author: Merja Myllylahti This New Zealand Ownership Report 2014 is the fourth published by AUT’s Centre for Journalism, Media and Democracy (JMAD). The report finds that the New Zealand media market has failed to produce new, innovative media outlets, and that all the efforts to establish non-profit outlets have proved unsustainable. The report confirms the general findings of previous reports that New Zealand media space has remained highly commercial. It also confirms the financialisation of media ownership in the form of banks and fund managers. The report also observes that in 2014 convergence between New Zealand mass media and the communications sector generally was in full swing. Companies, such as Spark (former Telecom NZ), started to compete head-to-head with the traditional broadcasters on the online on-demand video and television markets. The American online video subscription service Netflix is entering the NZ market in March 2015. Additionally, the report notes evidence of uncomfortable alliances between citizen media, politicians, PR companies and legacy media. As Nicky Hager’s Dirty Politics book revealed, the National Party and PR practitioners used the Whale Oil blog to drive their own agendas. Also, events related to Maori TV, TVNZ and Scoop raise questions about political interference in media affairs. It is now evident that the boundaries between mainstream media, bloggers, public relations practitioners and politicians are blurring. Key events and trends concerning New Zealand media Financialisation of mass media ownership confirmed Substantial changes in Fairfax, APN and MediaWorks ownership Competition heats up in online television and video markets Turbulence at Maori TV Blurred lines among politicians, bloggers, journalists and PR practitioners The JMAD New Zealand media ownership reports are available here: http://www.aut.ac.nz/study- at-aut/study-areas/communications/media-networks/journalism,-media-and-democracy-research- centre/journalists-and-projects 1 1. -
ELIGIBILITY REQUIREMENTS and RELEASES Eyeworks New
ELIGIBILITY REQUIREMENTS AND RELEASES Eyeworks New Zealand Limited (“Eyeworks”) described here as the “Producers”, are holding auditions to select participants for a television programme entitled “The Block NZ – Series 6” (the “Programme”). We are applying to audition for selection as a participant team in the Programme. We have read and we understand fully the contents of this application and we agree to all the terms and conditions set out below. WE DECLARE We are all 18 years of age or older. We are all either New Zealand citizens or have been permanent residents in New Zealand for at least two years. We are applying in our personal and private capacity and we represent and warrant that none of us are an employee of, or in any way associated with, any news or media outlet, including any web based media outlet, either in New Zealand or elsewhere. Now and during the past two years, none of us have been an employee, officer, director or agent of Mediaworks or their associates or affiliates and neither is any member of our immediate families or anyone living at our residential address. THE AUDITION Our application does not constitute entry into a relationship or association of any kind with the Producers and we agree that we will receive no payment for our possible participation in the Audition. During the Audition: a) We will comply with all requests and directions given by the Producers and we will fully co-operate with the Producers; b) We will not interfere with or damage the set or any equipment used for the Audition; c) We will not interfere with, impede or abuse any other person at the Audition; d) We will leave the Audition immediately if asked to leave by the Producers; e) We will participate in the Audition voluntarily and at our own risk; and f) We agree that the Producers will not be liable to us for any loss or damage or injury to us or to our property or to our reputations caused or suffered in connection with our attendance at the Audition or our travel to and from the Audition. -
Measuring the News and Its Impact on Democracy COLLOQUIUM PAPER Duncan J
Measuring the news and its impact on democracy COLLOQUIUM PAPER Duncan J. Wattsa,b,c,1, David M. Rothschildd, and Markus Mobiuse aDepartment of Computer and Information Science, University of Pennsylvania, Philadelphia, PA 19104; bThe Annenberg School of Communication, University of Pennsylvania, Philadelphia, PA 19104; cOperations, Information, and Decisions Department, University of Pennsylvania, Philadelphia, PA 19104; dMicrosoft Research, New York, NY 10012; and eMicrosoft Research, Cambridge, MA 02142 Edited by Dietram A. Scheufele, University of Wisconsin–Madison, Madison, WI, and accepted by Editorial Board Member Susan T. Fiske February 21, 2021 (received for review November 8, 2019) Since the 2016 US presidential election, the deliberate spread of pro-Clinton articles.” In turn, they estimated that “if one fake misinformation online, and on social media in particular, has news article were about as persuasive as one TV campaign ad, generated extraordinary concern, in large part because of its the fake news in our database would have changed vote shares by potential effects on public opinion, political polarization, and an amount on the order of hundredths of a percentage point,” ultimately democratic decision making. Recently, however, a roughly two orders of magnitude less than needed to influence handful of papers have argued that both the prevalence and the election outcome. Subsequent studies have found similarly consumption of “fake news” per se is extremely low compared with other types of news and news-relevant content. -
Shelley Ferguson
Shelley Ferguson Height 5'8.5" Dress 8 US Hair Blonde Instagram Shelley Ferguson, an interior design devotee, creative mum and nature junkie. Born and bred in Papakura, South Auckland, Shelley enjoyed a simple childhood being a free-range Kiwi kid and getting up to plenty of mischief with her older twin brothers. It was the eighties and scrunchies, stubbies and sunburn were common attire, while the natural world was a playground explored by boat, bike or barefoot. As a child Shelley had an insatiable appetite for reading, and was always fascinated with how words could transport her on epic adventures to far-flung lands all from the safety of her bedroom. Appreciation of the English language led to a love affair with magazines which she would pore over for days as a teen, using them as a window to what was happening in the world. After finishing school and running away to live in The Coromandel for 6 months, Shelley realised she should probably consider studying rather than just surfing, and returned to Auckland to study Communications. This led to a 20-year career in the media industry, editing a range of magazines including a 3-year stint as Style Editor on interior and fashion brands in London. Shelley's career highlights include winning Best Magazine, Best Editor, and Best 360 Brand Audience for her work on Your Home & Garden magazine. Another career high was working with the amazing Nadia Lim and Carlos Bagrie to conceptualise and launch NADIA magazine, winning Magazine of the Year along the way. Most recently she has been Editorial Director on the home and fashion brands at Bauer Media, including HOME, Your Home and Garden and Fashion Quarterly. -
Stuart Richardson Post Producer / Field Director / Writer +64 27 395 0952 | [email protected]
Stuart Richardson Post Producer / Field Director / Writer +64 27 395 0952 | [email protected] Australian Ninja Warrior, Series 5, Channel 9 Post Producer March 2021 - Current Endemol Shine Australia, Sydney, Australia (Remote contract from Tauranga NZ) Ref: Dave Forrester, Post EP, Endemol Shine Australia [email protected] Ultimate Tag, Series 1, Channel 7 Post Producer November 2020 - Current Endemol Shine Australia, Sydney, Australia (Remote contract from Tauranga NZ) Ref: Dave Forrester, Post EP, Endemol Shine Australia [email protected] Title TBC! – A Netflix Original Documentary Series Post Producer March – October 2020 IFA Media, Singapore (Remote contract from Tauranga NZ) Ref: Joe Evans, Series Producer, IFA Media Singapore [email protected] Outback Truckers, Series 7 & 8, Discovery Channel Post Producer Prospero Productions, Fremantle, Australia (Remote contract from Tauranga NZ) January - June 2019, December 2019 – March 2020 Ref: Alan Hall, Series Producer, Prospero, Fremantle, WA [email protected] Outback Opal Hunters, Series 3, Discovery Channel Post Producer September - December 2019 Prospero Productions, Fremantle, Australia (Remote contract from Tauranga NZ) Ref: David Holroyd, Series Producer, Prospero, Fremantle, WA [email protected] The Making of Crossroads Maldives, History Channel Post Producer June 2019 - September 2019 IFA Media, Singapore (Remote contract from Dunedin, NZ) Ref: Joe Evans, Executive Producer, IFA Media [email protected] My Lottery Dream -
Living Large
HOMES HOMES Living large This giant warehouse reveals itself as a series of beautifully decorated spaces, each with its own distinct narrative. WORDS Holly Jean Brooker PHOTOGRAPHY Duncan Innes 78 homestyle homestyle 79 HOMES HOMES EXTERIOR Along with the foliage of some already- established plants, palms in pots from Artedomus and chairs from ECC frame the home’s front door. Inside, the concrete flooring is softened with rugs Sam sourced on a trip to Morocco. 80 homestyle homestyle 81 HOMES HOMES THE CLASSIC WEATHERBOARD HOME is a Kiwi favourite, one that Auckland’s Jenny and Sam Porter have enjoyed in various forms over the years. But during their recent search THE PROJECT for a new place to live, they decided to go for something outside the box. Jenny Porter, HR advisor/owner of boutique kids’ party “We weren’t exactly sure what we wanted, hire company My Little Party, and her travel specialist but we knew what we didn’t want: another husband Sam redecorated this four-bedroom warehouse in Auckland’s Grey Lynn for themselves and their villa,” says Jen. “When our agent contacted children Darcy (12) and Amelia (10). us to give us the heads-up that this home was going to be listed that week, we visited it immediately and bought it that night.” The 200m2 Grey Lynn dwelling was less of a house and more of a warehouse. Previously a mechanics’ workshop, it had been converted into a large, open-plan central living and dining space with internal glass doors leading to an office, another living space, a kitchen and a formal dining room. -
Weekender, August 14, 2021
SATURDAY, AUGUST 14, 2021 THE TEEN BRAIN New Zealand neuroscience educator and child development expert Nathan Wallis was in Gisborne to share tips with parents and educators on how to interact with the teenage brain. Reporter Akula Sharma went along to Gisborne Boys’ High School to hear him. eing a parent is all about eff ective “I think if we get rid of the stigma natural part of being a human. good decision makers, they have to practise communication, Nathan Wallis surrounding mental health, every parent “To know how to deal with that, how to making decisions. We see the kids who get explained to a capacity crowd at will benefi t from understanding how their respond to that, how to make your children the best outcome come from what we call BBoys’ High earlier this week. teenager’s brain works. Even the parents more resilient, I think that’s really what the backbone style of parenting.” “ e teenage brain is unique so knowing who’ve got the robust resilient teenager, are parents want.” Mr Wallis talked about three types of how to communicate with that brain is what still going to enjoy those years a whole lot Mr Wallis said when he talked about parenting — brick wall (be quiet and do the workshop is about,” he said. more if they understand what’s going on and understanding teenage brain he looked at as you are told), jelly fi sh (let’s just try and Neuroscience and mental health were co- have a better way of communicating with the eff ects of alcohol and drugs. -
Topographies of Popular Culture
Topographies of Popular Culture Topographies of Popular Culture Edited by Maarit Piipponen and Markku Salmela Topographies of Popular Culture Edited by Maarit Piipponen and Markku Salmela This book first published 2016 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2016 by Maarit Piipponen, Markku Salmela and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-9473-7 ISBN (13): 978-1-4438-9473-9 TABLE OF CONTENTS List of Illustrations .................................................................................... vii Introduction: Imagining Popular Culture Spatially...................................... 1 Maarit Piipponen and Markku Salmela Chapter One ............................................................................................... 11 The Geopolitical Aesthetic of Middle-earth: Tolkien, Cinema and Literary Cartography Robert T. Tally Jr. Chapter Two .............................................................................................. 35 Anti-Colonial Discourses in Joe Sacco’s Palestine: Making Space for the Losers of History Ranthild Salzer Chapter Three ........................................................................................... -
Cross-Media News Repertories in New Zealand
. Volume 14, Issue 2 November 2017 Shopping in a narrow field: Cross-media news repertories in New Zealand Craig Hight, University of Newcastle, Australia Arezou Zalipour, University of Waikato, New Zealand Abstract: This article reports on the New Zealand case study within a larger project investigating cross-media news repertoires within (and across) national audiences. Six key news media repertoires emerged in this case study; heavy news consumers; hybrid browsers; digital browsers; ambivalent networkers; mainstream multiplatformers; and casual and connected). Despite a range of news media outlets available within New Zealand, particularly across digital platforms, participants consistently noted a relatively narrow social, cultural and political discursive field for news content in the country. Within this context, the news repertoires identified within this case study highlighted the high value placed by news consumers on national daily newspapers (print and online), and the continued salience of television and radio news broadcasting for some audience segments. But findings also offered a snapshot of the ways these are being supplemented or replaced, for some audience segments, by digital news outlets (even as these also generated dissatisfaction from many participants). Keywords: news repertoires, New Zealand, Q-methodology, news consumption, cross- cultural Introduction This article reports on the New Zealand case study within a larger project investigating patterns of news repertoires (Schrøder 2015) within (and across) national audiences, at a time of broadening forms of distribution of news content across a variety of media Page 416 Volume 14, Issue 2 November 2017 platforms. The overall project involved 12 countries and used a Q-sort methodology (Kobbernagel & Schrøder, 2016) to analyze and examine cross-media news consumption among audiences. -
Majestic Marlborough Sounds Home in Magical Setting P3 AU-7353953AA 2 August 7, 2016 Sunday Star★Times Property
Sunday Star★Times Property August 7, 2016 1 August 7th, 2016 www.sstproperty.co.nz Residential / Country / Coastal / Lifestyle / Business For Sale Majestic Marlborough Sounds home in magical setting P3 AU-7353953AA 2 August 7, 2016 Sunday Star★Times Property Christchurch Nelson Juliette Lee Jenny Dickie 03 358 2972 021 342 227 0272 600 287 You can be here, contact your 03 548 7705 [email protected] local Fairfax Media consultant. [email protected] Agent Profile Juliette Lee Marlborough Queenstown Grenadier Real Estate Michael Ryan Vanessa Sharp Ltd MREINZ 03 577 7553 Sales Associate 0272 600 287 M 021 325 477 YYouou can be here, contact your 03 442 0121 [email protected] local Fairfax Media consultant. 021 213 2526 03 358 2972 [email protected] [email protected] Juliette embraces new real estate industry legislation and in her ideals she embodies the new generation of agents. Having both spent her professional years in a career where people’ goals and relationships with clients were key, she prides herself on Waitaki Region her ability to listen & prepare, her honesty and integrity, and her commitment to hard Sue Morton work. Juliette has an inherent & acquired ability to read people, which she draws upon You can be here, contact your 027 600 5777 You can be here, contact your local Fairfax Media consultant. local Fairfax Media consultant. to gain the best out of negotiations. She [email protected] strongly believes ethics, professionalism & communication should underpin every relationship and undertaking in the process of buying and selling property. -
Our Favourite Colours
our favourite colours their softer side Three’s The Block NZ winners Andy Murdie and Nate Ross aren’t afraid of a bit of pink. Nate likes... Andy likes... Tell us about your current ventures. (don’t really know why but we have it Resene Resene A: I’m a full-time paid firefighter at down our hallway and it looks Duck Egg Blue Drop Dead Gorgeous Chartwell Fire Station in Hamilton, and awesome). – looks real soothing – looks amazing I build on my days off for Remnant, N: I love Resene Madison. It’s a great Resene Resene which specialises in high-end recycled blue and I’ve put Resene Rascal in our Natural Dawn Chorus timber kitchens and furniture. I’m also main bedroom at home which is a real – on cedar – for my daughter’s room? still renovating our villa. nice pink colour but not too girly. Resene Resene Zinzan Tuft Bush N: I’m selling my house then moving to – could be the new blue – or maybe this one Mt Maunganui to start NPR custom Is there a colour you would never for me Resene build, my new business. use in your own homes? Discover A: Beige reminds me of grandad’s – a soothing blue What was your biggest challenge undies. on Three’s The Block NZ? N: I have issues with red on walls. A: When I get stuck into a project I get tunnel vision, so I found it difficult What are your three favourite getting pulled away for interviews or colours from Resene’s latest The challenges when I was focused on a Range fashion colours collection, building related task.