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STAR TREK the TOUR Take a Tour Around the Exhibition
R starts CONTents STAR TREK THE TOUR Take a tour around the exhibition. 2 ALL THOSE WONDERFUL THINGS.... More than 430 items of memorabilia are on show. 10 MAGIC MOMENTS A gallery of great Star Trek moments. 12 STAR TREK Kirk, Spock, McCoy et al – relive the 1960s! 14 STAR TREK: THE NEXT GENERATION The 24th Century brought into focus through the eyes of 18 Captain Picard and his crew. STAR TREK: DEEP SPACE NINE Wormholes and warriors at the Alpha Quadrant’s most 22 desirable real estate. STAR TREK: VOYAGER Lost. Alone. And desperate to get home. Meet Captain 26 Janeway and her fearless crew. STAR TREK: ENTERPRISE Meet the newest Starfleet crew to explore the universe. 30 STARSHIP SPECIAL Starfleet’s finest on show. 34 STAR TREK – THE MOVIES From Star Trek: The Motion Picture to Star Trek Nemesis. 36 STAR trek WELCOMING WORDS Welcome to Star TREK THE TOUR. I’m sure you have already discovered, as I have, that this event is truly a unique amalgamation of all the things that made Star Trek a phenomenon. My own small contribution to this legendary story has continued to be a source of great pride to me during my career, and although I have been fortunate enough to have many other projects to satisfy the artist in me, I have nevertheless always felt a deep and visceral connection to the show. But there are reasons why this never- ending story has endured. I have always believed that this special connection to Star Trek we all enjoy comes from the positive picture the stories consistently envision. -
TRADING CARDS 2016 STAR TREK 50Th ANNIVERSARY
2016 STAR TREK 50 th ANNIVERSARY TRADING CARDS 1995-96 30 Years of Star Trek 1995-96 30 Years of Star Trek Registry Plaques A6b James Doohan (Lt. Arex) 50.00 100.00 A7 Dorothy Fontana 15.00 40.00 COMPLETE SET (9) 100.00 200.00 COMMON CARD (R1-R9) 12.00 30.00 STATED ODDS 1:72 2003 Complete Star Trek Animated Adventures INSERTED INTO PHASE ONE PACKS Captain Kirk in Motion COMPLETE SET (9) 12.50 30.00 1995-96 30 Years of Star Trek Space Mural Foil COMMON CARD (K1-K9) 1.50 4.00 COMPLETE SET (9) 25.00 60.00 STATED ODDS 1:20 COMMON CARD (S1-S9) 4.00 10.00 STATED ODDS 1:12 2003 Complete Star Trek Animated Adventures Die- COMPLETE SET (300) 15.00 40.00 INSERTED INTO PHASE THREE PACKS Cut CD-ROMs PHASE ONE SET (100) 6.00 15.00 COMPLETE SET (5) 10.00 25.00 PHASE TWO SET (100) 6.00 15.00 1995-96 30 Years of Star Trek Undercover PHASE THREE SET (100) 6.00 15.00 COMMON CARD 2.50 6.00 COMPLETE SET (9) 50.00 100.00 STATED ODDS 1:BOX UNOPENED PH.ONE BOX (36 PACKS) 40.00 50.00 COMMON CARD (L1-L9) 6.00 15.00 UNNUMBERED SET UNOPENED PH.ONE PACK (8 CARDS) 1.25 1.50 STATED ODDS 1:18 UNOPENED PH.TWO BOX (36 PACKS) 40.00 50.00 INSERTED INTO PHASE TWO PACKS UNOPENED PH.TWO PACK (8 CARDS) 1.25 1.50 2003 Complete Star Trek Animated Adventures James Doohan Tribute UNOPENED PH.THREE BOX (36 PACKS) 40.00 50.00 1995-96 30 Years of Star Trek Promos UNOPENED PH.THREE PACK (8 CARDS) 1.25 1.50 COMPLETE SET (9) 2.50 6.00 PROMOS ARE UNNUMBERED COMMON CARD (JD1-JD9) .40 1.00 PHASE ONE (1-100) .12 .30 1 NCC-1701, tricorder; 2-card panel STATED ODDS 1:4 PHASE TWO (101-200) -
STAR TREK LAS VEGAS 2019 SCHEDULE of EVENTS
STAR TREK LAS VEGAS 2019 SCHEDULE of EVENTS PLEASE MAKE SURE TO SHOW UP AT THE START TIME TO MAKE SURE YOU DON’T MISS ANYTHING! WE CANNOT GUARANTEE A REPLACEMENT OR MAKE UP TIME IF YOU MISS YOUR PHOTO OP OR AUTOGRAPH. REGISTRATION (Rotunda) Registration is at the Main Entrance from the Casino/Hotel area. Attendee registration is on the left, VIP/CBS/Press/Speakers check-in is on the right. Tuesday, July 30 Pre-Registration (not a neccessity, just a convenience! Get your credentials, wristband and schedule so you don't have to wait again during convention days) 2:00 PM - 3:30 PM - GOLD Patrons only 3:30 PM - 4:30 PM - CAPTAIN'S CHAIR Patrons plus GOLD 4:30 PM - 6:00 PM - COPPER Patrons plus GOLD & CAPTAIN'S CHAIR 6:00 PM - 7:30 PM - GENERAL ADMISSION FULL WEEKEND plus GOLD, CAPTAIN'S CHAIR & COPPER 7:30 PM - 10:00 PM - ALL FULL WEEKEND PASS HOLDERS (GOLD, CAPTAIN'S CHAIR, COPPER & GA WEEKEND Wednesday, July 9:30 AM - 10:30 AM - GOLD, CAPTAIN'S CHAIR, COPPER & GA WEEKEND ONLY 31 10:30 AM - 6:00 PM - OPEN FOR ALL Thursday, August 1 10:00 AM - 6:00 PM - OPEN FOR ALL Friday, August 2 10:00 AM - 6:00 PM - OPEN FOR ALL Saturday, August 3 9:00 AM - 6:00 PM - OPEN FOR ALL Sunday, August 4 9:00 AM - 5:00 PM - OPEN FOR ALL GENE & MAJEL RODDENBERRY EXHIBITION HALL (Amazon Ballroom) The Gene & Majel Roddenberry Exhibition Hall features vendors with exclusive Star Trek products and special offers along with talent autograph areas. -
Infinite Diversity in Infinite Combinations: Portraits of Individuals with Disabilities in Star Trek
Infinite Diversity in Infinite Combinations: Portraits of Individuals With Disabilities in Star Trek Terry L. Shepherd An Article Published in TEACHING Exceptional Children Plus Volume 3, Issue 6, July 2007 Copyright © 2007 by the author. This work is licensed to the public under the Creative Commons Attribution License. Infinite Diversity in Infinite Combinations: Portraits of Individuals With Disabilities in Star Trek Terry L. Shepherd Abstract Weekly television series have more influence on American society than any other form of media, and with many of these series available on DVDs, television series are readily ac- cessible to most consumers. Studying television series provides a unique perspective on society’s view of individuals with disabilities and influences how teachers and peers view students with disabilities. Special education teachers can use select episodes to differenti- ate between the fact and fiction of portrayed individuals with disabilities with their stu- dents, and discuss acceptance of peers with disabilities. With its philosophy of infinite diversity in infinite combinations, Star Trek has portrayed a number of persons with dis- abilities over the last forty years. Examples of select episodes and implications for special education teachers for using Star Trek for instructional purposes through guided viewing are discussed. Keywords videotherapy, disabilities, television, bibliotherapy SUGGESTED CITATION: Shepherd, T.L. (2007). Infinite diversity in infinite combinations: Portraits of individuals with disabilities in Star Trek. TEACHING Exceptional Children Plus, 3(6) Article 1. Retrieved [date] from http://escholarship.bc.edu/education/tecplus/vol3/iss6/art1 "Families, societies, cultures -- A Reflection of Society wouldn't have evolved without com- For the last fifty years, television has passion and tolerance -- they would been a reflection of American society, but it have fallen apart without it." -- Kes to also has had a substantial impact on public the Doctor (Braga, Menosky, & attitudes. -
The Klingon Empire 1.1 – the Homeworld 4 1.2 – Important Places 5 1.3 – History of the Empire 6
INSTITUTE OF ALIEN STUDIES Klingon Warrior Academy Warrior’s Manual This document is a publication of STARFLEET Academy - A department of STARFLEET, The International Star Trek Fan Association, Inc. It is intended for the private use of our members. STARFLEET holds no claims to any trademarks, copyrights, or properties held by CBS Paramount Television, any of its subsidiaries, or on any other company's or person's intellectual properties which may or may not be contained within. The contents of this publication are copyright (c)2008 STARFLEET, The International Star Trek Fan Association, Inc. and the original authors. All rights reserved. No portion of this document may be copied or republished in any or form without the written consent of the Commandant, STARFLEET Academy or the original author(s). All materials drawn in from sources outside of STARFLEET are used per Title 17, Chapter 1, Section 107: Limitations on exclusive rights: Fair Use, of the United States code. The material as used is for educational purposes only and no profit is made from the use of the material. STARFLEET and STARFLEET Academy are granted irrevocable rights of usage of this material by the original author. Contributors: Larry French, Carol Thompson, and Wayne L. Killough, Jr., Gary Hollifield, Jr., Eric Schulman,Dewald de Coning, and George Pimentel Published October 2008 Revised March 2011 Updated October 2014 Material herein was copied or summarized from www.ditl.org , http://en.wikipedia.org/wiki/Klingon and linked pages, http://memory-alpha.org/en/wiki/ , http://startrek.wikia.com/wiki/Klingon , http://en.hiddenfrontier.com/index.php/Klingon , The Klingon Dictionary, Klingon for the Galactic Traveler, Star Trek Encyclopedia: Expanded Version, and various Star Trek episodes and licensed novels. -
2018 Star Trek Deep Space Nine Heroes and Villains
2018 Star Trek DS9 Heroes & Villains Checklist Base Cards # Card Title [ ] 001 Captain Benjamin Sisko [ ] 002 Odo [ ] 003 Lt. Commander Jadzia Dax [ ] 004 Lt. Ezri Dax [ ] 005 Lt. Commander Worf [ ] 006 Jake Sisko [ ] 007 Chief Miles O'Brien [ ] 008 Quark [ ] 009 Doctor Julian Bashir [ ] 010 Colonel Kira Nerys [ ] 011 Gul Dukat [ ] 012 Vedek Bareil Antos [ ] 013 Jennifer Sisko [ ] 014 Damar [ ] 015 Keiko O'Brien [ ] 016 Weyoun) [ ] 017 Brunt) [ ] 018 Vic Fontaine [ ] 019 Enabran Tain [ ] 020 Nog [ ] 021 Kai Winn Adami [ ] 022 Rom [ ] 023 Martok [ ] 024 The Female Changeling [ ] 025 Kasidy Yates [ ] 026 Sarah Sisko [ ] 027 Leeta [ ] 028 Admiral Alynna Nechayev [ ] 029 Gowron [ ] 030 Shakaar Edon [ ] 031 Elim Garak [ ] 032 Luther Sloan [ ] 033 Kai Opaka Sulan [ ] 034 Grand Negus Zek [ ] 035 Mora Pol [ ] 036 Maihar'du [ ] 037 Lursa and B'Etor [ ] 038 Morn [ ] 039 Tosk [ ] 040 The Hunter [ ] 041 Q [ ] 042 Vash [ ] 043 Ty Kajada [ ] 044 Aamin Marritza [ ] 045 Jaro Essa [ ] 046 Li Nalas [ ] 047 General Krim [ ] 048 Verad [ ] 049 Mareel [ ] 050 Melora Pazlar [ ] 051 Pel [ ] 052 Haneek [ ] 053 Martus Mazur [ ] 054 Alexander Rozhenko [ ] 055 Gul Evek [ ] 056 Cal Hudson [ ] 057 Raymond Boone [ ] 058 Michael Eddington [ ] 059 Grilka [ ] 060 Thomas Riker [ ] 061 Korinas [ ] 062 Detective Preston [ ] 063 Michael Webb [ ] 064 Legate Turrel [ ] 065 Gilora Rejal [ ] 066 Vedek Yarka [ ] 067 The Intendant [ ] 068 Adult Jake Sisko [ ] 069 Goran’ Agar [ ] 070 Tora Ziyal [ ] 071 Faith Garland [ ] 072 Admiral Leyton [ ] 073 Kurn [ ] 074 Onaya [ ] 075 Toman’ torax [ ] 076 Trevean [ ] 077 Arne Darvin [ ] 078 Arandis [ ] 079 Fullerton Pascal [ ] 080 Thrax [ ] 081 Captain Sanders [ ] 082 Ikat'ika [ ] 083 Dr. Lewis Zimmerman) [ ] 084 Arissa [ ] 085 Yelgrun [ ] 086 Kimara Cretak [ ] 087 Ishka [ ] 088 Lwaxana Troi [ ] 089 Admiral William Ross [ ] 090 Joseph Sisko [ ] 091 Mullibok [ ] 092 Varani [ ] 093 Colyus [ ] 094 Rurigan [ ] 095 Kor [ ] 096 Koloth [ ] 097 Kang [ ] 098 Kovat [ ] 099 Lt. -
Class, Race, Gender, the Sociology of DS9.)
Aliens in decline and socially-ascending humans. (Class, race, gender, the sociology of DS9.) Camille Akmut Abstract A theory is put forward according to which Star Trek’s DS9 is the meeting place of at least two major populations : socially-declining aliens who seek a reclassification through Federation institutions (Starfleet and adjacent agencies in particular), and humans on a late stage upward trajectory (culminating in e.g. dilettante / artist offspring). 1 Introduction : a historical detour Star Trek’s 24th century has more in common with 20th century sociology than might be obvious at first, with its representation of an ideal Earth society where poverty, inequality and resulting conflicts have “long” been eliminated, weare told1. Past faulty government forms and economies have either been replaced by benev- olent scientific exploration (guaranteed, in theory, by both the laws of theFed- eration Charter and the principle of the Prime Directive) or luxury communist leisure (offered to tourists of Risa, where the old philosophical fantasy of“shared wives” has been realized, and two suns always shine); nonetheless these societies continue to answer to most of the rules and laws established by sociologists. Here, the television series DS9 is reinterpreted as meeting place of not humans and aliens - a naive albeit correct description of this work of science fiction - but as two demographics situated in different stages of their social trajectories. In particular, we argue that the contrasting fates of the duo Jake and Nog offers a strong case for such an interpretation. The tragic fall of the House of Mogh is another. Dr. Bashir is a barely veiled second-generation immigrant success story. -
Major Kira of Star Trek: Ds9: Woman of the Future, Creation of the 90S
MAJOR KIRA OF STAR TREK: DS9: WOMAN OF THE FUTURE, CREATION OF THE 90S Judith Clemens-Smucker A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS December 2020 Committee: Becca Cragin, Advisor Jeffrey Brown Kristen Rudisill © 2020 Judith Clemens-Smucker All Rights Reserved iii ABSTRACT Becca Cragin, Advisor The 1990s were a time of resistance and change for women in the Western world. During this time popular culture offered consumers a few women of strength and power, including Star Trek: Deep Space Nine’s Major Kira Nerys, a character encompassing a complex personality of non-traditional feminine identities. As the first continuing character in the Star Trek franchise to serve as a female second-in-command, Major Kira spoke to women of the 90s through her anger, passion, independence, and willingness to show compassion and love when merited. In this thesis I look at the building blocks of Major Kira to discover how it was possible to create a character in whom viewers could see the future as well as the current and relatable decade of the 90s. By laying out feminisms which surround 90s television and using original interviews with Nana Visitor, who played Major Kira, and Marvin Rush, the Director of Photography on DS9, I examine the creation of Major Kira from her conception to her realization. I finish by using historical and cognitive poetics to analyze both the pilot episode “Emissary” and the season one episode “Duet,” which introduce Major Kira and display character growth. -
STCCG Cardlist
Star Trek ❑ Phased Cloaking Device R RoA ❑ Crisis S Voy ❑ Male’s Love Interest C Prem ❑ Receptacle Stones R AU ❑ Crystalline Entity R Prem ❑ Male’s Love Interest S Voy Customizable Card Game ❑ Ressikan Flute R AU ❑ Cytherians R Prem ❑ Male’s Love Interest & Plague Ship P EP COMPLETE CARD LIST ❑ Saltah’na Clock R DS9 ❑ Cytoplasmic Life-form U HA ❑ Malfunctioning Door C AU ❑ Samuel Clemens’ Pocketwatch R AU ❑ Dal’Rok U DS9 ❑ Maman Picard U AU July 2002 ❑ Starry Night R RoA ❑ Dangerous Liaisons C RoA ❑ Matriarchal Society U Prem ❑ Sword of Kahless R BoG ❑ Dead End U FC ❑ Matriarchal Society S Voy The following list contains every non-foil card produced ❑ Tantalus Field R MM ❑ Dejaren C HA ❑ Menthar Booby Trap C Prem for the Star Trek Customizable Card Game from the ❑ The City of B’hala R HA ❑ Denevan Neural Parasites R MM ❑ Microbiotic Colony C Prem Premiere Set (November 1994) through The Motion ❑ The Earring of Li Nalas R Dom ❑ Distraction U MM ❑ Microvirus C Prem Pictures expansion (April 2002). The list is organized by ❑ The Genesis Device R TMP ❑ DNA Clues R DS9 ❑ Misguided Activist C DS9 card type and includes the rarity and set for each card. ❑ Thought Maker R Prem ❑ DNA Metamorphosis SR Fajo ❑ Mission Fatigue U Dom Dual-affliation cards are listed under the affiliation ❑ Time Travel Pod R Prem ❑ Don’t Call Me Ahab U FC ❑ My First Raygun R FC corresponding to the card’s border color (alternate-color ❑ Tox Uthat R Prem ❑ Drumhead U BoG ❑ Nagilum R Prem border cards are marked with * next to the expansion ❑ Varon-T Disruptor R Prem ❑ Duonetic Field Generator U DS9 ❑ Nanites U Prem abbreviation, e.g., *Voy). -
Racial Issues and Star Trek's Deep Space Nine
Racial Issues and Star Trek’s Deep Space Nine By J. Emmett Winn Spring 2003 Issue of KINEMA HIGHLY OFFENSIVE FERENGI: RACIAL ISSUES AND STAR TREK’S MULTICUL- TURAL DEEP SPACE NINE STAR TREK: DEEP SPACE NINE is the third official Star Trek series based on the ideas of the late Gene Roddenberry. The popularity of the Star Trek series has earned them an honoured place in America’s popular culture.(1) Likewise, scholarly attention to Star Trek points to its importance to the study of media culture.(2) Star Trek, even before its broadcast of television’s first interracial kiss, has always had two missions. The first, its entertainment mission as part of the television industry, is the well known: ”Its five yearmissionis to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no man [sic] has gone before.”(3) Deep Space Nine’s creators, Berman and Pillar, state the second is the less publicly articulated mission of addressing matters of socio-cultural concern. Star Trek: Deep Space Nine is very successful in syndication and with Star Trek fans.(4) DS9 assembles the most racially and ethnically diverse group of all the preceding Star Treks. The most prominent difference is that the lead character, Captain Benjamin Sisko, is played by African-American actor Avery Brooks. Brooks is the first (and so far the last) Black actor to play the lead role inany Star Trek series or film. Equally important, the basic plot of DS9 (throughout its seven year run, 1993-2000) revolves around the problems associated with different ”races” of peoples living together in an hostile environment. -
Ferengi Business Practices in "Star Trek: Deep Space Nine"
Lopez, Pletcher, Williams & Zehner – Volume 11, Issue 1 (2017) e-Journal of Business Education & Scholarship of Teaching Vol. 11, No. 1, 2017, pp: 19-56. ”http://www.ejbest.org” Ferengi business practices in Star Trek: Deep Space Nine - to enhance student engagement and teach a wide range of business concepts Katherine J. Lopez The Bill Munday School of Business St. Edward’s University Austin, TX, United States of America [email protected] Gary Pletcher The Bill Munday School of Business St. Edward’s University Craig L. Williams The Bill Munday School of Business St. Edward’s University William Bradley Zehner II The Bill Munday School of Business St. Edward’s University Abstract The purpose of this article is to provide examples of business concepts appearing in science fiction, offering accounting and business educators a means to engage students and allow students to make connections with business concepts outside of the strict business realm, resulting in increased long-term learning. To accomplish this, The Star Trek series Deep Space Nine (Berman, et al., 1993-1999) was examined, and instances of business concepts located in the series were documented and presented in table format. This paper adds value by providing educators with a database of examples to help students learn business concepts. This article identifies specific accounting, business, and economic concepts illustrated by the Ferengi Traders in Star Trek – Deep Space Nine, as well as explores the educational theory behind why students are more likely to engage in learning by relating the new to the familiar. Keywords: science fiction; memory recall; video learning; business education, accounting and business curriculum. -
Greatest Generation: Deep Space Nine
Note: This show periodically replaces their ad breaks with new promotional clips. Because of this, both the transcription for the clips and the timestamps after them may be inaccurate at the time of viewing this transcript. 00:00:00 Music Transition Dark Materia’s “The Picard Song,” record-scratching into a Sisko- centric remix by Adam Ragusea. Picard: Here’s to the finest crew in Starfleet! Engage. [Music begins. A fast-paced techno beat.] Picard: Captain Jean-Luc Picard, the USS Enterprise! [Music slows, record scratch, and then music speeds back up.] Sisko: Commander Benjamin Sisko, the Federation starbase... Deep Space 9. [Music ends.] 00:00:14 Music Music Record scratch back into "The Picard Song," which plays quietly in the background. 00:00:15 Ben Harrison Host Welcome to The Greatest Generation: Deep Space Nine. It's a Star Trek podcast from a couple of guys who are... a little bit embarrassed to have a Star Trek podcast. I'm Ben Harrison. 00:00:25 Adam Host I'm Adam Pranica. It's a Star Trek podcast. Star Trek. Pranica 00:00:31 Ben Host Yeah. 00:00:32 Adam Host Deep Space Nine. 00:00:33 Ben Host We came to start wreck... about Star Trek. 00:00:38 Adam Host This is— [Music is fading down.] 00:00:39 Ben Host That's our new slogan that I just invented. [Laughs quietly.] 00:00:41 Adam Host This is the thing! People tell other people that they enjoy a Star Trek podcast, but that's not what they really enjoy.