1. Introduction 2. the Scott Legacy 3. the Emphasis On
Notes 1. INTRODUCTION 1. The texts of these letters are reproduced in Dear Stevenson: Letters from Andrew Lang to Robert Louis Stevenson with Five Letters from Stevenson to Lang, edited by Marysa DeMoor (Leuven: Uitgeverij Peeters, 1990). 2. John Maynard, 'Broad Canvas, Narrow Perspective', in The Worlds of Victorian Fiction, edited by Jerome H. Buckley (Cambridge, Mass.: Harvard University Press, 1975; Harvard English Studies 6), p. 238. 2. THE SCOTT LEGACY 1. Ian Jack, English Literature 1815-1832 (Oxford: Clarendon Press, 1963.) 2. Allan Massie, 'Scott and the European Novel,' in Sir Walter Scott: The Long-Forgotten Melody, ed. Alan Bold (London: Vision Press, and Totowa, NJ: Barnes & Noble, 1983), p. 94. 3. Ibid., pp. 94-97. Massie reminds us that the French historian Augustin Thierry was not alone when he called Ivanhoe Scott's masterpiece, and added, 'Unless, I say, one can understand the feelings which these [medieval] novels and poems aroused, on cannot begin to measure or evaluate Scott or his influence.' 4. Nicholas Rance, The Historical Novel and Popular Politics in Nineteenth Century England (London: Vision Press, 1975), pp. 25-26. Rance thus characterizes the way in which the Victorians interpreted the history of some five centuries earlier: 'The Middle Ages in fiction were either absolutely remote from contemporary life, in the sense that modern ised heroes and heroines breathed a romantic 'period' atmosphere, or else, more cunningly, the concept of the enduring English-Saxon character, resistant to Norman and Stuart tyranny, endowed readers with the spirit of the free Saxons.' Carlyle and Froude recognized the fact of change, but did not understand the mechanisms of evolution that created Victorian society.
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