Johnny Cash & Willie Nelson

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Johnny Cash Johnny Cash & Willie Nelson mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Folk, World, & Country Album: Johnny Cash & Willie Nelson Country: France Released: 2007 MP3 version RAR size: 1666 mb FLAC version RAR size: 1837 mb WMA version RAR size: 1790 mb Rating: 4.6 Votes: 180 Other Formats: AU MP3 WAV VOX MIDI AUD TTA Tracklist 1-1 –Johnny Cash I Walk The Line 02:45 1-2 –Johnny Cash Folsom Prison Blues 02:50 1-3 –Johnny Cash Country Boy 01:52 1-4 –Johnny Cash Cry! Cry! Cry! 02:27 1-5 –Johnny Cash The Rock Island Line 02:11 1-6 –Johnny Cash Remember Me 01:59 1-7 –Johnny Cash I Was There When It Happened 02:15 1-8 –Johnny Cash I Heard That Lonesome Whistle 02:25 1-9 –Johnny Cash The Wreck Of The Old '97 01:48 1-10 –Johnny Cash Doin' My Time 02:37 1-11 –Johnny Cash Big River 02:32 1-12 –Johnny Cash If The Good Lord Willing 01:44 1-13 –Johnny Cash So Doggone Lonesome 02:37 1-14 –Johnny Cash Ballad Of A Teenage Queen 02:11 1-15 –Johnny Cash There You Go 02:18 1-16 –Johnny Cash Get Rhythm 02:14 1-17 –Johnny Cash Don't Make Me Go 02:38 1-18 –Johnny Cash Next In Line 02:44 1-19 –Johnny Cash Train Of Love 02:23 1-20 –Johnny Cash Hey Porter! 02:14 1-21 –Johnny Cash Home Of The Blues 02:40 1-22 –Johnny Cash Give My Love To Rose 02:41 2-1 –Willie Nelson Night Life 02:33 2-2 –Willie Nelson Is There Something On Your Mind 02:34 2-3 –Willie Nelson Touch Me 02:35 2-4 –Willie Nelson The Last Letter 02:31 2-5 –Willie Nelson Half A Man 02:10 2-6 –Willie Nelson Will You Remember 03:03 2-7 –Willie Nelson Pride Wins Again 02:11 2-8 –Willie Nelson Building Heartaches 02:01 2-9 –Willie Nelson Pages 02:47 2-10 –Willie Nelson I Hope So 02:34 2-11 –Willie Nelson Everything But You 02:56 2-12 –Willie Nelson A Moment Isn't Very Long 02:58 2-13 –Willie Nelson You'll Always Have Someone 02:55 2-14 –Willie Nelson Rainy Day Blues 03:12 2-15 –Willie Nelson I'll Stay Around 02:32 2-16 –Willie Nelson A New Way To Cry 02:09 Credits Artwork – Shamane , Shanka Related Music albums to Johnny Cash & Willie Nelson by Johnny Cash Johnny Cash - Johnny Cash Vintage Vaults Johnny Cash - Johnny Down West 3 Johnny Cash - Rebel Johnny Cash - Johnny Cash 1970 Johnny Cash - This Is Johnny Cash Johnny Cash - Get Rhythm / Ballad Of A Teenage Queen Johnny Cash - Johnny Cash At Christmas Johnny Cash - Johnny & Cash Johnny Cash - Johnny Cash & Carter Sisters, The - Johnny Cash & The Carter Sisters - Maybelle, Anita, June, Helen.

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FREEMAN KITCHENS COLLECTION Jennifer M
A BRIEF HISTORY and ORIENTATION - to the - FREEMAN KITCHENS COLLECTION Jennifer M. Jameson | WKU Folk Studies | Spring 2011 Freeman Kitchens stands in front of his shop. Photo by Jennifer Jameson, May 2011. ABSTRACT: The Freeman Kitchens Collection is largely a recorded sound collection of the Folklife Archives at the Kentucky Library & Museum, Western Kentucky University. The Collection includes 250, 7-inch reel-to-reel tapes with source material from the personal collection of Mr. Freeman Kitchens of Drake, Kentucky – U.S. postmaster, record collector, owner of Drake Vintage Music & Curios, and founding member and president emeritus of the Carter Family Fan Club. The recordings consists of tapes (or tapes of tapes) of 78 rpm commercial recordings, radio transcriptions, airchecks of radio broadcast programs and performances, field recordings of festival performances, and the like. WKU first acquired these tapes in the mid 1970s, as folklorists Burt Feintuch and Lynwood Montell directed and implemented the acquisition of these sound recordings from Mr. Kitchens. The collection also contains three recorded interviews with Mr. Kitchens from 1974, 1975, and 2010, respectively. In addition, the Archives hold some related ephemera from Mr. Kitchens including letters addressed to him from members of the Carter Family, record collectors, and from folklife scholars; posters from country music events; fan-made discographies; and original copies of the journal of the Carter Family Fan Club, the Sunny Side Sentinel. Freeman Kitchens continues to operate his record shop in Drake. FA 567 Manuscripts & Folklife Archives – Kentucky Library & Museum – Western Kentucky University INTRODUCTION I, Jennifer Jameson, a graduate student in the Folk Studies program at WKU, present a brief history and orientation to the Freeman Kitchens Collection at the Folklife Archives as I have encountered the bits and pieces of this long history.
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Beneath the Load of Women's Cares
Filozofická fakulta Univerzity Palackého Katedra anglistiky a amerikanistiky “Beneath the load of women’s cares:” Women’s voices in country music Bakalářská práce Autor: Nela Brančíková Vedoucí: Mgr. David Livingstone, Ph.D. OLOMOUC 2018 Prohlášení Prohlašuji, že jsem tuto bakalářskou práci vypracovala samostatně pod odborným dohledem vedoucího práce a uvedla úplný seznam citované a použité literatury. V Olomouci dne 14.5. 2018 Nela Brančíková I would like to thank my supervisor Mgr. David Livingstone, Ph.D. for his patient help, advice and encouragement. Contents 1 Introduction 5 2 Country music background 7 2.1 Origins of Country Music 7 2.2 The South, Folk Music and Society 9 2.3 Early Recordings 11 2.4 Appalachian women 12 3 The 1920s 15 3.1 The Carter Family 15 3.2 Single Girl, Married Girl 19 3.3 Lulu Walls 21 4 The post-war era 24 4.1 Kitty Wells 25 4.2 It Wasn’t God Who Made Honky-Tonk Angels 26 4.3 Cheatin’s a Sin 29 5 The Women’s movement of the 1960s – 1980s 31 5.1 Loretta Lynn 31 5.2 The Pill 33 5.3 Hey Loretta 36 5.4 Dolly Parton 39 5.5 Jolene 41 5.6 Working Girl 43 6 Conclusion 46 7 České resumé 49 8 Bibliography 52 9 Annotation 55 10 Anotace 56 1 Introduction The aim of this work is to show how women were perceived in American society through country music culture, specifically through the country music of female artists. The quote from the title of my work “Beneath the load of women’s cares” is the final line from the song “Are You Tired of Me My Darling” by The Carter Family, one of the analyzed country music artists.
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COVID 19 Newsletter
Eat ●Talk ● Belong Newsletter No 14 June 2020 A Streetcat Named Bob Lifesaver Hodder & Stoughton and James Bowen are saddened to announce the death of Bob the cat on 15 June at the age of at least 14 years. James Bowen says “Bob saved my life. It’s as simple as that. He gave me so much more than companionship. With him at my side, I found a direction and purpose that I’d been missing. The success This week in we achieved together through our books and films was miraculous. He’s met thousands of people, touched millions of lives. There’s history never been a cat like him. And never will again. I feel like the light has gone out in my life. I will never forget him.” Do you recall…….. James, a recovering addict, first met Bob in 2007 when he found 1633 The Holy Office in Rome him abandoned and injured. James took care of Bob who in turn forces Galileo Galilei to recant gave him a reason to get up each morning. They quickly became his view that the Sun, not the inseparable, busking and selling The Big Issue on the streets of Earth, is the center of the London. Universe. Galileo spent the rest In 2012 Hodder & Stoughton published James’ first book, A Street of his life under house arrest. Cat Named Bob, telling his and Bob’s extraordinary story. The book 1963 Little Stevie Wonder aged was a publishing sensation, selling - along with its sequels The 13 releases his first single World According to Bob, A Gift from Bob and The Little Book of Bob Fingertips.
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1 the Center for Popular Music Middle Tennessee
Everett Corbin Collection 09-011, 10-033 THE CENTER FOR POPULAR MUSIC MIDDLE TENNESSEE STATE UNIVERSITY, MURFREESBORO, TN EVERETT CORBIN COLLECTION 09-011 PAPERS, PHOTOGRAPHS AND SOUND RECORDINGS 10-033 Creator: Corbin, Everett J. Type of Material: Physical Description: 12.72 linear feet of manuscripts, including nearly 1000 photographs 3 trade catalogs, 18 rare books, 5 reference books, 16 pieces of sheet music, 21 performance documents and 12 artifacts. [The collection also includes over 400 serials, about 900 sound recordings and 260 video recordings. Of the sound recordings, a portion are of Mr. Corbin’s interviews with country artists and work with Vernon Oxford. These items are to be reviewed and cataloged by Center staff as of April 2011.] Dates: 1948 – 2011 Abstract (Descriptive Summary): RESTRICTIONS: All materials in this collection are subject to standard national and international copyright laws. Center staff are able to assist with copyright questions for this material. Provenance and Acquisition Information: This collection was donated to the Center by Mr. Everett Corbin of Murfreesboro, Tennessee in November 2009 and February and March of 2011. Subjects/Index Terms: Subjects: Old-time music Country music Popular music--Writing and publishing. Names: Corbin, Everett J. 1 Everett Corbin Collection 09-011, 10-033 Oxford, Vernon Occupations: Singer-songwriter Journalist Agency History/Biographical Sketch: Everett Corbin, originally from Hampton, South Carolina, was a prolific songwriter employed as a journalist from 1961 to 1980. He started his career at the Columbia Gazette in South Carolina and the Lake City Reporter in Florida. In 1965, Mr. Corbin moved to the Nashville area to pursue a career as a country music songwriter.
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For Approval Only
FOR IMMEDIATE RELEASE Contact: Tina Wright (615) 416-2084 [email protected] Media website: www.countrymusichalloffame.org/media-professionals Username: cmhofmedia Password: 4mediaonly “Years from now, after I‟m gone, someone will listen to what I‟ve done and know I was here…they‟ll hear my guitars speaking for me.” – Chet Atkins COUNTRY MUSIC HALL OF FAME ® AND MUSEUM TO HONOR ‘MISTER GUITAR’ CHET ATKINS WITH BIOGRAPHICAL EXHIBIT Chet Atkins: Certified Guitar Player, Made Possible through the Generous Support of the Gretsch Company, to Open in August 2011 NASHVILLE, Tenn., May 10, 2011 – Sideman. Studio musician. Performer. Recording Artist. Producer. Record Executive. In an industry known for multi-talented individuals, perhaps no one has achieved such a vast and varied resume as the inimitable Chet Atkins. The Country Music Hall of Fame® and Museum will pay tribute to this versatile and visionary artist with the cameo exhibition Chet Atkins: Certified Guitar Player, which opens in the Museum‟s East Gallery on August 11, 2011, and runs through June 2012. The exhibition is made possible through the generous support of the Gretsch Company. Additional support will be provided by Great American Country Television Network. “Chet Atkins was country music‟s ultimate Renaissance man, one of the greatest instrumentalists in American music history and a true musical savant,” said Museum Director Kyle Young. “His signature guitar licks shaped recordings by scores of legendary artists, including the Everly Brothers, Elvis Presley and Kitty Wells, and his playing influenced future rock gods Duane Eddy, George Harrison, Mark Knopfler and many more. As a producer, Chet was an architect of the „Nashville Sound‟; he was also a brilliant record executive who signed and propelled a generation of country artists – including Waylon Jennings, Dolly Parton and Charley Pride – to fame.
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Introduced Reprint
2004 SESSION INTRODUCED REPRINT 049205836 INTRODUCED 1 SENATE JOINT RESOLUTION NO. 221 2 Offered March 1, 2004 3 On the deaths of June Carter Cash and Johnny Cash. 4 ±±±±±±±±±± Patrons±±Wampler and Puckett; Delegates: Johnson and Kilgore 5 ±±±±±±±±±± 6 WHEREAS, June Carter Cash was born Valerie June Carter on June 23, 1929, in Maces Springs, 7 Scott County, Virginia; and 8 WHEREAS, by the age of 10, June Carter was performing stage shows and on the radio with her 9 mother, Maybelle Carter, and aunt and uncle, A.P. and Sara Carter±±the original Carter Family±±"The 10 First Family of Country Music"; and 11 WHEREAS, June, along with her mother and sisters, carried on the Carter Family legacy by 12 performing as the Carter Sisters at venues throughout the nation, including the Grand Ole Opry; and 13 WHEREAS, June©s 1968 marriage to Johnny Cash resulted in a four-decade partnership that 14 influenced the development of country music by strengthening the bonds between folk and country 15 music; and 16 WHEREAS, Johnny Cash was recognized for his achievements by becoming the youngest living 17 inductee into the Country Music Hall of Fame, being inducted into the Rock and Roll Hall of Fame, and 18 winning 11 Grammy awards; and 19 WHEREAS, June Carter Cash was honored for her achievements through five Grammy Awards, 20 including two posthumously for her last project, which was recorded at the family©s home in Maces 21 Springs, Scott County, Virginia; and 22 WHEREAS, the musical legacy of the Carter Family has been carried on in Scott County and
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Country Music in Knoxville
Country Music in Knoxville Grade Level: 11th Grade Standards/Unit: Unit 5: Post World War II Era Local I.D. #5.08: Identify changes in the music industry brought about by Tennessee’s influence (i.e. Grand Ole Opry, WSM, Nashville music publishing, Sun Records in Memphis, Elvis Presley). Lesson Time: One class period Objective/Purpose: Students will understand the local history of the evolution of the radio in Knoxville and how it impacted the music industry in Tennessee. Students will also be able to locate historic structures and places that were associated with the music/radio industry Knoxville. Materials: PowerPoint Strategies/Procedures: Teachers will present the PowerPoint and then engage the students in a discussion using the following question(s). If time allows you may use one question or all. 1. Suppose you could produce a live radio show today. You as the producer will need to select the location, host, station, and music genre. Why did you pick these? 2. With Knoxville as the birthplace of radio in Tennessee why do you think it was Nashville who became so influential in country music and not Knoxville? 3. Why did the NYC recording label Brunswick/Vocalion set up a temporary recording studio at the St. James Hotel? Activities: if time permits teachers can assign in-class enrichment projects for extra credit. 1. Select a recent crime (local or national) and write your own folk ballad. If you are not shy about singing – sing it for the class! 2. Stop by the East Tennessee History Center (601 S. Gay Street – downtown Knoxville) and pick up a brochure for the “Cradle of Country Music” walking tour.
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Johnny Cash Tribute Show Coming to Mystic Lake Jan. 26
FOR IMMEDIATE RELEASE JOHNNY CASH TRIBUTE SHOW COMING TO MYSTIC LAKE JAN. 26 Tickets on sale Nov. 1 PRIOR LAKE, Minn. – Oct. 28, 2019 – A show celebrating one of the most influential and best- selling musical artists of all time, The Man in Black: A Tribute to Johnny Cash, is coming to the Mystic Showroom on Sunday, Jan. 26, 2020, at 8 p.m. With his striking resemblance, spot-on mannerisms and baritone voice, Shawn Barker embodies the character and spirit of Johnny Cash in this popular show. Barker’s tribute to Cash is an accurate and energetic recreation of the American music icon. With a professional band, a female singing group paying tribute to the Carter sisters and Jessica Morales performing as June Carter, the show brings the legend back to life onstage for fans. The performance features Cash’s eternal classics such as “I Walk the Line,” “Ring of Fire,” “Big River,” “Get Rhythm” and “Folsom Prison Blues.” TICKET INFORMATION Tickets to see The Man in Black: A Tribute to Johnny Cash at 8 p.m. on Sunday, Jan. 26, in the Mystic Showroom will be available Nov. 1 starting at $19. Contact the Mystic Box Office at 952- 496-6563 or visit mysticlake.com for more details. Event: The Man in Black: A Tribute to Johnny Cash Date: Sunday, Jan. 26, 8 p.m. Place: Mystic Showroom® Price: Tickets starting at $19 Sale Date: Friday, Nov. 1, 10 a.m. ABOUT SHAWN BARKER Shawn Barker was born and raised in the metro St. Louis area where like most entertainers, his first experience with music was attending church with his family.
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Happy Reading! Robin & Chrissie
EVERLYPEDIA (formerly The Everly Brothers Index – TEBI) Coordinated by Robin Dunn & Chrissie van Varik A complete (as far as is possible) index/encyclopaedia on every facet of Don & Phil Everly, covering their lives, careers, influences and connections – of course, from us as huge fans, with all due respect to them and their families. For more recording information, see also the various detailed discography lists on the EBI website (Everly.Net); for lyrics to songs, please refer to the Lyric List on the same website (http://www.everly.net/file/disco/disco.htm ). KEY/GLOSSARY/NOTES: • WB: Warner Brothers • EBs: The Everly Brothers • LPs, CDs etc. are generally (but not always) referred to throughout as ‘albums’. • Other than important (re)releases, only the original/initial album release is referred to. • Entries are listed under the first letter, including titles that start with a bracket, e.g. ‘(Why Am I) Chained To A Memory’, but exclude ‘The’ in which case they are listed under the second word. • Surnames or family names come first in the index. • Headings are coloured blue for song and album titles and maroon for everything else. • All words in bold type in the text are cross-references to other main entry headings – although no doubt we’ve missed a few! • Entries are generally aimed to be informative and we have attempted to keep them brief though some are lengthy due to the importance and significance in the life and career of Don and Phil. However, in some cases, due to the limitations of space and the huge volume of material available elsewhere, details have been kept to a bare minimum and relate mainly to the ‘Everly connection’ – e.g.
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The Carter Family and Hazel & Alice
THE CARTER FAMILY AND HAZEL & ALICE: A COMPARISON OF MUSICAL INFLUENCES AND CHANGING GENDER NORMS A Thesis by LAIKEN BOYD Submitted to the Graduate School at Appalachian State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS December 2016 Center for Appalachian Studies THE CARTER FAMILY AND HAZEL & ALICE: A COMPARISON OF MUSICAL INFLUENCES AND CHANGING GENDER NORMS A Thesis by LAIKEN BOYD December 2016 APPROVED BY: Dave H. Wood Chairperson, Thesis Committee Thomas S. Hansell Member, Thesis Committee Eugenia C. Conway Member, Thesis Committee William R. Schumann Director, Center for Appalachian Studies Max C. Poole, Ph.D. Dean, Cratis D. Williams School of Graduate Studies Copyright by Laiken J. Boyd. 2016. All Rights Reserved Abstract THE CARTER FAMILY AND HAZEL & ALICE: A COMPARISON OF MUSICAL INFLUENCES AND CHANGING GENDER NORMS (DECEMBER 2016) Laiken Boyd B.A., Glenville State College M.A., Appalachian State University Chairperson: Dave H. Wood This thesis explores, in detail, the lives and musical careers of The Carter Family (A.P., Sara, and Maybelle) in comparison with those of Hazel Dickens and Alice Gerrard. These are two trailblazing musical groups of the country and bluegrass music industries. This thesis discusses the effect of these women’s accomplishments on the country music and bluegrass industries when taking into consideration the obstacles society presented them with in the form of gender norms. Using the social constructs of gender norms during the 1920s-1970s as a lens for discussing some of the obstacles these women faced in their careers (e.g., restrictions/hindrance). This work will attempt to address what the gender norms of the time period were, if the fact that they were women presented any significant obstacles for their careers, and why these women received the recognition that they did.
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It's a Man's World: an Analysis of the Roles of Women in the Male
It’s a Man’s World: An Analysis of the Roles of Women in the Male-Dominated Country Music Industry by Hayley Payne A thesis presented to the Honors College of Middle Tennessee State University in partial fulfillment of the requirements for graduation from the University Honors College Fall 2020 It’s a Man’s World: An Analysis of the Roles of Women in the Male-Dominated Country Music Industry by Hayley Payne APPROVED: ____________________________________ Melissa Wald, Thesis Advisor Professor, Department of Recording Industry ____________________________________ Dr. Philip E. Phillips Associate Dean, University Honors College ABSTRACT This honors thesis addresses the gender bias of the country music industry. Women are severely underrepresented on country radio, leading to more underrepresentation on touring and festival lineups, award show nominations, streaming playlists, and more. Many believe the myth that “women don’t want to hear women.” However, data shows that audiences are eager to hear country music from female voices. Fans have craved country music from female artists since the birth of the genre, as the genre was shaped by iconic female voices and songs. Many female artists have had successes in album sales and tours within recent years, proving that country music fans are supportive of women in the genre. To research for this project, I gathered data from Billboard charts and Mediabase radio airplay charts to exemplify the gap between male and female representation. iii TABLE OF CONTENTS I. Introduction.............................................................................................................1 II. The Inequality Begins in Country Radio................................................................3 III. Touring, Festival Lineups, and Award Shows......................................................25 IV. A History of Women in Country Music................................................................40 V.
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Radio, WSM and the Grand Ole Opry
Radio, WSM and the Grand Ole Opry Essential Questions: Why was WSM created? What factors led to the popularity of the Grand Ole Opry? The history of WSM and the Grand Ole Opry starts in the early days of radio. Nikola Tesla realized that the key to making radio waves work as a form of communication was individualization. In other words, you needed to be able to select the signal you wanted to hear and cancel out the rest. Italian Guglielmo Marconi used Tesla’s ideas to create and market his Wireless Telegraph Company. At first, the U.S. Patent Office rejected Marconi’s patent claims, but later reversed that decision and granted the patents to Marconi in 1904. This set the stage for American corporations to start building and selling radio to the public. In order to boost sales of radios, Westinghouse set up the first commercial radio station, KDKA in 1920. Department stores soon followed suite, setting up their own stations to boost sales of radios. However, everyone who could afford a radio would eventually buy one. The radio stations’ only response to this economic blow was to sell advertising. The first radio advertisement was broadcast on August 28th, 1922. The idea of using radio to advertise other products and services revolutionized the medium and led to the creation of WSM and the Grand Ole Opry. In 1925, the National Life and Accident Insurance Company in Nashville began operating a radio station. Edwin Craig, the executive in charge of the project, believed that station would reach new customers and enhance the company’s image.
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