1 the Center for Popular Music Middle Tennessee
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RHYTHM & BLUES...63 Order Terms
5 COUNTRY .......................6 BEAT, 60s/70s ..................71 AMERICANA/ROOTS/ALT. .............22 SURF .............................83 OUTLAWS/SINGER-SONGWRITER .......23 REVIVAL/NEO ROCKABILLY ............85 WESTERN..........................27 PSYCHOBILLY ......................89 WESTERN SWING....................30 BRITISH R&R ........................90 TRUCKS & TRAINS ...................30 SKIFFLE ...........................94 C&W SOUNDTRACKS.................31 AUSTRALIAN R&R ....................95 C&W SPECIAL COLLECTIONS...........31 INSTRUMENTAL R&R/BEAT .............96 COUNTRY AUSTRALIA/NEW ZEALAND....31 COUNTRY DEUTSCHLAND/EUROPE......32 POP.............................103 COUNTRY CHRISTMAS................33 POP INSTRUMENTAL .................136 BLUEGRASS ........................33 LATIN ............................148 NEWGRASS ........................35 JAZZ .............................150 INSTRUMENTAL .....................36 SOUNDTRACKS .....................157 OLDTIME ..........................37 EISENBAHNROMANTIK ...............161 HAWAII ...........................38 CAJUN/ZYDECO ....................39 DEUTSCHE OLDIES ..............162 TEX-MEX ..........................39 KLEINKUNST / KABARETT ..............167 FOLK .............................39 Deutschland - Special Interest ..........167 WORLD ...........................41 BOOKS .........................168 ROCK & ROLL ...................43 BOOKS ...........................168 REGIONAL R&R .....................56 DISCOGRAPHIES ....................174 LABEL R&R -
Bill Drafting Template
1 State of Arkansas 2 91st General Assembly 3 Regular Session, 2017 SR 13 4 5 By: Senator Irvin 6 7 SENATE RESOLUTION 8 HONORING JIMMY DRIFTWOOD FOR HIS CONTRIBUTIONS TO 9 FOLK MUSIC AND TO THE STATE OF ARKANSAS. 10 11 12 Subtitle 13 HONORING JIMMY DRIFTWOOD FOR HIS 14 CONTRIBUTIONS TO FOLK MUSIC AND TO THE 15 STATE OF ARKANSAS. 16 17 WHEREAS, Mr. Jimmy Driftwood was born James Corbitt Morris in Timbo, 18 Arkansas, on June 20, 1907, and died on July 12, 1998, in Fayetteville, 19 Arkansas; and was a prolific folk singer and songwriter, along with his 20 father, Neil Morris; and 21 22 WHEREAS, Jimmy Driftwood wrote over 6,000 folk songs, and is most 23 famous for “The Battle of New Orleans” and “Tennessee Stud“; and learned to 24 play guitar on his grandfather’s homemade instrument, which he used 25 throughout his career, noting that the neck was made from fence rail, the 26 sides from an old ox yoke, and the head and bottom from the headboard of his 27 grandmother’s bed; and 28 29 WHEREAS, Jimmy Driftwood received a degree in education from Arkansas 30 State Teacher’s College, now the University of Central Arkansas, married 31 Cleda Johnson in 1936, and began writing poetry and music; enjoyed his 32 teaching career in Arkansas and began a family; wrote songs during his 33 teaching career to help teach his students history in an entertaining manner; 34 and wrote his famous “The Battle of New Orleans” in 1936 to help his class 35 become interested in the event; and 36 *KLC253* 03-06-2017 14:08:28 KLC253 SR13 1 WHEREAS, it was not until the -
TEXAS MUSIC SUPERSTORE Buy 5 Cds for $10 Each!
THOMAS FRASER I #79/168 AUGUST 2003 REVIEWS rQr> rÿ p rQ n œ œ œ œ (or not) Nancy Apple Big AI Downing Wayne Hancock Howard Kalish The 100 Greatest Songs Of REAL Country Music JOHN THE REVEALATOR FREEFORM AMERICAN ROOTS #48 ROOTS BIRTHS & DEATHS s_________________________________________________________ / TMRU BESTSELLER!!! SCRAPPY JUD NEWCOMB'S "TURBINADO ri TEXAS ROUND-UP YOUR INDEPENDENT TEXAS MUSIC SUPERSTORE Buy 5 CDs for $10 each! #1 TMRU BESTSELLERS!!! ■ 1 hr F .ilia C s TUP81NA0Q First solo release by the acclaimed Austin guitarist and member of ’90s. roots favorites Loose Diamonds. Scrappy Jud has performed and/or recorded with artists like the ' Resentments [w/Stephen Bruton and Jon Dee Graham), Ian McLagah, Dan Stuart, Toni Price, Bob • Schneider and Beaver Nelson. • "Wall delivers one of the best start-to-finish collections of outlaw country since Wayton Jennings' H o n k y T o n k H e r o e s " -Texas Music Magazine ■‘Super Heroes m akes Nelson's" d e b u t, T h e Last Hurrah’àhd .foltowr-up, üflfe'8ra!ftèr>'critieat "Chris Wall is Dyian in a cowboy hat and muddy successes both - tookjike.^ O boots, except that he sings better." -Twangzirtc ;w o tk s o f a m e re m o rta l.’ ^ - -Austin Chronlch : LEGENDS o»tw SUPER HEROES wvyw.chriswatlmusic.com THE NEW ALBUM FROM AUSTIN'S PREMIER COUNTRY BAND an neu mu - w™.mm GARY CLAXTON • acoustic fhytftm , »orals KEVIN SMITH - acoustic bass, vocals TON LEWIS - drums and cymbals sud Spedai td truth of Oerrifi Stout s debut CD is ContinentaUVE i! so much. -
Multimillion-Selling Singer Crystal Gayle Has Performed Songs from a Wide Variety of Genres During Her Award-Studded Career, B
MultiMillion-selling singer Crystal Gayle has performed songs from a wide variety of genres during her award-studded career, but she has never devoted an album to classic country music. Until now. You Don’t Know Me is a collection that finds the acclaimed stylist exploring the songs of such country legends as George Jones, Patsy Cline, Buck Owens and Eddy Arnold. The album might come as a surprise to those who associate Crystal with an uptown sound that made her a star on both country and adult-contemporary pop charts. But she has known this repertoire of hardcore country standards all her life. “This wasn’t a stretch at all,” says Crystal. “These are songs I grew up singing. I’ve been wanting to do this for a long time. “The songs on this album aren’t songs I sing in my concerts until recently. But they are very much a part of my history.” Each of the selections was chosen because it played a role in her musical development. Two of them point to the importance that her family had in bringing her to fame. You Don’t Know Me contains the first recorded trio vocal performance by Crystal with her singing sisters Loretta Lynn and Peggy Sue. It is their version of Dolly Parton’s “Put It Off Until Tomorrow.” “You Never Were Mine” comes from the pen of her older brother, Jay Lee Webb (1937-1996). The two were always close. Jay Lee was the oldest brother still living with the family when their father passed away. -
Felice Bryant and Country Music Songwriting in the 1950S
Bridgewater Review Volume 39 Issue 1 Article 4 4-2020 Felice Bryant and Country Music Songwriting in the 1950s Paula Bishop Bridgewater State University Follow this and additional works at: https://vc.bridgew.edu/br_rev Part of the Composition Commons Recommended Citation Bishop, Paula (2020). Felice Bryant and Country Music Songwriting in the 1950s. Bridgewater Review, 39(1), 4-7. Available at: https://vc.bridgew.edu/br_rev/vol39/iss1/4 This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. Felice Bryant and Country Music Songwriting in the 1950s Paula Bishop f you were a country music artist working in Nashville in the 1950s, you might have found Iyourself at the home of Nashville songwriters, Felice and Boudleaux Bryant, enjoying one of Felice’s home-cooked meals. Boudleaux would present songs that he and Felice had written while Felice offered suggestions and corrections from the kitchen. On the surface this domestic scene suggests conventional gender roles in which the husband handles business Nashville image (Photo Credit: NiKreative / while the wife entertains the guests, but in fact, the Alamy Stock Photo) Bryants had learned to capitalize on Felice’s culinary the country music industry of the 1950s skills and outgoing personality in order to build their and build a successful career, becom- professional songwriting career. As she once quipped, ing what Mary Bufwack and Robert Oermann called the “woman who if they fed the artists a “belly full of spaghetti and ears ignited the explosion of women writers full of songs,” they were more likely to choose a song on music Row.” written by the Bryants. -
Clint Fisher and His Musical Buddies
EDITOR: Amelia Martin ASSOCIATE EDITOR: Sarah Fitzjarrald CONSULTING EDITOR: CONTENTS Carolyn Pollan GUEST WRITER: VOL VIII, NO. 1 APRIL, 1984 Doc Miller PROOF READERS: Letter From Editors 2 Pam Pearce Alphonso Trent, One of the Best 3 Dr. Larry Pearce Mary Nell Euper Hammer's Bands 7 Rosalie Platt Amrita Grotto Band 9 Col. C.B. "Pat" Porter Jimmie Grace and His Ozarkians 10 PHOTOGRAPHIC STAFF David King The Southerners, Edgar A. Robinson, Director 12 INDEXING Doc Miller's Orchestras 14 Floy Looper Clint Fisher and His Musical Buddies 16 OFFICE STAFF Del Conger Fred Rose 18 Felix Thomson Wayne Redden and His Arkansas Valley Boys 19 Thelma Black Velma Barber Froebel E. Lee 19 Frank Jedlicka Heart Throbs 20 BOARD AND OFFICERS: Paul Lewis 20 Amelia Martin, Pres. Chris Allen, V.P. Calvin Carter and the Border City Ramblers, Mary Nell Euper, Sec. Rhonda "Kye'Tleming 21 Donald Peer, Treas. Floy Looper, Corres. Sec. News & Opportunities 22 Wayne Bledsoe Book Notes: Fort Smith, Siloam Shorts, Del Conger Fire In The Hole 25 Gilmer Dixon Sarah Fitzjarrald Marriage Book B, Fort Smith District, Mary Lou Jacobsen Sebastian County, Arkansas 26 Rosalie Platt Col. C.B. (Pat) Porter Corrections, Marriage Book A 32 Felix Thomson Contents, Past Issues 34 Thelma Wray 1884 Newspapers Excerpts 35 Membership in the Fort Smith Historical Index 49 Society includes subscription to The Journal of the Fort Smith Historical Society, which is published semi-annually. Year begins Jan. 1 COVER: Some of Fort Smith's "Big Band Era" Bands and Orchestras and ends Dec. 31. «Copyright 1984 ISSN 0736 4261 For membership, send dues with your name By the Fort Smith Historical Society, Inc. -
Cash Box , Music Page October 10, 1953
31 The Cash Box , Music Page October 10, 1953 lias USE BOX, Safest! anil WESTERg EOUIUf) Ray Price, whose recording of “Wrong Side of Town” and “Who Stole ffltKfrWfSTfW* That Train Off The Track” seems to be kickin’ up lots of attention is going to be real active this month with his personal appearances. Dates have been set for Price and his Drifting Cowboys band; Don Helms, Rusty Gabbard, Jerry Rivers and Cedric Rainwater in Missouri, Oklahoma, Texas, Kansas and Colorado. At the conclusion of a ten day tour around the 14th of this month, Price and his boys will be on a Deer Hunt in Colorado. Rex Allen (Decca) broke a .record recently while recording in Nashville when he went for eleven Buck Benson hours of continuous singing. Those who assisted the Don Larkin Joe Morris WLBR—Lebanon, Pa. artist were Jerry Byrd, Grady Martin, Bobby Moore, WAAT—Newark, N. J. WKDK—Newberry, S. C. 1. Caribbean (Mitchell Torok) 1. It's Been So Long (W. Pierce) 1. It's Been So Long (W. Pierce) Jimmie Self, Owen Bradley, Marvin Hughes, Farris 2. It Zat You Myrtle (Carlitlet) 2. Hey Joe (Carl Smith) 2. A Dear John Letter and the Anita Kerr Singers. Carl 3. Private Property Coursey, Smith, 3. A Dear John Letter (Shepard & Huskey) (Johnny & Jack) (Shepard Ernest Tubb, the Carter Family, with June, Helen, & Huskey) 3. 1 Forgot More (Davis Sisters) 4. Butterfly Love (Jim Reeves) 4. 1 Forgot More (Davis Sisters) 4. Hey Jee (Carl Smith) Anita and Mother Maybelle and Lonzo and Oscar played 5. -
Johnny Cash by Dave Hoekstra Sept
Johnny Cash by Dave Hoekstra Sept. 11, 1988 HENDERSONVILLE, Tenn. A slow drive from the new steel-and-glass Nashville airport to the old stone-and-timber House of Cash in Hendersonville absorbs a lot of passionate land. A couple of folks have pulled over to inspect a black honky-tonk piano that has been dumped along the roadway. Cabbie Harold Pylant tells me I am the same age Jesus Christ was when he was crucified. Of course, this is before Pylant hands over a liter bottle of ice water that has been blessed by St. Peter. This is life close to the earth. Johnny Cash has spent most of his 56 years near the earth, spiritually and physically. He was born in a three-room railroad shack in Kingsland, Ark. Father Ray Cash was an indigent farmer who, when unable to live off the black dirt, worked on the railroad, picked cotton, chopped wood and became a hobo laborer. Under a New Deal program, the Cash family moved to a more fertile northeastern Arkansas in 1935, where Johnny began work as a child laborer on his dad's 20-acre cotton farm. By the time he was 14, Johnny Cash was making $2.50 a day as a water boy for work gangs along the Tyronza River. "The hard work on the farm is not anything I've ever missed," Cash admitted in a country conversation at his House of Cash offices here, with Tom T. Hall on the turntable and an autographed picture of Emmylou Harris on the wall. -
SLEMCO Power September-October 2011
SEPT/OCT 2 0 1 1 SLEMCOPOWER HAUNTED HOUSES Three Acadiana ghost stories T’Frere’s Bed & Breakfast PAGE 4 SHARE STORIES FROM SLEMCO’S HISTORY PAGE 2 WEATHER EMERGENCIES PAGE 3 HADACOL PAGE 7 PSLEMCO OWER TakeNote Volume 61 No. 5 September/October 2011 The Official Publication of the Southwest Louisiana Electric Membership Corporation 3420 NE Evangeline Thruway P.O. Box 90866 Lafayette, Louisiana 70509 Phone 337-896-5384 www.slemco.com BOARD OF DIRECTORS ACADIA PARISH Merlin Young Bryan G. Leonards, Sr., Secretary ST. MARTIN PARISH William Huval, First Vice President Adelle Kennison LAFAYETTE PARISH Dave Aymond, Treasurer Jerry Meaux, President TELL US YOUR STORIES ABOUT ST. LANDRY PARISH H. F. Young, Jr. Leopold Frilot, Sr. SLEMCO’S EARLY YEARS VERMILION PARISH Joseph David Simon, Jr., LEMCO will celebrate its 75th anni- electric cooperatives. But our history is Second Vice President versary in 2012. If you have any sto- more than mere statistics of numbers Charles Sonnier Sries to share about the early years of served and miles of line. People and their ATTORNEY SLEMCO, we’d love to hear from you. memories, the difference SLEMCO has James J. Davidson, III Since its establishment in 1937, the made in their lives, the service provided EXECUTIVE STAFF Southwest Louisiana Electric Membership in good times and during natural disas- J.U. Gajan Corporation (SLEMCO) has been provid- ter—these are the most important aspects Chief Executive Officer & General Manager ing customers high quality electric service of our shared history. This upcoming Glenn Tamporello at the lowest possible cost. anniversary is the perfect opportunity to Director of Operations George Fawcett What began as a cooperative serving document your stories and preserve them Director of Marketing & Communications 256 customers along 120 miles of new for the future (Lucky Account Number Jim Laque power lines has grown over 74 years to 2038760208). -
A New Year in Nashville
Active Lifestyle Tour Series Specifically Designed for the Active Traveler A NEW YEAR IN NASHVILLE January 1 - 5, 2019 There is no better way to begin the new year than with a great trip to Nashville and a stay at the magnificent Opryland Hotel! There is something truly unique about Nashville and whether you love country music and live performances, enjoy southern cuisine or prefer the history of the City of Music, this tour will definitely check all the boxes. Country Music Hall of Fame and Museum DAY 1: Marshall, MN to Nashville, TN Your trip begins with a flight out of Minneapolis today, arriving mid-afternoon so you have plenty of time to explore the beautiful Opryland Hotel. Complete with 9 acres of lush indoor gardens and cascading waterfalls, it is a perfect setting for kicking off the new year! Evening Accommodations at Opryland Hotel * Dinner Included DAY 2: Nashville, TN Today your touring includes the Country Music Hall of Fame and Museum. One of the largest museums in the world dedicated to the preservation and interpretation of music, it has amassed one of the world’s most extensive music collections. Then you are off to Studio B, the recording home of popular music titans such as Elvis, Dolly Parton, Eddy Arnold and the Everly Brothers. No trip to Nashville is complete without a tour of the Johnny Cash Museum, featuring the largest and most comprehensive collection of Johnny Cash artifacts and memorabilia in the world. Your last tour of the day is the Patsy Cline Museum where you will see hundreds of never before seen artifacts, personal belongings, videos and more. -
Louisiana Musical Legends Bringing Louisiana Musicians Into the Classroom a Project of the Louisiana Endowment for the Humanitie
Louisiana Musical Legends Bringing Louisiana Musicians into the Classroom a project of the Louisiana Endowment for the Humanities and 64 Parishes presented in partnership with First Lady Donna Edwards and the Louisiana Regional Arts Councils Susan Aysen Instructional Plan Lesson Plan Author: Rebecca Holmes Target Grade Level: 3rd and 8th Grade Regional Arts Council Partner: Bayou Regional Arts Council Notes from Lesson Plan Author: In researching Susan Aysen, I discovered she is a clarinet player and songwriter and resolved to interview her about her songwriting process, inspirations, and influences. Because there are few resources about Aysen available online, I have included a lightly edited transcript of the interview as well as lyrics to two of her songs, “Ghosts of Laurel Valley” and “Good Night, Louisiana,” at the end of the lesson plan. Focusing the lesson plan on songwriting allows for connections not only to music content but also to ELA. Aysen’s personal responses to interview questions yielded significant connections to the regional culture and provided rich examples of relevant creative influences. Resources As I prepared this instructional plan, the following resources helped broaden my own understanding of Susan Aysen’s music and its cultural context. ● 64 Parishes’ article “Cajun Music” and those about individual blues musicians ● Willie Nelson’s entry in the Songwriter’s Hall of Fame ● Online recordings of music by Cajun musicians, including Joe Barry, Vin Bruce, Jimmy Clanton, and Jo-El Sonnier ● Interview with Susan Aysen and lyrics to Aysen’s “Ghosts of Laurel Valley” and “Good Night, Louisiana” included at the end of the lesson plan 1 Instructional Outline Grades: 3rd & 8th Grades Focus: Community and Culture in Louisiana Songwriting Folks residing in Bayou Country are often proud people, close to friends and family and close to the land and water. -
FREEMAN KITCHENS COLLECTION Jennifer M
A BRIEF HISTORY and ORIENTATION - to the - FREEMAN KITCHENS COLLECTION Jennifer M. Jameson | WKU Folk Studies | Spring 2011 Freeman Kitchens stands in front of his shop. Photo by Jennifer Jameson, May 2011. ABSTRACT: The Freeman Kitchens Collection is largely a recorded sound collection of the Folklife Archives at the Kentucky Library & Museum, Western Kentucky University. The Collection includes 250, 7-inch reel-to-reel tapes with source material from the personal collection of Mr. Freeman Kitchens of Drake, Kentucky – U.S. postmaster, record collector, owner of Drake Vintage Music & Curios, and founding member and president emeritus of the Carter Family Fan Club. The recordings consists of tapes (or tapes of tapes) of 78 rpm commercial recordings, radio transcriptions, airchecks of radio broadcast programs and performances, field recordings of festival performances, and the like. WKU first acquired these tapes in the mid 1970s, as folklorists Burt Feintuch and Lynwood Montell directed and implemented the acquisition of these sound recordings from Mr. Kitchens. The collection also contains three recorded interviews with Mr. Kitchens from 1974, 1975, and 2010, respectively. In addition, the Archives hold some related ephemera from Mr. Kitchens including letters addressed to him from members of the Carter Family, record collectors, and from folklife scholars; posters from country music events; fan-made discographies; and original copies of the journal of the Carter Family Fan Club, the Sunny Side Sentinel. Freeman Kitchens continues to operate his record shop in Drake. FA 567 Manuscripts & Folklife Archives – Kentucky Library & Museum – Western Kentucky University INTRODUCTION I, Jennifer Jameson, a graduate student in the Folk Studies program at WKU, present a brief history and orientation to the Freeman Kitchens Collection at the Folklife Archives as I have encountered the bits and pieces of this long history.