Marcel Dzama Born 1974 in Winnipeg, Canada
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Fall/Winter 2014
publications + distribution fall/winter 2014 FALL/WINTER 2014 Frontlist 3 New Publisher Backlist 58 Backlist 61 Index 127 Order & Trade Information 134 rampub.com Architecture Architecture FORENSIS The Architecture of Public Truth Forensis (Latin for “pertaining to the forum”) engages the testimony of material objects—such as bones, ruins, toxic substances—as a method of central importance in interpreting how subjects are policed and governed by their states. Developed through the Forensic Architecture Project by theorist Eyal Weizman at Goldsmiths College, University of London, Forensis seeks to expand the scope of contemporary forensics to include a broader historical, theoretical, political and aesthetic context. At the heart of the book is a methodological experiment in which participating architects, artists, filmmakers, lawyers, and theorists employed new technologies and spatial research methods to investigate contemporary issues such as border regimes, urban warfare, and climate change. Investigations were undertaken in Pakistan, Palestine, the Amazon basin, Guatemala, Chile, Bangladesh, Yemen, the United States and the former Yugoslavia among others places. Evidence of state or corporate violence was unearthed for use by prosecution teams, civil society organizations, activist networks, human rights groups, and the United Nations. Innovative investigations aimed at producing new kinds of evidence in this rich collection of essays and research reports suggest many new ways that international prosecutorial teams, political organizations, -
Books Keeping for Auction
Books Keeping for Auction - Sorted by Artist Box # Item within Box Title Artist/Author Quantity Location Notes 1478 D The Nude Ideal and Reality Photography 1 3410-F wrapped 1012 P ? ? 1 3410-E Postcard sized item with photo on both sides 1282 K ? Asian - Pictures of Bruce Lee ? 1 3410-A unsealed 1198 H Iran a Winter Journey ? 3 3410-C3 2 sealed and 1 wrapped Sealed collection of photographs in a sealed - unable to 1197 B MORE ? 2 3410-C3 determine artist or content 1197 C Untitled (Cover has dirty snowman) ? 38 3410-C3 no title or artist present - unsealed 1220 B Orchard Volume One / Crime Victims Chronicle ??? 1 3410-L wrapped and signed 1510 E Paris ??? 1 3410-F Boxed and wrapped - Asian language 1210 E Sputnick ??? 2 3410-B3 One Russian and One Asian - both are wrapped 1213 M Sputnick ??? 1 3410-L wrapped 1213 P The Banquet ??? 2 3410-L wrapped - in Asian language 1194 E ??? - Asian ??? - Asian 1 3410-C4 boxed wrapped and signed 1180 H Landscapes #1 Autumn 1997 298 Scapes Inc 1 3410-D3 wrapped 1271 I 29,000 Brains A J Wright 1 3410-A format is folded paper with staples - signed - wrapped 1175 A Some Photos Aaron Ruell 14 3410-D1 wrapped with blue dot 1350 A Some Photos Aaron Ruell 5 3410-A wrapped and signed 1386 A Ten Years Too Late Aaron Ruell 13 3410-L Ziploc 2 soft cover - one sealed and one wrapped, rest are 1210 B A Village Destroyed - May 14 1999 Abrahams Peress Stover 8 3410-B3 hardcovered and sealed 1055 N A Village Destroyed May 14, 1999 Abrahams Peress Stover 1 3410-G Sealed 1149 C So Blue So Blue - Edges of the Mediterranean -
FRONT DESK / BACK Office
FRONT DESK / BACK OffIce The secret world of galleries in xxx candid pictures and two texts. There’s something not quite the past five years, but allready right about commercial galleries. since the 1990s I look at the They are a kind of schizophrenic back rooms – the other side of space. On the one hand they the art machine – and became explicitly present things with an obsessed by the understatement intellectual and immaterial val- of the façades, the messy, clut- ue, while on the other hand it is tered desks in the small galleries clear that one could eventually and the cold professionalism of possess these things; the expe- the major players’ offices, and, rience has a price tag attached. above all, the uniformity of the They represent two different re- design. They all have the same alities or systems: the discourse MacBooks and iMacs, the same and the market. The discourse desk lamp by Michele de Lucchi is more at home in art institu- and the same designer furniture tions and artist- and curator-run by Charles & Ray Eames, Arne spaces, where looking at art is Jacobsen and Dieter Rams. not corrupted by finance. Selling Have you ever taken a good is, of course, the commercial look at the front desks? It was gallery’s main function, but the at Air de Paris that I first saw a discourse is equally important. gallery position its office partly It is for this reason that looking as a front desk in the midst of and buying are kept apart and the white cube. -
Tomma Abts Francis Alÿs Mamma Andersson Karla Black Michaël
Tomma Abts 2015 Books Zwirner David Francis Alÿs Mamma Andersson Karla Black Michaël Borremans Carol Bove R. Crumb Raoul De Keyser Philip-Lorca diCorcia Stan Douglas Marlene Dumas Marcel Dzama Dan Flavin Suzan Frecon Isa Genzken Donald Judd On Kawara Toba Khedoori Jeff Koons Yayoi Kusama Kerry James Marshall Gordon Matta-Clark John McCracken Oscar Murillo Alice Neel Jockum Nordström Chris Ofili Palermo Raymond Pettibon Neo Rauch Ad Reinhardt Jason Rhoades Michael Riedel Bridget Riley Thomas Ruff Fred Sandback Jan Schoonhoven Richard Serra Yutaka Sone Al Taylor Diana Thater Wolfgang Tillmans Luc Tuymans James Welling Doug Wheeler Christopher Williams Jordan Wolfson Lisa Yuskavage David Zwirner Books Recent and Forthcoming Publications No Problem: Cologne/New York – Bridget Riley: The Stripe Paintings – Yayoi Kusama: I Who Have Arrived In Heaven Jeff Koons: Gazing Ball Ad Reinhardt Ad Reinhardt: How To Look: Art Comics Richard Serra: Early Work Richard Serra: Vertical and Horizontal Reversals Jason Rhoades: PeaRoeFoam John McCracken: Works from – Donald Judd Dan Flavin: Series and Progressions Fred Sandback: Decades On Kawara: Date Paintings in New York and Other Cities Alice Neel: Drawings and Watercolors – Who is sleeping on my pillow: Mamma Andersson and Jockum Nordström Kerry James Marshall: Look See Neo Rauch: At the Well Raymond Pettibon: Surfers – Raymond Pettibon: Here’s Your Irony Back, Political Works – Raymond Pettibon: To Wit Jordan Wolfson: California Jordan Wolfson: Ecce Homo / le Poseur Marlene -
John Rule Art Book Distribution Stocklist Stocklist
John Rule Art Book Distribution Stocklist Stocklist SBN Title Author Format £ Status ARD_P 9781934510346 A Line in the Andes Felipe Correa and Ramiro Almeida Hb 35.00 NYP 9780982622612 Ganges Water Machine: Designing New India Anthony Acciavatti et al Hb 30.00 NYP 9781941806043 Rise Tectonic Machines! Construct Marcus Shaffer et al Pb 18.00 NYP 9781941806067 Zen Spaces in Neon Places: Reflections Vinayak Bharne Pb 30.00 NYP Atlantic Press 9780955734830 A Book Made of Tears Dean Owens Hb 9.99 9780955734823 A Postcard From The Mountains Richard Dinnis Pb 9.99 9780957154902 Authorial Illustrator: 10 Years of the Falmouth Steve Braund, Mat Osmond Pb 9.99 9780955734892 Beyond the Wire Alys Jones Pb 12.99 9780955734816 Coasters Poetry Anthology Ed. Elaine Ruth White (Ed.) Pb 9.99 9780953354382 Drawing on Water Mat Osmond Hb 11.99 9780953354344 Fried Eggs in Brine Paul Slater Hb 24.99 9780953354313 Grimm’s Fairy Tales: Three Illustrated Stories Simon Davies, Darryl de Beugny Pb 4.99 9780955734885 Micanopy Murders Elizabeth Blue Pb 9.99 9780955734847 Phantom Laura Wady Pb 9.99 9780953354399 Ratio : Pan dimensional Film Guide Thomas Barwick Pb 4.99 9780953354306 Something Amiss On The Moor Steve Braund Hb 14.99 9780955734854 Sophie’s Story Belinda Whiting Hb 9.99 9780955734861 The Case Helena Pertl Pb 5.99 9780953354337 The Funeral Barnaby Richards Pb 4.99 9780955734809 The Riddlers Steve Braund Pb 9.99 9780953354351 The Speckled Egg: Fifteen Visual Narratives Steve Braund & Michael Venning Pb 9.99 BedBury 9780955370908 Cuba: Land of Spirit James -
Apexart WORKS of ART in the SHOW Lots of Things Like This Curated by Dave Eggers, April 2 to May 10, 2008
apexart WORKS OF ART IN THE SHOW Lots of Things Like This curated by Dave Eggers, April 2 to May 10, 2008 BRIEF ORIGIN AND EXPLANATION OF THIS SHOW: Apexart asked Dave to do a show, and Dave thought of this particular kind of art, which combines image, text, and humor. He thought first of the work of David Shrigley, Raymond Pettibon, Maira Kalman and Tucker Nichols. Then Dave called Jesse Nathan, who had interned at McSweeney’s and who knew art and poetry well. So then Nathan started working with Dave to find and compile a group of artworks that met for our particular requirements. For instance, we weren’t looking for art that used text obliquely or as a design element; the text had to be narrative and had to refer in some way to the image. In some cases the text was a comment on the image made after the fact. Sometimes the two were conceived together. Some work approaches single- panel-cartoonhood; some is closer to fine-art text-art. In most cases, even when we knew an artist, like Pettibon, had work that fit the bill, we also had to rule out a lot of stuff that didn’t. So it was an interesting process, and very rewarding, for we found so many great people, from so many disciplines, who shared this desire to draw and write together and were unafraid to make it funny, too. Below is a list of the works in the show, with some biographical information about the artists, and some explanations about how we found their work. -
A Uc Tion • P Aris • 14 De C. 14
DIGARD - 3 ART CONTEMPORAIN URBAIN - URBAN CONTEMPORARY ART DROUOT - DIMANCHE 14 DÉCEMBRE 2014 AUCTION • PARIS • 14 DEC. 14 En couverture / Cover n° 57 BANKSY (Britannique, né en 1975) Angry Crows, 2003 Peinture aérosol et pochoir sur toile, signée en rouge sur le côté droit et datée au dos et dédicacée au dos « Steve. Thanks a lot. You’d look good in a suit » Spray paint and stencil on canvas, signed with artist tag in red on overlap and signed, dated and inscribed in black ink verso “Steve. Thanks a lot. You’d look good in a suit” 40 x 30 cm – 15.8 x 11.8 in En 2e de couverture / Second cover n° 51 SHEPARD FAIREY (Américain, né en 1970) Revolution Girl, 2005 Peinture aérosol, collage et sérigraphie sur papier, signé et daté en bas à droite, numéroté en bas à gauche Spray paint, collage, and screenprint on papier, signed and dated in pencil lower right and numbered 12/20 lower left 106,6 x 73,6 cm - 42 x 29 in En 3e de couverture / Third cover n° 70 HUSH (Britannique, né en 1965) Rouge I, 2013 Acrylique, sérigraphie et peinture aérosol sur toile, signée et datée en bas à droite Acrylic, screenprint, spray paint, screen inks on belgium linen, signed and dated in black ink lower right 117 x 86,5 cm – 46.1 x 34.1 in En dos de couverture / Back cover n°32 SHEPARD FAIREY (Américain, né en 1970) Power, 2011 - HPM Pochoir sur fond sérigraohique et collage sur bois, signé et daté au crayon en bas à droite et numéroté AP HPM au crayon en bas à gauche, contresigné, daté et numéroté AP au crayon au dos Hand painted multiple (HPM), silkscreen on -
Marcel Dzama Born 1974 in Winnipeg, Canada
This document was updated June 22, 2020. For reference only and not for purposes of publication. For more information, please contact the gallery. Marcel Dzama Born 1974 in Winnipeg, Canada. Lives and works in Brooklyn. EDUCATION 1994-1997 B.F.A., University of Manitoba, Winnipeg, Canada SOLO EXHIBITIONS 2020 Marcel Dzama: Blue Moon of Morocco, David Zwirner, Paris Marcel Dzama: Pink Moon, David Zwirner Online [online presentation] Marcel Dzama, Tim Van Laere Gallery, Antwerp [forthcoming] 2019 Marcel Dzama: Be good little Beuys and Dada might buy you a Bauhaus, Sies + Höke, Düsseldorf Marcel Dzama: Crossing the Line, David Zwirner, Hong Kong [catalogue] 2018 Marcel Dzama: A Jester’s Dance, University of Michigan Museum of Art, Ann Arbor, Michigan Marcel Dzama: Ya es hora, Galería Helga de Alvear, Madrid 2017 Marcel Dzama: Revolution Blues, Galleri Magnus Karlsson, Stockholm Marcel Dzama: Drawing on a Revolution, La Casa Encendida, Madrid 2016 Marcel Dzama and Raymond Pettibon: Forgetting the Hand, David Zwirner, New York [limited edition zine Dzama/Pettibon] [two-person exhibition] Marcel Dzama and Raymond Pettibon: Let us compare mythologies, David Zwirner, London [limited edition zine] [two-person exhibition] Marcel Dzama: A Flower of Evil, Sies + Höke, Düsseldorf 2015 Campeonato de Guadalajara: Marcel Dzama and Eduardo Sarabia, Travesía Cuatro, Guadalajara [two-person exhibition] Marcel Dzama: The Fallen Fables, Crown Point Press, San Francisco Marcel Dzama: Mischief Makes a Move, World Chess Hall of Fame, St. Louis, Missouri [exhibition -
Marina Abramovic Spirit House: Luminosity, Dissolution, and Insomnia 3 Videos, Projections, Installation Items 1997
1 Marina Abramovic Spirit House: Luminosity, Dissolution, and Insomnia 3 videos, projections, installation items 1997 Marina Abramovic, born in 1946 in Belgrade, Yugoslavia, is without question one of the seminal artists of our time. Since the beginning of her career in Yugoslavia during the early 1970s where she attended the Academy of Fine Arts in Belgrade, Abramovic has pioneered the use of performance as a visual art form. The body has always been both her subject and medium. Exploring the physical and mental limits of her being, she has withstood pain, exhaustion, and danger in the quest for emotional and spiritual transformation. Abramovic's concern is with creating works that ritualize the simple actions of everyday life like lying, sitting, dreaming, and thinking; in effect the manifestation of a unique mental state. As a vital member of the generation of pioneering performance artists that includes Bruce Nauman, Vito Acconci, and Chris Burden, Abramovic created some of the most memorable early performance pieces and is the only one still making important durational works. The installation 'Spirit House' initially included five parts, 'Dissolution', 'Insomnia', 'Luminosity', 'Dozing Consciousness' and 'Lost Souls', but now exclusively contains the first three videos, whereas the other two are part of Abramovic's 'Portrait Gallery'. In its extended version, 'Spirit House' was first installed in a former municipal slaughterhouse in Portugal in 1997. Here, the separate parts of the installation developed a strong relation with the actual exhibition site. Being quite reminiscent of earlier works by Abramovic, 'Dissolution' shows the artist whipping herself with a lash until her back turns red and her body starts to tremble. -
February 29, 2020 Opening Reception: Thursday, January 9, 6-8 Pm 456 West 18Th Street
JON PYLYPCHUK Waiting for the Next Nirvana January 9 – February 29, 2020 Opening reception: Thursday, January 9, 6-8 pm 456 West 18th Street Petzel Gallery is pleased to present Waiting for the Next Nirvana, an exhibition of new paintings by Canada-born, Los Angeles-based artist Jon Pylypchuk. The show will be on view from January 9 to February 29, 2020 and marks Pylypchuk’s first solo exhibition at the gallery’s Chelsea location in nine years. An expression and result of Pylypchuk’s past and current years as a rock musician (he is a founder of KISK, the KISS cover band) and as an artist, the paintings featured in Waiting for the Next Nirvana are imbued with nostalgia, anticipation, energy, confidence, and, foremost, seductive and rebellious emotion. The works, with titles such as I don’t need flowers, I just need you, Basketball season is over cupcake!, and Your goodness keeps this badass begging are made of fabric, wood, glue, watercolor, glitter, black cue balls, and polyurethane, among other materials, and evoke feelings of existential angst. “Guns n Roses took a swing at the establishment in 1987 with Appetite for Destruction, and garbage cans across the Southland were loaded with hairspray canisters that would never be used again,” says Pylypchuk. But “by 1991, in four short years Guns n Roses had become the establishment. Lush orchestration, epic songs, backup singers, extra musicians to fill out the sound, Axl Rose seated behind a piano…Long gone were the days he would dive off stage to punch someone in the face who’d pissed him off. -
MARCEL DZAMA the Moon Is Following Me 21 January - 6 March 2021
MARCEL DZAMA The Moon is Following Me 21 January - 6 March 2021 Tim Van Laere Gallery is pleased to present its first solo exhibition of Marcel Dzama entitled The Moon is Following Me. Including drawings, sculptures, dioramas and a film, this exhibition marks the artist’s first solo presentation in Belgium. Marcel Dzama (°1974 Winnipeg, Canada. Lives and works in New York) has developed an imme- diately recognisable visual language that investigates human action and motivation, as well as the blurred relationship between the real and the subconscious. Drawing equally from folk vernacular as from art-historical and contemporary influences, Dzama’s work visualises a universe of child- hood fantasies and otherworldly fairy tales. Dzama's image repertoire includes a wide range of art-historical quotations. One can recognize ballet costumes by Oskar Schlemmer or Francis Pi- cabia, for example, and direct references to Francisco de Goya, Marcel Duchamp and Joseph Beuys. However, it's not just elements from the past that spur Dzama's creativity. The music en- thusiast has collaborated with various colleagues from the beginning of his career, whether as part of the Royal Art Lodge in Winnipeg, which he co-founded, or in the form of collaborations with Arcade Fire, Bob Dylan, Beck, Kim Gordon (Sonic Youth), the filmmaker Spike Jonze, the ac- tress Amy Sedaris, the ensemble of the New York City Ballet, or fellow artists like Raymond Petti- bon and Jockum Nordström. In his work Beuys love a girl who plays guitar he brings together the artist Joseph Beuys with the country-singer Dolly Parton. -
1 David Cohen's Writings on Art, Lectures And
DAVID COHEN’S WRITINGS ON ART, LECTURES AND EXHIBITIONS last updated June 2012 Books and Essays Books Henry Moore in the Bagatelle Gardens, Paris, photographs by Michel Muller with an essay by David Cohen (London: Lund Humphries, and New York: Overlook Press, 1993) an overview of Moore's work stressing the importance of landscape to his aesthetic; the book records an important outdoor exhibition staged the previous year in Paris Jock McFadyen: A Book about a Painter (London: Lund Humphries, 2001) By David Cohen, with contributions from Lewis Biggs, Humphrey Ocean, Bob and Roberta Smith, Hugo Williams, Tom Lubbock, Ian Dury, Mary Rose Beaumont, Duncan Macmillan, Jeffery Camp, and Will Self David Cohen Alex Katz Collages: A catalogue raisonné (Waterville, Maine: Colby College Mueum of Art, 2005) Published in conjunction with an exhibition at Colby College Museum of Art June 26 – September 18, 2005 Serban Savu (co-author Rozalinda Borcila) (Ostfildern: Hatje Cantz, 2011) Contributions to books and encyclopaedias “Francis Bacon”, “Jacob Epstein”, “Barbara Hepworth”, “Aristide Maillol”, “Ben Nicholson” and “Graham Sutherland” in International Dictionary of Artists and works by the above in International Dictionary of Art twin volumes edited by James Vinson (London: St. James's Press, 1990). "Herbert Read and Psychoanalysis" in Art Criticism since 1890: Authors, Texts, Contexts, edited by Malcolm Gee (Manchester: Manchester University Press, 1993) considers Read’s early interest in variety of psychoanalytic schools and their bearings on problems of literary criticism, proceeding to his growing interest in C.G.Jung and particular reference to Henry Moore The Annual Register: A Record of World Events 1994 edited by Alan J.