DOCSLIB.ORG

A Uc Tion • P Aris • 14 De C. 14

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
A Uc Tion • P Aris • 14 De C. 14 DIGARD - 3 ART CONTEMPORAIN URBAIN - URBAN CONTEMPORARY ART DROUOT - DIMANCHE 14 DÉCEMBRE 2014 AUCTION • PARIS • 14 DEC. 14 En couverture / Cover n° 57 BANKSY (Britannique, né en 1975) Angry Crows, 2003 Peinture aérosol et pochoir sur toile, signée en rouge sur le côté droit et datée au dos et dédicacée au dos « Steve. Thanks a lot. You’d look good in a suit » Spray paint and stencil on canvas, signed with artist tag in red on overlap and signed, dated and inscribed in black ink verso “Steve. Thanks a lot. You’d look good in a suit” 40 x 30 cm – 15.8 x 11.8 in En 2e de couverture / Second cover n° 51 SHEPARD FAIREY (Américain, né en 1970) Revolution Girl, 2005 Peinture aérosol, collage et sérigraphie sur papier, signé et daté en bas à droite, numéroté en bas à gauche Spray paint, collage, and screenprint on papier, signed and dated in pencil lower right and numbered 12/20 lower left 106,6 x 73,6 cm - 42 x 29 in En 3e de couverture / Third cover n° 70 HUSH (Britannique, né en 1965) Rouge I, 2013 Acrylique, sérigraphie et peinture aérosol sur toile, signée et datée en bas à droite Acrylic, screenprint, spray paint, screen inks on belgium linen, signed and dated in black ink lower right 117 x 86,5 cm – 46.1 x 34.1 in En dos de couverture / Back cover n°32 SHEPARD FAIREY (Américain, né en 1970) Power, 2011 - HPM Pochoir sur fond sérigraohique et collage sur bois, signé et daté au crayon en bas à droite et numéroté AP HPM au crayon en bas à gauche, contresigné, daté et numéroté AP au crayon au dos Hand painted multiple (HPM), silkscreen on wood, signed and dated in pencil lower right and numbered AP HPM in pencil lower left, signed, dated and numbered AP in pencil verso 61 x 46 cm – 24 x 18.1 in PARTENAIRES Le magazine de l’art contemporain urbain +33 (0) 5 34 56 35 60 Photographe (FR) : Jérôme Prebois + 33 (0) 6 86 55 90 12 - [email protected] Photographe (UK): Ewelina Karbowiak [email protected] Marin Beaux Arts 70, avenue Gabriel Péri - 94110 Arcueil - 01.47.40.04.20 Cadres anciens Cadres Lapoli - 45,Rue Vaneau - 75007 et mordernes Paris - 01 42 22 57 96 DIGARD AUCTION MAISON DE VENTES VOLONTAIRES 17, rue Drouot - 75009 Paris T. + 33 (0) 1 48 00 99 89 F. + 33 (0) 1 48 24 43 19 [email protected] www.digard.com En couverture / Cover n° 57 BANKSY (Britannique, né en 1975) Angry Crows, 2003 Peinture aérosol et pochoir sur toile, signée en rouge sur le côté droit et datée au dos et dédicacée au dos « Steve. Thanks a lot. You’d look good in a suit » Spray paint and stencil on canvas, signed with artist tag in red on overlap and signed, dated and inscribed in black ink verso “Steve. Thanks a lot. You’d look good in a suit” 40 x 30 cm – 15.8 x 11.8 in En 2e de couverture / Second cover n° 51 SHEPARD FAIREY (Américain, né en 1970) Revolution Girl, 2005 FRANCE Peinture aérosol, collage et sérigraphie sur papier, signé et daté en bas à droite, numéroté en bas à gauche MARIELLE DIGARD Spray paint, collage, and screenprint on papier, AUCTIONEER signed and dated in pencil lower right and numbered 12/20 lower left [email protected] 106,6 x 73,6 cm - 42 x 29 in T. + 33 (0) 6 07 45 95 09 En 3e de couverture / Third cover n° 70 ANNE CLAIRE BASILLAIS HUSH (Britannique, né en 1965) ADMINISTRATION DES VENTES Rouge I, 2013 Acrylique, sérigraphie et peinture aérosol sur toile, [email protected] signée et datée en bas à droite Acrylic, screenprint, spray paint, screen inks on belgium linen, GÉRALDINE LEVY signed and dated in black ink lower right RELATION ÉTRANGER 117 x 86,5 cm – 46.1 x 34.1 in [email protected] T. + 33 (0) 1 48 00 99 89 En dos de couverture / Back cover n°32 SHEPARD FAIREY (Américain, né en 1970) VALÉRIANE MONDOT Power, 2011 - HPM HISTORIENNE Pochoir sur fond sérigraohique et collage sur bois, [email protected] signé et daté au crayon en bas à droite et numéroté AP HPM au crayon en bas à gauche, contresigné, daté et numéroté AP au crayon au dos T. + 33 (0) 6 84 48 85 70 Hand painted multiple (HPM), silkscreen on wood, signed and dated in pencil lower right and numbered AP HPM CÉLINE COLIN in pencil lower left, signed, dated and numbered AP in pencil verso EVENTS CONSULTANT 61 x 46 cm – 24 x 18.1 in [email protected] T. + 33 (0) 1 48 00 99 89 PARTENAIRES Le magazine de l’art contemporain urbain EUROPE +33 (0) 5 34 56 35 60 MARY McCARTHY INTERNATIONAL SPECIALIST Photographe (FR) : Jérôme Prebois [email protected] + 33 (0) 6 86 55 90 12 - [email protected] T. + 44 77 66 36 66 20 Photographe (UK): Ewelina Karbowiak [email protected] U.S.A. Marin Beaux Arts LUCAS DELORME-DIGARD 70, avenue Gabriel Péri - 94110 Arcueil - 01.47.40.04.20 INTERNATIONAL SPECIALIST AUCTIONEER JUNIOR SPECIALIST [email protected] MARY McCARTHY MARIELLE DIGARD Cadres anciens Cadres Lapoli - 45,Rue Vaneau - 75007 T. + 1 (347) 722 8204 et mordernes Paris - 01 42 22 57 96 T. + 44 77 66 36 66 20 T. + 33 (0) 6 07 45 95 09 T. + 33 (0) 6 80 64 01 78 www.digard.com i [email protected] DIGARD AUCTION MAISON DE VENTES VOLONTAIRES 17, rue Drouot - 75009 Paris T. + 33 (0) 1 48 00 99 89 F. + 33 (0) 1 48 24 43 19 [email protected] www.digard.com XXIe ART CONTEMPORAIN URBAIN • VENTE DU 14 DÉCEMBRE 2014 — 1 L’art contemporain urbain investit Drouot 2 — DIGARD AUCTION • VENTE DU 14 DÉCEMBRE 2014 • XXI e URBAN CONTEMPORARY ART auction EXPOSITIONS PUBLIQUES VENTE AUX ENCHÈRES PUBLIQUES PUBLIC EXHIBITIONS AUCTION Drouot Richelieu DIMANCHE 14 DÉCEMBRE / 14th DECEMBER 9, rue Drouot – 75009 Paris Salle / Auction room 9 Salle / Auction room 9 Time 15 h / 3 pm VENDREDI 12 DÉCEMBRE / 12th DEC. Time 11 h > 18 h / 11 am > 6 pm Drouot Richelieu 9, rue Drouot – 75009 Paris SAMEDI 13 DÉCEMBRE / 13th DEC. Time 11 h > 18 h / 11 am > 6 pm Téléphone pendant l’exposition et la vente Phone during the exhibition DIMANCHE 14 DÉCEMBRE / 14th DEC. + 33 (0) 1 48 00 20 09 Time 11 h > 12 h / 11 am > 12 pm EVENT / EVENT Catalogue en ligne th Catalog online SAMEDI 13 DÉCEMBRE / 13 DEC. www.digard.com Time 11h >13h / 11 am > 1 pm www.drouot.com Time 15h > 16h / 3 pm > 4 pm Carte de fidélité Drouot Signatures et dédicaces Drouot card du livre www.drouotcard.com TOUR PARIS 13 par certains des artistes ayant participés. Liste des artistes : Enchères en ligne Bid live auction www.digard.com www.drouotlive.com XXIe ART CONTEMPORAIN URBAIN • VENTE DU 14 DÉCEMBRE 2014 — 3 INDEX ARTISTES N° LOT FAILE… ……………………………………………………………………………………131,…141 PARLA,…José………………………………………………………………………………… 23 FAIREY,…Shepard…31,…32,…46,…47,…49,…51,…52,…53,…63,…65,…66,…72,…104,…119,…121… PETIT,…Gilbert………………………………………………………………………………120 ABOVE… ……………………………………………………………………………… 134,…135 FAIREY,…Shepard…(skate)…………………… 163,…168,…169,…170,…176,…177,…179 PURE…EVIL…………………………………………………………………………… 4,…19,…89 ABRAHAM,…Clet……………………………………………………………………… 13,…155 FRIDRIKS,…Katrin… ……………………………………………………………………… 80 QUIK… …………………………………………………………………………………… 34,…94 ADEK… …………………………………………………………………………………………184 FROST,…Phil……………………………………………………………………………………103 RAMMELLZEE… ………………………………………………………… 33,…36,…68,…84 AEROSOL,…Jef………………………………………………………………………………165 FUTURA…2000…………………………………………6,…45,…69,…71,…83,…skate…186 ALEXONE,…DIZAC,………………………………………………………………… 75,…76,…77 GUM……………………………………………………………………………………………… 98 REMED… …………………………………………………………………………………………81 AMANDA…MARIE…………………………………………………………………………… 26 HARING,…Keith………………………………………… 58,…59A,…60,…61,…skate…187 RERO… …………………………………………………………………………………………… 8 ANDRE… ………………………………………………………………………………………150 HARRINGTON,…Conor…………………………………………………………………… 40 ROSTARR………………………………………………………………………………………146 BABS… ………………………………………………………………………………………… 35 HERAKUT…………………………………………………………………………………10,…145 ROUFFET,…Marie…………………………………………………………………………… 161 BANKSY…………………………………………………………………… 11,…44,…50,…57,…64 HIRST,…Damien… ………………………………………………… 78,…125,…skate…171 ROUGH,…Remi… …………………………………………………………………………… 87 BASQUIAT,…Jean-Michel……………………………………………………………… 62 HUSH……………………………………………………………………………………… 29,…70 SCHOONY… ………………………………………………………………………………… 90 BAST… …………………………………………………………………………………………156 INDIE…184……………………………………………………………………………………… 20 BEEJOIR… ………………………………………………………………………………………16 INKIE… …………………………………………………………………………………… 3,…109 SEEN… ……………………………………………………………… 97,…122,…148,…151,…152 BLADE… ……………………………………………………………………………… 96,…100 INVADER……………………………………………………………………………………… 48 SERRA,…Marc-Antoine… …………………………………………………………… …186 BLAST,…Bill………………………………………………………………………………67,…102 JAMES,…Todd………………………………………………………………………………… 88 SHOOF… ……………………………………………………………………………………… 136 BLEK…LE…RAT…………………………………………………………………… 86,…123,…129 JAY…ONE… …………………………………………………………………………………… 159 SONIC…………………………………………………………………………………………… 139 BOJORQUEZ,…Chaz………………………………………………………………………180 JENKINS,…Mark… ………………………………………………………………… 153,…154 SOWAT… ……………………………………………………………………………………… 82 BOM.K………………………………………………………………………………………………41 JONONE… …………………………………………………………………38,…74,…107,…108 STARR,…Jim… ……………………………………………………………………………… 79 BORONDO… ………………………………………………………………………………… 110 JR…………………………………………………………………………………………… 55,…56 BOXI……………………………………………………………………………………………… 128 KATRE…………………………………………………………………………………………… 101 STATIC… ………………………………………………………………………………………… 2 C215………………………………………………………………………………1,…18,…105,…106 KAWS……………………………………………………………………………73,…skate…185 STESI…………………………………………………………………………………………… 99 CARTER,…Myles… ………………………………………………………………… 22,…160 KONGO………………………………………………………………………………………… 95 STEW……………………………………………………………………………………………130 CHANOIR……………………………………………………………………………… 126,…127 KOOL…KOOR… ……………………………………………………………………………… 124 SWOON………………………………………………………………………………………… 30 CHERIEL,…Deedee…………………………………………………………………………
Load more

Recommended publications
  • Books Keeping for Auction
    Books Keeping for Auction - Sorted by Artist Box # Item within Box Title Artist/Author Quantity Location Notes 1478 D The Nude Ideal and Reality Photography 1 3410-F wrapped 1012 P ? ? 1 3410-E Postcard sized item with photo on both sides 1282 K ? Asian - Pictures of Bruce Lee ? 1 3410-A unsealed 1198 H Iran a Winter Journey ? 3 3410-C3 2 sealed and 1 wrapped Sealed collection of photographs in a sealed - unable to 1197 B MORE ? 2 3410-C3 determine artist or content 1197 C Untitled (Cover has dirty snowman) ? 38 3410-C3 no title or artist present - unsealed 1220 B Orchard Volume One / Crime Victims Chronicle ??? 1 3410-L wrapped and signed 1510 E Paris ??? 1 3410-F Boxed and wrapped - Asian language 1210 E Sputnick ??? 2 3410-B3 One Russian and One Asian - both are wrapped 1213 M Sputnick ??? 1 3410-L wrapped 1213 P The Banquet ??? 2 3410-L wrapped - in Asian language 1194 E ??? - Asian ??? - Asian 1 3410-C4 boxed wrapped and signed 1180 H Landscapes #1 Autumn 1997 298 Scapes Inc 1 3410-D3 wrapped 1271 I 29,000 Brains A J Wright 1 3410-A format is folded paper with staples - signed - wrapped 1175 A Some Photos Aaron Ruell 14 3410-D1 wrapped with blue dot 1350 A Some Photos Aaron Ruell 5 3410-A wrapped and signed 1386 A Ten Years Too Late Aaron Ruell 13 3410-L Ziploc 2 soft cover - one sealed and one wrapped, rest are 1210 B A Village Destroyed - May 14 1999 Abrahams Peress Stover 8 3410-B3 hardcovered and sealed 1055 N A Village Destroyed May 14, 1999 Abrahams Peress Stover 1 3410-G Sealed 1149 C So Blue So Blue - Edges of the Mediterranean
    [Show full text]
  • Tomma Abts Francis Alÿs Mamma Andersson Karla Black Michaël
    Tomma Abts 2015 Books Zwirner David Francis Alÿs Mamma Andersson Karla Black Michaël Borremans Carol Bove R. Crumb Raoul De Keyser Philip-Lorca diCorcia Stan Douglas Marlene Dumas Marcel Dzama Dan Flavin Suzan Frecon Isa Genzken Donald Judd On Kawara Toba Khedoori Jeff Koons Yayoi Kusama Kerry James Marshall Gordon Matta-Clark John McCracken Oscar Murillo Alice Neel Jockum Nordström Chris Ofili Palermo Raymond Pettibon Neo Rauch Ad Reinhardt Jason Rhoades Michael Riedel Bridget Riley Thomas Ruff Fred Sandback Jan Schoonhoven Richard Serra Yutaka Sone Al Taylor Diana Thater Wolfgang Tillmans Luc Tuymans James Welling Doug Wheeler Christopher Williams Jordan Wolfson Lisa Yuskavage David Zwirner Books Recent and Forthcoming Publications No Problem: Cologne/New York – Bridget Riley: The Stripe Paintings – Yayoi Kusama: I Who Have Arrived In Heaven Jeff Koons: Gazing Ball Ad Reinhardt Ad Reinhardt: How To Look: Art Comics Richard Serra: Early Work Richard Serra: Vertical and Horizontal Reversals Jason Rhoades: PeaRoeFoam John McCracken: Works from – Donald Judd Dan Flavin: Series and Progressions Fred Sandback: Decades On Kawara: Date Paintings in New York and Other Cities Alice Neel: Drawings and Watercolors – Who is sleeping on my pillow: Mamma Andersson and Jockum Nordström Kerry James Marshall: Look See Neo Rauch: At the Well Raymond Pettibon: Surfers – Raymond Pettibon: Here’s Your Irony Back, Political Works – Raymond Pettibon: To Wit Jordan Wolfson: California Jordan Wolfson: Ecce Homo / le Poseur Marlene
    [Show full text]
  • Marcel Dzama Born 1974 in Winnipeg, Canada
    This document was updated February 26, 2021. For reference only and not for purposes of publication. For more information, please contact the gallery. Marcel Dzama Born 1974 in Winnipeg, Canada. Lives and works in Brooklyn. EDUCATION 1994-1997 B.F.A., University of Manitoba, Winnipeg, Canada SOLO EXHIBITIONS 2021 Marcel Dzama: An End to the End Times, The Savannah College of Art and Design Museum, Savannah, Georgia Marcel Dzama: The Moon is Following Me, Tim Van Laere Gallery, Antwerp [catalogue forthcoming] 2020 Marcel Dzama: Blue Moon of Morocco, David Zwirner, Paris Marcel Dzama: Pink Moon, David Zwirner Online [online presentation] 2019 Marcel Dzama: Be good little Beuys and Dada might buy you a Bauhaus, Sies + Höke, Düsseldorf Marcel Dzama: Crossing the Line, David Zwirner, Hong Kong [catalogue] 2018 Marcel Dzama: A Jester’s Dance, University of Michigan Museum of Art, Ann Arbor, Michigan Marcel Dzama: Ya es hora, Galería Helga de Alvear, Madrid 2017 Marcel Dzama: Revolution Blues, Galleri Magnus Karlsson, Stockholm Marcel Dzama: Drawing on a Revolution, La Casa Encendida, Madrid 2016 Marcel Dzama and Raymond Pettibon: Forgetting the Hand, David Zwirner, New York [limited edition zine Dzama/Pettibon] [two-person exhibition] Marcel Dzama and Raymond Pettibon: Let us compare mythologies, David Zwirner, London [limited edition zine] [two-person exhibition] Marcel Dzama: A Flower of Evil, Sies + Höke, Düsseldorf 2015 Campeonato de Guadalajara: Marcel Dzama and Eduardo Sarabia, Travesía Cuatro, Guadalajara [two-person exhibition] Marcel
    [Show full text]
  • Marcel Dzama Born 1974 in Winnipeg, Canada
    This document was updated June 22, 2020. For reference only and not for purposes of publication. For more information, please contact the gallery. Marcel Dzama Born 1974 in Winnipeg, Canada. Lives and works in Brooklyn. EDUCATION 1994-1997 B.F.A., University of Manitoba, Winnipeg, Canada SOLO EXHIBITIONS 2020 Marcel Dzama: Blue Moon of Morocco, David Zwirner, Paris Marcel Dzama: Pink Moon, David Zwirner Online [online presentation] Marcel Dzama, Tim Van Laere Gallery, Antwerp [forthcoming] 2019 Marcel Dzama: Be good little Beuys and Dada might buy you a Bauhaus, Sies + Höke, Düsseldorf Marcel Dzama: Crossing the Line, David Zwirner, Hong Kong [catalogue] 2018 Marcel Dzama: A Jester’s Dance, University of Michigan Museum of Art, Ann Arbor, Michigan Marcel Dzama: Ya es hora, Galería Helga de Alvear, Madrid 2017 Marcel Dzama: Revolution Blues, Galleri Magnus Karlsson, Stockholm Marcel Dzama: Drawing on a Revolution, La Casa Encendida, Madrid 2016 Marcel Dzama and Raymond Pettibon: Forgetting the Hand, David Zwirner, New York [limited edition zine Dzama/Pettibon] [two-person exhibition] Marcel Dzama and Raymond Pettibon: Let us compare mythologies, David Zwirner, London [limited edition zine] [two-person exhibition] Marcel Dzama: A Flower of Evil, Sies + Höke, Düsseldorf 2015 Campeonato de Guadalajara: Marcel Dzama and Eduardo Sarabia, Travesía Cuatro, Guadalajara [two-person exhibition] Marcel Dzama: The Fallen Fables, Crown Point Press, San Francisco Marcel Dzama: Mischief Makes a Move, World Chess Hall of Fame, St. Louis, Missouri [exhibition
    [Show full text]
  • MARCEL DZAMA the Moon Is Following Me 21 January - 6 March 2021
    MARCEL DZAMA The Moon is Following Me 21 January - 6 March 2021 Tim Van Laere Gallery is pleased to present its first solo exhibition of Marcel Dzama entitled The Moon is Following Me. Including drawings, sculptures, dioramas and a film, this exhibition marks the artist’s first solo presentation in Belgium. Marcel Dzama (°1974 Winnipeg, Canada. Lives and works in New York) has developed an imme- diately recognisable visual language that investigates human action and motivation, as well as the blurred relationship between the real and the subconscious. Drawing equally from folk vernacular as from art-historical and contemporary influences, Dzama’s work visualises a universe of child- hood fantasies and otherworldly fairy tales. Dzama's image repertoire includes a wide range of art-historical quotations. One can recognize ballet costumes by Oskar Schlemmer or Francis Pi- cabia, for example, and direct references to Francisco de Goya, Marcel Duchamp and Joseph Beuys. However, it's not just elements from the past that spur Dzama's creativity. The music en- thusiast has collaborated with various colleagues from the beginning of his career, whether as part of the Royal Art Lodge in Winnipeg, which he co-founded, or in the form of collaborations with Arcade Fire, Bob Dylan, Beck, Kim Gordon (Sonic Youth), the filmmaker Spike Jonze, the ac- tress Amy Sedaris, the ensemble of the New York City Ballet, or fellow artists like Raymond Petti- bon and Jockum Nordström. In his work Beuys love a girl who plays guitar he brings together the artist Joseph Beuys with the country-singer Dolly Parton.
    [Show full text]
  • Editor's Note for SCAN Issue 3
    SCAN CONTEMPORARY ART JOURNAL Editor’s Note for SCAN Issue 3 This issue of SCAN explores the possibility but also interact with art. Thus one of the of reconfiguring the past, present, and future. most common ways that contemporary artists We think it is integral to art practice. Two and viewers navigate the art work: art history. notions that significantly impact this question The discipline requires that we lean heaviest that implicates a certain exchange between on citation, thematic elements and medium- art and world are distance and experience. specific questions. All at the expense of Critical distance has often been regarded as the experience. The encounter with the artwork is important construct for critique. But the case a far more challenging endeavor. Far broader against critical distance as the standard bearer considerations are required to unpack its of critique a panacea has been mounting for content. We viewers find our way into the work some decades. The strongest contemporary by virtue of our practical experiences with accounts against maintaining critical distance the outside world. This expanded notion of hinge upon identity. Issues of gender, race the art encounter bridges space, and because and sexuality reimagine the past, present and darting between past and present, offers up an future precisely by substituting distance for alternative future. proximity, embodiment or identification. In this sense critical distance imposes Sarah Blanchard and Danielle Fenn constraints not only on how we produce art 1 SCAN ISSUE 3 BY COLAB SCAN CONTEMPORARY ART JOURNAL that sought to address their dire diagnosis: that national Gary Wilder’s new Indigenous Sovereignty decolonization was bound to give birth to neocolonialism.
    [Show full text]
  • Contemporary
    CONTEMPORARY MIRIAM SHIELL FINE ART **Select works on view at the gallery; Others are available on request.** Paul P Untitled, 2003 Acrylic on canvas, 16 x 12 in. CDN $4,500.00 FRONT COVER: Marcel Dzama Untitled, 2000 Ink and watercolour on paper, 14 x 11 in. CDN $8,000.00 Rebecca Belmore White Thread, 2003 Archival inkjet print on paper, 47 1/2 x 35 3/4 in. Ed. 4/5 CDN $20,000.00 Nicolas Baier Octobre, 2000 Digital print on duraflex paper 96 x 96 in. CDN $28,000.00 Bill Woodrow Soap, 1986 Aluminium bowl, saucepan lid on baking tin, enamel paint 13 4/5 x 22 2/5 x 15 7/10 in. CDN $10,000.00 John Latham Nu Niddrie Heart c.1989 Glass and books (Installation) 32 1/4 x 10 x 13 in. CDN$ 15,000.00 Installation price on request The Royal Art Lodge The Royal Art Lodge Supper/Mercy, 2005 Sunday School Teacher / Mom Mixed media 2005 6 x 6 in. Mixed media, 6 x 6 in. CDN $10,000.00 (Set of 4) CDN $10,000.00 (Set of 4) Adrian Williams Balloon Ride, 2003 Mixed media on board 31 x 58 in. CDN $8,000.00 The Royal Art Lodge The Royal Art Lodge Woman with Glasses and Untitled, 2004 Lightening Bolt, 2005 Mixed media on canvas Mixed media, 6 x 6 in. 9 4/5 x 10 1/5 in. CDN $10,000.00 (Set of 4) CDN $10,000.00 (Set of 4) Marcel Dzama Untitled, 2001 Ink and watercolour on paper 13 x 10 in.
    [Show full text]
  • David Zwirner New York, NY 10011 Telephone 212 727 2070
    533 West 19th Street Fax 212 727 2072 David Zwirner New York, NY 10011 Telephone 212 727 2070 For immediate release MARCEL DZAMA & RAYMOND PETTIBON Forgetting the Hand January 14 – February 20, 2016 Opening reception: Thursday, January 14, 6 – 8 PM Press preview with Lucas Zwirner, Editor at David Zwirner Books, and Andrew Durbin: 5 PM David Zwirner is pleased to present an exhibition of collaborative works by Marcel Dzama and Raymond Pettibon, on view at 533 West 19th Street in New York. Gallery artists since 1998 and 1995 respectively, this is the first time the pair has worked together. The drawings were originally created for a zine published by David Zwirner Books to coincide with Printed Matter’s New York Art Book Fair at MoMA PS1 (September 2015). The collaboration began in Summer 2015 with the artists swapping the first of a series of drawings to be completed by the other. In a variation of the “exquisite corpse” method in which a partner is only given portions of an otherwise concealed drawing to work on, Dzama and Pettibon developed each other’s compositions through illustrations, collage, and writing. Just as the surrealists invented the technique in the early twentieth century as a playful and ultimately enriching exercise, the present drawings combine the two artists’ distinct styles in a revealing and often seamless fashion. In several works, it is almost impossible to determine who made what, which indicates how both strove to assimilate the other’s vision or anticipate his response. After completing the drawings for the zine, the production of which was also The ghosts in these walls, 2015 a close collaboration, further works have been produced jointly by the artists Pencil, ink, gouache, and collage on paper and will be on view in the exhibition.
    [Show full text]
  • Copies and Creation • Beyond Hieronymus Bosch • Broodthaers in Paris • Stephanie Syjuco • Robert Seydel Duane Linklater
    US $30 The Global Journal of Prints and Ideas November – December 2015 Volume 5, Number 4 Copies and Creation • Beyond Hieronymus Bosch • Broodthaers in Paris • Stephanie Syjuco • Robert Seydel Duane Linklater • Bidlo and Manzoni • David Schutter • Book and Catalogue Reviews • Prix de Print • News November – December 2015 In This Issue Volume 5, Number 4 Editor-in-Chief Susan Tallman 2 Susan Tallman On Copying Associate Publisher Marisa Bass and 4 Julie Bernatz Elizabeth Wyckoff Sons of ’s-Hertogenbosch: Hieronymus Managing Editor Bosch’s Local Legacy in Print Isabella Kendrick Exhibition Reviews Associate Editor Armin Kunz 14 Julie Warchol How Hieronymus Bosch Became a Brand Manuscript Editor Prudence Crowther Laurie Hurwitz 17 The Art of Marcel Broodthaers Online Columnist Sarah Kirk Hanley Megan N. Liberty 20 The Bits and Pieces of Robert Seydel Editor-at-Large Andrea L. Ferber 22 Catherine Bindman Lost in Translation: Duane Linklater Design Director Edition Reviews Skip Langer Susan Tallman 24 Gray Matter: David Schutter Elleree Erdos 26 Mike Bidlo and Piero Manzoni Book Reviews Joan E. Greer 28 Dutch Art Nouveau Brian D. Cohen 31 Cut to the Quick: Feininger Jill Bugajski 33 Posters from the Individual Eye to the Public Sphere Marie-Stéphanie Delamaire 36 Collecting, Connoisseurship and the Art Museum in 19th-Century America Prix de Print, No. 14 38 Stephen Goddard Makeup Myriorama by Kathy Aoki Art in Art in Print Number 3 40 On the Cover: Mike Bidlo, detail of Not Stephanie Syjuco: Market Forces (2015) Manzoni (Impronte pollice sinistro, 1960) (2015). Photo: Ali Eli, Camera Arts, New York. News of the Print World 43 New York Print Week 2015 Maps 74 This Page: Joannes van Doetecum the Elder and Lucas van Doetecum (after Alart du Hameel), detail of Besieged Elephant (n.d.), etching and engraving, 39.5 x 54.3 cm.
    [Show full text]
  • Download Jon Pylypchuk Press Packet
    JON PYLYPCHUK [email protected] WWW.MIERGALLERY.COM 7277 SANTA MONICA BOULEVARD LOS ANGELES, CA, 90042 T: 323-498-5957 Pylypchuk is a multidisciplinary artist who works in painting, sculpture, installation and video. Working with simple materials (fake fur, wood, fabric, sheet metal, beer cans, electric light bulbs, polyurethane foam, etc.), Pylypchuk reinterprets the collage and bricolage practices derived from Art Brut. Often his ‘creatures’ draw upon the animal world to explore the frailty of human existence and social relationships. Pylypchuk’s characters often seem to have lost their way, appearing in a wounded condition, harmed by either themselves or by others. They combine a hearty dose of cynicism and anger at the unfairness of it all with a wicked sense of survivalist humor. Since coming to international attention in the past 6 years he has exhibited in New York, Düsseldorf, Münster, London, Los Angeles, Cleveland, Paris, San Francisco, Miami, Tokyo, Montreal, Seoul, Guadalajara and St. Petersburg. His works are in the collections of the Los Angeles County Museum of Art, Los Angeles; The Museum of Contemporary Art, Los Angeles; the Hammer Museum, Los Angeles; the Museum of Modern Art, New York; The Saatchi Collection, London; The Museum of Old and New Art, Berriedale; and the Whitney Museum, New York. Jon Pylypchuk was born in 1972 in Winnipeg, Canada. He studied at the University of Manitoba School of Art, where he co-founded the collective known as the Royal Art Lodge in 1996 with fellow artists Michael Dumontier, Marcel Dzama, Neil Farber, Drue Langlois and Adrian Williams. Its members were mostly graduates from the University of Manitoba, Canada who were united in their outsider status and who liked to break the unwritten rules of artistic production.
    [Show full text]