What's Filmed Here - Quick List

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WHAT'S FILMED HERE - QUICK LIST Productions filmed utilizing the California Film and Television Tax Credit program. * Selected for preservation in the United States National Film Registry by the Library of Congress as being ** culturally, historically, or aesthetically significant. Academy Award winner or nominee. *** YEAR MOVIE TITLE LOCATION FILMED 1924 GREED ** Colfax, Iowa Hill 1924 THE NAVIGATOR Lake Tahoe 1925 THE GOLD RUSH ** Norden 1936 ROSE-MARIE Lake Tahoe 1941 TWO-FACED WOMAN Sugar Bowl 1947 OUT OF THE PAST Lake Tahoe 1951 A PLACE IN THE SUN ** *** Lake Tahoe 1974 GODFATHER PART II ** *** Lake Tahoe 1983 WHO WILL LOVE MY CHILDREN Lincoln 1984 IMPULSE Lincoln 1984 PROTOCOL Auburn 1986 WISDOM Auburn 1992 DIGGSTOWN Roseville 1993 WHITE MILE Foresthill 1994 BUSHWHACKED Foresthill, Lake Tahoe 1994 COBB Lake Tahoe 1994 MI FAMILIA*** Auburn 1994 TRUE LIES *** Lake Tahoe 1995< PHENOMENON Auburn 1996 BREAKDOWN Auburn, Newcastle 1996 GEORGE OF THE JUNGLE Foresthill 1996 SALVATION Auburn 1995 THE PHANTOM Auburn 1996 VOWS OF DECEPTION Auburn 1997 RETRIBUTION Granite Bay 1998 FROST (A.K.A. JACK FROST) Lake Tahoe 1998 THE INDEPENDENT Colfax 1999 ALMOST FAMOUS *** Lincoln 1999 TAKE IT TO THE LIMIT Foresthill, Tahoe 1999 THE ADVENTURES OF ROCKY AND Lincoln, Auburn, Sheridan BULLWINKLE 2000 SOARIN’ (DISNEY IMAX FILM) Lake Tahoe 2000 THE DEEP END Lake Tahoe - Sundance Winner 2001 DRAGONFLY Foresthill 2001 GENTLE BEN I and II Dutch Flat, Foresthill 2001 LAST TEMPTATION OF DAVID Lake Tahoe 2001 XXX (A.K.A. Triple X) Auburn 2009 THE DONNER PARTY Norden 2009 JACK ASS 3D * Cisco Grove, Alpine Meadows 2009 SENSORED Roseville 2010 CINEMA VERITE * Auburn 2011 THE MUPPETS * *** North Lake Tahoe, Lincoln 2012 HER* *** Norden, Cisco Grove 2012 LAST WEEKEND Tahoe City 2016 MEET THE BLACKS Granite Bay 2016 MAMABOY Rocklin 2018 THE YEAR OF SPECTACULAR MEN Lake Tahoe .

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The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013
The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013 COUNCIL ON LIBRARY AND INFORMATION RESOURCES AND THE LIBRARY OF CONGRESS The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013 Mr. Pierce has also created a da tabase of location information on the archival film holdings identified in the course of his research. See www.loc.gov/film. Commissioned for and sponsored by the National Film Preservation Board Council on Library and Information Resources and The Library of Congress Washington, D.C. The National Film Preservation Board The National Film Preservation Board was established at the Library of Congress by the National Film Preservation Act of 1988, and most recently reauthorized by the U.S. Congress in 2008. Among the provisions of the law is a mandate to “undertake studies and investigations of film preservation activities as needed, including the efficacy of new technologies, and recommend solutions to- im prove these practices.” More information about the National Film Preservation Board can be found at http://www.loc.gov/film/. ISBN 978-1-932326-39-0 CLIR Publication No. 158 Copublished by: Council on Library and Information Resources The Library of Congress 1707 L Street NW, Suite 650 and 101 Independence Avenue, SE Washington, DC 20036 Washington, DC 20540 Web site at http://www.clir.org Web site at http://www.loc.gov Additional copies are available for $30 each. Orders may be placed through CLIR’s Web site. This publication is also available online at no charge at http://www.clir.org/pubs/reports/pub158.
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Copyright ©2012 Academy of Motion Picture Arts and Sciences. “Oscar,” “Academy Award,” and the Oscar statuette are registered trademarks, and the Oscar statuette the copyrighted property, of the Academy of Motion Picture Arts and Sciences. The accuracy, completeness, and adequacy of the content herein are not guaranteed, and the Academy of Motion Picture Arts and Sciences expressly disclaims all warranties, including warranties of merchantability, fi tness for a particular purpose and non-infringement. Any legal information contained herein is not legal advice, and is not a substitute for advice of an attorney. All rights reserved under international copyright conventions. No part of this document may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system without permission in writing from the publisher. Published by the Academy of Motion Picture Arts and Sciences Inquiries should be addressed to: Science and Technology Council Academy of Motion Picture Arts and Sciences 1313 Vine Street, Hollywood, CA 90028 (310) 247-3000 http://www.oscars.org Printed in the United States of America Library of Congress Cataloging-in-Publication Data The Digital Dilemma 2 Perspectives from Independent Filmmakers, Documentarians and Nonprofi t Audiovisual Archives 1. Digital preservation – Case Studies. 2. Film Archives – Technological Innovations 3. Independent Filmmakers 4. Documentary Films 5. Audiovisual I. Academy of Motion Picture Arts and
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National Film Registry - Wikipedia, the Free Encyclopedia
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