Asian American Feminist Antibodies
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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Material Ecocriticism, Environmental Justice, and American Indian Literature
University of Nevada, Reno Organizing Fictions: Material Ecocriticism, Environmental Justice, and American Indian Literature A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English by Kyle Bladow Dr. Cheryll Glotfelty/Dissertation Advisor May, 2015 © by Kyle Bladow 2015 All Rights Reserved THE GRADUATE SCHOOL We recommend that the dissertation prepared under our supervision by KYLE BLADOW Entitled Organizing Fictions: Material Ecocriticism, Environmental Justice, and American Indian Literature be accepted in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Cheryll Glotfelty, PhD, Advisor Michael Branch, PhD, Committee Member Kathleen Boardman, PhD, Committee Member Greta de Jong, PhD, Committee Member Leah Wilds, PhD, Graduate School Representative David W. Zeh, PhD, Dean, Graduate School May, 2015 i Abstract This dissertation considers how environmental humanities, in dialogue with Native studies, can enhance scholarship concerned with environmental justice. Maintaining a critical interest in how materiality—as conceived within material ecocriticism and American Indian relational ontologies—plays into these discourses, the dissertation examines representations of land, water, and community in late twentieth- and early twenty-first-century American Indian literature, in order to inform a deeper understanding of contemporary environmental and indigenous movements. Chapter one introduces the project’s theoretical framework and diffractive methodology. The following three chapters, grouped under the presiding images of land, water, and community, examine a range of cultural and literary texts involving environmental justice organizing and activism. Chapter two argues for the liveliness of borders and demarcations of place in the reservation landscapes of novels by Louise Erdrich and Winona LaDuke. -
B I O G R a P
Index Table of Contents Page 3 Preface by Ivor Harper Page 4 In the Beginning Page 10 The Line Ups Page 15 On the Road Page 23 The Old Studio Page 28 A New Lease of Life Page 41 Recording the ‘Lords of Hypocrisy’ Album Page 48 End of an Era Page 50 Pagan Altar 2007 Page 54 Pagan Altar 2008 Page 59 Pagan Altar 2009 Page 69 Pagan Altar 2010 Page 78 Pagan Altar 2010 -2013 Page 80 Recording ‘The Room of Shadows’ 2013 -2015 Page 81 Mixing ‘The Room of Shadows’ 2017 Page 89 Pagan Altar 2017 Page 97 Discography Page 103 Lyrics Preface When it was first suggested that I write this article I must say that it was with a certain amount of trepidation and mixed emotions that I agreed. I initially considered that being so close to members of the band for years that have spanned from before Pagan Altar was formed to the present day would not make me objective enough in my approach. Having been an ex-drummer with the band, in fact the first, an association that I am extremely proud of, I suppose my natural tendencies and inclinations would lean towards looking at the band through rose coloured glasses. I have therefore tried to observe and analyse the whole situation from a totally detached viewpoint, but human nature being what it is, some of my own opinions and observations have probably crept in and become incorporated within some of the analytical assumptions. I have refrained from mentioning myself in the Bio, this is not due to any pretence at a misguided view of modesty that I might have but because I genuinely feel that any major achievements made by the band were after my departure. -
Corrective Progressivity (Please Do Not Quote Without Author’S Permission) Prof Eric Kades* William & Mary Law School
Corrective Progressivity (Please Do Not Quote Without Author’s Permission) Prof Eric Kades* William & Mary Law School I. Introduction .................................................................................................................................................... 2 II. Income Inequality, Federal Tax Progressivity, & State Tax Regressivity .................................... 3 A. The Inequality Revolution Since 1980 ............................................................................................... 3 B. The Normative Case for Progressive Taxation ................................................................................ 7 C. Federal Tax Progressivity .................................................................................................................... 10 D. State Tax Regressivity ........................................................................................................................... 14 III. A Model of Corrective Progressivity ................................................................................................... 19 A. An Overview ........................................................................................................................................... 19 B. Illustrative Examples ............................................................................................................................ 21 C. The General Model .............................................................................................................................. -
Reality Check of US Allegations Against China on COVID-19
Reality Check of US Allegations Against China on COVID-19 Reality Check of US Allegations Against China on COVID-19 Catalog 1.Allegation: COVID-19 is “Chinese virus” Reality Check: WHO has made it clear that the naming of a disease should not be associated with a particular country or place. 2.Allegation: Wuhan is the origin of the virus Reality Check: Being the first to report the virus does not mean that Wuhan is its origin. In fact, the origin is still not identified. Source tracing is a serious scientific matter, which should be based on science and should be studied by scientists and medical experts. 3.Allegation: The virus was constructed by the Wuhan Institute of Virology Reality Check: All available evidence shows that SARS-CoV-2 is natural in origin, not man-made. 4.Allegation: COVID-19 was caused by an accidental leak from the Wuhan Institute of Virology Reality Check: The Wuhan National Biosafety Laboratory (Wuhan P4 Laboratory) in the WIV is a government cooperation program between China and France. The Institute does not have the capability to design and synthesize a new coronavirus, and there is no evidence of pathogen leaks or staff infections in the Institute. 5.Allegation: China spread the virus to the world Reality Check: China took the most stringent measures within the shortest possible time, which has largely kept the virus within Wuhan. Statistics show that very few cases were exported from China. 6.Allegation: The Chinese contracted the virus while eating bats Reality Check: Bats are never part of the Chinese diet. -
To Be a Revolutionary Is to Be an Enemy of the State. to Be Arrested for This Struggle Is to Be a Political Prisoner."
riidL THE »LACK PANTHER S Black Community News Service VOL IV NO 6 SATURDAY, JANUARY 10, 1970 PUBLISHED MINISTRY OF INFORMATION BOX 2967, CUSTOM HOUSE WEEKLY THE BLACK PANTHER PARTY SAN FRANCISCO, CA 94126 "To be a Revolutionary is to be an Enemy of the state. To be arrested for this struggle is to be a Political Prisoner." ; Bobbv Sente Chairman, Black Panther Party Political Prisoner THE BLACK PANTHER, SATURDAY, JANUARY 10, 1970 PAGE 2 MESSAGE FROM GERONIMO To talk about these filthy disease-ridden It is almost impossible to talk about cap pigs and pig pens would only be an echo of italism and not mention the powerful vehicle the voices of all political prisoners. We on which it is able to maneuver into every should understand the terms such as Cook corner of the earth: the news media- the County Jail, Chino, Tracey, Quentin* etc. apologist of neo-colonialism, the justifier of are nothing but euphemisms for Prisoner fascism, the disseminator of imperialist of War Camps. Politics is war without propaganda. In Africa, the Zulu warriors bloodshed; war is politics with bloodshed. each upon reaching manhood would go out So either way you look at it we're Prisoners into the jungle and kill a Mon. He then of War. would take the lion's mane and wear it as We understand quite clearly that the methods a headpiece, to exemplify his manhood. In used by the fascist U.S. government are any part of the country, they would go, essentially the same as those used by Hitler, they would wear this headpiece to show their courageousness. -
ACP Spire Jul2020
Spire The Beacon on the Seine July 2020 The American Church in Paris 65 quai d’Orsay, 75007 Paris www.acparis.org In this issue Thoughts from The Rev. Dr. Scott Herr 3 Note from the editor, by Alison Benney 4 Journeys, by Revs. Jodi and Doug Fondell 5 Welcome Odette Lockwood-Stewart, by Marleigh White 6 Looking forward, by Rev. Odette Lockwood-Stewart 7 Say what? Scott’s pearls of wisdom, by Valentina Lana 8 Color my world, by Fred Gramann 9 Front page of the Spire: April 2008, by Gigi Oyog 10 In the beginning, by Alison Benney 11 Pastor and boss: Staff reflections 12-13 Bible readings for July, by Heather Scott 14 Called home: in memory 14 What’s up in Paris: March event listings, by Karen Albrecht 15 Then and now 16 2008-2020: A brief list of accomplishments, by Rev. Scott Herr 17 Confinement: Talking to the choir, by Rebecca Brite 18 Alpha goes online, by MaryClaire King 19 ACP Congregational Meeting: Zoom! by Kerry Lieury 20 ACP finances, by Don Farnan 21 A hybrid Bloom, by Michael Bahati 22 Feeding the hungry, by Tom Wilscam 23 Mission Outreach to India, by Pascale Deforge 24 News from Rafiki Village, by Patti Lafage 25 Celebrating small miracles in the time of coronavirus, by Karen Albrecht 26 James Tissot: Ambiguous figure of modernity, by Karen Marin 27 After 12 years in Paris, Pastor Scott Herr and family are hitting the road for their next adventure, in New Canaan, Connecticut. 2 ACP Spire, July 2020 Thoughts from The Rev. -
Revolutionary Love Kdrama Reddit
Revolutionary love kdrama reddit Continue Title: Revolutionary LoveAlternate Title: Byun Hyuk's LoveHangul: 변' 3,2017)Episodes: 16Plot:Byun Hyuk is a son of a wealthy family who runs a large business. He lives a happy life without specific goals. He is confident with women and he is also naïve, with a warm heart. Byun Hyuk begins to live in a studio in a poor area. He's hiding his background. Baek Joon lives in the same area. She works part-time to make ends meet. Baek Joon graduated from a good university, but she was unable to get a job in a company and started working part-time. She is positive and full of justice, but her life changes when Byun Hyuk appears. Cast - Crew:Director: Song Hyun WookWriter: Joo HyunChoi Si Won as Byun HyukKang So Ra as Baek JoonGong Meurg as Kwon I HoonStreaming Sources:Drama FeverSources:AsianWikiMy Drama ListOther Discussions:--gt; Episode 3 - 4Page 2Posted by 3 years ago 27 comments Title: Revolutionary LoveAlternate Title: Byun Hyuk's LoveHangul: 변 It's not. Episodes: 16Plot:Byun Hyuk is a son of a wealthy family who runs a large business. He lives a happy life without specific goals. He is confident with women and he is also naïve, with a warm heart. Byun Hyuk begins to live in a studio in a poor area. He's hiding his background. Baek Joon lives in the same area. She works part-time to make ends meet. Baek Joon graduated from a good university, but she was unable to get a job in a company and started working part-time. -
Steve Lacy Sextet the Gleam Mp3, Flac, Wma
Steve Lacy Sextet The Gleam mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: The Gleam Country: Sweden Style: Free Jazz, Avant-garde Jazz MP3 version RAR size: 1387 mb FLAC version RAR size: 1209 mb WMA version RAR size: 1505 mb Rating: 4.5 Votes: 666 Other Formats: AU VQF VOX ASF MP2 AC3 AIFF Tracklist 1 Gay Paree Bop 9:00 2 Napping 8:57 3 The Gleam 7:00 4 As Usual 12:12 5 Keepsake 10:22 6 Napping (Take 2) 9:20 Companies, etc. Recorded At – Sound Ideas Studios Credits Alto Saxophone, Soprano Saxophone – Steve Potts Bass – Jean-Jacques Avenel Drums – Oliver Johnson Executive-Producer – Keith Knox Piano – Bobby Few Recorded By, Mixed By – David Baker Soprano Saxophone, Composed By, Mixed By, Producer – Steve Lacy Vocals, Violin – Irène Aebi* Notes Recorded on 16-18 July 1986 at Sound Ideas Studio, NYC. Other versions Category Artist Title (Format) Label Category Country Year SHLP 102 Steve Lacy Sextet* The Gleam (LP, Album) Silkheart SHLP 102 Sweden 1987 Related Music albums to The Gleam by Steve Lacy Sextet Jazz Steve Lacy / Mal Waldron - Herbe De L'oubli - Snake-Out Jazz Rova Saxophone Quartet, Kyle Bruckmann, Henry Kaiser - Steve Lacy's Saxophone Special Revisited Jazz Steve Lacy - Anthem Jazz Steve Lacy - Epistrophy Jazz Steve Lacy - Momentum Jazz Steve Lacy - Solo: Live At Unity Temple Jazz Steve Lacy - Axieme Jazz Steve Lacy Quartet Featuring Charles Tyler - One Fell Swoop Jazz Steve Lacy - Scratching The Seventies / Dreams Jazz Mal Waldron With The Steve Lacy Quintet - Mal Waldron With The Steve Lacy Quintet. -
Songs by Jim Steinman
Total Eclipse of the Charts SONGS BY JIM STEINMAN For over 35 years, legendary songwriter/producer Jim Steinman (aka Little Richard Wagner) has been rocking our world like no other... BAT OUT OF HELL The classic Meat Loaf album is currently in the all-time top 3 of global record sales at 43 million and counting, and the only album in the top 20 written entirely by ONE individual. In addition to the epic title track, other great songs include Two Out Of Three ‘Aint Bad, Paradise By The Dashboard Light and Heaven Can Wait. BAT OUT OF HELL 2 The album that reunited Jim & Meat after 16 years apart, this 11 song sequel was once again written entirely by ONE individual. The huge lead single I’d Do Anything For Love (But I Won’t Do That) earned a Grammy for ‘best rock vocal’ and helped launch the album to global sales exceeding 14 million. Other mini-operas on the album include Rock & Roll Dreams Come Through, Life Is A Lemon & I Want My Money Back and the epic that ‘out epics’ everything else… …Objects In The Rear View Mirror May Appear Closer Than They Are. TOTAL ECLIPSE OF THE HEART Taken from the Steinman produced album Faster Than The Speed Of Night, this 1983 worldwide smash for Bonnie Tyler hit # 1 in the US & UK, with global sales now exceeding 9 million. The power ballad to end all power ballads…’turnaround bright eyes’! IT’S ALL COMING BACK TO ME NOW Written whilst under the influence ofWuthering Heights, this US # 1 for Celine Dion earned Jim the BMI ‘song of the year’ award in 1998. -
Marple Newtown School District News Page 11 Newtown Township News Page 27 Marple Newtown Parks WINTER 2015 & Recreation News In-Philly.Com Page 48
Marple An IN COMMUNITY Magazine Newtown Marple Newtown School District News Page 11 Newtown Township News Page 27 Marple Newtown Parks WINTER 2015 & Recreation News in-philly.com Page 48 CONTENTSwinter • 2015 42 Puppy Love! (and Feline Affection, Too) The Main Line is a hot spot for the $80 billion pet product industry. 46 Dog’s Best Friend Philly TV personality Carol Erickson honored by Main Line Animal Rescue. 55 Special Section: Whole Body Health & Wellness Advice to keep you healthy from head to toe 30 on the cover Newtown Community Sports Leagues: Marple Newtown Soccer Association, Newtown Square Petticoat League, Broomall Newtown Babe Ruth and Marple Newtown Youth Lacrosse. Not Pictured: Newtown Edgmont Little League and Marple Newtown Girls Lacrosse League, both were invited to be part of the cover shoot. See story on page 30. departments 2 From the Publisher 11 Marple Newtown School District News 4 IN the Loop: What’s news in Marple Newtown 27 Newtown Township News 6 IN Events: Decorated War Vet 48 Marple Newtown Parks Honored & Recreation News 8 IN Events: Marple Community 52 Marple Township News Days 64 IN the Know: Newtown Square 42 10 IN Person: Susan Barnett Railroad Museum sponsored content Business Spotlights Industry Insights 51 A Personal Touch Cleaning Service 7 Opiate Addiction/Heroin Deaths in Pa Are Skyrocketing: Dr. Avart 54 Women for Women Ob/Gyn 26 Practical Nursing Program: Delaware County Technical Schools 59 Healthy 4 Life Wellness Center 57 Ear Infections: Rebecca Druash, DO 61 Plastic Surgery: Claytor/Noone Plastic Surgery IN Community is a publication dedicated to representing, encouraging and promoting the Marple Newtown area and its comprising municipalities by focusing on the talents and gifts of the people who live and work here. -
Sermon. Lent IV. 3.14.2021.The God of Light and Dark.Pdf
The God of Light and Dark Lent IV – Sunday, March 14, 2021 Trinity Church in the City of Boston William W. Rich In the name of the God who saves us, the Creator of both shining light and enfolding dark. Amen. Exactly three hundred years ago another pandemic struck Boston. Deadlier than COVID. As in our own time, it forced people into quarantine. Houses that were stricken with the deadly affliction flew red flags outside signaling to all who passed by: “God have mercy on this house.” God have mercy, indeed. It was smallpox. Over 6000 were infected. 850 died. The population of Boston that year was a mere 11,000. 55% of the city was infected. Over 7% died. Of those who didn’t die, but were infected, most were pockmarked, and many blinded for life. As in our own time, that pandemic stirred up strong, even violent feelings and actions. Accusations. Self-assured certainties about the disease and how to handle it. “On a November day in 1721, a small bomb was hurled through the window of a renowned Boston preacher named Cotton Mather. Attached to the explosive, which fortunately did not detonate, was the message: “Cotton Mather, you dog, dam you! I’ll inoculate you with this; with a pox to you.’’ This was not a religiously motivated act of terrorism, but a violent response to Reverend Mather’s active promotion of smallpox inoculation.” [https://sitn.hms.harvard.edu/flash/special-edition-on-infectious-disease/2014/the-fight-over-inoculation-during-the-1721-boston-smallpox- epidemic/] Cotton Mather has often been remembered for and credited with introducing inoculation to the colonies and doing a great deal to promote the use of this method as the standard for smallpox prevention during the 1721 epidemic.