DOCSLIB.ORG

2018-19 TRACK and FIELD RECORD BOOK 2018-19 Track & Field Record Book INDOOR ALL-TIME RECORDS

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
2018-19 TRACK and FIELD RECORD BOOK 2018-19 Track & Field Record Book INDOOR ALL-TIME RECORDS 2018-19 TRACK AND FIELD RECORD BOOK 2018-19 Track & Field Record Book INDOOR ALL-TIME RECORDS Women’s Indoor Records 55-Meter Hurdles: 7.92, Melinda Sallins; 1996, at Ames, Iowa 60-Meter Hurdles: 8.51, Oarabile Babolayi; 2015, at Cedar Falls, Iowa 55-Meter Dash: 6.90, Dedra Davis; 1992, Manhattan, Kan. 60-Meter Dash: 7.37, Marissa Kurtimah; 2016, at Cedar Falls, Iowa 200-Meter Dash: 23.97, Camille Clarke; 2000, at Ames, Iowa 23.97, Shavonne Husbands; 2013, at Fayetteville, Ark. 300-Meter Dash: 39.31, Althia Maximilien; 2013 at Ames, Iowa 400-Meter Dash: 52.86, Cheasa Gibson; 2004, at Ames, Iowa 600-Meter Run: 1:30.75, Verneta Lesforis; 1999, at Normal,Ill. 600-Yard Run: 1:21.34, Augustina Charles; 1999, at Lawrence, Kan. 800-Meter Run: 2:07.14, Leander Ernest; 2009 at Ames, Iowa 1,000-Meter Run: 2:56.25, Jamie Douglas; 1992, at West Lafayette, Ind. Mile Run: 4:48.67, Asher Kyger; 2009, at Notre Dame, Ind. 3,000-Meter Run: 9:24.69, Casey Owens, 2004, at Lincoln, Neb. 5,000-Meter Run: 16:15.43, Casey Owens; 2005, at Ames, Iowa 4x400-Meter Relay: 3:36.18, (Juliet Pommells, Verneta Lesforis, Mashere Harrison, Augustina Charles); 1999, at Ames, Iowa 4x800-Meter Relay: 9:07.52, (Anna Boecker, Brenda Hayes, Maggie Lenley, Jamie Douglas); 1993, at Cedar Falls, Iowa Distance-Medley Relay: 11:24.02, (Asher Kyger, Leander Ernest, Yaneika Malcolm, Pasca Cheruiyot); 2009, at Notre Dame, Ind. Long Jump: 6.38m, Michelle Baptiste; 1997, at Ames, Iowa High Jump: 1.77m, Mandy Scott; 1996, at Fayetteville, Ark. Triple Jump: 12.92m, Stephanie Warren; 2003, at Ames, Iowa Pole Vault: 3.50m, Georgia Richardson; 2018, at Lincoln, Neb. Shot Put: 14.68m, Jelani Kelly; 2012, at Cedar Falls, Iowa 20-lb. Weight: 18.53m, Brittany McPike; 2018, at Cedar Falls, Iowa Pentathlon: 4,017 points, Tracy Partain; 2006, at Fayetteville, Ark. 2 2018-19 Track & Field Record Book OUTDOOR ALL-TIME RECORDS Women’s Outdoor Records 100-Meter Dash: 11.30, Genna Williams; 2007, at Des Moines, Iowa 200-Meter Dash: 23.12, Shavonne Husbands; 2016, at Springfield, Mo. 23.12, Marissa Kurtimah; 2016, at Springfield, Mo. 200-Meter Dash: 23.34, Wendy Blocker; 1996, at Terre Haute, Ind. 400-Meter Dash: 52.21, Verneta Lesforis; 1999, at Barbados 800-Meter Run: 2:06.30, Augustina Charles; 1999, at Barbados 1,500-Meter Run: 4:26.20, Asher Kyger; 2008 at Lawrence, Kan. 3,000-Meter Run: 9:41.32, Jessica Allen; 2018, at Fayetteville, Ark. 5,000-Meter Run: 16:17.03, Casey Owens; 2005, at Bloomington, Ind. 10,000-Meter Run: 33:32.51, Casey Owens; 2005, at Carson, Calif. 100-Meter Hurdles: 13.27, Holly Pattie-Belleli; 2016, at Terre Haute, Ind. 400-Meter Hurdles: 56.64, Melinda Sallins; 1996, at Atlanta, Ga. 3,000-Meter Steeplechase: 10:19.45, Terry Phillips, 2009 at Des Moines, Iowa Shot Put: 14.50m, Jelani Kelly; 2012, at Wichita, Kan. Discus: 51.23m, Jelani Kelly; 2012, at Wichita, Kan. Hammer Throw: 56.10m, Melanie Raterman; 2017 at Wichita, Kan. Javelin: 47.11m, Tomiann Ahonen; 1983, at Warrensburg, Mo. High Jump: 1.77m, Heather McFadden; 1994, at Lawrence, Kan. Long Jump: 6.55m, Dedra Davis; 1992, at Cape Girardeau, Mo. Triple Jump: 13.13m, Luan Weekes; 2005, at Springfield, Mo. Pole Vault: 3.71m, Georgia Richardson; 2018, at Columbia, Mo. Heptathlon: 5,827 points, Tracy Partain; 2006, at Sacramento, Calif. Pentathlon: 3,245 points, Kathy Petersen; 1980, at MAIAW Championship 4x100-Meter Relay: 44.36, (Trudi Garrett, Michelle Baptiste, Verneta Lesforis, Wendy Blocker); 1997, at Springfield, Mo. 4x200-Meter Relay: 1:35.40, (Jineill Vite, Amber Cumberbatch, Julia Murray, Cheasa Gibson); 2002, at Des Moines, Iowa Mile Relay: 3:42.38, (Trudi Garrett, Wendy Blocker, Desiree Grante, Verneta Lesforis); 1997, at Lawrence, Kan. 4x400-Meter Relay: 3:33.06, (Julliet Pommells, Trudi Garrett, Verneta Lesforis, Augustina Charles); 1999, at Boise, Idaho Sprint-Medley Relay: 3:47.97, (Camille Clark, Amber Cumberbatch, Cheasa Gibson, Mashere Harrison); 2001, at Knoxville, Tenn. 4x800-Meter Relay: 9:07.94, (Cindy Forde, Paityn Howat, Shani Adams, Grace Breiten); 2017, at Austin, Texas Distance-Medley Relay: 11:41.07, (Casey Owens, Cheasa Gibson, Augustina Charles, Ashley Sanders); 2003, at Des Moines, Iowa Four-Mile Relay: 20:18.03, (Casey Owens, Rebekah Daro, Erin Sutton, Rhonda Allen); 2002, at Des Moines, Iowa 3 2018-19 Track & Field Record Book INDOOR TOP-FIVE 55-Meter Dash Mile Run Pentathlon 6.90 Dedra Davis 1992 4:48.67 Asher Kyger 2009 4,017 Tracy Partain 2006 6.92 Yves-Rose Jerome 1996 4:48.86 Asher Kyger 2009 4,015 Tracy Partain 2005 6.94 Michelle Baptiste 1999 4:52.43 Casey Owens 2005 4,001 Tracy Partain 2005 6.96 Michelle Baptiste 1998 4:52.45 Casey Owens 2005 3,689 Mandy Scott 1996 6.96 Yves-Rose Jerome 1995 4:52.50 Casey Owens 2004 3,665 Holly Pattie-Belleli 2016 55-Meter Hurdles 3,000-Meter Run 1,600-Meter Relay 7.92 Melinda Sallins 1995 9:24.69 Casey Owens 2004 3:36.18 Pommells, Lesforis, 7.92 Melinda Sallins 1996 9:27.32 Casey Owens 2004 Harrison, Charles 1999 8.01 Melinda Sallins 1995 9:30.14 Casey Owens 2005 3:37.26 Pommells, Lesforis, 8.02 Deanna Adams 1991 9:30.60 Pasca Cheruiyot 2009 Harrison, Charles 1999 8.02 Deanna Adams 1993 9:31.77 Casey Owens 2005 3:37.34 Pommells, Lesforis, Harrison, Charles 1999 60-Meter Dash 5,000-Meter Run 3:37.88 Garrett, Harrison, 7.37 Marissa Kurtimah 2016 16:15.43 Casey Owens 2005 Clarke, Charles 2000 7.42 Marissa Kurtimah 2017 16:26.61 Casey Owens 2005 7.44 Marissa Kurtimah 2017 16:26.82 Pasca Cheruiyot 2009 Distance Medley Relay 7.46 Marissa Kurtimah 2017 16:33.50 Pasca Cheruiyot 2009 11:24.02 Kyger, Ernest, 7.48 Pernell Joseph 2013 16:51.08 Terry Phillips 2011 Allen, Cheruiyot 2009 60-Meter Hurdles Long Jump 11:39.84 Sutton, Gibson, 8.51 Oarabile Babolayi 2015 6.38m Michelle Baptiste 1997 Charles, Owens 2003 8.55 Oarabile Babolayi 2015 6.35m Michelle Baptiste 1997 8.56 Oarabile Babolayi 2016 6.30m Kimsue Grant 2013 11:42.69 Nelson, Ernest, 8.56 Tracy Partain 2005 6.26m Michelle Baptiste 1996 Allen, Cheruiyot 2009 8.59 Holly Pattie-Belleli 2016 6.26m Dedra Davis 1992 11:43.16 Fletcher, Malcolm 200-Meter Dash Triple Jump Ernest, Kyger 2008 23.97 Shavonne Husbands 2013 12.92m Stephanie Warren 2003 23.97 Camille Clarke 2000 12.90m Stephanie Warren 2003 12:11.80 Aleckson, Roebuck 24.15 Shavonne Husbands 2013 12.89m Kimsue Grant 2013 Adams, Breitens 2017 24.16 Camille Clarke 2000 12.70m Luan Weekes 2004 24.18 Camille Clarke 2001 12.70m Luan Weekes 2004 400-Meter Dash High Jump 52.86 Cheasa Gibson 2004 1.77m Mandy Scott 1996 *Bold indicates active student-athletes. 53.06 Althia Maximilien 2013 1.74m Mareneika Goffe 2009 53.33 Althia Maximilien 2013 1.74m Tracy Partain 2006 53.54 Verneta Lesforis 1999 1.73m Heather McFadden 1994 53.59 Cheasa Gibson 2004 1.73m Mandy Scott 1996 600-Meter Run Shot Put 1:30.75 Verneta Lesforis 1999 14.68m Jeláni Kelly 2012 1:31.17 Althia Maximilien 2012 14.64m Keisha Walkes 2005 1:31.35 Augustina Charles 1999 14.54m Jeláni Kelly 2012 1:32.26 Shani Adams 2015 14.52m Jeláni Kelly 2012 1:33.30 Shani Adams 2016 14.35m Jeláni Kelly 2012 800-Meter Run 20-lb. Weight Throw 2:07.14 Leander Ernest 2009 18.53m Brittany McPike 2018 2:07.16 Leander Ernest 2009 18.32m Brittany McPike 2018 2:07.90 Leander Ernest 2008 18.10m Brittany McPike 2018 2:08.03 Mashere Harrison 2001 17.51m Brittany McPike 2018 2:08.03 Mashere Harrison 2002 17.70m Jeláni Kelly 2011 1,000-Meter Run Pole Vault 2:56.25 Jamie Douglas 1992 3.50m Georgia Richardon 2018 2:58.00 Jenny Faunce 1986 3.49m Georgia Richardon 2017 2:59.64 D’Ettra Mixson 1988 3.48m Georgia Richardon 2018 3:01.89 Brenda Hayes 1992 3.46m Georgia Richardon 2018 3:02.19 Erin Edwards 2012 3.41m Georgia Richardon 2016 4 2018-19 Track & Field Record Book OUTDOOR TOP-FIVE 100-Meter Hurdles 10,000-Meter Run 400-Meter Relay 13.27 Holly Pattie-Belleli 2016 33:32.51 Casey Owens 2005 44.36 Garrett, Baptiste, 1997 13.31 Holly Pattie-Belleli 2016 33:36.33 Casey Owens 2005 Lesforis, Blocker 13.38 Tracy Partain 2006 33:52.95 Casey Owens 2005 44.61 Williams, Murray, 2005 13.50 Melinda Sallins 1996 34:53.88 Casey Owens 2004 Norville, Jones 13.53 Melinda Sallins 1996 35:09.15 Carrie Vestal 2008 44.78 Cave, Husbands, 2016 Kurtimah, Pattie-Belleli 400-Meter Hurdles Long Jump 44.79 Borders, Joseph, 2014 56.64 Melinda Sallins 1996 6.55m Dedra Davis 1992 Maximilien, Husbands 57.34 Melinda Sallins 1995 6.55m Dedra Davis 1992 44.90 Joseph, Moncherry, 2012 57.71 Melinda Sallins 1995 6.45m Michelle Baptiste 1996 Grant, Maximilien 57.73 Melinda Sallins 1996 6.39m Michelle Baptiste 1997 58.37 Oarabile Babolayi 2015 6.37m Dedra Davis 1992 800-Meter Relay 1:35.40 Vite, Cumberbatch 2002 100-Meter Dash Triple Jump Murray, Gibson 11.30 Genna Williams 2007 13.13m Luan Weekes 2005 1:35.83 Norville, Jones, 2005 11.34 Marissa Kurtimah 2016 13.10m Luan Weekes 2004 Murray, Williams 11.35 Yves-Rose Jerome 1996 13.00m Kimsue Grant 2012 1:36.13 Baptiste, Garrett, 1999 11.42 Marissa Kurtimah 2015 12.82m Stephanie Warren 2003 Lesforis, Pommells 11.43 Amber Cumberbatch 2001 12.82m Kimsue Grant 2012 1:36.90 Baptiste, Garrett, 1999 Lesforis, Pommells 200-Meter Dash High Jump 1:36.96 Moncherry, Joseph, 2012 23.12 Marissa Kurtimah 2016 1.77m Heather McFadden 1994 Maximilien, Grant 23.12 Shavonne Husbands 2016 1.77m Mandy Scott 1995 23.34 Yves-Rose Jerome 1996 1.75m Heather McFadden 1995 1,600-Meter Relay 23.34 Wendy Blocker 1996 1.75m Tamisaine Poitier 2003 3:33.06 Pommells, Charles, 1999 23.37 Asha Cave 2018 1.74m Mareneika Goffe 2009 Garrett, Lesforis 3:34.38 Pommells, Charles, 1999 400-Meter Dash Pole Vault Garrett, Lesforis 52.21 Vernetta
Load more

Recommended publications
  • The Dreadful Credibility of Absurd Things: a Tendency in Fantasy Theory 1
    Mark Bould The Dreadful Credibility of Absurd Things: A Tendency in Fantasy Theory 1 In Britain it has been estimated that 10% of all books sold are fantasy. And of that fantasy, 10% is written by Terry Pratchett. So, do the sums: 1% of all books sold in Britain are written by Terry Pratchett. Coo. 2 Although it is unclear whether, by ‘fantasy’, Butler intends a narrow denition (generic fantasy, i.e., imitation Tolkien heroic or epic fantasy and sword ’n’ sorcery) or a broad denition (the fantastic genres, i.e., generic fantasy, sf (science ction), horror, super- natural gothic, magic realism, etc.), such statistics nonethless make the need for a Marxist theory – or preferably, Marxist theories – of the fantastic self- evident. The last twenty or thirty years have witnessed a remarkable expansion in the study of fantastic texts and genres. Literary studies has embraced the gothic, fairy tales and sf, and screen studies has developed a complex critique of horror and is now beginning 1 With profound thanks to China Miéville, Kathrina Glitre, Greg Tuck – friends, colleagues, comrades. Thanks also to Historical Materialism ’s anonymous readers, and to José B. Monleón for translating a passage from Benito Pérez Galdós’ s The Reason of Unreason (1915) and thereby providing me with a title. 2 Butler 2001, p. 7. Historical Materialism , volume 10:4 (51–88) ©Koninklijke Brill NV, Leiden, 2002 Also available online – www.brill.nl 52 Mark Bould to come to terms with sf. However, there is a remarkable absence in all this endeavour. The rst major Marxist sf theorist, Darko Suvin, notoriously described (narrowly-dened) fantasy as ‘just a subliterature of mystication’ and asserted that the ‘[c]ommerical lumping of it into the same category as SF is thus a grave disservice [to sf] and a rampantly socio-pathological phenomenon’.
    [Show full text]
  • The Routledge Companion to Cult Cinema Cult-Art Cinema
    This article was downloaded by: 10.3.98.104 On: 01 Oct 2021 Access details: subscription number Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: 5 Howick Place, London SW1P 1WG, UK The Routledge Companion to Cult Cinema Ernest Mathijs, Jamie Sexton Cult-art cinema Publication details https://www.routledgehandbooks.com/doi/10.4324/9781315668819-5 David Andrews Published online on: 04 Dec 2019 How to cite :- David Andrews. 04 Dec 2019, Cult-art cinema from: The Routledge Companion to Cult Cinema Routledge Accessed on: 01 Oct 2021 https://www.routledgehandbooks.com/doi/10.4324/9781315668819-5 PLEASE SCROLL DOWN FOR DOCUMENT Full terms and conditions of use: https://www.routledgehandbooks.com/legal-notices/terms This Document PDF may be used for research, teaching and private study purposes. Any substantial or systematic reproductions, re-distribution, re-selling, loan or sub-licensing, systematic supply or distribution in any form to anyone is expressly forbidden. The publisher does not give any warranty express or implied or make any representation that the contents will be complete or accurate or up to date. The publisher shall not be liable for an loss, actions, claims, proceedings, demand or costs or damages whatsoever or howsoever caused arising directly or indirectly in connection with or arising out of the use of this material. 33 3 CULT- ART CINEMA Defi ning cult- art ambivalence David Andrews Cult cinema is a super- genre whose participants fetishize the cultural illegitimacy of their own cult activities and forms, often wearing their “shame” as a badge of honor in cult contexts.
    [Show full text]
  • Sexed Pistols
    United Nations University Press is the publishing arm of the United Nations University. UNU Press publishes scholarly and policy-oriented books and periodicals on the issues facing the United Nations and its peoples and member states, with particular emphasis upon international, regional and transboundary policies. The United Nations University was established as a subsidiary organ of the United Nations by General Assembly resolution 2951 (XXVII) of 11 December 1972. It functions as an international community of scholars engaged in research, postgraduate training and the dissemination of knowledge to address the pressing global problems of human survival, development and welfare that are the concern of the United Nations and its agencies. Its activities are devoted to advancing knowledge for human security and development and are focused on issues of peace and governance and environment and sustainable development. The Univer- sity operates through a worldwide network of research and training centres and programmes, and its planning and coordinating centre in Tokyo. Sexed pistols Sexed pistols: The gendered impacts of small arms and light weapons Edited by Vanessa Farr, Henri Myrttinen and Albrecht Schnabel United Nations a University Press TOKYO u NEW YORK u PARIS 6 United Nations University, 2009 The views expressed in this publication are those of the authors and do not necessarily reflect the views of the United Nations University. United Nations University Press United Nations University, 53-70, Jingumae 5-chome, Shibuya-ku, Tokyo 150-8925, Japan Tel: þ81-3-5467-1212 Fax: þ81-3-3406-7345 E-mail: [email protected] general enquiries: [email protected] http://www.unu.edu United Nations University Office at the United Nations, New York 2 United Nations Plaza, Room DC2-2060, New York, NY 10017, USA Tel: þ1-212-963-6387 Fax: þ1-212-371-9454 E-mail: [email protected] United Nations University Press is the publishing division of the United Nations University.
    [Show full text]
  • Soft in the Middle Andrews Fm 3Rd.Qxd 7/24/2006 12:20 PM Page Ii Andrews Fm 3Rd.Qxd 7/24/2006 12:20 PM Page Iii
    Andrews_fm_3rd.qxd 7/24/2006 12:20 PM Page i Soft in the Middle Andrews_fm_3rd.qxd 7/24/2006 12:20 PM Page ii Andrews_fm_3rd.qxd 7/24/2006 12:20 PM Page iii Soft in the Middle The Contemporary Softcore Feature in Its Contexts DAVID ANDREWS The Ohio State University Press Columbus Andrews_fm_3rd.qxd 7/24/2006 12:20 PM Page iv Copyright © 2006 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data Andrews, David, 1970– Soft in the middle: the contemporary softcore feature in its contexts / David Andrews. p. cm. Includes bibliographic references and index. ISBN 0-8142-1022-8 (cloth: alk. paper)—ISBN 0-8142-9106 (cd-rom) 1. Erotic films— United States—History and criticism. I. Title. PN1995.9.S45A53 2006 791.43’65380973—dc22 2006011785 The third section of chapter 2 appeared in a modified form as an independent essay, “The Distinction ‘In’ Soft Focus,” in Hunger 12 (Fall 2004): 71–77. Chapter 5 appeared in a modified form as an independent article, “Class, Gender, and Genre in Zalman King’s ‘Real High Erotica’: The Conflicting Mandates of Female Fantasy,” in Post Script 25.1 (Fall 2005): 49–73. Chapter 6 is reprinted in a modified form from “Sex Is Dangerous, So Satisfy Your Wife: The Softcore Thriller in Its Contexts,” by David Andrews, in Cinema Journal 45.3 (Spring 2006), pp. 59–89. Copyright © 2006 by the University of Texas Press. All rights reserved. Cover design by Dan O’Dair. Text design and typesetting by Jennifer Shoffey Forsythe.
    [Show full text]
  • Petition for Cancelation
    Trademark Trial and Appeal Board Electronic Filing System. http://estta.uspto.gov ESTTA Tracking number: ESTTA743501 Filing date: 04/30/2016 IN THE UNITED STATES PATENT AND TRADEMARK OFFICE BEFORE THE TRADEMARK TRIAL AND APPEAL BOARD Petition for Cancellation Notice is hereby given that the following party requests to cancel indicated registration. Petitioner Information Name Organization for Transformative Works, Inc. Entity Corporation Citizenship Delaware Address 2576 Broadway #119 New York City, NY 10025 UNITED STATES Correspondence Heidi Tandy information Legal Committee Member Organization for Transformative Works, Inc. 1691 Michigan Ave Suite 360 Miami Beach, FL 33139 UNITED STATES [email protected] Phone:3059262227 Registration Subject to Cancellation Registration No 4863676 Registration date 12/01/2015 Registrant Power I Productions LLC 163 West 18th Street #1B New York, NY 10011 UNITED STATES Goods/Services Subject to Cancellation Class 041. First Use: 2013/12/01 First Use In Commerce: 2015/08/01 All goods and services in the class are cancelled, namely: Entertainment services, namely, an ongo- ing series featuring documentary films featuring modern cultural phenomena provided through the in- ternet and movie theaters; Entertainment services, namely, displaying a series of films; Entertain- mentservices, namely, providing a web site featuring photographic and prose presentations featuring modern cultural phenomena; Entertainment services, namely, storytelling Grounds for Cancellation The mark is merely descriptive Trademark Act Sections 14(1) and 2(e)(1) The mark is or has become generic Trademark Act Section 14(3), or Section 23 if on Supplemental Register Attachments Fandom_Generic_Petition.pdf(2202166 bytes ) Fandom Appendix pt 1.pdf(4769247 bytes ) Fandom Appendix pt 2.pdf(4885778 bytes ) Fandom Appendix pt 3.pdf(3243682 bytes ) Certificate of Service The undersigned hereby certifies that a copy of this paper has been served upon all parties, at their address record by First Class Mail on this date.
    [Show full text]
  • Early American Films Found in Czechoslovakia Now Returned to America
    The Museum of Modern Art 11 west 53 Street, New York, N.Y. 10019 Tel. 956-6100 Cable-. Modemart NO . 2C FOR IMMEDIATE RELEASE EARLY AMERICAN FILMS FOUND IN CZECHOSLOVAKIA NOW RETURNED TO AMERICA (New York) Two important early American films, believed no longer to exist, "The Life of Moses" of 1909, one of the first feature films ever made, and "Hail the Woman," a 1921 film dealing with women's rights, have been lo­ cated in Czechoslovakia where they were carefully stored in the State Film Archive. Both films have now been donated to the Film Collection cf The Museum of Modern Art in New York City, and for the first time will become available to film historians, scholars, and students of film in this country. They will also be shown on occasion to the public. On April 1st, at 8:00 p.m., the Museum will present "Hail the Woman" in its auditorium, as part of a one-month program of films recently added to its collection. "The Life of Moses" will be presented later in the month, one of 15 films, from the infancy of the medium to the present. "The Life of Moses" becomes the earliest feature film in the Museum's archive. Until now the first feature film in the collection was "Traffic in Souls", made in 1913 around the time it was thought that feature films were introduced. However, with the discovery of "The Life of Moses" a new chapter opens in the history of film, declares Eileen Bowser, Associate Curator ir: charge of the Museum's Film Archive.
    [Show full text]
  • Desert Epiphany: Sariah and the Women in 1 Nephi
    Journal of Book of Mormon Studies Volume 9 Number 2 Article 3 7-31-2000 Desert Epiphany: Sariah and the Women in 1 Nephi Camille Fronk Follow this and additional works at: https://scholarsarchive.byu.edu/jbms BYU ScholarsArchive Citation Fronk, Camille (2000) "Desert Epiphany: Sariah and the Women in 1 Nephi," Journal of Book of Mormon Studies: Vol. 9 : No. 2 , Article 3. Available at: https://scholarsarchive.byu.edu/jbms/vol9/iss2/3 This Feature Article is brought to you for free and open access by the Journals at BYU ScholarsArchive. It has been accepted for inclusion in Journal of Book of Mormon Studies by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Title Desert Epiphany: Sariah and the Women in 1 Nephi Author(s) Camille Fronk Reference Journal of Book of Mormon Studies 9/2 (2000): 4–15, 80. ISSN 1065-9366 (print), 2168-3158 (online) Abstract Insights can be gained by considering the eight-year wilderness sojourn of Lehi’s company through the eyes of the women who were there. Leaving the com- forts of civilization for the difficulties of the desert would have been very challenging. While the record in 1 Nephi mentions nine women, Sariah was the only one identified by name. Nephi records Sariah’s struggles as well as her testimony. The record of the women in 1 Nephi communicates much about the need to seek and receive one’s own witness of truth. Desert Epiphany: Sariah& the Women in 1 Nephi Camille Fronk Perhaps one of the greatest deterrents to effec- tive scripture study is the pattern of reading verses in the same order, focusing on the same insights, and asking the same questions.
    [Show full text]
  • Back to the Future Howard Shore:The Cell
    Original Music Soundtracks for Motion Pictures and TV V OLUME 5 , N UMBER 9 / 1 0 Art-house Action page 45 09 > ALAN SILVESTRI: CAST AWAY PLUS: BACK TO THE FUTURE 7 252 74 9 3 7 0 4 2 $4.95 U.S. • $5.95 Canada HOWARD SHORE: THE CELL Two new scores by the legendary composer of The Mission and A Fistful Of Dollars. GAUMONT AND LEGenDE enTrePriSES PReSENT Also Available: The Mission Film Music Vol. I Film Music Vol. II MUSicic BYBY ENNIO MORRICONE a ROLAND JOFFÉ film IN STORES FEBRUARY 13 ©2001 Virgin Records America, Inc. v CONTENTS NOVEMBER/DECEMBER 2000 cover story departments 26 101 Great Film Scores on CD 2 Editorial Here at the end of the year, century, millennium, Counting the Votes. whatever—FSM sticks out its collective neck and selects the ultimate list of influential, significant 4 News and enjoyable soundtracks released on CD. Hoyt Curtin, 1922-2000; By Joe Sikoryak, with John Bender, Jeff Bond, Winter Awards Winners. Jason Comerford, Tim Curran, Jeff Eldridge, 5 Record Label Jonathan Z. Kaplan, Lukas Kendall Round-up & Chris Stavrakis What’s on the way. 6 Now Playing 33 21 Should’a Been Contenders Movies and CDs in release. Go back to Back to the Future for 41 Missing in Action 8 Concerts ’round-the-clock analysis. Live performances page 16 around the world. f e a t u r e s 9 Upcoming Assignments 14 To Score or Not To Score? Who’s writing what Composer Alan Silvestri found his music for whom. struggling for survival in the post-production of Cast Away.
    [Show full text]
  • An Interdisciplinary Journal
    FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITA LISM FAST CAPITALISMFast Capitalism FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM ISSNFAST XXX-XXXX CAPITALISM FAST Volume 2 • Issue 2 • 2006 CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITA LISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITA LISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITA LISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITA LISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITA LISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM
    [Show full text]
  • Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
    INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room.
    [Show full text]
  • Focality and Extension in Kinship Essays in Memory of Harold W
    FOCALITY AND EXTENSION IN KINSHIP ESSAYS IN MEMORY OF HAROLD W. SCHEFFLER FOCALITY AND EXTENSION IN KINSHIP ESSAYS IN MEMORY OF HAROLD W. SCHEFFLER EDITED BY WARREN SHAPIRO Published by ANU Press The Australian National University Acton ACT 2601, Australia Email: [email protected] This title is also available online at press.anu.edu.au A catalogue record for this book is available from the National Library of Australia ISBN(s): 9781760461812 (print) 9781760461829 (eBook) This title is published under a Creative Commons Attribution-NonCommercial- NoDerivatives 4.0 International (CC BY-NC-ND 4.0). The full licence terms are available at creativecommons.org/licenses/by-nc-nd/4.0/ legalcode Cover design and layout by ANU Press. Cover photograph of Hal Scheffler by Ray Kelly. This edition © 2018 ANU Press To the memory of Harold Walter Scheffler, a compassionate man of the highest scholarly standards Contents List of Figures and Tables . ix Acknowledgements . xiii Contributors . xv Part I. Introduction: Hal Scheffler’s Extensionism in Historical Perspective and its Relevance to Current Controversies . 3 Warren Shapiro and Dwight Read Part II. The Battle Joined 1 . Hal Scheffler Versus David Schneider and His Admirers, in the Light of What We Now Know About Trobriand Kinship . 31 Warren Shapiro 2 . Extension Problem: Resolution Through an Unexpected Source . 59 Dwight Read Part III. Ethnographic Explorations of Extensionist Theory 3 . Action, Metaphor and Extensions in Kinship . 119 Andrew Strathern and Pamela J. Stewart 4 . Should I Stay or Should I Go? Hunter-Gatherer Networking Through Bilateral Kin . 133 Russell D. Greaves and Karen L.
    [Show full text]
  • Alberta Arts District" : Boundaries and Belonging Among Long-Time Residents in a Culturally Changing Neighborhood
    Portland State University PDXScholar Dissertations and Theses Dissertations and Theses 2005 "Alberta Arts District" : boundaries and belonging among long-time residents in a culturally changing neighborhood Sammy Shaw Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/open_access_etds Part of the Demography, Population, and Ecology Commons, and the Geography Commons Let us know how access to this document benefits ou.y Recommended Citation Shaw, Sammy, ""Alberta Arts District" : boundaries and belonging among long-time residents in a culturally changing neighborhood" (2005). Dissertations and Theses. Paper 4057. https://doi.org/10.15760/etd.5941 This Thesis is brought to you for free and open access. It has been accepted for inclusion in Dissertations and Theses by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. THESIS APPROVAL The abstract and thesis of Sammy Shaw for the Master of Arts in Sociology were presented November 3, 2005, and accepted by the thesis committee and the department. COMMITTEEAPPROVALS: //Daniel M~an, Chair 086adin \I Mar gar erett Representative of the Office of Graduate Studies DEPARTMENT APPROVAL: Veronica Dujon, Chair Department of Sociology ABSTRACT An abstract of the thesis of Sammy Shaw for the Master of Arts in Sociology presented November 3, 2005. Title: "Alberta Arts District": Boundaries and Belonging among Long-Time Residents in a Culturally Changing Neighborhood. This study takes a cultural perspective in studying the "Alberta Arts District," a gentrifying neighborhood in Northeast Portland in which bohemian cultural production/consumption has become the dominant and commodified vision of the community.
    [Show full text]