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The Dreadful Credibility of Absurd Things: a Tendency in Fantasy Theory 1
Mark Bould The Dreadful Credibility of Absurd Things: A Tendency in Fantasy Theory 1 In Britain it has been estimated that 10% of all books sold are fantasy. And of that fantasy, 10% is written by Terry Pratchett. So, do the sums: 1% of all books sold in Britain are written by Terry Pratchett. Coo. 2 Although it is unclear whether, by ‘fantasy’, Butler intends a narrow denition (generic fantasy, i.e., imitation Tolkien heroic or epic fantasy and sword ’n’ sorcery) or a broad denition (the fantastic genres, i.e., generic fantasy, sf (science ction), horror, super- natural gothic, magic realism, etc.), such statistics nonethless make the need for a Marxist theory – or preferably, Marxist theories – of the fantastic self- evident. The last twenty or thirty years have witnessed a remarkable expansion in the study of fantastic texts and genres. Literary studies has embraced the gothic, fairy tales and sf, and screen studies has developed a complex critique of horror and is now beginning 1 With profound thanks to China Miéville, Kathrina Glitre, Greg Tuck – friends, colleagues, comrades. Thanks also to Historical Materialism ’s anonymous readers, and to José B. Monleón for translating a passage from Benito Pérez Galdós’ s The Reason of Unreason (1915) and thereby providing me with a title. 2 Butler 2001, p. 7. Historical Materialism , volume 10:4 (51–88) ©Koninklijke Brill NV, Leiden, 2002 Also available online – www.brill.nl 52 Mark Bould to come to terms with sf. However, there is a remarkable absence in all this endeavour. The rst major Marxist sf theorist, Darko Suvin, notoriously described (narrowly-dened) fantasy as ‘just a subliterature of mystication’ and asserted that the ‘[c]ommerical lumping of it into the same category as SF is thus a grave disservice [to sf] and a rampantly socio-pathological phenomenon’. -
SCMS 2019 Conference Program
CELEBRATING SIXTY YEARS SCMS 1959-2019 SCMSCONFERENCE 2019PROGRAM Sheraton Grand Seattle MARCH 13–17 Letter from the President Dear 2019 Conference Attendees, This year marks the 60th anniversary of the Society for Cinema and Media Studies. Formed in 1959, the first national meeting of what was then called the Society of Cinematologists was held at the New York University Faculty Club in April 1960. The two-day national meeting consisted of a business meeting where they discussed their hope to have a journal; a panel on sources, with a discussion of “off-beat films” and the problem of renters returning mutilated copies of Battleship Potemkin; and a luncheon, including Erwin Panofsky, Parker Tyler, Dwight MacDonald and Siegfried Kracauer among the 29 people present. What a start! The Society has grown tremendously since that first meeting. We changed our name to the Society for Cinema Studies in 1969, and then added Media to become SCMS in 2002. From 29 people at the first meeting, we now have approximately 3000 members in 38 nations. The conference has 423 panels, roundtables and workshops and 23 seminars across five-days. In 1960, total expenses for the society were listed as $71.32. Now, they are over $800,000 annually. And our journal, first established in 1961, then renamed Cinema Journal in 1966, was renamed again in October 2018 to become JCMS: The Journal of Cinema and Media Studies. This conference shows the range and breadth of what is now considered “cinematology,” with panels and awards on diverse topics that encompass game studies, podcasts, animation, reality TV, sports media, contemporary film, and early cinema; and approaches that include affect studies, eco-criticism, archival research, critical race studies, and queer theory, among others. -
Oct-Dec Press Listings
ANTHOLOGY FILM ARCHIVES OCTOBER – DECEMBER PRESS LISTINGS OCTOBER 2013 PRESS LISTINGS MIX NYC PRESENTS: Tommy Goetz A BRIDE FOR BRENDA 1969, 62 min, 35mm MIX NYC, the producer of the NY Queer Experimental Film Festival, presents a special screening of sexploitation oddity A BRIDE FOR BRENDA, a lesbian-themed grindhouse cheapie set against the now-tantalizing backdrop of late-60s Manhattan. Shot in Central Park, Times Square, the Village, and elsewhere, A BRIDE FOR BRENDA narrates (quite literally – the story is told via female-voiced omniscient narration rather than dialogue) the experiences of NYC-neophyte Brenda as she moves into an apartment with Millie and Jane. These apparently unremarkable roommates soon prove themselves to be flesh-hungry lesbians, spying on Brenda as she undresses, attempting to seduce her, and making her forget all about her paramour Nick (and his partners in masculinity). As the narrator intones, “Once a young girl has been loved by a lesbian, it’s difficult to feel satisfaction from a man again.” –Thurs, Oct 3 at 7:30. TAYLOR MEAD MEMORIAL SCREENING Who didn’t love Taylor Mead? Irrepressible and irreverent, made of silly putty yet always sharp- witted, he was an underground icon in the Lower East Side and around the world. While THE FLOWER THIEF put him on the map, and Andy Warhol lifted him to Superstardom, Taylor truly made his mark in the incredibly vast array of films and videos he made with notables and nobodies alike. A poster child of the beat era, Mead was a scene-stealer who was equally vibrant on screen, on stage, or in a café reading his hilarious, aphoristic poetry. -
The Routledge Companion to Cult Cinema Cult-Art Cinema
This article was downloaded by: 10.3.98.104 On: 01 Oct 2021 Access details: subscription number Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: 5 Howick Place, London SW1P 1WG, UK The Routledge Companion to Cult Cinema Ernest Mathijs, Jamie Sexton Cult-art cinema Publication details https://www.routledgehandbooks.com/doi/10.4324/9781315668819-5 David Andrews Published online on: 04 Dec 2019 How to cite :- David Andrews. 04 Dec 2019, Cult-art cinema from: The Routledge Companion to Cult Cinema Routledge Accessed on: 01 Oct 2021 https://www.routledgehandbooks.com/doi/10.4324/9781315668819-5 PLEASE SCROLL DOWN FOR DOCUMENT Full terms and conditions of use: https://www.routledgehandbooks.com/legal-notices/terms This Document PDF may be used for research, teaching and private study purposes. Any substantial or systematic reproductions, re-distribution, re-selling, loan or sub-licensing, systematic supply or distribution in any form to anyone is expressly forbidden. The publisher does not give any warranty express or implied or make any representation that the contents will be complete or accurate or up to date. The publisher shall not be liable for an loss, actions, claims, proceedings, demand or costs or damages whatsoever or howsoever caused arising directly or indirectly in connection with or arising out of the use of this material. 33 3 CULT- ART CINEMA Defi ning cult- art ambivalence David Andrews Cult cinema is a super- genre whose participants fetishize the cultural illegitimacy of their own cult activities and forms, often wearing their “shame” as a badge of honor in cult contexts. -
Sexed Pistols
United Nations University Press is the publishing arm of the United Nations University. UNU Press publishes scholarly and policy-oriented books and periodicals on the issues facing the United Nations and its peoples and member states, with particular emphasis upon international, regional and transboundary policies. The United Nations University was established as a subsidiary organ of the United Nations by General Assembly resolution 2951 (XXVII) of 11 December 1972. It functions as an international community of scholars engaged in research, postgraduate training and the dissemination of knowledge to address the pressing global problems of human survival, development and welfare that are the concern of the United Nations and its agencies. Its activities are devoted to advancing knowledge for human security and development and are focused on issues of peace and governance and environment and sustainable development. The Univer- sity operates through a worldwide network of research and training centres and programmes, and its planning and coordinating centre in Tokyo. Sexed pistols Sexed pistols: The gendered impacts of small arms and light weapons Edited by Vanessa Farr, Henri Myrttinen and Albrecht Schnabel United Nations a University Press TOKYO u NEW YORK u PARIS 6 United Nations University, 2009 The views expressed in this publication are those of the authors and do not necessarily reflect the views of the United Nations University. United Nations University Press United Nations University, 53-70, Jingumae 5-chome, Shibuya-ku, Tokyo 150-8925, Japan Tel: þ81-3-5467-1212 Fax: þ81-3-3406-7345 E-mail: [email protected] general enquiries: [email protected] http://www.unu.edu United Nations University Office at the United Nations, New York 2 United Nations Plaza, Room DC2-2060, New York, NY 10017, USA Tel: þ1-212-963-6387 Fax: þ1-212-371-9454 E-mail: [email protected] United Nations University Press is the publishing division of the United Nations University. -
Soft in the Middle Andrews Fm 3Rd.Qxd 7/24/2006 12:20 PM Page Ii Andrews Fm 3Rd.Qxd 7/24/2006 12:20 PM Page Iii
Andrews_fm_3rd.qxd 7/24/2006 12:20 PM Page i Soft in the Middle Andrews_fm_3rd.qxd 7/24/2006 12:20 PM Page ii Andrews_fm_3rd.qxd 7/24/2006 12:20 PM Page iii Soft in the Middle The Contemporary Softcore Feature in Its Contexts DAVID ANDREWS The Ohio State University Press Columbus Andrews_fm_3rd.qxd 7/24/2006 12:20 PM Page iv Copyright © 2006 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data Andrews, David, 1970– Soft in the middle: the contemporary softcore feature in its contexts / David Andrews. p. cm. Includes bibliographic references and index. ISBN 0-8142-1022-8 (cloth: alk. paper)—ISBN 0-8142-9106 (cd-rom) 1. Erotic films— United States—History and criticism. I. Title. PN1995.9.S45A53 2006 791.43’65380973—dc22 2006011785 The third section of chapter 2 appeared in a modified form as an independent essay, “The Distinction ‘In’ Soft Focus,” in Hunger 12 (Fall 2004): 71–77. Chapter 5 appeared in a modified form as an independent article, “Class, Gender, and Genre in Zalman King’s ‘Real High Erotica’: The Conflicting Mandates of Female Fantasy,” in Post Script 25.1 (Fall 2005): 49–73. Chapter 6 is reprinted in a modified form from “Sex Is Dangerous, So Satisfy Your Wife: The Softcore Thriller in Its Contexts,” by David Andrews, in Cinema Journal 45.3 (Spring 2006), pp. 59–89. Copyright © 2006 by the University of Texas Press. All rights reserved. Cover design by Dan O’Dair. Text design and typesetting by Jennifer Shoffey Forsythe. -
The Legend of Henry Paris
When a writer The goes in search of Legend the great of auteur of the golden age of porn, she gets more than she bargained for Henry paris BY TONI BENTLEY Photography by Marius Bugge 108 109 What’s next? The fourth title that kept showing up on best-of lists of the golden age was The Opening of Misty Beethoven by Henry Paris. Who? Searching my favorite porn site, Amazon.com, I found that this 1975 film was just rereleased in 2012 on DVD with all the bells and whistles of a Criterion Collection Citizen Kane reissue: two discs (re- mastered, digitized, uncut, high- definition transfer) that include AAs a professional ballerina, I barely director’s commentary, outtakes, finished high school, so my sense of intakes, original trailer, taglines inadequacy in all subjects but classi- and a 45-minute documentary cal ballet remains adequately high. on the making of the film; plus a In the years since I became a writer, magnet, flyers, postcards and a my curiosity has roamed from clas- 60-page booklet of liner notes. sic literature to sexual literature to classic sexual literature. When Misty arrived in my mailbox days later, I placed the disc A few months ago, I decided to take a much-needed break in my DVD player with considerable skepticism, but a girl has to from toiling over my never-to-be-finished study of Proust, pursue her education despite risks. I pressed play. Revelation. Tolstoy and Elmore Leonard to bone up on one of our most interesting cultural phenomena: pornography. -
Portable Storage #3
3..Editorial 7..Pre-Build Ruins Alva Svoboda 12..Weird Stairways 58..Core Samples L. Jim Khennedy Craig William Lion 30..Beatnik Memories 64..San Francisco Expanded Ray Nelson John Fugazzi 31..Genders 68..Cole Valley Ray Nelson Kennedy Gammage 33..San Francisco, 1967 71..The Messiah Bunch Stacy Scott Terry Floyd 35..San Francisco Soliloquy 78..Hippies Kim Kerbis Robert Lichtman 38..Ghosts of San Francisco 82..From the Catacombs of Berkeley Don Herron Dale Nelson 41..Poets Don’t Have 88..The San Francisco Adventures Spare Change Michael Breiding Billy Wolfenbarger 107..What Was I G. Sutton Breiding 108..Staying Put Jay Kinney 112..Crap St. Ghost Dance D.S. Black 116..My San Francisco Century: 43..San Francisco Part One: 1970-2020 G. Sutton Breiding Grant Canfield 45..The City 146..House of Fools James Ru Joan Rector Breiding 48..Does A Moose Have an Id? 149..LoC$ Gary Mattingly 157..Dr. Dolittle 52..Me vs. The Giants Gary Casey Rich Coad 166..The Gorgon of Poses 56..Cliff House, Tafoni, Rock Lace, G. Sutton Breiding Use of Gyratory in a Sentence Jeanne N. Bowman “A time almost more than a place.” Susan Breiding 2 Artists in this Issue Frank Vacanti (Cover) Jim Ru (2, 30) Craig Smith (3, 40,51,56) Steve Stiles (6) Dave Barnett (31) Kurt Erichsen (45) John R. Benson(47, 70) Crow’s Caw Grant Canfield (116-145, William M. Breiding unless otherwise noted) I knew from day one when starting Portable Storage that I wanted to do a themed issue on San Francisco. -
Petition for Cancelation
Trademark Trial and Appeal Board Electronic Filing System. http://estta.uspto.gov ESTTA Tracking number: ESTTA743501 Filing date: 04/30/2016 IN THE UNITED STATES PATENT AND TRADEMARK OFFICE BEFORE THE TRADEMARK TRIAL AND APPEAL BOARD Petition for Cancellation Notice is hereby given that the following party requests to cancel indicated registration. Petitioner Information Name Organization for Transformative Works, Inc. Entity Corporation Citizenship Delaware Address 2576 Broadway #119 New York City, NY 10025 UNITED STATES Correspondence Heidi Tandy information Legal Committee Member Organization for Transformative Works, Inc. 1691 Michigan Ave Suite 360 Miami Beach, FL 33139 UNITED STATES [email protected] Phone:3059262227 Registration Subject to Cancellation Registration No 4863676 Registration date 12/01/2015 Registrant Power I Productions LLC 163 West 18th Street #1B New York, NY 10011 UNITED STATES Goods/Services Subject to Cancellation Class 041. First Use: 2013/12/01 First Use In Commerce: 2015/08/01 All goods and services in the class are cancelled, namely: Entertainment services, namely, an ongo- ing series featuring documentary films featuring modern cultural phenomena provided through the in- ternet and movie theaters; Entertainment services, namely, displaying a series of films; Entertain- mentservices, namely, providing a web site featuring photographic and prose presentations featuring modern cultural phenomena; Entertainment services, namely, storytelling Grounds for Cancellation The mark is merely descriptive Trademark Act Sections 14(1) and 2(e)(1) The mark is or has become generic Trademark Act Section 14(3), or Section 23 if on Supplemental Register Attachments Fandom_Generic_Petition.pdf(2202166 bytes ) Fandom Appendix pt 1.pdf(4769247 bytes ) Fandom Appendix pt 2.pdf(4885778 bytes ) Fandom Appendix pt 3.pdf(3243682 bytes ) Certificate of Service The undersigned hereby certifies that a copy of this paper has been served upon all parties, at their address record by First Class Mail on this date. -
Early American Films Found in Czechoslovakia Now Returned to America
The Museum of Modern Art 11 west 53 Street, New York, N.Y. 10019 Tel. 956-6100 Cable-. Modemart NO . 2C FOR IMMEDIATE RELEASE EARLY AMERICAN FILMS FOUND IN CZECHOSLOVAKIA NOW RETURNED TO AMERICA (New York) Two important early American films, believed no longer to exist, "The Life of Moses" of 1909, one of the first feature films ever made, and "Hail the Woman," a 1921 film dealing with women's rights, have been lo cated in Czechoslovakia where they were carefully stored in the State Film Archive. Both films have now been donated to the Film Collection cf The Museum of Modern Art in New York City, and for the first time will become available to film historians, scholars, and students of film in this country. They will also be shown on occasion to the public. On April 1st, at 8:00 p.m., the Museum will present "Hail the Woman" in its auditorium, as part of a one-month program of films recently added to its collection. "The Life of Moses" will be presented later in the month, one of 15 films, from the infancy of the medium to the present. "The Life of Moses" becomes the earliest feature film in the Museum's archive. Until now the first feature film in the collection was "Traffic in Souls", made in 1913 around the time it was thought that feature films were introduced. However, with the discovery of "The Life of Moses" a new chapter opens in the history of film, declares Eileen Bowser, Associate Curator ir: charge of the Museum's Film Archive. -
Desert Epiphany: Sariah and the Women in 1 Nephi
Journal of Book of Mormon Studies Volume 9 Number 2 Article 3 7-31-2000 Desert Epiphany: Sariah and the Women in 1 Nephi Camille Fronk Follow this and additional works at: https://scholarsarchive.byu.edu/jbms BYU ScholarsArchive Citation Fronk, Camille (2000) "Desert Epiphany: Sariah and the Women in 1 Nephi," Journal of Book of Mormon Studies: Vol. 9 : No. 2 , Article 3. Available at: https://scholarsarchive.byu.edu/jbms/vol9/iss2/3 This Feature Article is brought to you for free and open access by the Journals at BYU ScholarsArchive. It has been accepted for inclusion in Journal of Book of Mormon Studies by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Title Desert Epiphany: Sariah and the Women in 1 Nephi Author(s) Camille Fronk Reference Journal of Book of Mormon Studies 9/2 (2000): 4–15, 80. ISSN 1065-9366 (print), 2168-3158 (online) Abstract Insights can be gained by considering the eight-year wilderness sojourn of Lehi’s company through the eyes of the women who were there. Leaving the com- forts of civilization for the difficulties of the desert would have been very challenging. While the record in 1 Nephi mentions nine women, Sariah was the only one identified by name. Nephi records Sariah’s struggles as well as her testimony. The record of the women in 1 Nephi communicates much about the need to seek and receive one’s own witness of truth. Desert Epiphany: Sariah& the Women in 1 Nephi Camille Fronk Perhaps one of the greatest deterrents to effec- tive scripture study is the pattern of reading verses in the same order, focusing on the same insights, and asking the same questions. -
Back to the Future Howard Shore:The Cell
Original Music Soundtracks for Motion Pictures and TV V OLUME 5 , N UMBER 9 / 1 0 Art-house Action page 45 09 > ALAN SILVESTRI: CAST AWAY PLUS: BACK TO THE FUTURE 7 252 74 9 3 7 0 4 2 $4.95 U.S. • $5.95 Canada HOWARD SHORE: THE CELL Two new scores by the legendary composer of The Mission and A Fistful Of Dollars. GAUMONT AND LEGenDE enTrePriSES PReSENT Also Available: The Mission Film Music Vol. I Film Music Vol. II MUSicic BYBY ENNIO MORRICONE a ROLAND JOFFÉ film IN STORES FEBRUARY 13 ©2001 Virgin Records America, Inc. v CONTENTS NOVEMBER/DECEMBER 2000 cover story departments 26 101 Great Film Scores on CD 2 Editorial Here at the end of the year, century, millennium, Counting the Votes. whatever—FSM sticks out its collective neck and selects the ultimate list of influential, significant 4 News and enjoyable soundtracks released on CD. Hoyt Curtin, 1922-2000; By Joe Sikoryak, with John Bender, Jeff Bond, Winter Awards Winners. Jason Comerford, Tim Curran, Jeff Eldridge, 5 Record Label Jonathan Z. Kaplan, Lukas Kendall Round-up & Chris Stavrakis What’s on the way. 6 Now Playing 33 21 Should’a Been Contenders Movies and CDs in release. Go back to Back to the Future for 41 Missing in Action 8 Concerts ’round-the-clock analysis. Live performances page 16 around the world. f e a t u r e s 9 Upcoming Assignments 14 To Score or Not To Score? Who’s writing what Composer Alan Silvestri found his music for whom. struggling for survival in the post-production of Cast Away.