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February 1920
ii^^ir^?!'**i r*sjv^c ^5^! J^^M?^J' 'ir ^M/*^j?r' ?'ij?^'''*vv'' *'"'**'''' '!'<' v!' '*' *w> r ''iw*i'' g;:g5:&s^ ' >i XA. -*" **' r7 i* " ^ , n it A*.., XE ETT XX " " tr ft ff. j 3ty -yj ri; ^JMilMMIIIIilllilllllMliii^llllll'rimECIIIimilffl^ ra THE lot ARC HIT EC FLE is iiiiiBiicraiiiEyiiKii! Vol. XLVII. No. 2 FEBRUARY, 1920 Serial No. 257 Editor: MICHAEL A. MIKKELSEN Contributing Editor: HERBERT CROLY Business Manager: ]. A. OAKLEY COVER Design for Stained Glass Window FAGS By Burton Keeler ' NOTABLE DECORATIVE SCULPTURES OF NEW YOKK BUILDINGS _/*' 99 .fiy Frank Owen Payne WAK MEMORIALS. Part III. Monumental Memorials . 119 By Charles Over Cornelius SOME PRINCIPLES OF SMALL HOUSE DESIGN. Part IV. Planning (Continued) .... .133 By John Taylor Boyd, Jr. ENGLISH ARCHITECTURAL DECORATION. Part XIII. 155 By Albert E. Bullock PORTFOLIO OF CURRENT ARCHITECTURE . .169 ST. PHILIP'S CHURCH, Brunswick County, N. C. Text and Meas^ ured Drawings . .181 By N. C. Curtis NOTES AND COMMENTS . .188 Yearly Subscription United States $3.00 Foreign $4.00 Single copies 35 cents. Entered May 22, 1902, as Second Class Matter, at New York, N. Y. Member Audit Bureau of Circulation. PUBLISHED MONTHLY BY THE ARCHITECTURAL RECORD COMPANY 115-119 FOFvIlt I i I IStt I, NEWINCW YORKTUKN WEST FORTIETHM STREET, H v>^ E. S. M tlli . T. MILLER, Pres. W. D. HADSELL, Vice-Pres. J. W. FRANK, Sec'y-Treas. DODGE. Vice-Pre* ' "ri ti i~f n : ..YY '...:.. ri ..rr.. m. JT i:c..."fl ; TY tn _.puc_. ,;? ,v^ Trrr.^yjL...^ff. S**^ f rf < ; ?SIV5?'Mr ^7"jC^ te :';T:ii!5ft^'^"*TiS t ; J%WlSjl^*o'*<JWii*^'J"-i!*^-^^**-*''*''^^ *,iiMi.^i;*'*iA4> i.*-Mt^*i; \**2*?STO I ASTOR DOORS OF TRINITY CHURCH. -
Appomattox Statue Other Names/Site Number: DHR No
NPS Form 10-900 VLR Listing 03/16/2017 OMB No. 1024-0018 United States Department of the Interior NRHP Listing 06/12/2017 National Park Service National Register of Historic Places Registration Form This form is for use in nominating or requesting determinations for individual properties and districts. See instructions in National Register Bulletin, How to Complete the National Register of Historic Places Registration Form. If any item does not apply to the property being documented, enter "N/A" for "not applicable." For functions, architectural classification, materials, and areas of significance, enter only categories and subcategories from the instructions. 1. Name of Property Historic name: Appomattox Statue Other names/site number: DHR No. 100-0284 Name of related multiple property listing: N/A (Enter "N/A" if property is not part of a multiple property listing ____________________________________________________________________________ 2. Location Street & number: Intersection Prince and Washington Streets City or town: Alexandria State: VA County: Independent City Not For Publication: N/A Vicinity: N/A ____________________________________________________________________________ 3. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act, as amended, I hereby certify that this X nomination ___ request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements -
EMORIES of Rour I EARS SERVICE
Under the Stars '"'^•Slfc- and Bars ,...o».... MEMORIEEMORIES OF FOUrOUR YI :EAR S SERVICE WITH TiaOR OGLETHORPES OF Jy WAWER A. CI^ARK, •,-'j-^j-rj,--:. j^rtrr.:f-'- H <^1 OR, MEMORIES OF FOUR YEARS SERVICE AVITH THE OGLETHORPES, OF AUGUSTA, GEORGIA BY WALTER A. CLARK, ORDERLY SERGEANT. AUGUSTA, GA Chronicle Printing Company. DEDICATION To the surviving members of the Oglethorpes, with whom I shared the dangers and hardships of soldier life and to the memory of those who fell on the firing line, or from ghostly cots in hospital Avards, with fevered lip and wasted forms, "drifted out on the unknown sea that rolls round all the Avorld," these memories are tenderly and afifectionatelv inscribed bv their old friend and comrade. PREFACE. For the gratification of my old comrades and in grate- hil memory of their constant kindness during all our years of comradeship these records have been written. The Avriter claims no special qualification for the task save as it may lie in the fact that no other survivor of the Company has so large a fund of material from which to draw for such a purpose. In addition to a war journal, whose entries cover all my four years service, nearly every letter Avritten by me from camp in those eventful years has been preserved. WHiatever lack, therefore, these pages may possess on other lines, they furnish at least a truth ful portrait of what I saw and felt as a soldier. It has beeen my purpose to picture the lights rather than the shadoAvs of our soldier life. -
The Magazine of the Victorian Society in America Volume 40 Number 1 Editorial
Nineteenth Ce ntury The Magazine of the Victorian Society in America Volume 40 Number 1 Editorial The Artist’s Shadow The Winter Show at the Park Avenue Armory in New York City is always a feast for the eyes. Dazzling works of art, decorative arts, and sculpture appear that we might never see again. During a tour of this pop-up museum in January I paused at the booth of the Alexander Gallery where a painting caught my eye. It was an 1812 portrait of two endearing native-New Yorkers Schuyler Ogden and his sister, the grand-nephew and grand-niece of General Stephen Van Rensselaer. I am always sure that exhibitors at such shows can distinguish the buyers from the voyeurs in a few seconds but that did not prevent the gallery owner from engaging with me in a lively conversation about Fresh Raspberries . It was clear he had considerable affection for the piece. Were I a buyer, I would have very happily bought this little confection then and there. The boy, with his plate of fresh picked berries, reminds me of myself at that very age. These are not something purchased at a market. These are berries he and his sister have freshly picked just as they were when my sisters and I used to bring bowls of raspberries back to our grandmother from her berry patch, which she would then make into jam. I have no doubt Master Ogden and his beribboned sister are on their way to present their harvest to welcoming hands. As I walked away, I turned one last time to bid them adieu and that is when I saw its painter, George Harvey. -
PUCK BUILDING, 295-309 Lafayette Street, Borough of Manhattan
Landmarks Preservation Commission April 12, 1983 Designation List 164 LP-1226 PUCK BUILDING, 295-309 Lafayette Street, Borough of Manhattan. Built 1885-86; addition 1892-93; architect Albert Wagner. Landmark Site: Borough of Manhattan Tax Map Block 510, Lot 45. On November 18, 1980, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landuark of the Puck Building and the proposed designation of the related Landmark Site (Item No.l2). The hearing was continued to Februrary 10, 1981 (Item No.5). Both hearings had been duly advertised in accordance with the provisions of law. Five witnesses. spoke in favor of designation. There were no speakers in opposition to designation. DESCRIPTION AND ANALYSIS The Puck Building, originally the horne of Puck magazine, is one of the great surviving buildings from New York's old publishing and printing district. The red-brick round-arched structure occupies the entire block bounded by East Houston, Lafayette, Mulberry and Jersey Streets, and has been one of the most prominent architectural presences in the area since its construction one hundred years ago. The building is further distinguished by the large statue of Puck at the building's East Houston and Mulberry Street corner; this is among the city's most conspicuous pieces of architectural sculpture. Puck was, from its founding in 1876 until its demise in 1918, the city's and one of the country's best-kno;vn humor magazines. Published in both English and German-language editions, Puck satirized most of the public events of the day. The magazine featured color lithographic cartoons produced by the J. -
Year 4 - Course Book History
history year 4 - course book History ONLY Year 4 Course BookUSE FOR SAMPLE This book has been compiled and written by Jenny Phillips, NOTMaggie Felsch, Megan Bolich, and Chris Jones. ©2019 Jenny Phillips | www.GoodandBeautiful.com All rights reserved. No part of this book may be copied or reproduced in any way without written permission from the publisher. Table of Contents About this Course .................................................................................................iv Read-Aloud Suggestions .......................................................................................vii Unit 1: Ancient Rome Lesson 1: An Introduction to Ancient Rome ..........................................................3 Lesson 2: The Founding of Rome ..........................................................................5 Lesson 3: The Expansion of Rome .........................................................................6 Lesson 4: From Republic to Empire .......................................................................7 Lesson 5: Daily Life in Rome .................................................................................15 Lesson 6: The Spread of Christianity .....................................................................ONLY16 Lesson 7: Constantine the Great ...........................................................................17 Lesson 8: Theodosius I to the Fall of Rome ...........................................................USE18 Lesson 9: The Byzantine Empire............................................................................20 -
Muster Roll Continued
[Muster Roll continued] Harry Green 3/2 Henry Henderson 2/D Lewis Hughes 3/4 Isaac Jones 2/E John Lewis 2/F Joshua Eddy 2/E John Green 1/C Robert Henderson 1/A Joseph Hunster 1/A Littleton Jones 1/C Lloyd Lewis, Jr. 3/1 Andy Edmunson 1/D John Green 2/C Charles Henry 1/D W. N. Irons 1/B Marshall P.H. Jones 3/1 Lloyd Lewis, Sr. 3/1 John Edmunson 1/D Luke Green 1/A G. Henry 3/5 Stephen Irwin 2/F Randolph Jones 2/F Robert Lewis 2/C David Ellis 3/2 Albert Grey 1/B John R. Henry 2/E Alexander Jackson 1/I Robert G. Jones 2/C Robert Lewis 2/E James Ellis 3/1 Henry Griffin 1/F Joseph Henry 1/C J. H. Jackson 1/B Samuel Jones 1/C Samuel Lewis, Sr. 1/F W. Ellis 2/B Richard Griffin 1/C William Henry 1/A M. Jackson 3/5 C Thomas Jones 1/I Sanford Lewis 3/1 L. Ellis 2/B L. Griggs 3/5 Thomas Hickey 1/C M. W. Jackson 2/E Wesley Jones 2/D William Lewis 1/D M. J. Epps 3/5 Luther Griggs 1/B Green Hill 1/B Norvall Jackson 3/2 William Jones 2/E William Lewis 2/F L. Erskines 1/B William Griggs 2/E J. Stacey Hill / O David A. James / A Marshall Jordan 2/F John Liggins 1/E Charles Farrow 1/F N. W. Hagerman 2/E John Hill 2/C J. -
Where the West Begins? Geography, Identity and Promise
Where the West Begins? Geography, Identity and Promise Papers of the Forty-Seventh Annual DAKOTA CONFERENCE A National Conference on the Northern Plains Cover illustration courtesy of South Dakota Department of Tourism THE CENTER FOR WESTERN STUDIES AUGUSTANA 2015 Where the West Begins? Geography, Identity and Promise Papers of the Forty-Seventh Annual Dakota Conference A National Conference on the Northern Plains The Center for Western Studies Augustana Sioux Falls, South Dakota April 24-25, 2015 Compiled by: Erin Castle Nicole Schimelpfenig Financial Contributors Loren and Mavis Amundson CWS Endowment/SFACF City of Deadwood Historic Preservation Commission Tony & Anne Haga Carol Rae Hansen, Andrew Gilmour & Grace Hansen-Gilmour Gordon and Trudy Iseminger Mellon Fund Committee of Augustana College Rex Myers & Susan Richards CWS Endowment Joyce Nelson, in Memory of V.R. Nelson Rollyn H. Samp, in Honor of Ardyce Samp Roger & Shirley Schuller, in Honor of Matthew Schuller Robert & Sharon Steensma Blair & Linda Tremere Richard & Michelle Van Demark Jamie & Penny Volin Ann Young, in Honor of Durand Young National Endowment for the Humanities Cover illustration Courtesy South Dakota Department of Tourism ii Table of Contents Preface ........................................................................................................................... vi Anderson, Grant K. A Schism Within the Nonpartisan League in South Dakota .................................................................... 1 Bakke, Karlie Violence and Discrimination -
Remembering the Veteran Disability, Trauma, and the American Civil War, 1861-1915
REMEMBERING THE VETERAN DISABILITY, TRAUMA, AND THE AMERICAN CIVIL WAR, 1861-1915 Erin R. Corrales-Diaz A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Art. Chapel Hill 2016 Approved by: Ross Barrett Bernard L. Herman John P. Bowles John Kasson Eleanor Jones Harvey © 2016 Erin R. Corrales-Diaz ALL RIGHTS RESERVED ii ABSTRACT Erin R. Corrales-Diaz: Remembering the Veteran: Disability, Trauma, and the American Civil War, 1861-1915 (Under the direction of Ross Barrett) My dissertation, “Remembering the Veteran: Disability, Trauma, and the American Civil War, 1861-1915,” explores the complex ways that American artists interpreted war-induced disability after the Civil War. Examining pictorial representations of disabled veterans by George Inness, Thomas Nast, William Bell, and other artists, I argue that the veteran’s broken body became a vehicle for exploring the overwhelming sense of loss that Northerners and Southerners experienced in the war's aftermath. Oscillating between aestheticized ideals and the reality of affliction, visual representations of disabled veterans uncover postwar Americans’ deep and otherwise unspoken anxieties about masculinity, identity, and nationhood. This project represents the first major effort to historicize the visual culture of war-related disability and presents a significant deviation from previous Civil War scholarship and its focus on death. In examining these understudied representations of disability and tracing out the ways that they rework and reinforce nineteenth-century constructions of the body, this project models an approach to the analysis of period imaginings of corporeal difference that might in turn shed new light on contemporary artistic responses to physical and psychological injuries resulting from warfare. -
The Buckeye Bugle
2012 Marshall Hope Award For Most Outstanding Department Newsletter Department of Ohio - Sons of Union Veterans of the Civil War Volume 10, Issue 2 Winter 2018 THE BUCKEYE BUGLE INSIDE THIS 2018 National S.U.V.C.W. Encampment ISSUE: A contingent of eighteen Brothers from the Department of Ohio 2 – Greencastle Cemetery travelled to Framingham, Massachusetts to attend the 137th Work Receives Award National Encampment of the S.U.V.C.W., formally referred to as the Annual Encampment of the Allied Orders of the Grand Army 2 – Parrott Barn Mural of the Republic. During the meeting, several Brothers from Ohio received National Awards which will be described later in this 3 – Various Camp Activities newsletter. 3 – Brothers Recognized at During the meetings, Brother Peter J. Hritsko, Jr., PDC, was Above – The Department of Ohio was well National Encampment elected to the Council of Administration joining Brother represented at the Jonathan Davis, PDC, who continued in his role of National National Encampment in 4 – Casey Camp Attends Secretary, as currently elected National Officers hailing from the Massachusetts. New Holland Bicentennial Below – Group picture of Department of Ohio. the 2018 National 4 – Civil War Research Links The 2019 National Encampment will be held near Cleveland S.U.V.C.W. Officers. for the first time since 1947, marking the first time the 5 – Wyandot County Department of Ohio has hosted since the 122nd Encampment Infirmary Memorial outside Cincinnati in 2003. We expect a large turnout from the 5 – Spotlight on Civil War Department Brothers, as well as our Sisters, to honor the Boys Memorials & Monuments in Blue who served from Ohio. -
Civil War Seminar Professor Warder May 26Th, 2021
The Politicization of Civil War Memory Richard J. Kipphut HIST-495-01: Civil War Seminar Professor Warder May 26th, 2021 2 Introduction The mystic chords of memory, stretching from every battlefield and patriot grave to every living heart and hearthstone all over this broad land, will yet swell the chorus of the Union, when again touched, as surely they will be, by the better angels of our nature.1 Civil War monuments and memorials are tangible symbols that represent the loss a divided nation suffered through the political turmoil that arose between the Union and the Confederacy during the war. These symbols help to connect the past to the present that assist in conveying the meaning of a collective historic memory, though brief in nature as these tributes tend to be. Created during a time of immense anguish and sorrow, they helped to diminish the inconsolable bereavement that accompanies death and erected throughout cities and towns after the war. For future generations, the loss of the historic significance of these monuments tend to fad the further removed they become from the events that occasioned their construction. Lost, are the heroic deeds that produced these memorial artifacts. Yet memorial art, seen through the aesthetic lens, perpetuates the ethos of the culture by keeping the heroic memory alive through their physical imagery. As a result, war monuments guided by memory, were instrumental in shifting the country’s political posture away from a pre-war iconoclasm belief that government, and by extension the military, were restrictive of civil liberties and not worthy of active consideration. -
College of Wooster Miscellaneous Materials: a Finding Tool
College of Wooster Miscellaneous Materials: A Finding Tool Denise Monbarren August 2021 Box 1 #GIVING TUESDAY Correspondence [about] #GIVINGWOODAY X-Refs. Correspondence [about] Flyers, Pamphlets See also Oversized location #J20 Flyers, Pamphlets #METOO X-Refs. #ONEWOO X-Refs #SCHOLARSTRIKE Correspondence [about] #WAYNECOUNTYFAIRFORALL Clippings [about] #WOOGIVING DAY X-Refs. #WOOSTERHOMEFORALL Correspondence [about] #WOOTALKS X-Refs. Flyers, Pamphlets See Oversized location A. H. GOULD COLLECTION OF NAVAJO WEAVINGS X-Refs. A. L. I. C. E. (ALERT LOCKDOWN INFORM COUNTER EVACUATE) X-Refs. Correspondence [about] ABATE, GREG X-Refs. Flyers, Pamphlets See Oversized location ABBEY, PAUL X-Refs. ABDO, JIM X-Refs. ABDUL-JABBAR, KAREEM X-Refs. Clippings [about] Correspondence [about] Flyers, Pamphlets See Oversized location Press Releases ABHIRAMI See KUMAR, DIVYA ABLE/ESOL X-Refs. ABLOVATSKI, ELIZA X-Refs. ABM INDUSTRIES X-Refs. ABOLITIONISTS X-Refs. ABORTION X-Refs. ABRAHAM LINCOLN MEMORIAL SCHOLARSHIP See also: TRUSTEES—Kendall, Paul X-Refs. Photographs (Proof sheets) [of] ABRAHAM, NEAL B. X-Refs. ABRAHAM, SPENCER X-Refs. Clippings [about] Correspondence [about] Flyers, Pamphlets ABRAHAMSON, EDWIN W. X-Refs. ABSMATERIALS X-Refs. Clippings [about] Press Releases Web Pages ABU AWWAD, SHADI X-Refs. Clippings [about] Correspondence [about] ABU-JAMAL, MUMIA X-Refs. Flyers, Pamphlets ABUSROUR, ABDELKATTAH Flyers, Pamphlets ACADEMIC AFFAIRS COMMITTEE X-Refs. ACADEMIC FREEDOM AND TENURE X-Refs. Statements ACADEMIC PROGRAMMING PLANNING COMMITTEE X-Refs. Correspondence [about] ACADEMIC STANDARDS COMMITTEE X-Refs. ACADEMIC STANDING X-Refs. ACADEMY OF AMERICAN POETRY PRIZE X-Refs. ACADEMY SINGERS X-Refs. ACCESS MEMORY Flyers, Pamphlets ACEY, TAALAM X-Refs. Flyers, Pamphlets ACKLEY, MARTY Flyers, Pamphlets ACLU Flyers, Pamphlets Web Pages ACRES, HENRY Clippings [about] ACT NOW TO STOP WAR AND END RACISM X-Refs.