Textiles, Apparel & Sporting Goods Virtual Fair
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The Morgue File 2010
the morgue file 2010 DONE BY: ASSIL DIAB 1850 1900 1850 to 1900 was known as the Victorian Era. Early 1850 bodices had a Basque opening over a che- misette, the bodice continued to be very close fitting, the waist sharp and the shoulder less slanted, during the 1850s to 1866. During the 1850s the dresses were cut without a waist seam and during the 1860s the round waist was raised to some extent. The decade of the 1870s is one of the most intricate era of women’s fashion. The style of the early 1870s relied on the renewal of the polonaise, strained on the back, gath- ered and puffed up into an detailed arrangement at the rear, above a sustaining bustle, to somewhat broaden at the wrist. The underskirt, trimmed with pleated fragments, inserting ribbon bands. An abundance of puffs, borders, rib- bons, drapes, and an outlandish mixture of fabric and colors besieged the past proposal for minimalism and looseness. women’s daywear Victorian women received their first corset at the age of 3. A typical Victorian Silhouette consisted of a two piece dress with bodice & skirt, a high neckline, armholes cut under high arm, full sleeves, small waist (17 inch waist), full skirt with petticoats and crinoline, and a floor length skirt. 1894/1896 Walking Suit the essential “tailor suit” for the active and energetic Victorian woman, The jacket and bodice are one piece, but provide the look of two separate pieces. 1859 zouave jacket Zouave jacket is a collarless, waist length braid trimmed bolero style jacket with three quarter length sleeves. -
Thesis-1949-S649l.Pdf (10.18Mb)
1 LEATHEBS EMPLOYED I ·l THE 'l'EAC I.NG OF LEA'll:iERCRAFT ii LEA'IDERS ff LOYED I THE 'l'E ' C I TG OF LEATHERCRAFT By HARRY LEE ..s -, ITH Bachelor of Science ort.h Texas State Teachers College Denton, Texas 1947 Submitted to the Department of Industrial Arts Education Oklahoma Agx-icultural and echenieal. College In Partial Fulfillment. of the Requirement.a For the Degree of TER OF SCIEJ'"CE 1949 iii 1iies1s .vis · r a · Head, School of Iniust.ria.l Arts Ed.ucation WX1 Engineering Shopwork 236 592 iv AC K.J.~O' LE.DGMEN'rs 'lhe writer expresses hi sincere appreciation to Dr. De itt Hunt,, Head of the Department.. of Iroustrial. Arts Fiiucation and Engineering Shopwork, Ok1ahoma Agricul.tural am · echanical College1 for his helpful assistance and guidance during the preparation and completion of thia study. Appreciation is extentled to nw wife, Eunice Blood mith, for her encouragement and help throughout the preparation of this study. V TABLE OF CONTENTS PAGE I. PRELIMI STATEMENTS ••••••••• • •• • l Purpose oft.he Study ••••••••••••• l '.Ille Importance of the Study ••••••••• 2 Delimit.ations • •. • • • • • • • • • • • • • • 2 Def'inition of Terms ............. 3 A Preview of Organization •••••••••• 4 II. HISTORICAL STUDY OF LET.HER • • •• • • •• • • 5 The Raw Material • • • • • ., • • • • • • • • • 5 'Ihe Evolution of Leather ••••••••••• 6 '!he Egyptian Leather • • • • • • • • • • • • • 7 Early .Arabian Leather • • • • • • • • • ••• 7 The Jewish Babylonian Leather •••••••• 8 Gl"ec ian Leatber • • • • • • • • • • • • • • • 8 Roman Leather • • • • • • • • • • • • • • • • 9 European Leather of the Middle Ages •••• • 9 Leather of the Far East • • • • • • • • • • • ll American Leather ••••••••••••••• 11 III. PRI CIPAL TYPES OF LEATHERCRAFT TERIALS • • • 14 Alligator • • • • • • • • • • • • • ••• .•• 14 Cabretta • • • • • • • • • • . -
Alden Shoe Company
Est. 1884 Alden Shoe Company 1 Taunton Street Middleborough, MA 02346 508-947-3926 Fax 508-947-7753 www.AldenShoe.com The Alden Shoe Company has manufactured quality shoes for men since 1884. With over 130 years of unwavering dedication to the highest standards of shoe-making, we proudly offer our collection of American handcrafted footwear. Not redone yearly at the drawing board, but reaffirmed continuously in the shop, heavy with the scent of rich leathers carefully worked to offer the best. The original tassel moccasin. Often copied... never equalled. Tassel Moccasins Shell Cordovan Calfskin Suede Q 563 Color 8 Cordovan 561 Dark Brown Calfskin 666 Mocha Kid Suede 664 Black Cordovan 660 Black Calfskin Q 3403 Snuff Suede Q 662 Burnished Tan Calfskin Aberdeen Last 663 Burgundy Calfskin Aberdeen Last Single oak leather outsoles Single oak leather outsoles Aberdeen Last C 8-13 Single oak B 8-13 D 6-13 leather outsoles Additional sizes C 7-13 E 6-13 for 660: D 6-13 B 8-13 AA 8 1/2-14 E 6-13 C 7-13 A 8 1/2-14 EEE 6-12 D 6-13 B 14, 15 E 6-13 C 14, 15 EEE 6-12 D 14, 15 E 14 EE 6-13 EEE 13 EEEE 7-12 3 Using the centuries-old method of pure vegetable tanning and hand finishing, the single tannery still producing genuine shell cordovan today is indeed practicing a rare art. The tanning process takes a full six months to complete and produces leather that is soft and supple, yet very durable.. -
Wwd0906web.Pdf
CH_WWD_BornIn1928_CoverWrap_14.75x10.75_Mech_Final.indd 1-2 8/30/13 11:18 AM CH_WWD_BornIn1928_CoverWrap_14.75x10.75_Mech_Final.indd 3-4 8/30/13 11:19 AM RAW FOOD GO-TO VIDEO JUERGEN TELLER BRINGS HIS UNMISTAKABLE STYLE MAKEUP ARTIST BOBBI TO PHOTOGRAPHING THE BROWN IS LAUNCHING A CUISINE AT THE LEGENDARY YOUTUBE CHANNEL AIMED ITALIAN HOTEL IL PELLICANO. AT MILLENNIALS. PAGE 14 PAGE 22 EXCLUSIVE Kering Buys Stake In Joseph Altuzarra By JESSICA IREDALE NEW YORK — Joseph Altuzarra is the latest emerg- ing designer to be brought into the Kering portfolio. WWD has learned that Kering, previously PPR, has taken a minority stake in Altuzarra. The deal closed Thursday, two days before the designer shows his FRIDAY, SEPTEMBER 6, 2013 ■ $3.00 ■ WOMEN’S WEAR DAILY spring collection in New York. At his Howard Street studio Thursday afternoon, as he was in the midst of WWD fi ttings, he was excited but admittedly tired. “It’s been a superexciting week because [the Kering deal] was all coming together and the collection came in,” said Altuzarra, wearing a T-shirt and camoufl age pants, as Vanessa Traina and various design assistants went through the racks of the spring collection. The designer declined to disclose Kering’s percent- age interest in his company, but emphasized that “it was very important for me to keep [Kering] a minority stake at this point and for us to keep control of Altuzarra. They were incredibly supportive of that decision and Building really understanding of it, and that was also very rare.” “We are delighted to invest in Altuzarra to ac- company the development of this promising fash- ion house,” said Alexis Babeau, managing director, Kering Luxury division. -
Shoe and Leather Encyclopedia;
TS 945 .S35 - Copy 1 Shoe "d Leather Encyclopedia ISSUED BY THE SHOE AND LEATHER GAZETTE SAINT LOUIS Shoes of Quality As a business man you know that a factory with a large output can produce an article of manufacture at less cost than can a factory with a small output. Therein lies the explanation of the unusual quality in American Lady and American Gentleman Shoes. They are made by the largest makers of shoes in the world. Their enormous purchases insure the best quality of materials at the lowest price. They get the best workmen—can employ the best designers—their selling expense must be less per shoe. All of this result in but one thing—the best shoes for the money. You get the benefit. The H B Idea "KEEP THE QUALITY UP " St. Louis m&k r Jb MB Boston Shoexo- TRADE MARK All Leather Shoes In all lines of shoes for men, women and children, the "All Leather" line brings the best results for the merchant :: :: Senate and Atlantic SHOES FOR MEN Pacific and Swell SHOES FOR WOMEN Red Goose School Shoes FOR BOYS AND GIRLS CATALOG ON REQUEST Friedman-Shelby Shoe Co. 1625 Washington Ave. - - ST. LOUIS COPYRIGHT 1911 TRADESMEN'S PUBLISHING CO. ©CI.A292164 SHOE and LEATHER ENCYCLOPEDIA A Book of Practical and Expert Testimony by Successful Merchants Each A rticle a Chapter Each Chapter a Single and Separate Subject PUBLISHED BY THE SHOE AND LEATHER GAZETTE SAINT LOUIS - ' ..-— - " " mm i n i ~ T The Nine O'Clock^ School Shoe Dealer is IS A Public Benefactor As He Aids in the Distribution of Free Flags to Schools Read all about this fascinating trade attraction in our special "Nine O'clock" Catalog. -
Fashion Trends 2016
Fashion Trends 2016 U.S. & U.K. Report [email protected] Intro With every query typed into a search bar, we are given a glimpse into user considerations or intentions. By compiling top searches, we are able to render a strong representation of the population and gain insight into this population’s behavior. In our second iteration of the Google Fashion Trends Report, we are excited to introduce data from multiple markets. This report focuses on apparel trends from the United States and United Kingdom to enable a better understanding of how trends spread and behaviors emerge across the two markets. We are proud to share this iteration and look forward to hearing back from you. Olivier Zimmer | Trends Data Scientist Yarden Horwitz | Trends Brand Strategist Methodology To compile a list of accurate trends within the fashion industry, we pulled top volume queries related to the apparel category and looked at their monthly volume from May 2014 to May 2016. We first removed any seasonal effect, and then measured the year-over-year growth, velocity, and acceleration for each search query. Based on these metrics, we were able to classify the queries into similar trend patterns. We then curated the most significant trends to illustrate interesting shifts in behavior. Query Deseasonalized Trend 2004 2006 2008 2010 2012 2014 Query 2016 Characteristics Part 1 Part 2 Part 3 Top Risers a Spotlight on an Extensive List and Decliners Top Trending of the Top Volume Themes Fashion Trends Trend Categories To identify top trends, we categorized past data into six different clusters based on Sustained Seasonal Rising similar behaviors. -
FREE SHIPPING See Back Cover for Details
FREE SHIPPING See Back Cover for details. SUPERB STYLE. PEAK PERFORMANCE. SHOW CHOIR DRESSES, TUXEDO PACKAGES, PERFORMANCE GOWNS, SUIT PACKAGES, ENSEMBLE PACKAGES, SATIN SHIRTS, VESTS, TUXEDO SHIRTS, MIX & MATCH SEPARATES, JEWELRY, PERFORMANCE SHOES, GARMENT BAGS. 2O12 CONTENTS CATEGORY PAGE # Dynamic Duets 4 - 5 Swing Dresses 6 - 16 Performance Dresses 17 - 31 Tuxedo Packages 32 - 34 Suit Package 35 Ensemble Packages 36 - 39 Shirts 40 - 41 Vests 42 - 47 Mix & Match Separates 48 - 51 Show Choir 52 - 56 Performance Shoes 57 Accessories 58 - 59 Garment Bags 60 Order Form 61 - 62 Measuring Charts 63 - 64 Policy Page 65 Cousins’s Prints 66 Like Us On Facebook 67 ABOUT US Founded in 1996, Cousin’s Concert Attire is a family-owned business proudly entering its 16th year. Cousin’s is the leading manufacturer and supplier of performance apparel to more than 5,000 schools throughout the United States & Canada. We are proud to announce that earlier this year we became an Awarded Vendor of the BuyBoard® cooperative purchasing group. Com- mitted to providing the most fashionable and comfortable concert attire, our team is always working hard to ensure our customers an award winning performance. Become our fan on Facebook. You’ll receive special offers and discounts, view our newest styles, and be eligible to participate in contests where you can win BIG prizes! See the inside back cover for more info. 2 SHOW US YOUR C! INSPIRED BY GLEE CAST MEMBERS CHEEKILY HOLDING UP THEIR FINGERS MAKING AN “L” SIGN, COUSIN’S WANTS TO SEE YOUR “C”. EMAIL US OR POST ON OUR FACEBOOK FANPAGE A PICTURE OF YOU, YOUR FRIENDS OR YOUR GROUP DOING THE “C”. -
Product Care Instructions
PRODUCT CARE INSTRUCTIONS TEXTILES Care for textiles by vacuuming or lightly brushing. Rotate and flip cushions when vacuuming for even wear. Keeping textiles away from direct sunlight. The nap of high pile textiles (mohairs & velvets) may become crushed or lose its original pile height. We recommend light steaming to lift the pile to its original height. The textile should also be brushed with a de-linting brush to maintain its pile. Water based or solvent cleaner may cause discoloration or staining. We recommend that stained or soiled textiles be professionally cleaned. LEATHERS Leather is a soft porous material that is sometimes uncoated. It can easily absorb liquids and oily substances. Avoid saturating the leather with lotion or water. Care by dusting and lightly vacuuming. Keep leathers away from direct sunlight and heating vents. Leathers are a natural, “living” material that breathe and move as they wear. We recommend that stained or soiled leathers be professionally cleaned. VELLUM Vellum is a natural parchment produced from calfskin, lambskin, or kidskin. As it is a skin, there are naturally occurring variations in pattern, color, and texture, which may be noticeable in side by side panels. A clear coat of sealant is added to protect the vellum. Care for vellum by wiping gently with a damp to dry soft cloth, making sure that the skin is completely dried. Keeping vellum away from direct sunlight and heating vents. Vellum is a natural, “living” material and breathes and moves as it wears Vellum may also darken over time. We recommend that stained or soiled vellum be professionally cleaned. -
BC CATALOGO AI1920 ENG.Pdf
Fall Winter Collection 2019/2020 2 The Time for the Spirit and Harmony THE TIME FOR THE pirit and Harmony The time in which heart and mind, free from everyday troubles, come back together in the deepest essence of our being human is time for the Spirit. We can find that time wherever we want it. Like when we leave our workplace in the evening, and when we close the door we also leave behind us what’s necessary in life: that’s time for the spirit. IIIIII “Time transforms nd if we go home tower, get a bit closer to the stars, things, on foot, we might and feel the beauty of the time that in just raise our eyes that enchanted place we’ll dedicate to just as skywards. Of course, the spirit and its mysterious meaning, this is more likely spending hours regenerating and in dreams” to happen if we’re reflecting in solitude. Time transforms lucky enough to live in the countryside, things, just as in dreams, and there is no whereA everything is gentler, calmer, apparent reason to it. How beautiful are more peaceful, more profound. And then all those things that can be understood we’ll see the twinkling lights of the stars, without needing to be explained by and it will seem as if we understood reason! When we take time for the the silent language of the celestial spirit, we see new, profound things, vault. We will read in it the mystery of and old things from a new perspective: time for spirit and that of the universal where once we felt sorrow, we now infinite. -
Seasons Change. Quality Endures
SEASONS CHANGE. QUALITY ENDURES. SPRING STYLES 2015 WARWICK AND ROGUE IN WALNUT (PAGE 8) HANDCRAFTED SPRING HAS SPRUNG A LEGACY WORTH CARRYING ON Artic blast. Polar vortex. Snowmageddon—winter these days feels more like a horror movie or disaster flick than a season. But your reward for the cold temps, icy winds and record snowfall is here: our Spring catalog featuring our latest designs perfect for the new year and the new you. With the weather transitioning from cold to warm you need to be prepared for anything. That means having a pair of our shoes with an all-weather Dainite sole. Made of rubber and studded for extra grip without the extra grime that comes with ridging, these soles let you navigate April showers without breaking your stride. Speaking of breaks, spring is a great time for one. If you are out on the open road or hopping on a plane, the styles in our Drivers Collection are comfortable and convenient travel footwear. Available in a variety of designs and colors, there is one For nearly a century we have (or more) to match your destination as well as your personality. PAGE 33 PAGE 14 continued to adhere to our 212-step manufacturing process Enjoy the Spring catalog and the sunnier days ahead. because great craftsmanship cannot and should not be Warm regards, rushed. To that end, during upper sewing, our skilled cutters and sewers still create the upper portion of each shoe by hand using time-tested methods, hand-cut pieces of leather PAUL GRANGAARD and dependable, decades-old President and CEO sewing machines. -
MINIATURE DESIGNER BINDINGS the Neale M
The Neale M. Albert Collection of MINIATURE DESIGNER BINDINGS The Neale M. Albert Collection of MINIATURE DESIGNER KLBINDINGS — , Photographs by Tom Grill / • KLCONTENTS Frontispiece: Neale M. Albert, , silver gelatin photograph by Patricia Juvelis by Lee Friedlander Some Thoughts on the Neale M. Albert Collection of Miniature Designer Bindings and the Grolier Club Traditions Copyright © by Piccolo Press/NY by Neale M. Albert All rights reserved. No part of this book may be reproduced in any form without written permission from Piccolo Press/NY. --- Printed and bound in China ABOUT MINIATUREKL DESIGNER BINDINGS Some Thoughts on the Neale Albert Collection of Contemporary Designer Bindings and the Grolier Club Traditions a tradition that started in , with two exhibitions of fine bindings, the not be called a “contemporary” binding exhibition. In there was another I Grolier Club honors its namesake, the sixteenth century bibliophile and contemporary American binding exhibition, “Contemporary American patron of book binders, Jean Grolier, vicomte d’Aguisy. Jean Grolier’s collec- Hand Bindings.” In , the Grolier embarked on the first of a continuing tion of fine bindings, commissioned by him from binders working in his day, is series of collaborative exhibitions with the Guild of Book Workers on the still a benchmark for collectors of contemporary bindings. Since its founding in occasion of the fiftieth anniversary of that group’s founding. In , an exhi- , and continuing with this exhibition of Neale Albert’s collection of con- bition of contemporary English book bindings was organized. In “The temporary designer bindings on miniature books, the Grolier Club has mount- th Anniversary of the Guild of Book Workers,” and in , “Finely ed over exhibitions of finely bound books. -
Table of Contents
Table Of Contents Early Days of Rogers, Family 1 Rogers Calf Skin Heads 7 The Covington Era 9 Henry Grossman 12 Joe Thompson 13 Grossman Buys Rogers 19 Ben Strauss 20 Covington Factory Building 24 Rogers Personnel, Covington Era 26 George Way and Rogers 32 Roland “Peewee” Davidson 34 English Rogers 35 Arbiter Autotune Drums 38 Grossman sells Rogers to CBS 40 Covington Fire of 1967 41 CBS Moves Rogers From Covington 42 CBS-Era Rogers 43 Memriloc Hardware 46 Rogers Rack System 47 Rogers Snare Machine 48 R&D Projects, 1980s 53 Craig Krampf 54 Rogers Factory Moves 1952–1984 56 Roy Burns 57 Dave Gordon and John Cermenaro 61 Post-CBS Rogers 64 Rogers Endorsees 65 Craig Krampf 79 Dating interview with Bobby Chiasson 84 Rogers Catalogs 85 Colors 89 Steve Maxwell Collection 95 Gary Nelson Collection 97 Bruce Felter Collection 99 Ray Bungay collection 101 Bobby Chiasson Rogers photos 102 Brook Mays Music Rogers 107 Dating Guide Shells 117 Lugs 119 Strainers 123 Spurs 126 Badges 127 Bass Drum Logos 129 Cymbal Stands 131 High Hat Stands 134 Snare Stands 137 Pedals 140 Tom Holders 143 Hoops 148 Snare Drums 149 Outfts 157 Malletron 172 Timpani 173 Budget, Import Outfts 176 Dyna-Sonic Snare Drum 179 Skinny Drum 195 Swivomatic Hardware 197 Parts 198 Index 225 Rogers resources today 227 Early Days of Rogers Joseph H. Rogers learned Son, Bacon, and dozens of others. Rogers heads were his trade as a boy in the not the cheapest, but were without question the fnest. parchment yards of Dublin, Even drum companies that eventually opened their own Ireland.