15 July 2006 Questions by Zarya Cynader (University of British Columbia)
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Survival and Postcolonialism in Timothy Findley's Not Wanted On
Survival and Postcolonialism in Timothy Findley’s Not Wanted on the Voyage Riikka Antikainen University of Tampere School of Language, Translation and Literary Studies English Philology Pro Gradu Thesis May 2013 Tampereen yliopisto Englantilainen filologia Kieli-, käännös- ja kirjallisuustieteiden yksikkö ANTIKAINEN, RIIKKA: Survival and Postcolonialism in Timothy Findley’s Not Wanted on the Voyage Pro Gradu -tutkielma, 68 sivua Toukokuu 2013 Tarkastelen tutkimuksessani postkolonialismia ja selviytymistä Timothy Findleyn romaanissa Not Wanted on the Voyage (1984). Kyseistä romaania on tutkittu verraten vähän, vaikka eri tutkijat ovat päätyneet mitä erilaisimpiin tulkintoihin sen merkityksistä. Itse käsittelen sitä kanadalaisena, postkolonialistisena romaanina, jonka tärkeimmäksi teemaksi nousee selviytyminen. Lähtökohta tälle tulkinnalle on Margaret Atwoodin kirja Survival , josta on mahdollista löytää paljon yhtymiskohtia Findleyn romaaniin ja jonka sidon postkolonialistiseen käsitykseen itsestä ja toisesta. Keskeisimmät tutkimuskysymykseni ovat miksi selviytyä, miten selviytyä ja mitä tapahtuu selviytymisen jälkeen. Näiden kysymysten pohjalta pohdin tarinaa myös kolonialistisen ja postkolonialistisen ajan allegoriana. Keskityn tutkimuksessani ensin henkilöihin ja olosuhteisiin, jotka luovat uhreja ja pakottavat selviytymään, minkä jälkeen käsittelen yksittäisiä hahmoja erilaisina uhreina. Lopuksi pohdin selviytymistä ajan ja maailman, tai yhteiskunnan, kannalta pyrkien sitomaan Findleyn romaanin laajempaan, postkolonialistiseen viitekehykseen. -
The Sadies Northern Passages [2017 Bio] by Jason Schneider the Cover
The Sadies Northern Passages [2017 Bio] By Jason Schneider The cover of The Sadies’ new album is a powerful image of the northern lights made by photographer David Kilabuk in Pangnirtung, Nunavut, a sight few of us will ever get to behold with our own eyes. Yet, the awe-inspiring natural beauty and mystery captured in the photo are an ideal reflection of the music contained within. No further embellishment seems necessary. That’s been the essence of The Sadies’ story ever since the quartet comprised of singer/guitarists Dallas and Travis Good, bassist Sean Dean and drummer Mike Belitsky first exploded onto the North American scene 20 years ago. Back then there was still something called “alt-country,” a catchall for artists striving to carry on traditions with punk rock attitude. The Sadies certainly fit that description, but the breadth of their skills and musical knowledge was unparalleled since a group of fellow Torontonians left Ronnie Hawkins in the mid-‘60s to take a job backing Bob Dylan. As the aurora borealis shifted with each album The Sadies made, the overall picture took on more defined colours. On top of that was the incredible list of collaborations—Neko Case, R&B legend Andre Williams, The Mekons’ Jon Langford, Jon Spencer, Robyn Hitchcock, John Doe, Buffy Sainte-Marie, Gord Downie, Neil Young for fuck’s sake!— each one pushing The Sadies’ own sound into new, unmapped territory. Eventually, more time was taken in between albums as focus shifted to their original songwriting, and what was once the best live band in Canada became the best band in Canada, period. -
Weekly
May WEEKLY SUN MON Tur INFO THU FRISAT no, 1 6 7 23 45 v4<..\k, 9 10 1112 13 14 15 $3.00 As?,9030. 8810 85 16 17 18 19 20 21 22 $2.80 plus .20 GST A 2_4 2330 243125 26 27 28 29 Volume 57 No. 14 -512 13 AA22. 2303 Week Ending April 17, 1993 .k2't '1,2. 282 25 No. 1 ALBUM ARE YOU GONNA GO MY WAY Lenny Kravitz TELL ME WHAT YOU DREAM Restless Heart WHO IS IT Michael Jackson SOMEBODY LOVE ME Michael W. Smith LOOKING THROUGH ERIC CLAPTON PATIENT EYES Unplugged PM Dawn Reprise - CDW-45024-P I FEEL YOU Depeche Mode LIVING ON THE EDGE Aerosmith YOU BRING ON THE SUN Londonbeat RUNNING ON FAITH CAN'T DO A THING Eric Clapton (To Stop Me) Chris Isaak to LOOK ME IN THE EYES oc Vivienne Williams IF YOU BELIEVE IN ME thebeANts April Wine coVapti FLIRTING WITH A HEARTACHE Ckade Dan Hill LOITA LOVE TO GIVE 0etex s Daniel Lanois oll.v-oceve,o-c1e, DON'T WALK AWAY Jade NOTHIN' MY LOVE CAN'T FIX DEPECHE MODE 461100'. Joey Lawrence ; Songs Of Faith And Devotion c.,25seNps CANDY EVERYBODY WANTS 10,000 FLYING THE CULT Blue Rodeo Pure Cult BIG TIME DWIGHT YOAKAM I PUT A SPELL ON YOU LEONARD COHEN This Time Bryan Ferry The Future ALBUM PICK DANIEL LANOIS HARBOR LIGHTS ALADDIN . For The Beauty Of Wynona Bruce Hornsby Soundtrack HOTHOUSE FLOWERS COUNTRY Songs From The Rain ADDS HIT PICK JUST AS I AM Ricky Van Shelton No. -
Suggested Serving: 1. WOODEN STARS 2. COLDCUT 3. HANIN ELIAS 4. WINDY & CARL 5. SOUTHERN CULTURE on the SKIDS 6. CORNERSHOP
December, 1997 That Etiquette Magazine from CiTR 101.9 fM FREE! 1. Soupspoon 2. Dinner knife 3. Plate 4. Dessert fork 5. Salad fork 6. Dinner fork 7. Napkin 8. Bread and butter plate 9. Butter spreader 10. Tumbler u Suggested Serving: 1. WOODEN STARS 2. COLDCUT 3. HANIN ELIAS 4. WINDY & CARL 5. SOUTHERN CULTURE on the SKIDS 6. CORNERSHOP 7. CiTR ON-AIR PROGRAMMING GUIDE Dimm 1997 I//W 179 f€fltUf€J HANIN ELIAS 9 WOODEN STARS 11 WINDY & CARL 12 CORNERSHOP 14 SOUTHERN CULTURE ON THE SKIDS 16 COLDCUT 19 GARAGESHOCK 20 COUUAM COWSHEAD CHRONICLES VANCOUVER SPECIAL 4 INTERVIEW HELL 6 SUBCULT. 8 THE KINETOSCOPE 21 BASSLINES 22 SEVEN INCH 22 PRINTED MATTERS 23 UNDER REVIEW 24 REAL LIVE ACTION 26 ON THE DIAL 28 e d i t r i x : miko hoffman CHARTS 30 art director: kenny DECEMBER DATEBOOK 31 paul ad rep: kevin pendergraft production manager: tristan winch Comic* graphic design/ Layout: kenny, atomos, BOTCHED AMPALLANG 4 michael gaudet, tanya GOOD TASTY COMIC 25 Schneider production: Julie colero, kelly donahue, bryce dunn, andrea gin, ann Coucr goncalves, patrick gross, jenny herndier, erin hoage, christa 'Tis THE SEASON FOR EATIN', LEAVING min, katrina mcgee, sara minogue, erin nicholson, stefan YER ELBOWS OFF THE TABLE AND udell, malcolm van deist, shane MINDING YER MANNERS! PROPER van der meer photogra- ETIQUETTE COVER BY ARTIST phy/i L Lustrations: jason da silva, ted dave, TANYA SCHNEIDER. richard folgar, sydney hermant, mary hosick, kris rothstein, corin sworn contribu © "DiSCORDER* 1997 by the Student Radio Society of the University of British Columbia. -
Spring 2010 Calendar of Events in This Issue Message from the Dean
School of Communication at Northwestern spring 2010 Calendar of events In this issue Message from the dean Waa-Mu 2010: Keeping Time Communication Sciences and 4 From idea to innovation DIRECTED BY DOMINIC MISSIMI Disorders Speaker Series Cahn Auditorium PAULA TALLAL, 8 Newsmakers R UNIVERSITY April 30–May 9 UTGERS 10 Culture and the slum Frances Searle 3-417 n my 10 years at Northwestern I have never seen a more exciting season than this spring. Our Northwestern in the Middle East Communication Sciences and May 21 12 programs are being renewed: changes that for many years we have hoped would happen are Disorders Speaker Series I 14 Around campus PATRICIA STELMACHOWICZ, Starry Starry Night: A Celebration of suddenly under way. BOYS TOWN NATIONAL Music Theatre and Dominic Missimi 16 Faculty feats One exciting development is a new agreement between the Departments of Theatre and RESEARCH HOSPITAL Cahn Auditorium Frances Searle 1-421 May 24 18 Alumni achievements Performance Studies to allow performance studies freshmen to study acting in the theatre May 6 For more information, e-mail department’s three-year program. 22 In memory [email protected] Another is a new framework for collaboration across the acting program, the new dramatic School of Communication 23 Donors make a difference Honors Convocation Commencement Convocations writing program, and the media production program. Media production students help to Norris University Center Pick-Staiger Concert Hall produce short films from scripts written by students in the graduate writing program, and May 19 June 19 the acting program provides the on-screen talent to make the films. -
Conversations with Dallas & Travis Good (Of the Sadies)
Conversations with Dallas & Travis Good (of The Sadies) by Frank Goodman (11/2007, Puremusic.com) Our proclivity for Canadian music has slowly taken us by surprise over the years, and continues to do so. One of our favorite acts north of the border is The Sadies. We've reviewed and interviewed them throughout our history, and hope to capture them in a video interview sometime, as we did recently with their paisanos Blackie and the Rodeo Kings. For one thing, we never get to talk with bassist Sean Dean or drummer Mike Belitsky, which we'll have to remedy the next time around. The Good brothers, Dallas and Travis, are each fascinating and diverse characters that front the band. Travis is the kind of consumed and consummate guitarist that seems rarely to set the thing down, at home or on the road. Dallas is also a great player, but plays keys sometimes and gets more wrapped up in the lyric side of things as well. They are five years apart, and different to talk to, which makes the conversations interesting. After a rather monumental 2 disc Live record that featured a long list of luminary friends, The Sadies embarked on a soundtrack for the movie Tales Of The Rat Fink, about the life and times of the outrageous cartoonist Ed "Big Daddy" Roth, whose work swept through 60's culture. The Sadies were perfect for this film, since their breakneck instrumentals and genre bending attitudes ran parallel to the subject himself. Surf, Country, Psychedelia, Spaghetti Western, Punk, Bluegrass, Folk, Rock--it's all there in the Sadies music, and much more. -
Not Wanted on the Voyage
Cecilia Marte Unpacking the Baggage 'Camp" Humour in Timothy Findley's Not Wanted on the Voyage Some lives are only seen through windows beyond which the appearance of laughter and of screaming is the same. .. .there are no beginnings, not even to stories. There are only places where you make an entrance into someone else's life and either stay or turn and go away. FIN DLEY: 1975, 217 In 1981, John R Hulcoop commented that Timothy Findley "has rarely (if ever) received the kind of attention he merits, [and] has, rather, been largely ignored by reviewers and critics alike" (Hulcoop 43). Hulcoop called this marginalization of Findley as a writer to be reck- oned with a "sad irony," especially in light of the fact that, by the year in which Hulcoop was writing, Findley had already been publishing his work since the mid-1960s (43). More recently, Findley has achieved the kind of prominence that make him and his works the subjects of entire books of scholarship, by such critics as Lorraine M. York and Donna Pennée, as well as a plethora of published articles by others, not to mention an annotated bibliography. However, the reasons for what appears to be a reluctance on the part of critics in earlier years to deal with Findley's work at all probably also inform their later focus on the more "serious" aspects of his novels. The critics seem as uncomfortable dealing with the humour in some of Findley's work, as they are with the sensibility behind it, primarily because much of the humour is "camp" and the sensibility, "gay." ' Their rigorous, often exclusive, attention to his "apocalyptic vision" elides the humorous under- belly of the horror many of his works contain (Hutcheon 216). -
Eric's Trip Warm Girl Mp3, Flac, Wma
Eric's Trip Warm Girl mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Warm Girl Country: Canada Released: 1993 Style: Lo-Fi, Indie Rock MP3 version RAR size: 1391 mb FLAC version RAR size: 1346 mb WMA version RAR size: 1435 mb Rating: 4.6 Votes: 237 Other Formats: MP3 APE AC3 ADX AIFF MP1 VOX Tracklist Hide Credits A1 Warm Girl A2 Window B3 So Easier Last Time B4 My Chest Is Empty - Part One The Future B5 Written-By – Nick Other Companies, etc. Copyright (c) – Sappy Songs Distributed By – Cargo Records Mastered At – Greg Lee Processing – L-42147 Mastered At – K Disc Mastering Credits Performer [Uncredited] – Chris Thompson , Julie Doiron, Mark Gaudet, Rick White Notes Black vinyl in glossy folded cover with printing on both sides in clear plastic bag. Tracks A1, A2 Recorded in December 1991 at Chris's dads house on a crappy 4-track. Tracks B3, B4 Recorded in August 1992 at Rats In The Cellar. All songs mixed in Sept. 1993 at Stereo Mountain, Moncton, N.B. © 1993 Sappy Songs except "The Future" Nick Other. ℗ 1993 Derivative Distributed by Cargo. Tracks numbers as per labels, i.e. 1 through 5. Barcode and Other Identifiers Matrix / Runout: DUH011-A Kdisc L-42147 Matrix / Runout: DUH-011-B KL L-42147-X Other versions Category Artist Title (Format) Label Category Country Year duh 011 Eric's Trip Warm Girl (7", Cle) Derivative Records duh 011 Canada 1993 DUH011 Eric's Trip Warm Girl (7", EP, Blu) Derivative Records DUH011 Canada 1993 DUH011 Eric's Trip Warm Girl (7", EP, Red) Derivative Records DUH011 Canada 1993 Related Music albums to Warm Girl by Eric's Trip 1. -
Here Is Queer: Nationalisms and Sexualities
HERE IS QUEER: NATIONALISMS AND SEXUALITIES IN CONTEMPORARY CANADIAN LITERATURES by PETER DICKINSON B.A., The University of Toronto, 1990 M.A., The University of British Columbia, 1993 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE STUDIES (Department of English) We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA December 1996 © Peter Dickinson, 1996 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of £AJ hsk. The University of British Columbia Vancouver, Canada Date gZ8 /?77~ ii Abstract This dissertation explores the relationship between the regulatory discourses of nationalism and sexuality as they operate in the cultural production and textual dissemination of contemporary Canadian literatures. Applying recent studies in postcolonial and queer theory to a number of works by gay and lesbian authors written across a broad spectrum of years, political perspectives, and genres, I seek to formulate a critical methodology which allows me to situate -
Bibliography of Canadian Literature in the Special Collections of the Trent University Archives As of March 2012
Bibliography of Canadian Literature in the Special Collections of the Trent University Archives as of March 2012. This collection has grown over a number of decades and often through donations. Early on the Library’s base collection was built via the Shell Canada Fund for Canadian Literature. Later donors of significant numbers of books include, A.J.M. Smith, Margaret Laurence, and Hugh and Elizabeth Anson-Cartwright. Note: This bibliography is in Library of Congress call number order. The first section lists Canadian literature serials and the second section lists monographs. The monographs are both fiction and literary criticism. Canadian Literature Serials Coming Attractions 89 / edited by Maggie Helwig & Bronwen Wallace. Ottawa, Ont. : Oberon Press, c1989. PS 8329 .C65 1989 TC Coming attractions 99 / edited by Maggie Helwig. [Ottawa] : Oberon Press, 1999. PS 8529 .C65 1999 TC Coming attractions 97 / Elyse Gasco, Dennis Bock, & Nadine McInnis. [Ottawa] : Oberon Press, c1997. PS 8329 .C65 1997 TC The Grammateion : the St. Michael's College journal of the arts. [Toronto] : The College, [1975]- PS 8001 .G73 V.9 NO.1 1983 SPC PS 8001 .G73 V.9 NO.2 1983 SPC Index, a guide to good reading. Montreal, Index editorial service, 1946-9999. PS 8001 .I4885 V.1, NO.6 (AUG. 1946) Intercourse; contemporary Canadian writing. Montreal, Poverty Press. PS 8001 .I5 NO.4 (1966?) It needs to be said (Kingston, Ont. : 1976) Kingston, Ont. [1976] PS 8001 .I732 NO.2 (FALL 1976) It needs to be said/the front. Kingston, Ont. [s.n.] PS 8001 .I732 NO.1 [1976] The Literary garland, and British North American magazine. -
God, Noah, Lord Byron — and Timothy Findley
God, Noah, Lord Byron — and Timothy Findley MERVYN NICHOLSON "The vast known and immeasurable unknown" LORD BYRON, Heaven and Earth "Hell can be survived" TIMOTHY FINDLEY, "Alice Drops Her Cigarette" T X. iMOTHY FINDLEY5 Not Wanted on the Voyage has a colour and boldness that differentiate it from the realism that in many ways is still the dominant idiom in Canadian fiction. The novel is a fantasy, yet it is fantasy founded on that most canonic of all texts, the Bible, the text that explicidy forbids change or addition. By contrast with Famous Ixist Words, Not Wanted on the Voyage takes a biblical event that is both fictional and sacred ("true") and supplements it with a "realistic" core of human relations. As George Woodcock notes, Noah's flood is "a tale that to most Jews, Christians, and Moslems has been for centuries credible history" (171). Findley also adds an elaborate web of fantasy that includes singing sheep, faeries, and dragons. But the chief addi• tion is something very un-fantastic: a complex of domestic power relations enacted in an un-exotic landscape that looks like the lush countryside of southern Ontario. Not Wanted on the Voyageh as original a novel as Canadian literature stocks.' But like most highly original works, it has a tradition. In this case, it is the tradition of reading the Bible in its infernal sense, as Blake put it, of recreating the Bible subversively, in effect decon• structing it by liberating a subtext of social oppression, mental repression. The aim is to reveal, forcefully and clearly, the power ARIEL: A Review of International English Literature, 23:2, April 1992 88 MKRVYN NICHOI.SON relations in the Bible and in any culture that professes to take the Bible literally. -
All Bad: the Biblical Flood Revisited in Modern Fiction
All Bad: The Biblical Flood Revisited in Modern Fiction Vladimir Tumanov Department of Modern Languages and Literatures, Western University, London, ON N6A 3K7, Canada e-mail: [email protected] Author's Copy Arcadia: Internationale Zeitschrift für Literaturwissenschaft 42 (1) 84-97 DOI 10.1515/ARCA.2007.006 All Bad Vladimir Tumanov Arcadia (2007) 42 (1) 84-97 2 All Bad: The Biblical Flood Revisited in Modern Fiction1 Abstract: Modern retellings of the Flood pericope (Genesis 6–8) depend on the age of the targeted audience. Writing for adults, Wolfdietrich Schnurre, Brigitte Schär, Timothy Findley, and Anne Provoost ask whether universal annihilation can be justified. Their criticism of the divine notion that evil is universal and indiscriminate collective punishment is therefore justified, reveals values that are incompatible with those informing the original biblical narrative. However much modernity is aware that myths are symbolic, it apparently cannot assimilate their ethics without a critical reassessment. In this, modern writers rely on the realistic premises of modern novelistic narration. In contrast, modern retellings of the Flood story for children appear to be far more prepared to accept the ancient value system underlying the biblical narrative. Books for younger audiences seem to be much more comfortable with the notion of generalized evil and global punishment than works for adults. This becomes particularly striking in a number of picture books about Noah’s ark. The narrative stance of writers ultimately depends on the way they perceive adulthood and childhood. 1 Published article here: http://www.degruyter.com/view/j/arca.2007.42.issue-1/arca.2007.006/arca.2007.006.xml All Bad Vladimir Tumanov Arcadia (2007) 42 (1) 84-97 3 Introduction Notions of good and evil in the Old Testament have to do with collective responsibility.