DOCSLIB.ORG

P40 Layout 1

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
P40 Layout 1 ‘The Force Awakens’ wins top honors at MTV Movie38 Awards MONDAY, APRIL 11, 2016 A Tale of Two Cultures: Sons of Yusuf shine a light through the fog midst the Islamaphobic rhetoric taking the world by storm, some of which is Abeing dispersed by several presidential campaigns in the US, two youngsters from Kuwait are aiming to reveal the truth behind a region misunderstood. Sons of Yusuf are already known to many youth in Kuwait and the Arab World as performers of Western hip- hop music that talks about the great pride in being Kuwaiti, a Gulf citizen, Arab and Muslim. They’ve appeared on local TV ads in Ramadan, have performed at Kuwait University and other universities and art ven- ues across Kuwait, the United States, the Gulf and the Arab World and have been inter- viewed by CNN and Alarabiya. They have been endorsed time and time again by more and more cultural societies and media outlets as their fanbase gets bigger and bigger. Their Youtube video “Hala Hala (We Dem Boyz Arabia Remix),” which is a satire of a song by US rapper Wiz Khalifa with an Arab twist, has reached one million views. had their first interactions with American doing.” Sons of Yusuf’s videos show two guys nessed the Kaaba was indescribable.” known to the West. “Especially at this time, This is plainly due to the fact that Sons of children. “We saw how they would react to us. dressed in attire known to the Gulf as the ‘dish- Through a medium common to many you know, we feel like this is our time to Yusuf are not your typical run-of-the-mill pop All these questions we would get - ‘do yo ride dasha’, a white dress-like garment worn by young people around the world, including the speak up. group. While it is hard in this day and age to camels back home? Do you live in a tent?’.” This men, and a skull cap known as ‘gahfiyya’ as Arab region, the group say they aim to remind It’s about time we share our side of the find music that carries a message, they do. “We formed their desire to “explain things” to peo- well as t-shirts and baseball caps. Women in the younger Gulf Arab generation of their old story - not just the media and the news,” want them to know what our culture and her- ple, and “show people where we come from,” their videos wear the burqaa as well as jeans values and traditions. “We have a responsibili- explains Ya’kub. “We can’t change everything, itage is about,” they told KUNA, fresh from hav- Ya’kub, 28, says. and t-shirts much like the diverse Gulf society ty, especially to the youth,” Abdul’Rahman but we want to spark new ideas and inspire ing performed in Washington DC amongst a Younger brother Abdul Rahman, 26, who which has witnessed the entry of Western underlines. And, at a time where media does others to speak out through art and music.” group of travelling artists from the Arab Gulf. goes by the stage name of ‘Humble Abdul’, fashions yet still maintains its own. Despite not do much to highlight the culture and her- Sons of Yusuf are currently working on an After the Gulf War, which ended in 1991, says that the group’s music is about “being their obvious links to the West, Ya’kub says the itage of Kuwaiti and Gulf Arab societies, they album in Los Angeles, California, entitled two young brothers followed their family to ourselves. To basically stop chasing the brothers haven’t forgotten their faith, and “the have taken it upon themselves to “break “Sheikh The World,” with a US Grammy-award America where they we went to school and Western world and doing whatever they’re feeling I got when I visited Makka and wit- through boundaries” and make their culture winning producer. — KUNA Judge grants Sheen’s ex-fiance temporary Nude, singing with wolves? restraining order judge on Friday granted Charlie Sheen’s ex-fiancÈe a Belarus to test Eurovision limits Atemporary restraining order after she cited threats elarusian singer Ivan plans to take next animals.” The problem? It is not clear whether the French artist’s famous nude sculpture. the actor made toward her and two 2014 incidents of month’s Eurovision Song Contest by the act will be allowed to go ahead. “Can you imagine ‘The Thinker’ wearing alleged domestic violence. Superior Court Judge Alicia Bstorm-performing completely naked Eurovision bans animals on stage. And while jeans?” Eurovision, now in its 61st year, fea- Blanco approved the stay-away order Friday based on with a wolf at his side. But his plan may prove there is no rule on nudity, spokesman Paul tures acts ranging from the brilliant to the Scottine Ross’ application stating she was fearful of the too much even for a show known as an annu- Jordan told AFP this is “not appropriate” for a bizarre and pulls in a TV audience from actor because he purportedly threatened her life on an al celebration of weirdness, held this year in family show. Drobysh insists the performance around the world. Its finals are set for May 14. audio recording obtained by the celebrity website Stockholm in May. The act by the lanky 21- is an artistic statement. Ivan will represent Belarus, a small ex- RadarOnline.com. year-old with a mane of reddish blond hair Soviet country not exactly known for its liber- Ross’ filing also stated Sheen kicked her on the ground was dreamt up by Viktor Drobysh, a well- ‘Art, Not Porn’ tarian ways. It is sandwiched between the in January 2014 and choked her to the point she almost known Russian producer with a strong “It’s not about vulgarity or sex at all. “We European Union and Russia, its chief ally. “The lost consciousness a few months Eurovision track record. “It’s undoubtedly an want this to be art, not porn,” he said, as the final version of the song will be confirmed lat- later. Emails to Sheen’s publicist experience, a great experience,” Ivan, whose studio staff-with a bit of irony-tinkered with a er,” chief spokeswoman for Belarus state tele- and lawyer seeking comment real name is Alexander Ivanov, told AFP in an future track by Ivan with the chorus, “I want vision and radio company Svetlana were not immediately returned. interview at Drobysh’s Moscow studio. sex, sex, sex.” “I think the beauty that will be in Kraskovskaya told AFP. “What you see is one The order requires Sheen to refrain “Especially as I have never performed on our performance is comparable to that of of the options,” she said of a promo video of from contacting Ross; to stay 100 stage before in my birthday suit and with wild Rodin’s ‘The Thinker’,” Drobysh said, evoking Ivan singing his contest entry, “Help You Fly”, yards from her, her home, work- in which he appears naked with a trained place and car; and to turn in any shewolf named Shakira by his side. A picture shows Belarus’ singer Ivan, guns he may own. The order also Eurovision is known for its wacky outfits- whose real name is Alexander Ivanov, allows Ross, who performed in from Finland’s 2006 winner Lordi in their playing the guitar during an interview adult films under the name Brett monster masks to Ukraine’s 2007 drag queen with AFP at Russian producer Viktor Rossi, to record any conversations contestant Verka Serduchka in her disco-mir- Drobysh’s studio in Moscow. she has with the actor. rored headdress. But Ivan has been dubbed in with their mix of authentic peasant outfits There are no indications in the filing that Sheen has some reports as possibly the songfest’s weird- and disco beat, he’s made a name at sought to contact Ross recently. Los Angeles police con- est contestant yet, something he takes as a Eurovision. He said the Belarusian state televi- firmed Wednesday they’re investigating Sheen after compliment. He says he and Drobysh thought sion company “is working on all the legal receiving a criminal report last week. They haven’t identi- long about possible costumes, but ultimately questions”, although its spokeswoman told fied the alleged victim or the exact nature of the investi- decided on none at all, to show “nature and AFP that Drobysh himself is in charge of gation, which is being headed by detectives from a unit man are together”. Working with a wolf negotiations. that investigates serious stalking and criminal threats cas- brought another challenge. “The first Eurovision “will take a decision” after see- es. RadarOnline has said it was served with a warrant rehearsals were very scary, but all the same ing a “second-by-second outline of the rou- seeking audio that is purportedly of Sheen threatening to we made friends,” said Ivan, adding the tine,” said Drobysh. He admitted there is a less bury Ross, whose relationship with the actor ended in sausages he fed her helped. “She liked my exciting plan B for the performance, which he 2014. The website has said it believes the warrant is ille- smell and started rubbing up against me.” described as a “lite” version. Belarus has per- gal. Ross is suing Sheen, claiming he had sex with her Spirit of the times formed at Eurovision 12 times since 1994 and without disclosing he has HIV. That case is being handled Drobysh is pushing for the act. And as the its best result was Dmitry Koldun’s sixth place in arbitration.
Load more

Recommended publications
  • Danielson, Killingly & Its Villages Vol
    PRSRT STD POSTAL U.S. POSTAGE PAID CUSTOMER PERMIT #231 ECR WSS SOUTHBRIDGE, MA 01550 Mailed to every home in Brooklyn, the borough of Danielson, Killingly & its villages Vol. II, No.10 Complimentary (860) 928-1818/email:[email protected] "A friend in the market is better than money in the chest." Friday, February 1, 2008 East Killingly Fire District plans new station Towns BY JOSH SAYLES They are unelected officials who VILLAGER STAFF WRITER tax independently of Killingly and gear up EAST KILLINGLY — The East have the ability to put a lien on an Killingly Fire District is planning individual’s property if taxes are to build a new fire station, a propos- not paid. al that has some residents con- Some East Killingly residents cerned about the price tag and the believe that the solution for the for primary need for such a facility. firehouse lies within expansion of The cost is estimated by some the current facility, not a new residents to be as much as $1.4 mil- building. lion, and citizens aware of the situ- Stevens disagreed. He said that election ation have raised several concerns the expansion, for what the depart- ment currently needs, would cost BY BRAD TILLES about the funding of the project. VILLAGER STAFF WRITER East Killingly Fire District approximately $700,000, not includ- President George Stevens, however, ing the cost of bringing the current The upcoming Connecticut said the cost of the project could building up to code. Furthermore, Presidential Primary is fast not yet be determined. the original building was built in approaching on Feb.
    [Show full text]
  • ASK LANCE TOLAND Let’S Focus on Giving Transition Pilots All the Help They Need
    WHY PRESSURE PATTERNS MAKE THE MOST SENSE WINTER 2017 PILATUS OWNERS AND PILOTS ASSOCIATION CHANGES IN THE AIR WHEN ATC ALTERS THE GAME PLAN AT THE LAST MINUTE ALONE IN THE COCKPIT When no one’s there to catch your errors PLUS FLYING YOUR PC-12 FLTPLAN GO JUST FROM SPACE GETS BETTER Surprising how much we do and say Great new features keep coming is now coming from a satellite Power, Performance, and Prestige The New Structural Composite 5-blade STC for Pilatus PC-12 The Pilatus PC-12 has earned its reputation for outstanding versatility, performance, reliability, and operational flexibility. The new Hartzell 5-blade composite STC raises it to a whole new level. The numbers speak for themselves: 〉 2-3 knots improved cruise speed 〉 Over 10% shorter takeoff roll 〉 Up to 100 feet per minute better climb rate A BOLD STATEMENT DOESN’T NEED TO MAKE NOISE. For 2017, the Pilatus PC-12 NG launches bolder than ever. We’ve partnered with Designworks, a BMW Group Company, to offer six modern and elegant interior designs, each tailored to a Now available for immediate delivery and installation. unique style and attitude – yours. The new PC-12 NG’s composite five-blade propeller makes Contact your local Pilatus Sales & Service Center for details, the cabin even quieter and the ride even smoother. After all, great style is never loud. or visit hartzellprop.com Pilatus Business Aircraft Ltd • +1 303 465 9099 • www.pilatus-aircraft.com PIL0117_POPA_BoldStatement.indd 1 2/3/2017 8:21:56 AM Power, Performance, and Prestige The New Structural Composite 5-blade STC for Pilatus PC-12 The Pilatus PC-12 has earned its reputation for outstanding versatility, performance, reliability, and operational flexibility.
    [Show full text]
  • Lesbian Camp 02/07
    SQS Bespectacular and over the top. On the genealogy of lesbian camp 02/07 Annamari Vänskä 66 In May 2007, the foundations of the queer Eurovision world seemed to shake once again as Serbia’s representative, Queer Mirror: Perspectives Marija Šerifović inspired people all over Europe vote for her and her song “Molitva”, “Prayer”. The song was praised, the singer, daughter of a famous Serbian singer, was hailed, and the whole song contest was by many seen in a new light: removed from its flamboyantly campy gay aesthetics which seems to have become one of the main signifiers of the whole contest in recent decades. As the contest had al- ready lost the Danish drag performer DQ in the semi finals, the victory of Serbia’s subtle hymn-like invocation placed the whole contest in a much more serious ballpark. With “Molitva” the contest seemed to shrug off its prominent gay appeal restoring the contest to its roots, to the idea of a Grand Prix of European Song, where the aim has been Marija Šerifović’s performance was said to lack camp and restore the to find the best European pop song in a contest between contest to its roots, to the idea of a Grand Prix of European Song. different European nations. The serious singer posed in masculine attire: tuxedo, white riosity was appeased: not only was Šerifović identified as shirt, loosely hanging bow tie and white sneakers, and was a lesbian but also as a Romany person.1 Šerifović seemed surrounded by a chorus of five femininely coded women.
    [Show full text]
  • L'italia E L'eurovision Song Contest Un Rinnovato
    La musica unisce l'Europa… e non solo C'è chi la definisce "La Champions League" della musica e in fondo non sbaglia. L'Eurovision è una grande festa, ma soprattutto è un concorso in cui i Paesi d'Europa si sfidano a colpi di note. Tecnicamente, è un concorso fra televisioni, visto che ad organizzarlo è l'EBU (European Broadcasting Union), l'ente che riunisce le tv pubbliche d'Europa e del bacino del Mediterraneo. Noi italiani l'abbiamo a lungo chiamato Eurofestival, i francesi sciovinisti lo chiamano Concours Eurovision de la Chanson, l'abbreviazione per tutti è Eurovision. Oggi più che mai una rassegna globale, che vede protagonisti nel 2016 43 paesi: 42 aderenti all'ente organizzatore più l'Australia, che dell'EBU è solo membro associato, essendo fuori dall'area (l’anno scorso fu invitata dall’EBU per festeggiare i 60 anni del concorso per via dei grandi ascolti che la rassegna fa in quel paese e che quest’anno è stata nuovamente invitata dall’organizzazione). L'ideatore della rassegna fu un italiano: Sergio Pugliese, nel 1956 direttore della RAI, che ispirandosi a Sanremo volle creare una rassegna musicale europea. La propose a Marcel Bezençon, il franco-svizzero allora direttore generale del neonato consorzio eurovisione, che mise il sigillo sull'idea: ecco così nascere un concorso di musica con lo scopo nobile di promuovere la collaborazione e l'amicizia tra i popoli europei, la ricostituzione di un continente dilaniato dalla guerra attraverso lo spettacolo e la tv. E oltre a questo, molto più prosaicamente, anche sperimentare una diretta in simultanea in più Paesi e promuovere il mezzo televisivo nel vecchio continente.
    [Show full text]
  • MA Thesis: Linguistics: English Language and Linguistics
    MA thesis: Linguistics: English Language and Linguistics Sean de Goede S0871346 First reader: Tony Foster Second reader: Lettie Dorst Leiden University Faculty of Humanities Department of Linguistics 08-06-2015 Language Switches in Eurovision Song Contest Lyrics 1 The Stylistics of Language Switches in Lyrics of Entries of the Eurovision Song Contest MA thesis: Linguistics: English Language and Linguistics Sean de Goede S0871346 First reader: Tony Foster Second reader: Lettie Dorst Leiden University Faculty of Humanities Department of Linguistics 08-06-2015 Language Switches in Eurovision Song Contest Lyrics 2 Acknowledgements It did not come as a surprise to the people around me when I told them that the subject for my Master’s thesis was going to be based on the Eurovision Song Contest. Ever since I was a little boy I have been a fan, and some might even say that I became somewhat obsessed, for which I cannot really blame them. Moreover, I have always had a special interest in mixed language songs, so linking the two subjects seemed only natural. Thanks to a rather unfortunate turn of events, this thesis took a lot longer to write than was initially planned, but nevertheless, here it is. Special thanks are in order for my supervisor, Tony Foster, who has helped me in many ways during this time. I would also like to thank a number of other people for various reasons. The second reader Lettie Dorst. My mother, for being the reason I got involved with the Eurovision Song Contest. My father, for putting up with my seemingly endless collection of Eurovision MP3s in the car.
    [Show full text]
  • Introduction. Queer Eurovision, Post-Closet SQS 02/07 Mikko Tuhkanen
    Introduction. Queer Eurovision, post-closet SQS 02/07 Mikko Tuhkanen 8 First staged in 1956, the Eurovision Song Contest (ESC) calls “the narrative of decline”. The proponents of this nar- was originally established to allow European countries to rative critique what they consider the commercialisation Introduction showcase their particular national cultures. Each country of a space where the coming together of neighbours was was to choose a contestant that best reflected the national to be enacted. Yet, like so many other stories we tell of our constituent. While the entries from different countries pasts, this legend mourns something that may never have would meet on the stage in a playful competition, the existed. As Pajala points out, only in 2002 was the wish event’s real aim was to enhance transnational understand- that the songs reflect national cultures inscribed in the ing by familiarising European peoples with each other’s Eurovision Broadcasting Union (EBU) rules (ibid., 377n43). cultures. Moreover, one need not underline the paradox in the la- ment over the presumed loss of Eurovision’s innocence: Yet, the idea behind the contest—a benevolent encounter the fact that a “mass event” cannot but produce “mass of nationalities, beamed to domestic spaces across the entertainment”. It is not surprising that the ESC became continent—quickly disintegrated into a mass-culture spec- the phenomenon it was in the 1970s (if not earlier) only by tacle that held scant allegiance to its original intentions. owning the most easily assimilable idiom and strategies Rather than celebrate their particular cultures, countries of popular culture.
    [Show full text]
  • Eurovision Karaoke
    1 Eurovision Karaoke ALBANÍA ASERBAÍDJAN ALB 06 Zjarr e ftohtë AZE 08 Day after day ALB 07 Hear My Plea AZE 09 Always ALB 10 It's All About You AZE 14 Start The Fire ALB 12 Suus AZE 15 Hour of the Wolf ALB 13 Identitet AZE 16 Miracle ALB 14 Hersi - One Night's Anger ALB 15 I’m Alive AUSTURRÍKI ALB 16 Fairytale AUT 89 Nur ein Lied ANDORRA AUT 90 Keine Mauern mehr AUT 04 Du bist AND 07 Salvem el món AUT 07 Get a life - get alive AUT 11 The Secret Is Love ARMENÍA AUT 12 Woki Mit Deim Popo AUT 13 Shine ARM 07 Anytime you need AUT 14 Conchita Wurst- Rise Like a Phoenix ARM 08 Qele Qele AUT 15 I Am Yours ARM 09 Nor Par (Jan Jan) AUT 16 Loin d’Ici ARM 10 Apricot Stone ARM 11 Boom Boom ÁSTRALÍA ARM 13 Lonely Planet AUS 15 Tonight Again ARM 14 Aram Mp3- Not Alone AUS 16 Sound of Silence ARM 15 Face the Shadow ARM 16 LoveWave 2 Eurovision Karaoke BELGÍA UKI 10 That Sounds Good To Me UKI 11 I Can BEL 86 J'aime la vie UKI 12 Love Will Set You Free BEL 87 Soldiers of love UKI 13 Believe in Me BEL 89 Door de wind UKI 14 Molly- Children of the Universe BEL 98 Dis oui UKI 15 Still in Love with You BEL 06 Je t'adore UKI 16 You’re Not Alone BEL 12 Would You? BEL 15 Rhythm Inside BÚLGARÍA BEL 16 What’s the Pressure BUL 05 Lorraine BOSNÍA OG HERSEGÓVÍNA BUL 07 Water BUL 12 Love Unlimited BOS 99 Putnici BUL 13 Samo Shampioni BOS 06 Lejla BUL 16 If Love Was a Crime BOS 07 Rijeka bez imena BOS 08 D Pokušaj DUET VERSION DANMÖRK BOS 08 S Pokušaj BOS 11 Love In Rewind DEN 97 Stemmen i mit liv BOS 12 Korake Ti Znam DEN 00 Fly on the wings of love BOS 16 Ljubav Je DEN 06 Twist of love DEN 07 Drama queen BRETLAND DEN 10 New Tomorrow DEN 12 Should've Known Better UKI 83 I'm never giving up DEN 13 Only Teardrops UKI 96 Ooh aah..
    [Show full text]
  • {Replace with the Title of Your Dissertation}
    Morphosyntactic analysis of Surzhyk, a Russian–Ukrainian mixed lect A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL OF THE UNIVERSITY OF MINNESOTA BY Kateryna Kent IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Nancy Stenson Adviser August 2012 © Kateryna Kent 2012 i Acknowledgements I am grateful for the assistance of the following professors: o Dr. J.P. Marcotte for his invaluable guidance on the earlier drafts of this dissertation. o Dr. Nancy Stenson for many hours of time and guidance. Her knowledge and expertise in the area of language contact and field research made this dissertation possible. I would like to thank my research participants in Ukraine for providing me with hours of corpus data and for sharing their life stories with me. Their stories enriched me professionally, culturally, and spiritually. I would like to thank my colleagues from the Classical Private University in Ukraine for their help with collecting data and recruiting research participants for my study. I would like to thank my parents, Viktor and Svitlana Dyatlov, for help and support throughout these years of graduate studies. They spent countless hours helping me recruit the research participants, driving me to my research sites all over Ukraine, and watching my son so that I can spend time writing. Finally, I would like to thank my husband, Daniel, and my son, Motya, who watched me sit in front of the computer and write, who supported me through all of the difficult times and stress that dissertation writing can cause. I love you both.
    [Show full text]
  • Aurelia's Magic Aurelia's Magic
    AURELIA'S MAGIC __________________________ A one-act dramedy by John Bolen This script is for evaluation only. It may not be printed, photocopied or distributed digitally under any circumstances. Possession of this file does not grant the right to perform this play or any portion of it, or to use it for classroom study. www.youthplays.com [email protected] 424-703-5315 Aurelia's Magic © 2009 John Bolen All rights reserved. ISBN 978-1-62088-437-9. Caution: This play is fully protected under the copyright laws of the United States of America, Canada, the British Commonwealth and all other countries of the copyright union and is subject to royalty for all performances including but not limited to professional, amateur, charity and classroom whether admission is charged or presented free of charge. Reservation of Rights: This play is the property of the author and all rights for its use are strictly reserved and must be licensed by his representative, YouthPLAYS. This prohibition of unauthorized professional and amateur stage presentations extends also to motion pictures, recitation, lecturing, public reading, radio broadcasting, television, video and the rights of adaptation or translation into non-English languages. Performance Licensing and Royalty Payments: Amateur and stock performance rights are administered exclusively by YouthPLAYS. No amateur, stock or educational theatre groups or individuals may perform this play without securing authorization and royalty arrangements in advance from YouthPLAYS. Required royalty fees for performing this play are available online at www.YouthPLAYS.com. Royalty fees are subject to change without notice. Required royalties must be paid each time this play is performed and may not be transferred to any other performance entity.
    [Show full text]
  • 'Gay Olympics'?: the Eurovision Song Contest and the Politics of LGBT/European Belonging Catherine Baker
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Repository@Hull - CRIS The ‘Gay Olympics’?: The Eurovision Song Contest and the politics of LGBT/European belonging Catherine Baker (University of Hull) Accepted for publication in European Journal of International Relations Abstract The politics of gay and transgender visibility and representation at the Eurovision Song Contest, an annual televised popular music festival presented to viewers as a contest between European nations, show that processes of interest to Queer International Relations do not just involve states or even international institutions; national and transnational popular geopolitics over ‘LGBT rights’ and ‘Europeanness’ equally constitute the understandings of ‘the international’ with which Queer IR is concerned. Building on Cynthia Weber’s reading the persona of the 2014 Eurovision winner Conchita Wurst with ‘queer intellectual curiosity’, this paper demonstrates that Eurovision shifted from, in the late 1990s, an emerging site of gay and trans visibility to, by 2008–14, part of a larger discursive circuit taking in international mega-events like the Olympics, international human-rights advocacy, Europe/Russia relations, and the politics of state homophobia and transphobia. Contest organisers thus had to take positions – ranging from detachment to celebration – about ‘LGBT’ politics in host states and the Eurovision region. The construction of spatio-temporal hierarchies around attitudes to LGBT rights, however, revealed exclusions that corroborate other critical arguments on the reconfiguration of national and European identities around ‘LGBT equality’. Introduction The theoretical interventions of Queer International Relations, which recognise how sexualities and gender non-conformity are embedded in international politics, have ‘transformative’ potential for International Relations (Langlois, 2015: 1).
    [Show full text]
  • Eurovision Karaoke
    1 Eurovision Karaoke Eurovision Karaoke 2 Eurovision Karaoke ALBANÍA AUS 14 Conchita Wurst- Rise Like a Phoenix ALB 07 Hear My Plea BELGÍA ALB 10 It's All About You BEL 06 Je t'adore ALB 12 Suus BEL 12 Would You? ALB 13 Identitet BEL 86 J'aime la vie ALB 14 Hersi - One Night's Anger BEL 87 Soldiers of love BEL 89 Door de wind BEL 98 Dis oui ARMENÍA ARM 07 Anytime you need BOSNÍA OG HERSEGÓVÍNA ARM 08 Qele Qele BOS 99 Putnici ARM 09 Nor Par (Jan Jan) BOS 06 Lejla ARM 10 Apricot Stone BOS 07 Rijeka bez imena ARM 11 Boom Boom ARM 13 Lonely Planet ARM 14 Aram Mp3- Not Alone BOS 11 Love In Rewind BOS 12 Korake Ti Znam ASERBAÍDSJAN AZE 08 Day after day BRETLAND AZE 09 Always UKI 83 I'm never giving up AZE 14 Start The Fire UKI 96 Ooh aah... just a little bit UKI 04 Hold onto our love AUSTURRÍKI UKI 07 Flying the flag (for you) AUS 89 Nur ein Lied UKI 10 That Sounds Good To Me AUS 90 Keine Mauern mehr UKI 11 I Can AUS 04 Du bist UKI 12 Love Will Set You Free AUS 07 Get a life - get alive UKI 13 Believe in Me AUS 11 The Secret Is Love UKI 14 Molly- Children of the Universe AUS 12 Woki Mit Deim Popo AUS 13 Shine 3 Eurovision Karaoke BÚLGARÍA FIN 13 Marry Me BUL 05 Lorraine FIN 84 Hengaillaan BUL 07 Water BUL 12 Love Unlimited FRAKKLAND BUL 13 Samo Shampioni FRA 69 Un jour, un enfant DANMÖRK FRA 93 Mama Corsica DEN 97 Stemmen i mit liv DEN 00 Fly on the wings of love FRA 03 Monts et merveilles DEN 06 Twist of love DEN 07 Drama queen DEN 10 New Tomorrow FRA 09 Et S'il Fallait Le Faire DEN 12 Should've Known Better FRA 11 Sognu DEN 13 Only Teardrops
    [Show full text]
  • Walker's Sundial Summ Er Su P P L E M E N T 2 0 19
    9 1 0 2 T N E M E L P P U S R E M UM S W IAL ALKER’S SUND Reunion and Commencement 2019 • Visiting Writer Seminar Student body president Tricia Saint Fort delivers her remarks during Walker’s 107th commencement exercises on Sunday, June 9, 2019. SUN|DIAL EDITORIAL BOARD In This Issue ASSISTANT HEAD FOR ADVANCEMENT Gretchen A. Orschiedt SUMMER 2019 1 Message from the DIRECTOR OF ALUMNAE RELATIONS Head of School SUPPLEMENT Marion Paterson P’17, ’19 DIRECTOR OF EXTERNAL AFFAIRS 2 Visiting Writer Seminar — Michelle G. Helmin P’19 PUBLISHED BY Naomi Shihab Nye CONTRIBUTORS The Ethel Walker School Michelle Helmin P’19 and Tyler Varsell 4 Reunion 2019 230 Bushy Hill Road, Simsbury, CT 06070 TAKE NOTE +1-860.658.4467 | www.ethelwalker.org Jane Berling and Marion Paterson P’17, ’19 10 Margot Treman Rose ’80 HEAD OF SCHOOL BIRTHS & ANNOUNCEMENTS, MARRIAGES & UNIONS, Distinguished Alumnae Award IN MEMORIAM, AND IN SYMPATHY Dr. Meera Viswanathan Margaret Gooch P’24 16 107th Commencement PHOTOGRAPHY Ben Barker, Lanny Nagler, Spencer Sloan, and 25 Middle School Promotion Tyler Varsell ADDRESS CLASS NOTES TO: 26 Annual Fund Accomplishments [email protected] Or by mail to: 28 Take Note Office of Institutional Advancement The Ethel Walker School 230 Bushy Hill Road ON THE COVER: Simsbury, CT 06070 One of our most favorite traditions is DESIGN the Maypole dance on the lawn of John Johnson Art Direction & Design The Ethel Walker School does not discriminate Beaver Brook during Reunion weekend. on the basis of race, color, religion, sexual PRINTING Virginia “Ginger” Bevis Littleton ’69 orientation, or national or ethnic origins in the Pyne-Davidson Company assisted members of the Big 7 by administration of its educational policies, holding the Maypole.
    [Show full text]