MODERN AMERICAN POETRY Table of Contents
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April 2005 Updrafts
Chaparral from the California Federation of Chaparral Poets, Inc. serving Californiaupdr poets for over 60 yearsaftsVolume 66, No. 3 • April, 2005 President Ted Kooser is Pulitzer Prize Winner James Shuman, PSJ 2005 has been a busy year for Poet Laureate Ted Kooser. On April 7, the Pulitzer commit- First Vice President tee announced that his Delights & Shadows had won the Pulitzer Prize for poetry. And, Jeremy Shuman, PSJ later in the week, he accepted appointment to serve a second term as Poet Laureate. Second Vice President While many previous Poets Laureate have also Katharine Wilson, RF Winners of the Pulitzer Prize receive a $10,000 award. Third Vice President been winners of the Pulitzer, not since 1947 has the Pegasus Buchanan, Tw prize been won by the sitting laureate. In that year, A professor of English at the University of Ne- braska-Lincoln, Kooser’s award-winning book, De- Fourth Vice President Robert Lowell won— and at the time the position Eric Donald, Or was known as the Consultant in Poetry to the Li- lights & Shadows, was published by Copper Canyon Press in 2004. Treasurer brary of Congress. It was not until 1986 that the po- Ursula Gibson, Tw sition became known as the Poet Laureate Consult- “I’m thrilled by this,” Kooser said shortly after Recording Secretary ant in Poetry to the Library of Congress. the announcement. “ It’s something every poet dreams Lee Collins, Tw The 89th annual prizes in Journalism, Letters, of. There are so many gifted poets in this country, Corresponding Secretary Drama and Music were announced by Columbia Uni- and so many marvelous collections published each Dorothy Marshall, Tw versity. -
Letters Mingle Soules
Syracuse Scholar (1979-1991) Volume 8 Issue 1 Syracuse Scholar Spring 1987 Article 2 5-15-1987 Letters Mingle Soules Ben Howard Follow this and additional works at: https://surface.syr.edu/suscholar Recommended Citation Howard, Ben (1987) "Letters Mingle Soules," Syracuse Scholar (1979-1991): Vol. 8 : Iss. 1 , Article 2. Available at: https://surface.syr.edu/suscholar/vol8/iss1/2 This Article is brought to you for free and open access by SURFACE. It has been accepted for inclusion in Syracuse Scholar (1979-1991) by an authorized editor of SURFACE. For more information, please contact [email protected]. Howard: Letters Mingle Soules Letters Mingle Soules Si1; mure than kisses) letters mingle Soules; Fm; thus friends absent speake. -Donne, "To Sir Henry Wotton" BEN HOWARD EW LITERARY FORMS are more inviting than the familiar IF letter. And few can claim a more enduring appeal than that imi tation of personal correspondence, the letter in verse. Over the centu ries, whether its author has been Horace or Ovid, Dryden or Pope, Auden or Richard Howard, the verse letter has offered a rare mixture of dignity and familiarity, uniting graceful talk with intimate revela tion. The arresting immediacy of the classic verse epistles-Pope's to Arbuthnot, Jonson's to Sackville, Donne's to Watton-derives in part from their authors' distinctive voices. But it is also a quality intrinsic to the genre. More than other modes, the verse letter can readily com bine the polished phrase and the improvised excursus, the studied speech and the wayward meditation. The richness of the epistolary tradition has not been lost on con temporary poets. -
The Earth Says Have a Place William Stafford and a Place of Language
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Great Plains Quarterly Great Plains Studies, Center for Fall 2001 The Earth Says Have A Place William Stafford And A Place Of Language Thomas Fox Averill Washburn University, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/greatplainsquarterly Part of the Other International and Area Studies Commons Averill, Thomas Fox, "The Earth Says Have A Place William Stafford And A Place Of Language" (2001). Great Plains Quarterly. 2181. https://digitalcommons.unl.edu/greatplainsquarterly/2181 This Article is brought to you for free and open access by the Great Plains Studies, Center for at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Great Plains Quarterly by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. THE EARTH SAYS HAVE A PLACE WILLIAM STAFFORD AND A PLACE OF LANGUAGE THOMAS FOX AVERILL In the spring of 1986, my daughter was almost NOTE four years old and my wife and I were to have poet William Stafford to dinner during a visit Straw, feathers, dust he made to Washburn University. I searched little things for a short Stafford poem our daughter might memorize as a welcome and a tribute. We came but if they all go one way, across this simple gem, and she spoke it to him that's the way the wind goes. at the table. -William Stafford, "Note," The Way It Is: New and Selected Poems (1998)1 Later in his visit, Stafford told a story about "Note." He traveled extensively all over the world. -
She Whose Eyes Are Open Forever”: Does Protest Poetry Matter?
commentary by JAMES GLEASON BISHOP “she whose eyes are open forever”: Does Protest Poetry Matter? ne warm June morning in 1985, I maneuvered my rusty yellow Escort over shin-deep ruts in my trailer park to pick up Adam, a young enlisted aircraft mechanic. Adam had one toddler and one newborn to Osupport. My two children were one and two years old. To save money, we carpooled 11 miles to Griffiss Air Force Base in Rome, New York. We were on a flight path for B-52s hangared at Griffiss, though none were flying that morning. On the long entryway to the security gate, Adam and I passed a group of people protesting nuclear weapons on base. They had drawn chalk figures of humans in our lane along the base access road. Adam and I ran over the drawings without comment. A man. A pregnant woman. Two children—clearly a girl and boy. As I drove toward the security gate, a protestor with long sandy hair waved a sign at us. She was standing in the center of the road, between lanes. Another 15 protestors lined both sides of the roads, but she was alone in the middle, waving her tall, heavy cardboard sign with block hand lettering: WE DON’T WANT YOUR NUKES! A year earlier, I’d graduated from college and joined the Air Force. With my professors’ Sixties zeitgeist lingering in my mind, I smiled and waved, gave her the thumbs up. Adam looked away, mumbled, “Don’t do that.” After the gate guard checked our IDs, Adam told me why he disliked the protestors. -
Praying with William Stafford Presented by Jerry Williams Why I
Praying with William Stafford Presented by Jerry Williams Why I Am Happy Now has come, an easy time. I let it roll. There is a lake somewhere so blue and far nobody owns it. A wind comes by and a willow listens gracefully. I hear all this, every summer. I laugh and cry for every turn of the world, its terribly cold, innocent spin. That lake stays blue and free; it goes on and on. And I know where it is. ---- WILLIAM STAFFORD (1914–1993) was born in Hutchinson, Kansas. In his early years he worked a variety of jobs—in sugar beet fields, in construction, at an oil refinery—and received his bachelor’s and master’s degrees from the University of Kansas. A conscientious objector and pacifist, he spent the years 1942–1946 in Arkansas and California work camps in the Civilian Public Service, fighting forest fires, building and maintaining trails and roads, halting soil erosion, and beginning his habit of rising early every morning to write. After the war he taught high school, worked for Church World Service, and joined the English faculty of Lewis & Clark College in Portland, Oregon, where he taught until his retirement. He received his PhD from the University of Iowa. He married Dorothy Hope Frantz in 1944, and they were the parents of four children. Stafford was the author of more than sixty books, the first of which, West of Your City, was published when he was forty-six. He received the 1963 National Book Award for Traveling through the Dark. He served as Poetry Consultant for the Library of Congress from 1970–1971 and was appointed Oregon State Poet Laureate in 1975. -
Librarian of Congress Appoints UNH Professor Emeritus Charles Simic Poet Laureate
University of New Hampshire University of New Hampshire Scholars' Repository Media Relations UNH Publications and Documents 8-2-2007 Librarian Of Congress Appoints UNH Professor Emeritus Charles Simic Poet Laureate Erika Mantz UNH Media Relations Follow this and additional works at: https://scholars.unh.edu/news Recommended Citation Mantz, Erika, "Librarian Of Congress Appoints UNH Professor Emeritus Charles Simic Poet Laureate" (2007). UNH Today. 850. https://scholars.unh.edu/news/850 This News Article is brought to you for free and open access by the UNH Publications and Documents at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Media Relations by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. Librarian Of Congress Appoints UNH Professor Emeritus Charles Simic Poet Laureate 9/11/17, 1250 PM Librarian Of Congress Appoints UNH Professor Emeritus Charles Simic Poet Laureate Contact: Erika Mantz 603-862-1567 UNH Media Relations August 2, 2007 Librarian of Congress James H. Billington has announced the appointment of Charles Simic to be the Library’s 15th Poet Laureate Consultant in Poetry. Simic will take up his duties in the fall, opening the Library’s annual literary series on Oct. 17 with a reading of his work. He also will be a featured speaker at the Library of Congress National Book Festival in the Poetry pavilion on Saturday, Sept. 29, on the National Mall in Washington, D.C. Simic succeeds Donald Hall as Poet Laureate and joins a long line of distinguished poets who have served in the position, including most recently Ted Kooser, Louise Glück, Billy Collins, Stanley Kunitz, Robert Pinsky, Robert Hass and Rita Dove. -
Robert Hayden
Robert Hayden Collected Poems Edited by Frederick Glaysher Liveright Publishing Corporation A Division ofW. W. Norton & Company New York I London Perseus Theme and Variation (for Erma) Her sleeping head with its great gelid mass of serpents torpidly astir burned into the mirroring shield- Fossil, fuchsia, mantis, 1nan 1 a scathing image dire fire and water, earth and air as hated truth the mind accepts at last all things alter even as I behold, and festers on. all things alter, the stranger said. I struck. The shield flashed bare. Alter, become a something more, Yet even as I lifted up the head a something less. Are the reveling shadows and started from that place of a changing permanence. Are, are not of gazing silences and terrored stone, and same and other, the stranger said. I thirsted to destroy. None could have passed me then- II no garland-bearing girl, no priest I sense, he said, the lurking rush, the sly or staring boy-and lived. transience flickering at the edge of things. I've spied from the corner of my eye upon the striptease of reality. There is, there is, he said, an imminence that turns to curiosa all I know· that changes light to rainbow darkness wherein God waylays us and empowers. 44 45 Middle Passage "8 bells. I cannot sleep, for I am sick Jesus, Estrella, Esperanza, Mercy: with fear, but writing eases fear a little Sails flashing to the wind like weapons, since still my eyes can see these words take shape sharks following the moans the fever and the dying; upon the page & so I write, as one horror the corposant and compass rose. -
Catalogue 143 ~ Holiday 2008 Contents
Between the Covers - Rare Books, Inc. 112 Nicholson Rd (856) 456-8008 will be billed to meet their requirements. We accept Visa, MasterCard, American Express, Discover, and Gloucester City NJ 08030 Fax (856) 456-7675 PayPal. www.betweenthecovers.com [email protected] Domestic orders please include $5.00 postage for the first item, $2.00 for each item thereafter. Images are not to scale. All books are returnable within ten days if returned in Overseas orders will be sent airmail at cost (unless other arrange- the same condition as sent. Books may be reserved by telephone, fax, or email. ments are requested). All items insured. NJ residents please add 7% sales tax. All items subject to prior sale. Payment should accompany order if you are Members ABAA, ILAB. unknown to us. Customers known to us will be invoiced with payment due in 30 days. Payment schedule may be adjusted for larger purchases. Institutions Cover verse and design by Tom Bloom © 2008 Between the Covers Rare Books, Inc. Catalogue 143 ~ Holiday 2008 Contents: ................................................................Page Literature (General Fiction & Non-Fiction) ...........................1 Baseball ................................................................................72 African-Americana ...............................................................55 Photography & Illustration ..................................................75 Children’s Books ..................................................................59 Music ...................................................................................80 -
Urban Renewal and Postwar African American Poetry By
“If The House Is Not Yet Finished”: Urban Renewal and Postwar African American Poetry By Nilofar Gardezi A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Lyn Hejinian, Chair Professor Eric Falci Professor Steven Lee Professor Waldo E. Martin Spring 2014 Abstract “If The House Is Not Yet Finished”: Urban Renewal and Postwar African American Poetry by Nilofar Gardezi Doctor of Philosophy in English University of California, Berkeley Professor Lyn Hejinian, Chair In my dissertation, I investigate the epic writings of Langston Hughes, Gwendolyn Brooks, and Robert Hayden to tell the stories of black working class life and culture in postwar New York City, Chicago, and Detroit. I suggest that these writers’ modernist epics offer a counter-poetics to the “clean” modernism of urban renewal and, implicitly, lay bare the racial exclusionism foundational to not only urban renewal’s specific policies of segregation and displacement but also to its aesthetic claims to architectural avant-gardism and newness. This was a time of urban renewal-slum clearance programs that displaced and disrupted black communities—more specifically, a time when race, modernism, and geography all collided in urban renewal—and I argue that we can see both urban renewal and the poetic responses to it in terms of aesthetic modernism. In my first chapter, “Alternative Geographies of Community in Langston Hughes’s Montage of a Dream Deferred,” I claim that Hughes’s poem about the struggle for home and belonging in postwar Harlem invokes the importance of black self-determination and action through the democratic movements of bebop jazz and montage. -
African-American Poets Past and Present: a Historical View
Curriculum Units by Fellows of the Yale-New Haven Teachers Institute 1991 Volume IV: Recent American Poetry: Expanding the Canon African-American Poets Past and Present: A Historical View Curriculum Unit 91.04.04 by Joyce Patton African American Poets Past and Present: A historical View will address in this unit African-American poets and the poetry they wrote throughout the course of history. They will be listed in chronological order as they appear in history. The Eighteenth Century Beginnings (1700-1800) brought us Phillis Wheatley and Jupiter Hammon. The Struggle Against Slavery and Racism (1800-1860) brought us George Moses Horton and Frances W. Harper. The Black Man in the Civil War (1861-1865). There were not any poets that came to us in this time frame. Reconstruction and Reaction (1865-1915) brought us Paul Laurence Dunbar, W.E.B. Du Bois, William S. Braithwaite, and Fenton Johnson. Renaissance and Radicalism (1915-1945) brought us James Weldon Johnson, Claude McKay, Langston Hughes, Contee Cullen, Angelina Grimke, Arna Bontemps, and Sterling Brown. The Present Generation brought us Robert Hayden, Gwendolyn Brooks, Imamu Baraka (LeRoi Jones), Owen Dodson, Samuel Allen, Mari E. Evans, Etheridge Knight, Don L. Lee, Sonia Sanchez and Nikki Giovanni. These poets have written poems that express the feelings of African-Americans from slavery to the present. Poems were not only things written during these times. There was folk literature, prison songs, spirituals, the blues, work songs, pop chart music, and rap music the craze of today, plus sermons delivered by ministers. The objectives of this unit are to teach children about the poets, the poems written expressing their feelings, and how to write poetry. -
Poetry for the People
06-0001 ETF_33_43 12/14/05 4:07 PM Page 33 U.S. Poet Laureates P OETRY 1937–1941 JOSEPH AUSLANDER FOR THE (1897–1965) 1943–1944 ALLEN TATE (1899–1979) P EOPLE 1944–1945 ROBERT PENN WARREN (1905–1989) 1945–1946 LOUISE BOGAN (1897–1970) 1946–1947 KARL SHAPIRO BY (1913–2000) K ITTY J OHNSON 1947–1948 ROBERT LOWELL (1917–1977) HE WRITING AND READING OF POETRY 1948–1949 “ LEONIE ADAMS is the sharing of wonderful discoveries,” according to Ted Kooser, U.S. (1899–1988) TPoet Laureate and winner of the 2005 Pulitzer Prize for Poetry. 1949–1950 Poetry can open our eyes to new ways of looking at experiences, emo- ELIZABETH BISHOP tions, people, everyday objects, and more. It takes us on voyages with poetic (1911–1979) devices such as imagery, metaphor, rhythm, and rhyme. The poet shares ideas 1950–1952 CONRAD AIKEN with readers and listeners; readers and listeners share ideas with each other. And (1889–1973) anyone can be part of this exchange. Although poetry is, perhaps wrongly, often 1952 seen as an exclusive domain of a cultured minority, many writers and readers of WILLIAM CARLOS WILLIAMS (1883–1963) poetry oppose this stereotype. There will likely always be debates about how 1956–1958 transparent, how easy to understand, poetry should be, and much poetry, by its RANDALL JARRELL very nature, will always be esoteric. But that’s no reason to keep it out of reach. (1914–1965) Today’s most honored poets embrace the idea that poetry should be accessible 1958–1959 ROBERT FROST to everyone. -
American Poetry Review Records Ms
American Poetry Review records Ms. Coll. 349 Finding aid prepared by Maggie Kruesi. Last updated on June 23, 2020. University of Pennsylvania, Kislak Center for Special Collections, Rare Books and Manuscripts 2001 American Poetry Review records Table of Contents Summary Information....................................................................................................................................3 Biography/History..........................................................................................................................................4 Scope and Contents....................................................................................................................................... 5 Administrative Information........................................................................................................................... 7 Controlled Access Headings..........................................................................................................................8 Other Finding Aids........................................................................................................................................9 Collection Inventory.................................................................................................................................... 10 Correspondence......................................................................................................................................10 APR Events and Projects.....................................................................................................................