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Siff Announces Full Lineup for 40Th Seattle
5/1/2014 ***FOR IMMEDIATE RELEASE*** Full Lineup Announced for 40th Seattle International Film Festival FOR IMMEDIATE RELEASE Press Contact, SIFF Rachel Eggers, PR Manager [email protected] | 206.315.0683 Contact Info for Publication Seattle International Film Festival www.siff.net | 206.464.5830 SIFF ANNOUNCES FULL LINEUP FOR 40TH SEATTLE INTERNATIONAL FILM FESTIVAL Elisabeth Moss & Mark Duplass in "The One I Love" to Close Fest Quincy Jones to Receive Lifetime Achievement Award Director Richard Linklater to attend screening of "Boyhood" 44 World, 30 North American, and 14 US premieres Films in competition announced SEATTLE -- April 30, 2014 -- Seattle International Film Festival, the largest and most highly attended festival in the United States, announced today the complete lineup of films and events for the 40th annual Festival (May 15 - June 8, 2014). This year, SIFF will screen 440 films: 198 features (plus 4 secret films), 60 documentaries, 14 archival films, and 168 shorts, representing 83 countries. The films include 44 World premieres (20 features, 24 shorts), 30 North American premieres (22 features, 8 shorts), and 14 US premieres (8 features, 6 shorts). The Festival will open with the previously announced screening of JIMI: All Is By My Side, the Hendrix biopic starring Outkast's André Benjamin from John Ridley, Oscar®-winning screenwriter of 12 Years a Slave, and close with Charlie McDowell's twisted romantic comedy The One I Love, produced by Seattle's Mel Eslyn and starring Elisabeth Moss and Mark Duplass. In addition, legendary producer and Seattle native Quincy Jones will be presented with a Lifetime Achievement Award at the screening of doc Keep on Keepin' On. -
PROGRAM the TEMPEST Actors from the London Stage
PROGRAM THE TEMPEST Actors From The London Stage Thursday, February 27, 2020; 7 pm Friday, February 28, 2020; 7 pm Saturday, February 29, 2020; 7 pm Media Sponsor The Actors From The London Stage residency at the University of Notre Dame is generously supported by the McMeel Family Endowment for Excellence for Actors From The London Stage, the Paul Eulau Endowment for Excellence for Actors From The London Stage, the Deborah J. Loughrey Endowment for Excellence in Shakespeare Studies, the D & J Smith Endowment for Shakespeare and Performance, and the College of Arts and Letters. THE AFTLS APPROACH For most of his working life, William Shakespeare was a sharer in the King’s Men, London’s leading theatre company. He knew the actors he was writing for and collaborated with them on seeing the plays into performance. All theatre is a collaboration, of course, and while actors can no longer collaborate directly with Shakespeare, the Actors From The London Stage (AFTLS) company always aims to work with him, respectfully and creatively, throughout the rehearsal process. Our company’s aim is to make his words exert their magic and their power in performance, but we do this in a vital, and perhaps unconventional, way. We have no massive sets to tower over the performers and no directorial concept to tower over the text of Shakespeare’s play. In fact, AFTLS does not have a director at all; instead, the play has been rehearsed by the actors, working together to create theatre, cooperating with each other in their imaginative engagement with the play’s words. -
35 Years of Nominees and Winners 36
3635 Years of Nominees and Winners 2021 Nominees (Winners in bold) BEST FEATURE JOHN CASSAVETES AWARD BEST MALE LEAD (Award given to the producer) (Award given to the best feature made for under *RIZ AHMED - Sound of Metal $500,000; award given to the writer, director, *NOMADLAND and producer) CHADWICK BOSEMAN - Ma Rainey’s Black Bottom PRODUCERS: Mollye Asher, Dan Janvey, ADARSH GOURAV - The White Tiger Frances McDormand, Peter Spears, Chloé Zhao *RESIDUE WRITER/DIRECTOR: Merawi Gerima ROB MORGAN - Bull FIRST COW PRODUCERS: Neil Kopp, Vincent Savino, THE KILLING OF TWO LOVERS STEVEN YEUN - Minari Anish Savjani WRITER/DIRECTOR/PRODUCER: Robert Machoian PRODUCERS: Scott Christopherson, BEST SUPPORTING FEMALE MA RAINEY’S BLACK BOTTOM Clayne Crawford PRODUCERS: Todd Black, Denzel Washington, *YUH-JUNG YOUN - Minari Dany Wolf LA LEYENDA NEGRA ALEXIS CHIKAEZE - Miss Juneteenth WRITER/DIRECTOR: Patricia Vidal Delgado MINARI YERI HAN - Minari PRODUCERS: Alicia Herder, Marcel Perez PRODUCERS: Dede Gardner, Jeremy Kleiner, VALERIE MAHAFFEY - French Exit Christina Oh LINGUA FRANCA WRITER/DIRECTOR/PRODUCER: Isabel Sandoval TALIA RYDER - Never Rarely Sometimes Always NEVER RARELY SOMETIMES ALWAYS PRODUCERS: Darlene Catly Malimas, Jhett Tolentino, PRODUCERS: Sara Murphy, Adele Romanski Carlo Velayo BEST SUPPORTING MALE BEST FIRST FEATURE SAINT FRANCES *PAUL RACI - Sound of Metal (Award given to the director and producer) DIRECTOR/PRODUCER: Alex Thompson COLMAN DOMINGO - Ma Rainey’s Black Bottom WRITER: Kelly O’Sullivan *SOUND OF METAL ORION LEE - First -
Actors from the London Stage Spring Tour 2017
ACTORS FROM THE LONDON STAGE SPRING TOUR 2017 by William Shakespeare Venue Name Performance Dates Performance Times Insert your school logo here Actors From The London Stage is generously supported by the McMeel Family Endowment for Excellence for Actors From The London Stage, the Paul Eulau Endowment for Excellence for Actors From The London Stage, the Deborah J. Loughrey Endowment for Excellence in Shakespeare Studies, the D & J Smith Endowment for Shakespeare and Performance, as well as the University of Notre Dame’s Office of the Provost, and College of Arts and Letters. Design and artwork: www.imaginedesignassociates.com THE AFTLS APPROACH ABOUT ACTORS FROM THE LONDON STAGE For most of his working life, William Shakespeare was a sharer in the King’s Men, Actors From The London Stage (consisting of five British Shakespearean artists from London’s leading theatre company. He knew the actors he was writing for and such companies as the Royal Shakespeare Company, the Royal National Theatre of collaborated with them on seeing the plays into performance. Great Britain, and Shakespeare’s Globe Theatre, among others) is an educational program developed in 1975 by Homer Swander at the University of California, Santa All theatre is a collaboration, of course, and while actors can no longer collaborate Barbara. The theatre company is now based in London and at the University of Notre directly with Shakespeare, the Actors From The London Stage (AFTLS) company Dame. The artists devote a large part of their time to lectures, workshops, seminars, and always aims to work with him, respectfully and creatively, throughout the rehearsal informal meetings with students. -
LOCANTRO Theatre
Tony Locantro Programmes – Theatre MSS 792 T3743.L Theatre Date Performance Details Albery Theatre 1997 Pygmalion Bernard Shaw Dir: Ray Cooney Roy Marsden, Carli Norris, Michael Elphick 2004 Endgame Samuel Beckett Dir: Matthew Warchus Michael Gambon, Lee Evans, Liz Smith, Geoffrey Hutchins Suddenly Last Summer Tennessee Williams Dir: Michael Grandage Diana Rigg, Victoria Hamilton 2006 Blackbird Dir: Peter Stein Roger Allam, Jodhi May Theatre Date Performance Details Aldwych Theatre 1966 Belcher’s Luck by David Mercer Dir: David Jones Helen Fraser, Sebastian Shaw, John Hurt Royal Shakespeare Company 1964 (The) Birds by Aristophanes Dir: Karolos Koun Greek Art Theatre Company 1983 Charley’s Aunt by Brandon Thomas Dir: Peter James & Peter Wilson Griff Rhys Jones, Maxine Audley, Bernard Bresslaw 1961(?) Comedy of Errors by W. Shakespeare Christmas Season R.S.C. Diana Rigg 1966 Compagna dei Giovani World Theatre Season Rules of the Game & Six Characters in Search of an Author by Luigi Pirandello Dir: Giorgio de Lullo (in Italian) 1964-67 Royal Shakespeare Company World Theatre Season Brochures 1964-69 Royal Shakespeare Company Repertoire Brochures 1964 Royal Shakespeare Theatre Club Repertoire Brochure Theatre Date Performance Details Ambassadors 1960 (The) Mousetrap Agatha Christie Dir: Peter Saunders Anthony Oliver, David Aylmer 1983 Theatre of Comedy Company Repertoire Brochure (including the Shaftesbury Theatre) Theatre Date Performance Details Alexandra – Undated (The) Platinum Cat Birmingham Roger Longrigg Dir: Beverley Cross Kenneth -
Movies That Will Get You in the Holiday Spirit
Act of Violence 556 Crime Drama A Adriana Trigiani’s Very Valentine crippled World War II veteran stalks a Romance A woman tries to save her contractor whose prison-camp betrayal family’s wedding shoe business that is caused a massacre. Van Heflin, Robert teetering on the brink of financial col- Alfred Molina, Jason Isaacs. (1:50) ’11 Ryan, Janet Leigh, Mary Astor. (NR, 1:22) lapse. Kelen Coleman, Jacqueline Bisset, 9 A EPIX2 381 Feb. 8 2:20p, EPIXHIT 382 ’49 TCM 132 Feb. 9 10:30a Liam McIntyre, Paolo Bernardini. (2:00) 56 ’19 LIFE 108 Feb. 14 10a Abducted Action A war hero Feb. 15 9a Action Point Comedy D.C. is the takes matters into his own hands About a Boy 555 Comedy-Drama An crackpot owner of a low-rent amusement Adventures in Love & Babysitting A park where the rides are designed with Romance-Comedy Forced to baby- when a kidnapper snatches his irresponsible playboy becomes emotion- minimum safety for maximum fun. When a sit with her college nemesis, a young young daughter during a home invasion. ally attached to a woman’s 12-year-old corporate mega-park opens nearby, D.C. woman starts to see the man in a new Scout Taylor-Compton, Daniel Joseph, son. Hugh Grant, Toni Collette, Rachel Weisz, Nicholas Hoult. (PG-13, 1:40) ’02 and his loony crew of misfits must pull light. Tammin Sursok, Travis Van Winkle, Michael Urie, Najarra Townsend. (NR, out all the stops to try and save the day. Tiffany Hines, Stephen Boss. (2:00) ’15 1:50) ’20 SHOX-E 322 Feb. -
ALA Notables | Spotlight on Fitness | Cutie and the Boxer | Do Libraries Have a Future? | Latino Americans | Our Nixon | Buying Sex Scene & He D
March-April 2014 VOL. 29 THE VIDEO REVIEW MAGAZINE FOR LIBRARIES NO. 2 IN THIS ISSUE ALA Notables | Spotlight on Fitness | Cutie and the Boxer | Do Libraries Have a Future? | Latino Americans | Our Nixon | Buying Sex scene & he d LET BAKER & TAYLOR’S SCENE & HEARD TEAM HELP MAKE BUILDING AND MAINTAINING YOUR A/V COLLECTION EASIER WITH OUR PROFESSIONAL DIGITAL MEDIA PROCESSING (DMP) SERVICES! DMP off s a v iety of key benefi ts and feat es including: ■ Digitally reproduced original cover artwork ■ Personalized library contact information ■ Detailed content checklists and messaging ■ Circulation-tough polyvinyl CD and DVD cases ■ Single, double, multiple and locking security cases available ■ Large assortment of customized, embedded labels — genre, spine and more! To learn about DMP and other A/V products and services, contact your Sales Consultant today to discuss a custom-tailored solution for all your needs! 800-775-2600 x2050 [email protected] www.baker-taylor.com STAY CONNECTED: Spotlight Review Cutie and the Boxer a series of semi-autobiographical cartoon HHH panels (sometimes presented in striking Anchor Bay, 82 min., in iconographic animation here), although English & Japanese w/ Ushio feels that his own work is much Publisher/Editor: Randy Pitman English subtitles, R, DVD: more important (“the average one has to $24.98, Blu-ray: $29.99 support the genius”). But while the couple Associate Editor: Jazza Williams-Wood Filmmaker Zach- clearly have a loving relationship, Noriko Copy Editor: Kathleen L. Florio ary Heinzerling’s -
Shakespeare in Production Othello
Cambridge University Press 0521834589 - Othello Edited by Julie Hankey Frontmatter More information SHAKESPEARE IN PRODUCTION OTHELLO This second edition of Othello updates the first (Bristol Classical Press, 1987), both chronologically and conceptually. It includes consideration of productions from the last seventeen years, and reconsiders earlier material in the light of more recent critical attitudes. Post-colonial and feminist studies have had an impact on the way Othello is perceived and inter- preted. The question of blacked-up/black/colour-blind casting and the significance of white and/or black audiences in different political and racial contexts have recently become much more clearly articulated. In the pro- cess, Shakespeare himself has not escaped the charge of racism. Equally, the position of Desdemona has received more focused attention, both as the forbidden object of desire within a racial framework and as a woman in her own right. This edition takes account of these developments in criticism, in the theatre, on film and in the adaptations which set out to interrogate Shakespeare’s text. julie hankey is a freelance writer and one of the General Editors of the ‘Shakespeare in Production’ series. She contributed the theatre-historical editions of Richard III and Othello, before the series was adopted by Cam- bridge University Press, and has also contributed articles to Shakespeare Quarterly and New Theatre Quarterly. © Cambridge University Press www.cambridge.org Cambridge University Press 0521834589 - Othello Edited by Julie Hankey Frontmatter More information SHAKESPEARE IN PRODUCTION series editors: j. s. bratton and julie hankey This series offers students and researchers the fullest possible stage his- tories of individual Shakespearean texts. -
Qoyal Company
MEMBERS OF THE QOYAL ~tiAK E~DEAQE COMPANY KENNEDY THEATRE MARCH 4- 5 -6, 1976 ~ The EAST-WEST CENTER March, 1976 Founded in 1879, the Royal Shakespeare Theatre was called the Shakespeare Memorial Theatre until 1961 when it was incor porated under Royal Charter with the Queen as Patron. The Royal Shakespeare Company are d ivided for most of each year, playing concurrently at the Royal Shakespeare Theatre in Stratford-upon-Avon, Shakespeare's birthplace, and at the Aldwych Theatre in London. Shakespeare is the Company's main concern, but performances of other classical and modern plays bridge the gap between Shakespeare and the contemporary theatre. The members of the Royal Shakespeare Company appearing this evening are not only talented actor s, directors and musicians, but they are also g ifted teachers. During this week in Honolulu, they have bee.n conducting workshops, holding seminars and giving lectures at the East-West Cente r, at the Univers ity of Hawaii and in the Honolulu community. During the last two years, the Culture Learning Institute has presented exhibitions of paintings from the Republic of China and from Korea, a demonstration of the Martial Arts of Japan, a lecrure and demonstration of baton-twirling as practiced in the United States, readings of Indonesian and Malaysian poetry and performances of classical Chinese Opera, Balinese Puppetry, Thai music, Indones ian, Malays ian and Australian Aboriginal Dance and Jazz--East and West. These presentations have given us invaluable insights into the creative expressions and values of different culll.Jres . We are forrunate to have with u s this week a distinguished group of artists who will remind us of some of the riches of the Elizabethan theatre and of the British culll.Jral heritage. -
Actors from the London Stage Fall Tour 2016
ACTORS FROM THE LONDON STAGE FALL TOUR 2016 by William Shakespeare Venue Name Performance Dates Performance Times Insert your school logo here Supported by the McMeel Family Endowment for Excellence for Actors From The London Stage, the Paul Eulau Endowment for Excellence for Actors From The London Stage, the Deborah J. Loughrey Endowment for Excellence in Shakespeare Studies, the D & J Smith Endowment for Shakespeare and Performance, the Office of the Provost, and the College of Arts and Letters. Design and artwork: www.imaginedesignassociates.com THE AFTLS APPROACH ABOUT ACTORS FROM THE LONDON STAGE For most of his working life, William Shakespeare was a sharer in the King’s Men, Actors From The London Stage (consisting of five British Shakespearean artists from London’s leading theatre company. He knew the actors he was writing for and such companies as the Royal Shakespeare Company, the Royal National Theatre of collaborated with them on seeing the plays into performance. Great Britain, and Shakespeare’s Globe Theatre, among others) is an educational program developed in 1975 by Homer Swander at the University of California, Santa All theatre is a collaboration, of course, and while actors can no longer collaborate Barbara. The theatre company is now based in London and at the University of Notre directly with Shakespeare, the Actors From The London Stage (AFTLS) company Dame. The artists devote a large part of their time to lectures, workshops, seminars, and always aims to work with him, respectfully and creatively, throughout the rehearsal informal meetings with students. Their stay provides students and faculty with a unique process. -
Actors from the London Stage Fall Tour 2017
ACTORS FROM THE LONDON STAGE FALL TOUR 2017 by William Shakespeare Venue Name Performance Dates Performance Times Insert your school logo here Actors From The London Stage is generously supported by the McMeel Family Endowment for Excellence for Actors From The London Stage, the Paul Eulau Endowment for Excellence for Actors From The London Stage, the Deborah J. Loughrey Endowment for Excellence in Shakespeare Studies, the D & J Smith Endowment for Shakespeare and Performance, as well as the University of Notre Dame’s Office of the Provost, and College of Arts and Letters. Design and artwork: www.imaginedesignassociates.com THE AFTLS APPROACH ABOUT ACTORS FROM THE LONDON STAGE For most of his working life, William Shakespeare was a sharer in the King’s Men, Actors From The London Stage (consisting of five British Shakespearean artists from London’s leading theatre company. He knew the actors he was writing for and such companies as the Royal Shakespeare Company, the Royal National Theatre of collaborated with them on seeing the plays into performance. Great Britain, and Shakespeare’s Globe Theatre, among others) is an educational program developed in 1975 by Homer Swander at the University of California, Santa All theatre is a collaboration, of course, and while actors can no longer collaborate Barbara. The theatre company is now based in London and at the University of Notre directly with Shakespeare, the Actors From The London Stage (AFTLS) company Dame. The artists devote a large part of their time to lectures, workshops, seminars, and always aims to work with him, respectfully and creatively, throughout the rehearsal informal meetings with students. -
Lisa Harrow and Roger Payne Creatures Great and Small (With Antony Hopkins)
LISA HARROW was born in New Zealand and went to England on a government scholarship to study at the Royal Academy of Dramatic Art in London. Upon leaving RADA she was invited to join the Royal Shakespeare Company (RSC), and in her first season with them played Olivia in Twelfth Night (opposite Judi Dench). Other roles with the RSC included Desdemona in Othello, Anne Bullen in Henry VIII, Portia in Merchant Of Venice, (opposite Patrick Stewart), and Lady Amaranth in Wild Oats. Other English theatrical highlights include Juliet in Romeo and Juliet (opposite John Hurt), Eliza in Pygmalion, and Anne Whitfield in Man and Superman opposite Peter O’Toole. Lisa’s film career started in Rome, starring opposite Glenda Jackson in The Tempter for which she won the Variety Club’s Most Promising Newcomer award. She saved the world by killing Damien (Sam Neill) in The Final Conflict (Omen III), and played Helen Herriot in All Lisa Harrow and Roger Payne Creatures Great and Small (with Antony Hopkins). Gillian Armstrong’s film, The Last Days of Chez Nous earned Lisa an Australian Oscar for Best Actress and in 1997 Sunday (opposite David Suchet), won the Grand Jury in Award at the Sundance Film Festival, as well as an Independent Spirit Award nomination for Lisa for Best Actress. Lisa has starred in many TV shows in the UK, Europe and Australia. American viewers have seen her as Nancy Astor in the PBS/BBC series of the same name, and Inspector Morse and Kavanagh QC , with John Thaw. Playing Shakespeare (popularly known as the John Barton tapes), introduced her to countless drama students in colleges all over America.