CHERRY LANE THEATRE AUGUST - OCTOBER | 2019 CHECK IN AND SPREAD THE WORD!

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Dear Friends,

Welcome to American Moor, actor and playwright Keith Hamilton Cobb’s provocative look at race, Shakespeare, the character of Othello, life as a black actor in the American theatre, and more.

American Moor is a vital addition to Red Bull Theater’s ongoing work: offering great plays in conversation with the classics. This conversation truly happens with you here in the audience. We hope you find new insights in Keith’s play and enjoy great, healthy debates and dicussions following the experience.

At Red Bull, we believe in the limitless capacity of classical theater to illuminate the events of our times. The unique work we do comes to life with the imagination and support of patrons like you. Please visit RedBullTheater.com to learn more about all of our programs.

We’re thrilled to share American Moor with you.

Thank you for joining us.

Jesse Berger Founder and Artistic Director

OUR WORK IS MADE POSSIBLE, IN PART, BY SUPPORT FROM CHERRYUNDER THE DIRECTION OF ANGELINALANE FIORDELLISI THEATRE

RED BULL THEATER JESSE BERGER | FOUNDER AND ARTISTIC DIRECTOR JIM BREDESON | MANAGING DIRECTOR IN ASSOCIATION WITH EVANGELINE MORPHOS ELIZABETH IRELAND MCCANN | TOM SHEA | FREDERICK M. ZOLLO MADE POSSIBLE IN PART BY MARY MOSS GREENEBAUM AND SENOVVA PRESENTS AMERICAN MOOR A PLAY BY KEITH HAMILTON COBB STARRING KEITH HAMILTON COBB AND JOSH TYSON

SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN WILSON CHIN DEDE AYITE ALAN C. EDWARDS

SOUND DESIGN PRODUCTION STAGE GENERAL MANAGER MANAGER CHRISTIAN FREDERICKSON SHERRI KOTIMSKY CALEB SPIVEY

PRODUCTION PRODUCTION PRODUCTION MANAGER PRESS REPRESENTATIVE ADVERTISING & MARKETING GARY LEVINSON DKC/O&M DR ADVERTISING

DIRECTED BY KIM WEILD

THE PRODUCTION IS MADE POSSIBLE BY A GENEROUS GRANT FROM THE FIORDELLISI WILLIAMS FAMILY FOUNDATION. THIS PRODUCTION RECEIVED SUBSTANTIAL DEVELOPMENTAL SUPPORT FROM ARTS EMERSON | BOSTON, MA.

THIS PRODUCTION IS MADE POSSIBLE BY THE GENEROUS SUPPORT OF THE HOWARD AND MARCIA OWENS CHARITABLE TRUST.

THIS PRODUCTION IS SUPPORTED, IN PART, BY PUBLIC FUNDS FROM THE NEW YORK CITY DEPARTMENT OF CULTURAL AFFAIRS IN PARTNERSHIP WITH THE CITY COUNCIL; THE NEW YORK STATE COUNCIL ON THE ARTS, WITH THE SUPPORT OF GOVERNOR ANDREW M. CUOMO AND THE NEW YORK STATE LEGISLATURE; AND THE NATIONAL ENDOWMENT FOR THE ARTS.

ADDITIONAL MAJOR FUNDING HAS BEEN GENEROUSLY PROVIDED BY AIG, THE AMERICAN THEATRE WING, AXE-HOUGHTON FOUNDATION, THE JAMES AND JUDITH K. DIMON FOUNDATION, FUND FOR THE CITY OF NEW YORK, HOWARD GILMAN FOUNDATION, THE MARTA HEFLIN FOUNDATION, THE KAM FOUNDATION, HARRIS LIRTZMAN, NOAH MILLMAN AND CAROLYN SCHIFF, BETTY AND MICHAEL RAUCH, PETER N. RIGBY, THE SHUBERT FOUNDATION, THE MICHAEL TUCH FOUNDATION, AND STEVEN AND JOAN YOUNG.

AMERICAN MOOR is not a production of Cherry Lane Alternative. Cherry Lane Alternative is a not-for-profit corporation. Revenue derived from the rental of the theatre is used to further the work of the Cherry Lane Alternative.

OPENING NIGHT: SUNDAY, SEPTEMBER 8, 2019 SPEAK OF ME AS I AM; NOTHING EXTENUATE, NOR SET DOWN AUGHT IN MALICE...

WILLIAM SHAKESPEARE OTHELLO

THEY ARE STRANGERS TO OUR CHARACTER, IGNORANT OF OUR CAPACITY, OBLIVIOUS TO OUR HISTORY AND PROGRESS, AND ARE MISINFORMED AS TO THE PRINCIPLES AND IDEAS THAT CONTROL AND GUIDE US, AS PEOPLE.

FREDERICK DOUGLASS TO THE NATIONAL COLORED CONVENTION, ROCHESTER, NY, JULY, 1853

BUT YOU ARE A BLACK BOY, AND YOU MUST BE RESPONSIBLE FOR YOUR BODY IN A WAY THAT OTHER BOYS CANNOT KNOW. INDEED, YOU MUST BE RESPONSIBLE FOR THE WORST ACTIONS OF OTHER BLACK BODIES, WHICH, SOMEHOW, WILL ALWAYS BE ASSIGNED TO YOU.

TA–NEHISI COATES BETWEEN THE WORLD AND ME THE CAST

An Actor...... KEITH HAMILTON COBB A Director...... JOSH TYSON

Assistant Stage Manager...... R. CHRISTOPHER MAXWELL

AMERICAN MOOR will be performed with no intermisson Running time is approximately 90 minutes.

KEITH HAMILTON COBB JOSH TYSON

The Actors and Stage Managers employed in this production are members of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

Select Sunday matinee performances will be POST followed by a post-performance discussion with PERFORMANCE Keith Hamiltion Cobb and special guests. Guest panelists include Carl Cofield, Miles Parks DISCUSSIONS Grier, Kim F. Hall, Erika Lin, and more.

These discussions are free and open to the public and begin at 4:45 PM on the following Sundays: September 1, 15, 22 and 29.

Visit REDBULLTHEATER.COM for more information. FROM THE DIRECTOR

“Commune with me in contemplation of the magnitude of moment before us.” –Keith Hamilton Cobb

Now, more than ever, in reaction to political upheavals, rampant divisiveness, xenophobia, and the push for new immigration policies, much is being written and argued about the absent role of empathy in our contemporary society.

Researching the word, one discovers that the formal concept of empathy is but 100 years young. A translation of the German word “einfühling” meaning “feeling-in”, the word empathy has its roots in the Latin “em” meaning to “lean in” and “pathos” meaning to “feel”. Its original definition not only meant a “means to feel another person’s emotion…” but also to “enliven an object, or to project one’s imagined feelings onto the world.”

One defining value of theatre is its power to induce empathy in the viewer. Since the Ancient Greeks, to this moment, today in this very theater, people have been gathering, sitting side by side, sharing time and space, while collectively listening to stories. It is a widely held belief that the deeper an audience can relate to the plights of others, mentally and emotionally place itself in another person’s shoes, the more potential there is for understanding just how much of our human experience is commonly shared. From this exposure, empathy, profound insight, and respect grow, contributing to the cultivation of compassion. Constructive values are reinforced and can eventually become accepted, even appreciated reciprocally beneficial norms.

To respond with empathy is no small task. It requires vulnerability, mental exertion, honesty, and a generosity of spirit; empathy asks us to engage ethically, morally and respectfully with the “other”. It forces us up against ourselves and can be quite painful as it cracks us open in order to better see.

American Moor asks us to do the great work of empathy, to put fears aside, to lean in, to talk with rather than to each other, to listen respectfully, to see – really see an other – it acknowledges that although we may not look exactly like one another nor react like one another we nonetheless are much more similar than different and in the very act of acknowledging our shared humanity, we can begin to take the actions necessary that lead to a better society for us all.

KIM WEILD | DIRECTOR AMERICAN MOOR has been developed with the creative support of the following:

Brent Buell, Producer, Director, President at Doing Life Productions, L.L.C. Paul Kwame Johnson, Founding Artistic Director of Youth Theatre Interactions, Yonkers, NY Dr. Frank Madden, Professor of English, Westchester Community College Phoenix Theatre Ensemble, NYC, Craig Smith and Elise Stone, co-Artistic Directors Craig Wallace, Actor/Director Craig Alan Edwards, Actor/Playwright Kim F. Hall, Professor of Africana Studies, Lucyle Hook Professor of English, Barnard College, NYC Dr. Michael Witmore, Director, and Peggy O’Brien, Director of Education, Folger Shakespeare Library, Washington, DC Ayanna Thompson, Professor of English, Director Arizona Center for Medieval & Renaissance Studies at Arizona State University SenovvA, Inc. and Arianna Knapp, Executive Vice President Gary Sloan, Actor, Professor of MFA Acting, Catholic University of America Luna Stage Theatre Company, West Orange, NJ Cheryl Katz, Dramaturg Pamela Daniels, President at The Brickerati Group Kevin E. Taylor, Pastor, Unity Fellowship Church NewArk OWI (Bureau of Theatre), Boston, MA Anacostia Playhouse, Washington, DC, and Adele Robey, Executive Director

PRODUCTION STAFF Production Advertising and Marketing...... DR ADVERTISING Scott Lupi, Doug Murphy, Brenna Kilpatrick, and Madison Kaminski Production Press Representative...... DKC/O&M Rick Miramontez, Kendall Edwards, Michael Jorgensen Advisors...... OSH GHANIMAH, NOAH HAROUCHE

Master Electrician...... REBECCA MCCOY-FISCHER Lighting Programmer...... JAMES KOLDITZ Production Photographer ...... CAROL ROSEGG Company Representative...... TIMOTHY THOMPSON

Special thanks to the TDF Costume Collection. Much appreciation to the Lucille Lortel Foundation. This production was rehearsed at the Cherry Lane Studio. ABOUT THE COMPANY KEITH HAMILTION COBB (Playwright/“An Actor”) is a graduate of NYU’s Tisch School of the Arts with a BFA in acting, and most widely known for the roles he has created for television, among those Noah Keefer for ABC’s “All My Children”; the galactic mercenary, Tyr Anasazi, for Gene Rodenberry’s “Andromeda”; Damon Porter for CBS’s “The Young and the Restless”; and Quincy Abrams for the Logo network series “Noah’s Arc.” He has also appeared at Red Bull Theater, The Actors Theatre of Louisville, The Shakespeare Theatre, The Denver Theatre Center, The Huntington Theatre Company, The Orlando Shakespeare Festival, The Geva Theatre Center, The Pioneer Theatre, The Pennsylvania Shakespeare Festival, and on many other regional stages performing both classical and contemporary roles. His life-long love of Shakespeare has seen him cast as Laertes, Tybalt, Tullus Aufidius, Theseus, Oberon, Julius Caesar and other staples of the Poet’s canon. The span of his career includes twelve years in Los Angeles where he has guest-starred on multiple television half-hours and dramas including “The Fresh Prince of Bel-Air”, “Boston Common”, “Suddenly Susan”, “One on One”, “The Twilight Zone”, and “CSI Miami”.

JOSH TYSON (“A Director”) is pleased to be continuing this journey with the American Moor team, having been involved in the play’s development since 2015. Off-Broadeay: Modotti (The Acorn @ Theatre Row), Three Sisters (Classical Theatre of Harlem). Off-Off Broadway: Wolves (59E59 Theatre), An Octopus Love Story (Center Stage), The Blue Martini (The Lion @ Theatre Row) Conference Room A (The Red Room). He is also a long time player with New York’s Phoenix Theatre Ensemble where favorite roles include Judas in Judas, Tartuffe in Tartuffe, Adolph in Creditors, Orestes in Electra, Achilles in Iphigenia at Aulis, Napoleon in The Man of Destiny and Haemon in Jean Anouilh’s Antigone. Film/ Television: No Retreat (Nominated Best Feature Austin Film Fest/Amazon Prime), Laura Gets A Cat (Amazon Prime), The First Day (Available on Amazon Prime), Stoop Sale, Whales, Alabaster, and Law & Order (NBC). Thank you, Lara.

KIM WEILD (Director) is a Drama Desk Award nominee and recipient of the 2018 NYIT Award for Outstanding Performance Art Production for the world premiere of NY Times Critic’s Pick Soot and Spit. Weild’s work has been seen at: Shakespeare’s Globe Theater London, Lincoln Center Theater, Carnegie Hall, Teatro alla Scala, The New York Theater Workshop, Cherry Lane Theatre, Samuel Beckett Theater, Goodspeed Musicals, ArtsEmerson, Primary Stages, New York Live Arts, The Mark Taper Forum, Williamstown Theater Festival, the Dorothy Chandler Pavilion and Boston Center for the Art, among others. In 2018 she directed Charles Mee’s First Love at Cherry Lane Theatre starring Academy Award nominee, Michael O’Keefe and Angelina Fiordellisi. Associate Director: Broadway: Deuce, Is He Dead, Blithe Spirit. Writer: Dusty - London’s West End and the children’s book: How the I Becomes the We. Fellowships/residencies include: Park Avenue Armory, Williamstown Foeller Fellow, Kennedy Center, Shubert Fellowship, Archive Residency, two commissions for The High Line. WP Theater alumna. Founding Artistic Director, Our Voices. Head of Directing, John Wells Directing Program at Carnegie Mellon University. Member SDC.

WILSON CHIN (Scenic Designer) Designs for new plays include Next Fall (Broadway), the Pulitzer Prize winning Cost of Living (Manhattan Theatre Club and Williamstown Theatre Festival), Pass Over (Steppenwolf and LCT3, Lortel Award nomination), Wild Goose Dreams (La Jolla Playhouse and The Public), The Thanksgiving Play (Playwrights Horizons), Teenage Dick (Ma-Yi Theater and The Public), Mothers and My Mañana Comes (The Playwrights Realm), Aubergine (Berkeley Rep), Lewiston (Long Wharf), Mothers and Sons (Bucks County Playhouse), Tiger Style! (Huntington Theatre and Alliance Theatre) and The Great Leap (Seattle Rep). Opera designs include Lucia di Lammermoor (Lyric Opera of Chicago) and Eine Florentinische Tragodie / Gianni Schicchi (Canadian Opera Company, Dora Award winner). Mr. Chin recently designed Spike Lee’s filmPass Over.

DEDE AYITE (Costume Designer) Broadway: Slave Play, American Son, Children of a Lesser God. Select Off-Broadway: Secret Life of Bees, FireFlies, Marie and Rosetta, Tell Hector I Miss Him (Atlantic); By The Way, Meet Vera Stark, JHAT (Signature); BLKS, Collective Rage…, School Girls… (MCC); Slave Play (NYTW); Sugar in Our Wounds (MTC); If Pretty Hurts…, Mankind, Bella: An American Tall Tale (Playwrights Horizons); The Royale (Lincoln Center); Ugly Lies the Bone (Roundabout); brownsville song [b-side for tray](LCT3). Regionally: Oregon Shakespeare Festival; Williamstown Theatre Festival; Steppenwolf; American Repertory Theater; Denver Center; California Shakespeare; La Jolla Playhouse; Berkeley Repertory; Baltimore Center Stage; Arena Stage; Cleveland Playhouse; Signature Theatre; McCarter Theatre, Hartford Stage. Television: Comedy Central; FOX Shortcoms. Awards: Recipient of an Obie, Lucille Lortel, Helen Hayes, Theatre Bay Area, and Jeff Awards; four Drama Desk Nominations. Education: MFA Yale School of Drama.

ALAN C. EDWARDS (Lighting Designer) Off-Broadway credits include Harry Clarke (The Vineyard), for which he received the Lucille Lortel Award; Kill Move Paradise (National Black Theatre) [Drama Desk Award nominee]; Native Son / Measure For Measure (The Acting Company). Regional: Lights Out: Nat King Cole (Geffen, People’s Light); American Moor (Arts Emerson); Dutchman, The Bacchae, Antigone, Macbeth, The Tempest (Classical Theatre of Harlem); Twisted Melodies (Centerstage Baltimore, Apollo, Mosaic); Henry IV Part 2, Fingersmith (OSF); Penny Candy, Stagger Lee (Dallas Theatre Center); We Are Proud To Present (The Guthrie); Man of La Mancha (Westport Playhouse); Sweeney Todd (Connecticut Rep); Jeremy McQueen’s Madiba (The Kennedy Center). Broadway: The Testament of Mary (Assoc. to Jennifer Tipton). His work has been seen at The Guthrie, Oregon Shakespeare Festival, Dallas Theatre Center, Center Stage Baltimore, Asolo Rep, Yale Rep, Cleveland Play House, KC Rep, Actors Theatre of Louisville, The Geffen Playhouse, Miami New Drama, Berkshire Theatre Group, Chautauqua Theatre Company, People’s Light, Madison Opera, Mill City Opera and the Kennedy Center. He received his MFA from the Yale School of Drama.

CHRISTIAN FREDERICKSON (Sound Designer) is a violist, composer, and sound designer who specializes in live music performance for theater and dance. He was a founding member and one of the principal songwriters of the Louisville, KY-based instrumental band Rachel’s, who released 6 albums on Quarterstick Records between 1995 and 2003. As a solo artist, Frederickson has released five albums since 2011 and has played concerts of his own music in New York City, Seattle, Louisville, Nashville, and Zilina, Slovakia. Since moving to New York in 2004, Frederickson has worked primarily in theater and dance at a long list of theaters, notably the Brooklyn Academy of Music, Classic Stage Company, The Public Theater, The Baryshnikov Arts Center, La MaMa, Abingdon, Atlantic Stage 2, as well as regional theaters, primarily Actor’s Theatre of Louisville where he has worked on 17 productions and is a regular designer at the Humana Festival of New American Plays. Frederickson was trained as a classical musician, and holds degrees from The Peabody Conservatory and The Juilliard School.

CALEB SPIVEY (Production Stage Manager) Caleb is thrilled to be joining the AM team once more after having worked with them in Boston back in 2017. Caleb comes to us having just finished the national tour of Finding Neverland and a short run with Menopause the Musical as well. This is his New York premiere and he couldn’t be more excited to be doing it here at the Cherry Lane Theatre! He thanks Kim and Keith for continuing to bring him along on this show’s journey as well as his husband for his unending love and support. R. CHRISTOPHER MAXWELL (Assistant Stage Manager) hails from the bustling metropolis of Little Rock, Arkansas. After receiving a Bachelor of Arts, he spent 6 years working extensively in the Chicago not-for-profit theatre scene. Recently, he received a Masters of Fine Arts in Stage Management from Columbia University. NYC Credits: Last Days of Judas Iscariot, 9000 Paper Balloons; The Escape. Off-Broadway Credits: Eco Village; Safeword. Christopher is thrilled to be working for everyone at Red Bull Theater and is grateful for the love & support from his friends, family, and partner.

GARY LEVINSON (Production Manager) Red Bull Theater: Mac Beth, The White Devil, The Metromaniacs, The Government Inspector, The School for Scandal, The Changeling. Others: Pipeline Festival 2018, What We’re Up Against (WP Theater); The Pearl Theatre Company (10 seasons), Shakespeare on the Sound (8 seasons); Post Mortem, Mercy on the Doorstep (Flea); Glass House, Master Builder (Resonance); Betrothed (Ohio); Lebensraum (Kirk); Moominvalley (Scandinavia House); Other highlights: Matchmaker (Ford’s Theater), Waverly Gallery, Collected Stories, Mrs. Klein; as well as numerous feature films, television, commercials and music videos. He also teaches at Marymount Manhattan College.

SHERRI KOTIMSKY (General Manager) Four years with Red Bull Theater, ten years as Finance & Production Manager for the Mint Theater. Previously, for Naked Angels; Producer: Tape, Meshugah, Omnium Gatherum; General Manager: Snakebit and Hesh. Production Manager for Theater Breaking Through Barriers. Producer of the musical Flak House fall 2014, Associate Producer Knots for FringeNYC 2015. Previously bookkeeper for MCC, The Pearl, Eating Their Words, TBTB, Persian Heritage Foundation. Financial Controller, Netherlands Board of Tourism.

NATHAN WINKELSTEIN (Associate Producer) Red Bull Theater: The White Devil, The Metromaniacs, The Government Inspector, The Changeling. Nathan is the Associate Producer of Red Bull Theater with responsibility for the company’s Revelation Readings, Master Classes, and Shakespeare in Schools. Nathan has directed or acted for numerous companies around the country and in the UK, including Shakespeare Theatre of New Jersey, Shakespeare Theater Company, The Folger, Lincoln Center Theater Education, W.H.A.T., Lincoln Center Theater, The Tobacco Factory and many others. He received his BA in Theater from the University at Buffalo and his MFA in Classical Acting from the Bristol Old Vic Theatre School in the UK.

JIM BREDESON (Managing Director) A non-profit arts professional with twenty years experience as an administrator, marketer and fundraiser, Jim joined the Red Bull Theater team in 2014, from ‘Tis Pity She’s a Whore to today. He served as General Manager of the Virginia Symphony Orchestra and Orpheus Chamber Orchestra. As a marketer and fundraiser, he has accomplished objectives for a number of organizations including Carnegie Hall’s Spring for Music Festival, Ecstatic Music Festival, KEF Theatrical Productions, Kaufman Music Center, and The Shakespeare Society. MA Theatre History, CUNY.

JESSE BERGER (Founder and Artistic Director) For Red Bull Theater, Jesse has directed productions of Pericles, The Revenger’s Tragedy, Edward the Second, Women Beware Women, The Duchess of Malfi, The Witch of Edmonton, The Maids, Loot, Volpone, ‘Tis Pity She’s a Whore, The Changeling, and The Government Inspector (Obie Award for directing). Under Jesse’s leadership, Red Bull Theater produces a variety of classical and contemporary work, including the Obie Award-Winning Revelation Reading Series, free Bull Session discussions, Shakespeare in Schools education outreach, Master Classes in classical acting, developmental Workshops, and the annual Short New Play Festival. As a director, Jesse has also directed contemporary and classic plays and musicals for the Old Globe, Denver Center, JESSE BERGER | FOUNDER AND ARTISTIC DIRECTOR JIM BREDESON | MANAGING DIRECTOR Red Bull Theater brings rarely seen classic plays to dynamic new life for contemporary audiences. Our work unites a respect for tradition with a modern sensibility.

Red Bull Theater is named for the rowdy Jacobean playhouse that illegally performed plays in England during the years of Puritan rule, and was the first London theater to reopen after the Restoration. This bold spirit is central to our identity. With the Jacobean plays of Shakespeare and his contemporaries as our cornerstone, Red Bull Theater is New York City’s home for dynamic performances of great plays that stand the test of time. The company also produces new works that are in conversation with the classics.

Red Bull Theater delights and engages the intellect and imagination of audiences. A home for artists, scholars and students, we strive to make our work accessible, diverse, and welcoming to all theatergoers. Educational as well as entertaining, our work keeps a rich and vital tradition thriving.

Red Bull Theater believes in the power of great classic stories and plays of heightened language to deepen our understanding of the human condition. We believe in the special ability of live theater to create unique, collective experiences. And we believe in the timeless capacity of classical theater to illuminate the events of our times.

Founded in 2003 with a production of Shakespeare’s Pericles, Red Bull Theater has been acclaimed by The New York Times as “a dynamic producer of classic plays” and by Time Out New York as “the most exciting classical theater in New York.”

Red Bull Theater serves adventurous theatergoers with OFF-BROADWAY PRODUCTIONS, REVELATION READINGS, and the annual SHORT NEW PLAY FESTIVAL. The company also offers outreach programs including SHAKESPEARE IN SCHOOLS, bringing professional actors and teaching artists into public school classrooms, BULL SESSIONS, free post-play discussions with top scholars, and MASTER CLASSES in classical actor training led by veteran theater professionals.

In our 16-year history, Red Bull Theater has produced 20 Off-Broadway Productions and over 150 Revelation Readings of rarely seen classics, serving 5,000 artists and providing quality artistic programming to an audience of 65,000. The company’s unique programming has received ongoing critical acclaim, and has been recognized with Lortel, Drama Desk, Drama League, Calloway, Off Broadway Alliance, and Obie nominations and Awards.

Visit REDBULLTHEATER.COM for more information. Pittsburgh Public, PlayMakers Rep, Barrington Stage, the O’Neill, and elsewhere including the Great Lakes, Idaho, St. Louis, Arizona, Hamptons, and Utah Shakespeare Festivals. Jesse’s work has been recognized with Helen Hayes and Obie Awards, as well as nominations for Lucille Lortel, Drama League, and multiple Callaway Awards (The Witch of Edmonton, The Maids, The Government Inspector). Jesse has taught and directed at Juilliard, NYU Grad, UNCSA, and other universities and training programs. Jesse was raised in Oregon by NYC expat-parents, grew up attending the Oregon Shakespeare Festival, and received undergraduate training at Central College in London and Southern Utah University, home of the Utah Shakespearean Festival. Jesse was assistant director of Michael Kahn’s Shakespeare Theatre Company in Washington DC for three seasons, was the 1999 US Directing Fellow at Shakespeare’s Globe in London under Mark Rylance, and began his professional career as an assistant director to Garland Wright at The Guthrie Theater. A member of the Society of Stage Directors and Choreographers, New York Theater Workshop’s Usual Suspects, Lincoln Center Theater Director’s Lab, and an NEA/TCG Director, Jesse also sits on the National Advisory Board of SUU’s College of Performing and Visual Arts, and the Drama League Directors Project’s National Advisory Council.

ACTORS’ EQUITY ASSOCIATION (“Equity”), founded in 1913, is the U.S. labor union that represents more than 51,000 actors and stage managers. Equity fosters the art of live theatre as an essential component of society and advances the careers of its members by negotiating wages, improving working conditions and providing a wide range of benefits, including health and pension plans. Actors’ Equity is a member of the AFL-CIO and is affiliated with FIA, an international organization of performing arts unions.

‘ RED BULL THEATER’S ONGOING EDUCATION PROGRAMS

SHAKESPEARE IN SCHOOLS is based on the belief that practical experience with the plays of William Shakespeare and the art of dramatic storytelling are critical components of any education. The inclusion of theatrical exercises and heightened poetic text in the classroom increases literacy, improves public speaking skills, broadens understanding of social issues, encourages imaginative growth, teaches collaborative problem-solving, builds emotional intelligence, and promotes self-confidence in young people. Most residencies culminate with an open sharing for student peers, faculty and parents, depending on the partner’s goals. Our program aligns with the New York City Blueprint for Teaching and Learning in the Arts. To learn how to bring this program to a school near you, contact [email protected].

CLASSICAL ACTING INTENSIVES are taught by top working professionals. Open to adults at all levels of training or experience, these classes cover a variety of disciplines, including auditioning, text, voice, movement, clowning, and acting Shakespeare. Visit REDBULLTHEATER.COM for more information.

EVANGELINE MORPHOS (Producer) works in theater, film, television and new media. She has produced over 25 plays Off-Broadway including new works by David Rabe, Sam Shepard, David Mamet, Frank Pugliese, and Anne Meara. Her production of Blown Sideways through Life by Claudia Shear ran for over a year at the Cherry Lane Theater; and she was involved in the first years of The Cherry Lane Mentor Project founded by Angelina Fiordelisi. She was Chair of the Undergraduate Theater program at NYU and then taught for over 25 years at Columbia University. She writes about new media, television, entertainment, and politics for such publications as The Wall Street Journal, Politico, Reuters, Bomb, and NBC.com.

ELIZABETH IRELAND McCANN (Producer) has produced plays by Edward Albee, Peter Shaffer, Eric Bentley, Chekhov, Shakespeare, Samm-Art Williams, Bernard Pomerance, Lisa Kron, Michael Frayn, Simon Gray, Tennessee Williams, Arthur Miller, and Paula Vogel. And now, Keith Hamilton Cobb.

TOM SHEA (Producer) This is Tom’s first adventure as a producer. He developed a love for theater as an undergraduate at Harvard when he acted in plays directed by Evangeline Morphos– his inspiration. Today he is a serial entrepreneur and Director of the Entrepreneurial Institute at Fairfield Prep in Connecticut. His wife, Jana Shea, is a partner in Seaview Productions currently staging Seawall/A Life, Slave Play and What the Constitution Means to Me.

FREDERICK M. ZOLLO (Producer) has produced a number of plays and films.

MARY MOSS GREENEBAUM (Producer) is founder and producer of the Kentucky Author Forum, a public programming interview series made available to PBS affiliates nationally, where it is retitled “Great Conversations”. Her career began at the United Nations. She moved to Kentucky in the late 60’s, where she began as a TV journalist covering environmental issues, thereafter serving as Special Assistant to the Mayor, founding the Summerscene Foundation creating programs in public parks; thereafter, a free public SAT preparatory program for juniors and seniors, available both to public and private school students. The Forum, which has won national awards, was founded in 1996. She is active in Democratic politics in the State of Kentucky.

SENOVVA (Developmental Producer) is built on the vast experience and personal relationships of its producers, managers, designers and technical specialists. SenovvA focuses on solution driven services in Theater, Broadcast, and Architecture throughout the world. They are proud of their early support of American Moor and thrilled to see Keith and Kim’s work on stage at the Cherry Lane. Theatrical Production Supervision Team: Arianna Knapp, James Cleveland, Lindsay Child, Sean Gorski, Pamela McCaddin, and Anna Engelsman. Current Theatrical projects include: Freestyle Love Supreme, The Sound Inside, Cirque du Soliel–Twas the Night Before…, Mrs. Doubtfire, Jersey Boys, Only Human, Jitney (National Tour).

“LET’S GIVE A LUSTY CHEER TO THE RED-BLOODED RED BULL THEATER!” CHERRY LANE THEATRE (History) The site of a silo on the Gomez farm in 1817, the building that now stands at 38 Commerce Street was a brewery, built in 1836 that later served as a tobacco warehouse, then box factory. In 1924, a group of theater artists, colleagues of Edna St. Vincent Millay, commissioned famed scenic designer Cleon Throckmorton to convert the box factory into Cherry Lane Playhouse. It fueled some of the most ground-breaking experiments in the chronicles of the American Stage. The Downtown Theater movement, The Living Theatre, and Theatre of the Absurd all took root at the lively Playhouse, and it proved fertile ground for 20th century dramaturgy’s seminal voices. From this village jewel streamed a large succession of plays by nascent writers whose names have lent distinction to the American and international literary and dramatic treasuries from F. Scott Fitzgerald, Dos Passos and Elmer Rice in the ’20s to O’Neill, O’Casey, Odets, Auden, Gertrude Stein, T.S. Eliot and William Saroyan in the ’40s and ’50s to Beckett, Albee, Pinter, Ionesco and LeRoi Jones in the ’60s to Sam Shepard, Lanford Wilson, Joe Orton and David Mamet in the ’70s and ’80s. The Playhouse productions featured an equally illustrious group of actors and directors including Barbra Streisand, Gene Hackman, Beatrice Arthur, James Earl Jones, Colleen Dewhurst, Cicely Tyson, Alan Schneider, Harvey Keitel, Judd Hirsch, Tony Curtis, Gary Sinise, Jerry Stiller, Rue McClanahan, Geraldine Fitzgerald, Roy Scheider, Frances Sternhagen, F. Murray Abraham, Joan Micklin Silver, Peter Falk, Tom Bosley, Frank Langella, Kim Stanley, Tyne Daly, Estelle Parsons, Geraldine Page, Kevin Bacon, Lee Strasberg, Roscoe Lee Browne, Tony Musante, Adolf Green and Betty Comden, Alvin Epstein, Dennis Quaid and Joseph Chaikin. It is currently the home of Cherry Lane Alternative and the Obie award-winning Mentor Project. Visit our website for the entire history: cherrylanetheatre.org

ANGELINA FIORDELLISI (Founder): Proprietor of Cherry Lane Theatre since 1996, serving over 3,500 artists and countless non-profit theater companies. Fiordellisi co-founded and established Cherry Lane Alternative as the company in residence in 1997, creating a number of new play development programs including Obie Award-winning Mentor Project, entering its 20th season. Garnering numerous awards and nominations, she has produced over 100 plays. As Co-Producer on Broadway, she won the Tony, Drama Desk, Outer Critics Circle and Drama League Awards for Edward Albee’s Who’s Afraid of Virginia Woolf? and a Drama Desk Award for The Realistic Joneses by Will Eno. Acting credits include Broadway, Off-Broadway, National Tours, Regional Theatres, Film and Television. BFA University of Detroit, MFA Scholarship Asolo Conservatory of Theatre. She is married 31 years to Matt Williams and has three children, Emily Farr, Matisse and Fred Williams.

Founding Artistic Director...... Angelina Fiordellisi Financial Director...... Joyce DeNicola-Friedman Managing Agent...... Lucille Lortel Theatre Foundation Artistic Director...... Seri Lawrence Administrative Assistant ...... Alexandra Scordato Facility Managers...... Verreth Wilson House Managers...... Mary Geerlof, Shannon McDermott Architect...... Mitchell Kurtz Accounting...... Friedman & LaRosa Business Mgmt Insurance...... Mike Karl, Key Insurance Legal...... Robert LaRosa Press Representative...... Sam Rudy Media Relations

For theater bookings please contact Nancy Hurvitz, Lucille Lortel Theatre Foundation at [email protected]. RED BULL THEATER BOARD OF TRUSTEES

Howard Owens, President Bradley McCormick, Secretary John Yavroyan, Treasurer Jesse Berger Noah Millman Joanne Casey Evangeline Morphos Susan Doran Matthew Rauch Judith Esterquest Peter Rigby Katherine Hood Alice Scovell David Kalodner Cathy Tempelsman James Killerlane III

ADVISORY BOARD Peter Avery, Jonathan Bank, Tim Carroll, Roger Danforth, Jack Doulin, Anne Dunning, Elizabeth Egloff, Carl Forsman, Joseph A. Hardy, Amy Harris, Stuart Howard, Michael Kahn, David Leong, Jason Loewith, Cynthia Mayeda, Jessica Niebanck, Jack O’Brien, Ted Pappas, Elizabeth Smith, Sarah Sosbe, Ian Strasfogel, Sam Sweet, Lisa Timmel

ARTISTIC COUNCIL Sir Patrick Stewart, Honorary Chair J. Smith-Cameron, Bill Camp, Michael Cerveris, John Douglas Thompson, Richard Easton, Michael Emerson, Kathryn Meisle, Jack O’Brien, Patrick Page, Estelle Parsons, Everett Quinton, Matthew Rauch, Laila Robins, Michael Stuhlbarg, Michael Urie, Marc Vietor, Charlayne Woodard

RED BULL THEATER TEAM Founder and Artistic Director...... JESSE BERGER Managing Director ...... JIM BREDESON General Manager...... SHERRI KOTIMSKY Associate Producer...... NATHAN WINKELSTEIN Dramaturg...... KATHLEEN DIMMICK Short New Play Festival Producer...... CRAIG BALDWIN Casting Director...... STUART HOWARD Press Representative...... DAVID GERSTEN & ASSOCIATES Accountants...... BAHARESTANI & RITT LLP RED BULL THEATER SUPPORTERS Elaine Goldhill* GODS HEROES Robert Boyett Charlotte and David Ackert Jan Guifarro Howard Gilman Foundation Crowell & Moring Foundation Todd Haimes Howard and Marcia Owens Charitable Harris Lirtzman* Catherine C. Hart and Mark Y. Trust* The Mack Goldner Memorial Stoeckle* Princess Grace Foundation - USA Foundation David Hausman* The Shubert Foundation K. Ann McDonald Linda Healey* Matthew Rauch Bill Hicks and Bill Sadler Jean Howard* SAINTS Mike and Janet Slosberg Family The Achelis and Bodman Foundation Foundation Bill Hutton AIG Matching Fund Pamela D. Zilly* William Huxley* The Edith Lutyens and Norman Bel Anonymous* (2) Brian Kaltner Geddes Design Enhancement Fund, Jordan Katz Adria and Stanley Katz* a program of the Alliance of Resident LEADERS Theatres/New York (A.R.T./New Martin and Debbie Baharestani* Wayne Lawson York) Trey Beck* Frank and Patricia Lenti American Theatre Wing Ron and Carol Berger* John David Metcalfe The James and Judith K. Dimon Constance Christensen Pam and Bill Michaelcheck* Foundation Patricia Crown* Jack O’Brien* Fund for the City of New York Joel Erickson & Carrie Hughes Elizabeth McL. Olmsted and Randall Marta Heflin Foundation* Steve Finley K.C. Kau* KAM Foundation John Stuart Gordon and Justin Pitney Bowes Noah Millman and Carolyn Schiff* Zaremby Arden Rodgers* National Endowment for the Arts Frances and Jack Harris* Wendy Smith* New York City Department of Cultural Katherine Hood* Nancy and David Solomon* Affairs Lucille Lortel Foundation Susan and Charles Tribbitt New York State Council on the Arts Nina Matis and Alan Gosule* Ellen Weinstein and Eric John* Off-Broadway Angels Mary McCormick Anonymous* Betty and Michael Rauch* Bradley McCormick and Marion Katz* Peter N. Rigby* Timothy and Virginia Millhiser* PARTNERS Michael Tuch Foundation Michael Morgan* Joseph Abrams Michele Parsons* Actors’ Equity Association Kim and David Adler ROYALS David Hyde Pierce AD Philanthropic Fund Ed Michael Reggie* Brian Allen Axe-Houghton Foundation Schmidt-Dinklage* Michael Arad Joanne Casey * Jane Stanicki Roger Bean* Joanna and Jonathan Cole The Dorothy Strelsin Foundation Tom Belunis The Noël Coward Foundation John Yavroyan and Thomas Kilkenny* Jane and Ron Berenbeim* Robert and Susan Doran Anonymous* (5) Andre Bishop* The Max and Victoria Dreyfus Frances Brent Marc Brown Foundation PATRONS Bob, Sally, and Haley Huxley* Florence W. Asher David Carlyon Jonathan Reinis Productions Colin B. Bailey Carolyn Chave Linda and David Kalodner* R. Clay Ballard* Judith Boies and Robert Christman James Killerlane III* Bev Bartow and Jim Stengel* Cathleen Collins* Evangeline Morphos* Paige Davis and Patrick Page* Andy Corren Paypal Judith Disla David Diamond Alice Scovell* Andrew S. Dolkart and Paris R. Ivelisse Diaz Kathryn Taras and Anthony Elicher Baldacci Cory and Bob Donnalley Charitable Steven and Joan Young Michael Emerson Foundation* Anonymous* (2) Eleanor Fink Facebook E. P. Fisher Allen and Nancy Feldman Barbara Freitag* Richard Feldman and Carolyn Serota* Emily Frick Fred Gilbert James A. Glazier Annette and Stanley Blaugrund* James Magruder Victor Gluck Jeffrey Bordowitz Cynthia Mayeda Barbara Gottlieb Jason Bowman* Morgan Stanley Joy Goudie Julie and Norman Boyd Laurie Mortensen* Stephen Graham Julia Bradford and Charlie Warner* Alex Pagel Joan E. Hartman Constance Brown Ted Pappas Gregory Harvey and Carey Brandfield Laura Brown Thomas Park Harvey Dana Buchman JC Parker Virginia Irwin* Linda Calandra John Percy Christopher Joy Michael Charles Pauline B. Pinto Stephanie Kallos Ranjit Chatterji Tanya Pollard Joel Kaye Marc and Evelyn Cherno Martin and Clare Prentice Richard Kayne Peter Coclanis Michael Privitera Jeffrey Kindley Margo P. Cohen, M.D. Ellen Rachlin* Ms. Kaori Kitao Elizabeth Columbo Gary Rindner and Dorothy Murphy Maurice Lee, Jr.* Tony Courtade Sondra Robinson-Kurtin* Robert and Jean Markley Michael B. Crowley Ben Rolly & Katie Benedict* Roberta Maxwell and Lianne Ritchie* Ann DeInnocentiis Tara Rubin* Tom McKitterick Deutsche Bank Americas Foundation Sophie Sa* Deborah Mintz Karen Dubinsky* Jill Salberg* Dianne O’Donnell Martin Eisen Sandra Salmans Susan and Peter Ralston William and Carol Farris* Judy Santora* Jena Reece Thomas Faust and Susan Schultz Jack Schlegel Dorothy Samuels Duncan K. and Helene P. Foley Melanie Seinfeld Carole Schaffer and David Waggett Ned Gorman James Shapiro* Lee and Ev Jennifer Hall* Jana and Tom Shea* Michael Schober Joseph A. Hardy* Richard Shulman and Carol Sterling Saralee Kahn and David Singer Lisa Harrow* Allison M. Silver* Fred Smoler Bonnie Hiller* Milan Simich Henry Snee Heidi Holder Sarah Sosbe* Albert A. Carucci and Jeffrey Sosnick Margaret Holen Charles Sperling Patricia Specter Hudson Guild Gregory St. John Barry Spielvogel Linda Huntington Ian Strasfogel and Judith Norell* Robin Stevens Anonymous Enid Stubin David Umbach Mark Jacobs Jan Sweeney and James B. Jacobs Charles Vassallo William Jeffrey Mary Testa* Robert and Regina Walat Peter H. Judd Stephanie Wallis Matthew Witten Josh Kellman Joan Waricha Anonymous* (3) John W. Kennedy Stephen Wasserstein Lawrence Kenny Kim Weild* FRIENDS ($100+) Norma Kerlin Cynthia Whitman Joan Abbey Andrea Allen Knutson John Wolfson Gretchen Adkins* Carl and JoAnne Kuehner* Charlayne Woodard* Susanne and David Appel Saul Kupferberg Stanley and Judith Zabar* Thomas Belcher Joseph Lelyveld Jessica Ziegler* Andrea E. Berger and Daniel P. Gildea Naomi Conn Liebler Catherine Zilay Susan and Barry Berger* William B. Long and Iska Alter Sara Zuckerman* Al Berr Robert and Bridget Lyons Burt and Sue Zwick

This list indicates gifts received from July 1, 2018 to August 20, 2019.

Please forgive any omissions. Contact [email protected] *Includes gifts made in support of 2019 Running of the Red Bulls on June 3, 2019 honoring Condola Rashad, Daniel Sullivan and the American Theatre Wing.

PLEASE JOIN OUR FAMILY OF SUPPORTERS TODAY. PAST RED BULL THEATER PRODUCTIONS

Sharlene Cruz, AnnaSophia Robb, and Sophie Kelly-Hedrick in MAC BETH (2019) adapted and directed by Erica Schmidt.

Michael McGrath, Mary Testa, Michael Urie and Christopher Innvar, Clifton Duncan, and Talene Monahon in THE GOVERNMENT INSPECTOR Amelia Pedlow in ‘TIS PITY SHE’S A WHORE (2017) directed by Jesse Berger. (2015) directed by Jesse Berger.

Lisa Birnbaum, Tommy Schrider, and Edward Derek Smith and Charlayne Woodard O’Blenis in THE WHITE DEVIL(2019) directed by in THE WITCH OF EDMONTON (2011) Louisa Proske. directed by Jesse Berger. ‘ 2019-20 REVELATION READINGS

OUR OBIE AWARD-WINNING REVELATION READINGS PROVIDE YOU WITH THE UNIQUE OPPORTUNITY TO EXPERIENCE THESE RARELY PRODUCED CLASSIC PLAYS PERFORMED BY THE FINEST ACTORS IN NEW YORK— EACH FOR ONE NIGHT ONLY.

NOVEMBER 18, 2019 MARCH 16, 2020 THE TRAITOR THE COURAGE TO BY JAMES SHIRLEY RIGHT A WOMAN’S DECEMBER 16, 2019 WRONGS VALOR, AGRAVIO Y MUJER LOVE LIES BY ANA CARO A-BLEEDING BY FRANCIS BEAUMONT APRIL 6, 2020 & JOHN FLETCHER PARADISE LOST BY JOHN MILTON JANUARY 27, 2020 ADAPTED & DIRECTED BY WOMEN BEWARE MICHAEL BARAKIVA WOMEN MAY 18, 2020 BY THOMAS MIDDLETON KEENE FEBRUARY 10, 2020 BY ANCHULI FELICIA KING PRESENTED IN PARTNERSHIP WITH AMERICAN THE SCARLET SHAKESPEARE CENTER LETTER JUNE 15, 2020 BY KATE HAMILL THE CLAUDIAS BASED ON THE NOVEL BY BY LYNN ROSEN NATHANIEL HAWTHORNE COMMISSIONED BY RED BULL THEATER

READINGS BEGIN AT 7:30 PM LUCILLE LORTEL THEATRE | 121 CHRISTOPHER STREET REDBULLTHEATER.COM WE ARE GRATEFUL THAT YOU ARE HERE. WE CREATE THIS WORK FOR YOU.

Red Bull Theater is a not-for-profit company.

Ticket sales make up just 40% of our annual income.

Your generosity plays a leading role in our ability to transform the classical theater experience with spectacular, high-octane productions of Shakespeare and his contemporaries, raucous readings of rarely-produced plays, and vivid reimaginings of iconic works.

With the help of supporters like you, we’ve shared our work with more than 200,000 people. We’re investing in innovative artists, developing new plays inspired by the classics, and bringing Shakespeare to life for another generation. Your support is essential.

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212.343.7394 | [email protected] WAYS TO RedBullTheater.com/donate GIVE 191 7TH AVENUE, 2S | NEW YORK, NY 10011 BEN JONSON’S THE ALCHEMIST NEWLY ADAPTED BY JEFFREY HATCHER The greed and absurdity of Jonson’s Jacobean London have never shone more brilliantly than in this brand new adaptation by Jeffrey Hatcher, whose version of inane corruption à la Gogol delighted New York audiences with the smash-hit comedy The Government Inspector.

Claiming alchemical powers, quick-witted con men Face and Subtle, together with the brilliantly sexy prostitute Dol Common, scam a series of chumps that they lure to the respectable Blackfriars house where they’ve set up shop. Jonson’s legendary satire spared no one, and Hatcher ensures today’s audience doesn’t miss a beat, in this side-splitting update of classic comedy at its best.

FULL OFF-BROADWAY PRODUCTION COMING THIS SPRING! Visit REDBULLTHEATER.COM for more information.