Ethan Mcsweeny [Director]

Total Page:16

File Type:pdf, Size:1020Kb

Ethan Mcsweeny [Director] Ethan McSweeny [director] Representation: Michael Moore | Michael Moore Agency | 450 West 24th Street, New York, NY, 10011 212.960.3492 | [email protected] UPCOMING The Independent Feature Film: • TWELVE DAYS IN MAY Liffeyside Productions, Ireland pre-production The Friel/Turgenev Revivals: • A MONTH IN THE COUNTRY The Gate Theatre, Dublin July - Aug 2015 • FATHERS AND SONS The Gate Theatre, Dublin Feb - Mar 2016 The CTC New Play Workshop: • THE ENGINE OF OUR RUIN Chautauqua Theatre Company July 2015 The Shakespeare Theatre “Free For All” Revival: • A MIDSUMMER NIGHT’S DREAM Shakespeare Theatre Company Aug - Sept 2015 The New York & Chicago World Premiere: • FULFILLMENT by Thomas Bradshaw Flea Theatre/American Theatre Co Sept - Nov 2015 The World Premiere Opera: • BETTER GODS Kennedy Center/National Opera January 2016 The East Coast Premiere • MOMENT by Deirdre Kinahnan Studio Theatre March - April 2016 BROADWAY A TIME TO KILL, adapted by Rupert Holmes, produced by Daryl Roth & Eva Price Golden Theatre 2013 from the novel by John Grisham (with Tom Skerrit, Fred Dalton Thompson, Sebastian Arcellus, John Douglas Thompson, Tonya Pinkins, & Patrick Page) THE BEST MAN by Gore Vidal, produced by Jeffrey Richards & Richard Frankel, August Wilson Theatre 2000 (with Charles Durning, Spalding Gray, Chris Noth, Elizabeth Ashley, Michael Learned, & Christine Ebersole) Drama Desk Award – Best Revival | Outer Critics Circle Award – Best Revival | Tony Award nomination INTERNATIONAL AN IDEAL HUSBAND by Oscar Wilde The Gate Theatre, Dublin 2014 A STREETCAR NAMED DESIRE by Tennessee Williams The Gate Theatre, Dublin 2013 Irish Times Award for Best Director, Best Actress (Lia Williams) and Best Supporting Actress (Catherine Walker), plus 3 Additional Irish Times Nominations including Production and Design THE PIRATES OF PENZANCE by Gilbert & Sullivan Stratford Shakespeare Festival 2012 DANGEROUS LIAISONS by Christopher Hampton Stratford Shakespeare Festival 2010 (with Tom McCamus, Seanna McKenna, and Martha Henry) OFF BROADWAY RX by Kate Fodor [world premiere] Primary Stages 2012 (with Marin Hinkle, Stephen Kunken, & Mary Louise Burke) 1001 by Jason Grote [NY premiere] p.73 Productions 2007 Ten Best 2007, Time Out NY 1 100 SAINTS YOU SHOULD KNOW by Kate Fodor [premiere] Playwrights Horizons 2007 Ten Best of 2007, Entertainment Weekly, Theatremania, & Time Out NY SABINA by Willy Holtzman Primary Stages 2005 (with Marin Ireland & Peter Strauss) THE PERSIANS by Aeschylus, trans by Ellen McLaughlin National Actors’ Theatre 2003 (with Len Cariou, Roberta Maxwell, & Michael Stuhlbarg) TAMICANFLY by Scott Marshall Taylor [NY premiere] Weisberger Theatre Group 2001 NEVER THE SINNER by John Logan [NY Premiere] John Houseman Theatre 1997 Outer Critics Circle Award – Best Off-Broadway Play | Drama Desk Award – Best Off Broadway Play 5 Outer Critics Circle & Drama Desk Award nominations – including Best Director FIXIN’ TO DIE: The Life of Lee Atwater by Robert Myers West Bank Café 1993 (with Dylan Baker) NATIONAL THE TEMPEST by Wm Shakespeare Shakespeare Theatre Company 2014 A RAISIN IN THE SUN by Lorraine Hansberry Chautauqua Theater Company 2014 A MIDSUMMER NIGHT’S DREAM by Wm Shakespeare Shakespeare Theatre Company 2012 5 Helen Hayes Award nominations including Best Production & Best Director TALES FROM HOLLYWOOD by Christopher Hampton Guthrie Theatre 2012 FIFTY WAYS, by Kate Fodor [world premiere] Chautauqua Theater Company 2012 MUCH ADO ABOUT NOTHING by Wm. Shakespeare Shakespeare Theatre Company 2011 2 Helen Hayes Awards – Scenic Design & Best Supporting Actor LOVE’S LABOUR’S LOST by Wm Shakespeare Chautauqua Theater Company 2011 THE MERCHANT OF VENICE by Wm Shakespeare Shakespeare Theatre Company 2011 A TIME TO KILL adapt by Rupert Holmes [world premiere] Arena Stage 2011 ARMS AND THE MAN by George Bernard Shaw Guthrie Theatre 2011 TRINITY RIVER PLAYS by Regina Taylor [world premiere] Goodman/Dallas Theater Ctr 2011 DEATH OF A SALESMAN by Arthur Miller REP/Delaware 2010 ORDINARY DAYS by Adam Gwon [west coast premiere] South Coast Rep 2010 THE GLASS MENAGERIE by Tennessee Williams Chautauqua Theatre Company 2009 CORNELIA by Mark Victor Olsen [world premiere] The Old Globe 2009 (with Bob Foxworth & Beth Grant) ION by Euripides, adaptation by David Lan [US premiere] Shakespeare Theatre Company 2009 WHO’S AFRAID OF VIRGINIA WOOLF by Edward Albee CenterStage 2008 Baltimore City Paper – Best Production 2008 A VIEW FROM THE BRIDGE by Arthur Miller Guthrie Theatre 2008 DEATH OF A SALESMAN by Arthur Miller Chautauqua Theater Company 2008 (with Stuart Margolin & Amy Van Nostrand) MAJOR BARBARA by George Bernard Shaw Shakespeare Theatre Company 2008 7 Helen Hayes Award nominations including Outstanding Play/Director Winner for Scenic Design & Best Supporting Actor IN THIS CORNER by Steven Drukman [world premiere] The Old Globe 2008 San Diego Theatre Critics Circle Award – Outstanding Play THE JUST by Albert Camus, trans. Anthony Clarvoe Chautauqua Theater Company 2007 1001 by Jason Grote [world premiere] Denver Center 2007 Ovation Award, Denver Post – Best Production, Rocky Mountain News – Best Play THE CHERRY ORCHARD by Anton Chekhov Chautauqua Theater Company 2006 (with Stuart Margolin & Lisa Harrow) THE PERSIANS by Aeschylus, trans. Ellen McLaughlin Shakespeare Theatre Company 2006 (with Helen Carey) A BODY OF WATER by Lee Blessing [West coast premiere] The Old Globe 2006 (with Sandy Duncan) San Diego Theatre Critics Circle Awards – Outstanding Director, Play, Ensemble, & Design 2 ALL MY SONS by Arthur Miller Chautauqua Theater Company 2005 (with Stuart Margolin and Lisa Harrow) A BODY OF WATER by Lee Blessing [world premiere] Guthrie Theatre 2005 (with Ed Hermann & Michael Learned) Minneapolis Star Tribune Award – Best New Play CHASING NICOLETTE by Peter Kellog & David Friedman Prince Music Theater 2004 (with Bronson Pinchot) 10 Barrymore Award nominations – including Best Director & Best Musical SOMEONE WHO’LL WATCH OVER ME by Frank MacGuiness Westport Playhouse 2004 (with Michael Emerson & Sterling Brown) MR. MARMALADE by Noah Haidle [world premiere] South Coast Repertory Theatre 2004 OCIE Award – Best Production ROMEO AND JULIET by William Shakespeare Guthrie Theatre 2004 A WALK IN THE WOODS by Lee Blessing George Street Playhouse 2004 COBB by Lee Blessing Chautauqua Theater Company 2003 SIX DEGREES OF SEPARATION by John Guare Guthrie Theatre 2003 2 Minneapolis Star Tribune Awards – Best Director/Production DIRTY BLONDE by Claudia Shear Wilma Theatre/George Street 2002 CTRL+ALT+DELETE by Anthony Clarvoe George Street Playhouse 2002 New Jersey Star Ledger Award – Best Production THIEF RIVER by Lee Blessing Guthrie Theatre 2002 CTRL+ALT+DELETE by Anthony Clarvoe [world premiere] San Jose Rep 2001 OLD TIMES by Harold Pinter George Street Playhouse 2001 (with Lisa Harrow & Dee Hoty) WIT by Margaret Edson Pittsburgh Public Theatre 2000 (with Lisa Harrow) Pittsburgh Post-Gazette Award – Best Production SIDE MAN by Warren Leight Guthrie Theatre 2000 (with Stephanie Zimbalist) MASTER CLASS by Terrence McNally George Street Playhouse 2000 (with Maria Tucci) BEAUTY QUEEN OF LEENANE by Martin McDonnough Alley Theatre 1999 GROSS INDECENCY by Moises Kaufmann Guthrie Theatre 1998 MAD ABOUT THE BARD co-written with Floyd King Folger Theatre 1998 HYDRIOTAPHIA by Tony Kushner [world premiere] Alley Theatre/Berkeley Rep 1998 THE TRIUMPH OF LOVE by Marivaux/Wadsworth Washington Shakespeare Co 1998 NEVER THE SINNER by John Logan Signature Theatre Company 1997 5 Helen Hayes Award nominations – including Best Director, Best Production JULIUS CAESAR by William Shakespeare Shakespeare Theatre (tour) 1996 TWELFTH NIGHT by William Shakespeare Shakespeare Theatre (tour) 1995 ARTISTIC LEADERSHIP EXECUTIVE BOARD Stage Directors and Choreographers Society 2005-present Treasurer, 2009-present ARTISTIC DIRECTOR Chautauqua Theater Company 2004-2011 Resident Director, 2011-present ARTISTIC ASSOCIATE National Actors’ Theatre 2004-2005 ASSOCIATE ARTISTIC DIRECTOR George Street Playhouse 2000-2004 ARTISTIC ADVISOR Cape Cod Theatre Project 2001-2004 RESIDENT DIRECTOR New Dramatists 2001-2002 ASSOCIATE DIRECTOR The Shakespeare Theatre 1993-1997 3 Theatrical Events THE GREAT RECESSION (New York Living by Thomas Bradshaw) Flea Theater 2009 EVERY GOOD BOY DESERVES FAVOR Chautauqua Symphony Orchestra 2008 by Tom Stoppard & Andre Previn with the Chautauqua Theatre Company (with Michael Emerson & Brian Murray) GALA OPENING, Harman Center for the Arts, Shakespeare Theatre Company 2007 Featuring Anne-Sophia Mutter, Julio Bocca & Nina Ananiashvilli, Patti Lupone, the Washington Ballet, and Wynton Marsalis & the Lincoln Center Jazz Orchestra Workshops/Development (partial listing) CTC/NEW PLAY WORKSHOPS Chautauqua Theater Company 2005-2014 NEW PLAY SUMMIT Denver Center Theatre 2010-11 NEXT STAGE FESTIVAL George Street Playhouse 2006-07 BRAND: NEW Hartford Stage 2005 NEW WORK NOW Public Theater 2004 PLAYLABS Playwrights Center, Mnpls. 2004 NEW AMERICAN PLAYS Kennedy Center 2004 PACFIC PLAYWRIGHTS FESTIVAL South Coast Repertory Theatre 2002 & 2004 SIX @ SIX Manhattan Theatre Club 2002 O’NEILLPLAYWRIGHTS CONFERENCE O’Neill Theatre Center 2001 & 2002 CAPE COD THEATRE PROJECT Falmouth, MA 2000-2003 NEW DRAMATISTS New York, NY 2001-2002 season & MCC, Ensemble Studio Theatre, HB Playwrights, & Darryl Roth Productions among others Academic Directing DANCING AT LUGHNASA by Brian Frlel The Juilliard School 2008 MISALLIANCE by George Bernard Shaw University of Delaware, PTTP 2006 ARMS AND THE
Recommended publications
  • Horton Foote
    38th Season • 373rd Production MAINSTAGE / MARCH 29 THROUGH MAY 5, 2002 David Emmes Martin Benson Producing Artistic Director Artistic Director presents the World Premiere of by HORTON FOOTE Scenic Design Costume Design Lighting Design Composer MICHAEL DEVINE MAGGIE MORGAN TOM RUZIKA DENNIS MCCARTHY Dramaturgs Production Manager Stage Manager JENNIFER KIGER/LINDA S. BAITY TOM ABERGER *RANDALL K. LUM Directed by MARTIN BENSON Honorary Producers JEAN AND TIM WEISS, AT&T: ONSTAGE ADMINISTERED BY THEATRE COMMUNICATIONS GROUP PERFORMING ARTS NETWORK / SOUTH COAST REPERTORY P - 1 CAST OF CHARACTERS (In order of appearance) Constance ................................................................................................... *Annie LaRussa Laverne .................................................................................................... *Jennifer Parsons Mae ............................................................................................................ *Barbara Roberts Frankie ...................................................................................................... *Juliana Donald Fred ............................................................................................................... *Joel Anderson Georgia Dale ............................................................................................ *Linda Gehringer S.P. ............................................................................................................... *Hal Landon Jr. Mrs. Willis .......................................................................................................
    [Show full text]
  • UC Riverside UC Riverside Electronic Theses and Dissertations
    UC Riverside UC Riverside Electronic Theses and Dissertations Title Sonic Retro-Futures: Musical Nostalgia as Revolution in Post-1960s American Literature, Film and Technoculture Permalink https://escholarship.org/uc/item/65f2825x Author Young, Mark Thomas Publication Date 2015 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE Sonic Retro-Futures: Musical Nostalgia as Revolution in Post-1960s American Literature, Film and Technoculture A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English by Mark Thomas Young June 2015 Dissertation Committee: Dr. Sherryl Vint, Chairperson Dr. Steven Gould Axelrod Dr. Tom Lutz Copyright by Mark Thomas Young 2015 The Dissertation of Mark Thomas Young is approved: Committee Chairperson University of California, Riverside ACKNOWLEDGEMENTS As there are many midwives to an “individual” success, I’d like to thank the various mentors, colleagues, organizations, friends, and family members who have supported me through the stages of conception, drafting, revision, and completion of this project. Perhaps the most important influences on my early thinking about this topic came from Paweł Frelik and Larry McCaffery, with whom I shared a rousing desert hike in the foothills of Borrego Springs. After an evening of food, drink, and lively exchange, I had the long-overdue epiphany to channel my training in musical performance more directly into my academic pursuits. The early support, friendship, and collegiality of these two had a tremendously positive effect on the arc of my scholarship; knowing they believed in the project helped me pencil its first sketchy contours—and ultimately see it through to the end.
    [Show full text]
  • Siff Announces Full Lineup for 40Th Seattle
    5/1/2014 ***FOR IMMEDIATE RELEASE*** Full Lineup Announced for 40th Seattle International Film Festival FOR IMMEDIATE RELEASE Press Contact, SIFF Rachel Eggers, PR Manager [email protected] | 206.315.0683 Contact Info for Publication Seattle International Film Festival www.siff.net | 206.464.5830 SIFF ANNOUNCES FULL LINEUP FOR 40TH SEATTLE INTERNATIONAL FILM FESTIVAL Elisabeth Moss & Mark Duplass in "The One I Love" to Close Fest Quincy Jones to Receive Lifetime Achievement Award Director Richard Linklater to attend screening of "Boyhood" 44 World, 30 North American, and 14 US premieres Films in competition announced SEATTLE -- April 30, 2014 -- Seattle International Film Festival, the largest and most highly attended festival in the United States, announced today the complete lineup of films and events for the 40th annual Festival (May 15 - June 8, 2014). This year, SIFF will screen 440 films: 198 features (plus 4 secret films), 60 documentaries, 14 archival films, and 168 shorts, representing 83 countries. The films include 44 World premieres (20 features, 24 shorts), 30 North American premieres (22 features, 8 shorts), and 14 US premieres (8 features, 6 shorts). The Festival will open with the previously announced screening of JIMI: All Is By My Side, the Hendrix biopic starring Outkast's André Benjamin from John Ridley, Oscar®-winning screenwriter of 12 Years a Slave, and close with Charlie McDowell's twisted romantic comedy The One I Love, produced by Seattle's Mel Eslyn and starring Elisabeth Moss and Mark Duplass. In addition, legendary producer and Seattle native Quincy Jones will be presented with a Lifetime Achievement Award at the screening of doc Keep on Keepin' On.
    [Show full text]
  • As You Like It
    A TEACHER’S GUIDE TO THE SIGNET CLASSIC EDITION OF WILLIAM SHAKESPEARE’S AS YOU LIKE IT By JEANNE M. McGLINN, Ph.D., AND JAMES E. McGLINN, Ed.D. SERIES EDITORS: W. GEIGER ELLIS, ED.D., UNIVERSITY OF GEORGIA, EMERITUS and ARTHEA J. S. REED, PH.D., UNIVERSITY OF NORTH CAROLINA, RETIRED A Teacher’s Guide to the Signet Classic Edition of William Shakespeare’s As You Like It 2 INTRODUCTION Shakespeare seems to be everywhere these days. Romeo and Juliet and Midsummer Night's Dream, starring contemporary movie stars, have been box office hits. The film Shakespeare in Love, depicting how the playwright's experiences inspired him to write Romeo and Juliet, won multiple Oscars at the 1999 Academy Awards. These popular films have made the plays more accessible to students by exposing them to Elizabethan language and the action that brings the words to life. So teachers can expect a certain amount of positive interest among students when they begin to read a Shakespearean play. As You Like It, although not well known by students, will certainly delight and build on students' positive expectations. As You Like It, like Twelfth Night and A Midsummer Night's Dream, is one of Shakespeare's "marriage" comedies in which love's complications end in recognition of the true identity of the lovers and celebration in marriage. This is a pattern still followed in today's romantic comedies. This play can lead to discussions of the nature of true love versus romantic love. Other themes, which spin off from the duality between the real and unreal, include appearance versus reality, nature ver- sus fortune, and court life of sophisticated manners contrasted with the natural life.
    [Show full text]
  • ANTA Theater and the Proposed Designation of the Related Landmark Site (Item No
    Landmarks Preservation Commission August 6, 1985; Designation List 182 l.P-1309 ANTA THFATER (originally Guild Theater, noN Virginia Theater), 243-259 West 52nd Street, Manhattan. Built 1924-25; architects, Crane & Franzheim. Landmark Site: Borough of Manhattan Tax Map Block 1024, Lot 7. On June 14 and 15, 1982, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the ANTA Theater and the proposed designation of the related Landmark Site (Item No. 5). The hearing was continued to October 19, 1982. Both hearings had been duly advertised in accordance with the provisions of law. Eighty-three witnesses spoke in favor of designation. Two witnesses spoke in opposition to designation. The owner, with his representatives, appeared at the hearing, and indicated that he had not formulated an opinion regarding designation. The Commission has received many letters and other expressions of support in favor of this designation. DESCRIPTION AND ANALYSIS The ANTA Theater survives today as one of the historic theaters that symbolize American theater for both New York and the nation. Built in the 1924-25, the ANTA was constructed for the Theater Guild as a subscription playhouse, named the Guild Theater. The fourrling Guild members, including actors, playwrights, designers, attorneys and bankers, formed the Theater Guild to present high quality plays which they believed would be artistically superior to the current offerings of the commercial Broadway houses. More than just an auditorium, however, the Guild Theater was designed to be a theater resource center, with classrooms, studios, and a library. The theater also included the rrost up-to-date staging technology.
    [Show full text]
  • Dear Elizabeth Written by Sarah Ruhl Directed by Kate Whoriskey
    For Immediate Release Contact: Vivacity Media Group | 212-812-1483 Leslie Papa, [email protected] Whitney Holden Gore, [email protected] WOMEN’S PROJECT THEATER ANNOUNCES INITIAL CASTING FOR THE NEW YORK PREMIERE OF DEAR ELIZABETH WRITTEN BY SARAH RUHL DIRECTED BY KATE WHORISKEY ROTATING CAST OF LUMINARIES INCLUDES: DAVID AARON BAKER, KATHLEEN CHALFANT, RINDE ECKERT, CHERRY JONES, MIA KATIGBAK, ELLEN MCLAUGHLIN, J. SMITH-CAMERON, JOHN DOUGLAS THOMPSON, HARRIS YULIN AND POLLY NOONAN ADDITIONAL CASTING SOON TO BE ANNOUNCED OCTOBER 26 – DECEMBER 5, 2015 **TICKETS ARE NOW ON-SALE** (New York, NY) Women’s Project Theater, under the leadership of Producing Artistic Director Lisa McNulty and Managing Director Maureen Moynihan, is thrilled to announce the rotating casts for the New York premiere of DEAR ELIZABETH, the inaugural production at the WP’s new theatrical home the McGinn/Cazale Theatre, 2162 Broadway (at 76th Street). Written by two-time Pulitzer Nominee and Tony Nominee Sarah Ruhl (The Oldest Boy, In the Next Room, or the vibrator play) and directed by Kate Whoriskey (Ruined, Sweat), this insightful and impassioned examination of the famed correspondence between Elizabeth Bishop and Robert Lowell - two of the twentieth century’s most brilliant poets - will be presented from October 26 through December 5, 2015 with six rotating casts of stage and screen luminaries. DEAR ELIZABETH tells a tale of unconventional friendship and intimacy that spanned thirty years and more than 400 letters, with postmarks from Maine to Key West, from London to South America. This portrayal of Bishop and Lowell's lives, work, and the true nature of friendship will be performed from October 26 – 31 by WP Theater founding artist, Tony Award nominee and Drama Desk, Obie & Outer Critics Circle Award winner Kathleen Chalfant (Wit, Angels in America) & Drama Desk nominee Harris Yulin (Hedda Gabler, Diary of Anne Frank); from November 2 – 7 by Obie Award & Drama Desk Award winner J.
    [Show full text]
  • 2016 Study Guide 2016 Study Guide
    2016 STUDY GUIDE 2016 STUDY GUIDE EDUCATION PROGRAM PARTNER AS YOU LIKE IT BY WILLIAM SHAKESPEARE DIRECTOR JILLIAN KEILEY TOOLS FOR TEACHERS sponsored by PRODUCTION SUPPORT is generously provided by M. Fainer and by The Harkins/Manning Families In Memory of James & Susan Harkins INDIVIDUAL THEATRE SPONSORS Support for the 2016 Support for the 2016 Support for the 2016 Support for the 2016 season of the Festival season of the Avon season of the Tom season of the Studio Theatre is generously Theatre is generously Patterson Theatre is Theatre is generously provided by provided by the generously provided by provided by Claire & Daniel Birmingham family Richard Rooney & Sandra & Jim Pitblado Bernstein Laura Dinner CORPORATE THEATRE PARTNER Sponsor for the 2016 season of the Tom Patterson Theatre Cover: Cyrus Lane, Petrina Bromley. Photography by Don Dixon. Table of Contents The Place The Stratford Festival Story ........................................................................................ 1 The Play The Playwright: William Shakespeare ........................................................................ 3 A Shakespearean Timeline ......................................................................................... 4 Plot Synopsis ............................................................................................................... 6 Cast of Characters ...................................................................................................... 7 Sources, Origins and Production History ..................................................................
    [Show full text]
  • PROGRAM the TEMPEST Actors from the London Stage
    PROGRAM THE TEMPEST Actors From The London Stage Thursday, February 27, 2020; 7 pm Friday, February 28, 2020; 7 pm Saturday, February 29, 2020; 7 pm Media Sponsor The Actors From The London Stage residency at the University of Notre Dame is generously supported by the McMeel Family Endowment for Excellence for Actors From The London Stage, the Paul Eulau Endowment for Excellence for Actors From The London Stage, the Deborah J. Loughrey Endowment for Excellence in Shakespeare Studies, the D & J Smith Endowment for Shakespeare and Performance, and the College of Arts and Letters. THE AFTLS APPROACH For most of his working life, William Shakespeare was a sharer in the King’s Men, London’s leading theatre company. He knew the actors he was writing for and collaborated with them on seeing the plays into performance. All theatre is a collaboration, of course, and while actors can no longer collaborate directly with Shakespeare, the Actors From The London Stage (AFTLS) company always aims to work with him, respectfully and creatively, throughout the rehearsal process. Our company’s aim is to make his words exert their magic and their power in performance, but we do this in a vital, and perhaps unconventional, way. We have no massive sets to tower over the performers and no directorial concept to tower over the text of Shakespeare’s play. In fact, AFTLS does not have a director at all; instead, the play has been rehearsed by the actors, working together to create theatre, cooperating with each other in their imaginative engagement with the play’s words.
    [Show full text]
  • By José Rivera
    Marisol by José Rivera 2018–19 SEASON • Your Home for Dramatic Discoveries • TrinityRep.com Get that same feeling at the dentist when you save big with ChewsiTM. Braces, night guards, teeth whitening, cleanings, crowns…you name it, you save. Whether you’ve got dental insurance or not. Learn more at ChewsiDental.com. 2 2018–19 Season at the Lederer Theater Center under the direction of Curt Columbus Tom Parrish The Arthur P. Solomon and Executive Director Sally E. Lapides Artistic Director Marisol by José Rivera THE ARTISTIC TEAM THE CAST Directed by Brian Mertes Marisol Octavia Chavez-Richmond* Original Music Composed by Ashley Frith and Kei Soares Cobb Angel Mia Ellis*‡ Musical Direction by Ashley Frith June Angela Brazil*‡ Violence Design by Orlando Pabotoy Lenny Charlie Thurston*‡ Set Design by Eugene Lee Young Woman, Woman with Furs, Ensemble Jackie Davis* Associate Set Designer Patrick Lynch Man with Golf Club, Radio Announcer, Ensemble Mauro Hantman*‡ Costume Design by Cait O’Connor Subway Announcer, Man with Scar, Ensemble Brian McEleney*‡ Lighting Design by Cha See Man with Ice Cream, Ensemble Joe Wilson, Jr.*‡ Sound Design by Broken Chord Viola Ashley Frith Production Stage Managed by Meg Tracy Leddy* Assistant Stage Manager Julia Perez* Marisol will be performed with one intermission. May 16 – June 16, 2019 Production Director Laura E. Smith in the Sarah and Joseph Dowling, Jr. Theater * Member of Actors’ Equity Association, the union of professional actors & stage managers ‡ Trinity Rep Resident Acting Company member Sponsored by Original New York production by The New York Shakespeare Festival Originally commissioned and developed by INTAR Hispanic American Arts Center through a grant from the Rockefeller Foundation Trinity Rep’s 55th Season is sponsored by World premiere in the 1992 Humana Festival of New American Plays at Actors Theatre of Louisville Subsequently produced by La Jolla Playhouse and Hartford Stage Company Trinity Rep gratefully acknowledges the past support of the B.B.
    [Show full text]
  • Othello and the Stranger in Shakespeare
    THEATRE & TALK AN ETF BAR FRINGE PRODUCTION “Black is Fair” Othello and the Stranger in Shakespeare Teacher`s Support Pack The English Theatre Frankfurt 2013 William Shakespeare, Othello The English Theatre Frankfurt 2013 Teacher`s Support Pack Table of Contents 1 Othello, the Moor of Venice: Introduction p. 3 2 Characters p. 5 3 Synopsis p. 5 3.1 Brief Version p. 5 3.2 Comprehensive Version p. 6 4 The Main Characters as Seen by Themselves and Others p. 11 4.1 Othello p. 11 4.2 Iago p. 16 4.3 Desdemona p. 21 5 Perceptions of Blackness & The Moor p. 25 5.1 A Selection of Quotes from the Play p. 25 5.2 Definition: The word "Moor" p. 26 5.3 Essay: The Black Other in Elizabethan Drama p. 28 6 The ETF 2013 production p. 33 6.1 Time p. 33 6.2 Setting p. 34 6.3 On Jealousy p. 36 6.4 Lingering Questions Today p. 38 A Note for the Teachers (Hinweise zu diesen Unterrichtsmaterialien) Sie können dieses Teacher`s Support Pack auf Anfrage auch als Word-Dokument bekommen, um einzelne Texte/Aufgaben vor Ausdruck zu bearbeiten. Das bietet Ihnen auch die Chance, das Paket in der von Ihnen gewünschten Fassung an Ihre SchülerInnen digital weiterzuleiten. Das Bild- und Informationsmaterial kann den SchülerInnen dabei helfen, sich einen Überblick über die relevanten thematischen Aspekte zu verschaffen und eigene Sichtweisen des Stücks zu entdecken. Bei allen Fragen bezüglich dieser Materialien oder Interesse an Begleitworkshops zu einem Aufführungsbesuch für Ihre Lerngruppe Gespräche mit Schauspielern nach der Vorstellung wenden Sie sich bitte per Email an uns: [email protected] Das Team von T.I.E.S (Theatre in Education Service) wünscht Ihnen viel Erfolg bei der Arbeit mit dem Teacher`s Support Pack.
    [Show full text]
  • Programming; Providing an Environment for the Growth and Education of Theatre Professionals, Audiences, and the Community at Large
    FEBRUARY 2018 WELCOME MIKE HAUSBERG Welcome to The Old Globe and this production of Uncle Vanya. Our goal is to serve all of San Diego and beyond through the art of theatre. Below are the mission and values that drive our work. We thank you for being a crucial part of what we do. MISSION STATEMENT The mission of The Old Globe is to preserve, strengthen, and advance American theatre by: creating theatrical experiences of the highest professional standards; producing and presenting works of exceptional merit, designed to reach current and future audiences; ensuring diversity and balance in programming; providing an environment for the growth and education of theatre professionals, audiences, and the community at large. STATEMENT OF VALUES The Old Globe believes that theatre matters. Our commitment is to make it matter to more people. The values that shape this commitment are: TRANSFORMATION Theatre cultivates imagination and empathy, enriching our humanity and connecting us to each other by bringing us entertaining experiences, new ideas, and a wide range of stories told from many perspectives. INCLUSION The communities of San Diego, in their diversity and their commonality, are welcome and reflected at the Globe. Access for all to our stages and programs expands when we engage audiences in many ways and in many places. EXCELLENCE Our dedication to creating exceptional work demands a high standard of achievement in everything we do, on and off the stage. STABILITY Our priority every day is to steward a vital, nurturing, and financially secure institution that will thrive for generations. IMPACT Our prominence nationally and locally brings with it a responsibility to listen, collaborate, and act with integrity in order to serve.
    [Show full text]
  • This Production Is Made Possible by the Generosity of Peter House & Carol Childs. Busy Direct
    PRESS CONTACT: Nancy Richards – 917-­‐873-­‐6389 (cell)/[email protected] MEDIA PAGE: www.northcoastrep.orG/press PHOTOS BY: Aaron Rumley FOR IMMEDIATE RELEASE, PLEASE: FLAMBOYANT CIVIL WAR GENERAL CREATES HAVOC IN WORLD PREMIERE COMEDY, FADED GLORY, BY TIM BURNS AT NORTH COAST REP Performances BeginninG Wednesday, May 28, 2014 With OpeninG NiGht, Saturday, May 31, at 8 PM RunninG ThrouGh Sunday, June 22 Directed by DAVID ELLENSTEIN SOLANA BEACH -­‐ Following its highly successful world premiere of MANDATE ME MORIES, North Coast Rep is mounting a second world premiere, FADED G LORY. Written by TimBurns, this comedic romp tells the improbable, but, true story of Daniel Sickels, a 19th-­‐century congressman, friend to presidents, Civil War general, lover ofIsabella Queen II of Spain, notorious philanderer, embezzler, murderer,nd a the officer who almost cost the Union victory in perhaps the most pivotal battle of the Civil War, only to receive the Congressional Medal ofr. Hono Based on this real figure from American history, funny, poignant and filled with astonishing little-­‐known historical information, FADED G LORY promises to be a highlight of our season. Audiences will enjoy a rollicking comedic romp through this amazing life. Artistic Director David Ellenstein* will directAndrew Barnicle,* Ben Cole, Frances Anita Rivera, Bruce Turk,* Rachel VanWormer, and Shana Wride.* Ryan Ford will be the assistant director. The design team includes Aaron Rumley,* Stage Manager; Marty Burnett, Scenic Design; Matt Novotny, Lighting; Sonia Elizabeth, Costumes; Melanie Chen, Sound; and Peter Herman, Hair & ign. Wig Des Peter Katz and Leon Williams are co-­‐producers. *The actor orstage manager appears through the courtesy of Actors’ Equity Association, the union of professional actors and stage managers in the United States.
    [Show full text]