Lisa Harrow and Roger Payne Creatures Great and Small (With Antony Hopkins)
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THOUSAND MILE SONG Also by David Rothenberg
THOUSAND MILE SONG Also by David Rothenberg Is It Painful to Think? Hand’s End Sudden Music Blue Cliff Record Always the Mountains Why Birds Sing THOUSAND MILE SONG Whale Music In a Sea of Sound DAVID ROTHENBERG A Member of the Perseus Books Group New York Copyright © 2008 by David Rothenberg Published by Basic Books, A Member of the Perseus Books Group All rights reserved. Printed in the United States of America. No part of this book may be reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles and reviews. For information, address Basic Books, 387 Park Avenue South, New York, NY 10016–8810. Books published by Basic Books are available at special discounts for bulk purchases in the United States by corporations, institutions, and other organizations. For more information, please contact the Special Markets Department at the Perseus Books Group, 2300 Chestnut Street, Suite 200, Philadelphia, PA 19103, or call (800) 255–1514, or e-mail [email protected]. Designed by Linda Mark Set in 12 pt Granjon by The Perseus Books Group Library of Congress Cataloging-in-Publication Data Rothenberg, David, 1962- Thousand mile song: whale music in a sea of sound / David Rothenberg. p. cm. Includes bibliographical references and index. ISBN 978-0-465-07128-9 (alk. paper) 1. Whales—Behavior. 2. Whale sounds. I. Title. QL737.C4R63 2008 599.5’1594—dc22 2007048161 10 9 8 7 6 5 4 3 2 1 CONTENTS 1 WE DIDN’T KNOW, WE DIDN’T KNOW: Whale Song Hits the Charts 1 2GONNA GROW -
Siff Announces Full Lineup for 40Th Seattle
5/1/2014 ***FOR IMMEDIATE RELEASE*** Full Lineup Announced for 40th Seattle International Film Festival FOR IMMEDIATE RELEASE Press Contact, SIFF Rachel Eggers, PR Manager [email protected] | 206.315.0683 Contact Info for Publication Seattle International Film Festival www.siff.net | 206.464.5830 SIFF ANNOUNCES FULL LINEUP FOR 40TH SEATTLE INTERNATIONAL FILM FESTIVAL Elisabeth Moss & Mark Duplass in "The One I Love" to Close Fest Quincy Jones to Receive Lifetime Achievement Award Director Richard Linklater to attend screening of "Boyhood" 44 World, 30 North American, and 14 US premieres Films in competition announced SEATTLE -- April 30, 2014 -- Seattle International Film Festival, the largest and most highly attended festival in the United States, announced today the complete lineup of films and events for the 40th annual Festival (May 15 - June 8, 2014). This year, SIFF will screen 440 films: 198 features (plus 4 secret films), 60 documentaries, 14 archival films, and 168 shorts, representing 83 countries. The films include 44 World premieres (20 features, 24 shorts), 30 North American premieres (22 features, 8 shorts), and 14 US premieres (8 features, 6 shorts). The Festival will open with the previously announced screening of JIMI: All Is By My Side, the Hendrix biopic starring Outkast's André Benjamin from John Ridley, Oscar®-winning screenwriter of 12 Years a Slave, and close with Charlie McDowell's twisted romantic comedy The One I Love, produced by Seattle's Mel Eslyn and starring Elisabeth Moss and Mark Duplass. In addition, legendary producer and Seattle native Quincy Jones will be presented with a Lifetime Achievement Award at the screening of doc Keep on Keepin' On. -
A Toxic Odyssey
News Focus Roger Payne’s discovery of whale song helped make the animals icons of conservation; now he’s helping turn them into symbols of how humans are poisoning the oceans A Toxic Odyssey THE INDIAN OCEAN, 2°N, 72°E—Seven days of fin and blue whales carry information down the blue rim of the horizon, the crew have rolled by without a sighting. Although clear across the oceans. But the focus of his is getting antsy. But just when it seems that the waters over these deep ocean trenches research out here is pollution—specifically, all the whales have fled for the poles, the hy- east of the Maldives are a well-known feed- the class of humanmade chemicals known as drophone speakers erupt with clicks. “We’ve ing ground for sperm whales, the crew of persistent organic pollutants (POPs), which got whales!” says Payne with a grin. The the Odyssey has seen nothing larger than a can sabotage biochemical processes by mim- glowing dots on the computer screen show a pod of playful dolphins, riding the ship’s icking hormones. Some scientists fear that group of 20 sperm whales feeding just bow wave and flinging themselves into the these compounds would become so concen- ahead. Bowls of cereal and cups of coffee air like Chinese acrobats. A man with silver trated in marine ecosystems that fish stocks are left half-full as the crew springs into ac- flyaway hair steps out from the pilothouse would be rendered too toxic for human con- tion and the Odyssey surges forward. -
Press-Release-Whale-Tales-A-Virtual-Experience
This Year, Whale Trust Brings Whale Tales to YOU! With a mission to educate, inform, and inspire, ‘Whale Tales - A Virtual Experience’ is coming to you this February! February 13-14, 2021 | whaletales.org Connect with leading international scientists, photographers, and conservationists during the 15th Annual Whale Tales on February 13th and 14th, 2021. Presented by Whale Trust, a Maui-based whale research and education organization, this year’s event will be a virtual experience offering online presentations, check-ins from around the world, and a host of experiential and interactive opportunities for attendees. In partnership with The Ritz-Carlton, Kapalua and Drury Design, Whale Tales - A Virtual Experience will bring the beauty of Maui and its humpback whales to you—no matter where you are. For nearly two decades, the Whale Trust research team has dedicated itself to exploring and understanding whale song and natural behavior patterns in whales, and Whale Tales has been a vital part of that mission for 15 years. But that’s not the only milestone we’re celebrating in 2021. This year also marks the 50th anniversary of the landmark paper, Songs of Humpback Whales, by Roger Payne and Scott McVay (September, 1971) as well as the release of Payne’s compilation of recordings, “Songs of the Humpback Whale.” These breakthroughs helped cement the humpbacks as a symbol of conservation efforts around the world, including the iconic Save the Whales campaigns. Fifty years later, humpback whale song still captivates all who listen and continues to drive researchers to unlock its mysteries. This year’s Whale Tales is dedicated to celebrating that anniversary and the marine research and conservation efforts that followed. -
Donald Griffin Was Able to Affect a Major Revolution in What Scien- Tists Do and Think About the Cognition of Nonhuman Ani- Mals
NATIONAL ACADEMY OF SCIENCES DONALD R. GRIFFIN 1915– 2003 A Biographical Memoir by CHARLES G. GROSS Any opinions expressed in this memoir are those of the author and do not necessarily reflect the views of the National Academy of Sciences. Biographical Memoirs, VOLUME 86 PUBLISHED 2005 BY THE NATIONAL ACADEMIES PRESS WASHINGTON, D.C. DONALD R. GRIFFIN August 3, 1915–November 7, 2003 BY CHARLES G. GROSS OST SCIENTISTS SEEK—but never attain—two goals. The M first is to discover something so new as to have been previously inconceivable. The second is to radically change the way the natural world is viewed. Don Griffin did both. He discovered (with Robert Galambos) a new and unique sensory world, echolocation, in which bats can perceive their surroundings by listening to echoes of ultrasonic sounds that they produce. In addition, he brought the study of animal consciousness back from the limbo of forbidden topics to make it a central subject in the contemporary study of brain and behavior. EARLY YEARS Donald R. (Redfield) Griffin was born in Southampton, New York, but spent his early childhood in an eighteenth- century farmhouse in a rural area near Scarsdale, New York. His father, Henry Farrand Griffin, was a serious amateur historian and novelist, who worked as a reporter and in advertising before retiring early to pursue his literary inter- ests. His mother, Mary Whitney Redfield, read to him so much that his father feared for his ability to learn to read. His favorite books were Ernest Thompson Seton’s animal 3 4 BIOGRAPHICAL MEMOIRS stories and the National Geographic Magazine’s Mammals of North America. -
PROGRAM the TEMPEST Actors from the London Stage
PROGRAM THE TEMPEST Actors From The London Stage Thursday, February 27, 2020; 7 pm Friday, February 28, 2020; 7 pm Saturday, February 29, 2020; 7 pm Media Sponsor The Actors From The London Stage residency at the University of Notre Dame is generously supported by the McMeel Family Endowment for Excellence for Actors From The London Stage, the Paul Eulau Endowment for Excellence for Actors From The London Stage, the Deborah J. Loughrey Endowment for Excellence in Shakespeare Studies, the D & J Smith Endowment for Shakespeare and Performance, and the College of Arts and Letters. THE AFTLS APPROACH For most of his working life, William Shakespeare was a sharer in the King’s Men, London’s leading theatre company. He knew the actors he was writing for and collaborated with them on seeing the plays into performance. All theatre is a collaboration, of course, and while actors can no longer collaborate directly with Shakespeare, the Actors From The London Stage (AFTLS) company always aims to work with him, respectfully and creatively, throughout the rehearsal process. Our company’s aim is to make his words exert their magic and their power in performance, but we do this in a vital, and perhaps unconventional, way. We have no massive sets to tower over the performers and no directorial concept to tower over the text of Shakespeare’s play. In fact, AFTLS does not have a director at all; instead, the play has been rehearsed by the actors, working together to create theatre, cooperating with each other in their imaginative engagement with the play’s words. -
Will This Be the Demise of the International Whaling Commission Or a Viable Strategy for the Twenty-First Century?
Pace International Law Review Volume 8 Issue 2 Spring 1996 Article 5 April 1996 Sanctuary for the Whales: Will This Be the Demise of the International Whaling Commission or a Viable Strategy for the Twenty-First Century? Judith Berger-Eforo Follow this and additional works at: https://digitalcommons.pace.edu/pilr Recommended Citation Judith Berger-Eforo, Sanctuary for the Whales: Will This Be the Demise of the International Whaling Commission or a Viable Strategy for the Twenty-First Century?, 8 Pace Int'l L. Rev. 439 (1996) Available at: https://digitalcommons.pace.edu/pilr/vol8/iss2/5 This Article is brought to you for free and open access by the School of Law at DigitalCommons@Pace. It has been accepted for inclusion in Pace International Law Review by an authorized administrator of DigitalCommons@Pace. For more information, please contact [email protected]. NOTES SANCTUARY FOR THE WHALES: WILL THIS BE THE DEMISE OF THE INTERNATIONAL WHALING COMMISSION OR A VIABLE STRATEGY FOR THE TWENTY-FIRST CENTURY? I. INTRODUCTION On May 26, 1994 the International Whaling Commission' voted to create an Antarctic sanctuary for the whales. 2 This new policy essentially completed the transformation of the IWC from an international organization established to set quotas for commercial whaling, to an environmental watchdog group.3 In- itially, the IWC regulated the active whaling nations by divid- 1 The International Whaling Commission [hereinafter IWC] was created by the International Convention for the Regulation of Whaling, Dec. 2, 1946, 62 Stat. 1716 [hereinafter ICRW]. The IWC was originally established as a voluntary union of the whaling nations to empower an international agency to set quotas and catch limitations of the number of whales to be hunted. -
35 Years of Nominees and Winners 36
3635 Years of Nominees and Winners 2021 Nominees (Winners in bold) BEST FEATURE JOHN CASSAVETES AWARD BEST MALE LEAD (Award given to the producer) (Award given to the best feature made for under *RIZ AHMED - Sound of Metal $500,000; award given to the writer, director, *NOMADLAND and producer) CHADWICK BOSEMAN - Ma Rainey’s Black Bottom PRODUCERS: Mollye Asher, Dan Janvey, ADARSH GOURAV - The White Tiger Frances McDormand, Peter Spears, Chloé Zhao *RESIDUE WRITER/DIRECTOR: Merawi Gerima ROB MORGAN - Bull FIRST COW PRODUCERS: Neil Kopp, Vincent Savino, THE KILLING OF TWO LOVERS STEVEN YEUN - Minari Anish Savjani WRITER/DIRECTOR/PRODUCER: Robert Machoian PRODUCERS: Scott Christopherson, BEST SUPPORTING FEMALE MA RAINEY’S BLACK BOTTOM Clayne Crawford PRODUCERS: Todd Black, Denzel Washington, *YUH-JUNG YOUN - Minari Dany Wolf LA LEYENDA NEGRA ALEXIS CHIKAEZE - Miss Juneteenth WRITER/DIRECTOR: Patricia Vidal Delgado MINARI YERI HAN - Minari PRODUCERS: Alicia Herder, Marcel Perez PRODUCERS: Dede Gardner, Jeremy Kleiner, VALERIE MAHAFFEY - French Exit Christina Oh LINGUA FRANCA WRITER/DIRECTOR/PRODUCER: Isabel Sandoval TALIA RYDER - Never Rarely Sometimes Always NEVER RARELY SOMETIMES ALWAYS PRODUCERS: Darlene Catly Malimas, Jhett Tolentino, PRODUCERS: Sara Murphy, Adele Romanski Carlo Velayo BEST SUPPORTING MALE BEST FIRST FEATURE SAINT FRANCES *PAUL RACI - Sound of Metal (Award given to the director and producer) DIRECTOR/PRODUCER: Alex Thompson COLMAN DOMINGO - Ma Rainey’s Black Bottom WRITER: Kelly O’Sullivan *SOUND OF METAL ORION LEE - First -
The Whale War Between Japan and the United States: Problems and Prospects
Denver Journal of International Law & Policy Volume 17 Number 2 Winter - Symposium Article 7 May 2020 The Whale War between Japan and the United States: Problems and Prospects Kazuo Sumi Follow this and additional works at: https://digitalcommons.du.edu/djilp Recommended Citation Kazuo Sumi, The Whale War between Japan and the United States: Problems and Prospects, 17 Denv. J. Int'l L. & Pol'y 317 (1989). This Article is brought to you for free and open access by Digital Commons @ DU. It has been accepted for inclusion in Denver Journal of International Law & Policy by an authorized editor of Digital Commons @ DU. For more information, please contact [email protected],[email protected]. The "Whale War" Between Japan and the United States: Problems and Prospects KAZUO SUMI* I. PREFACE Recently, the "whale war" between Japan and the United States has resurfaced over the Japanese research whaling issue. On January 13, 1988, sixteen major environmental groups in the United States filed a lawsuit against the U.S. government "in an attempt to force economic sanctions against Japan's fishing industry for its outlaw whaling."1 On January 27, Representative Don Bonker introduced a Congressional Resolution to the effect that "the United States should encourage other nations to impose broad economic sanctions against nations which continue to whale in defi- ance of the international moratorium." In submitting this Resolution to the House of Representatives, he condemned the Japanese and Icelandic research whaling and said as follows: "Under the guise of 'scientific re- search', these nations plan to hunt and kill over 400 whales per year. -
Florida Units 7–12
Level 1 Florida Units 7–12 STUDENT BOOK Lesson 1 | Reading Louisa Moats, Ed.D., Author REVIEWER’S DRAFT Through the glass bottom of my tourist boat I see the dolphin pod afloat. I hear whistles as high as the Empire State And know they are trying to communicate. 5 Each dolphin has a unique sound That it wears like a name tag, while swimming around. Now I hear the sound of a quickly spinning wheel. It must be a dolphin trying to find its next meal. In murky water the dolphin’s as blind as a bat. 10 It uses clicks to “see” where it is at. Using sonar, the sounds bounce off what’s near. Distance, depth, and size are what the dolphin can hear. Moans and squeaks echo in the abyss. Dolphins alert each other of danger in their midst. 15 Atop their heads, the blowholes emit sound As if beautifully played instruments abound. In the boat I can hear many sounds from the sea. The music of the dolphin is like a song written for me. Unit 7 7 Level 1 Fl ida Units 7–12 STUDENT BOOK Louisa Moats, Ed.D., Author Lesson 1 | Reading Through the glass bottom of my tourist boat I see the dolphin pod afloat. I hear whistles as high as the Empire State And know they are trying to communicate. 5 Each dolphin has a unique sound That it wears like a name tag, while swimming around. Now I hear the sound of a quickly spinning wheel. It must be a dolphin trying to find its next meal. -
Public Comment by Roger Payne, Ocean Alliance, at the US
1 Testimony of Dr. Roger Payne President, Ocean Alliance Before the National Commision on Ocean Policy Boston, Massachusetts, July 24th, 2002 I am Roger Payne, co-discoverer that humpback whales sing. I am founder and President of Ocean Alliance, in Lincoln, Massachusetts, an organization dedicated to ocean conservation through research and public education. I direct a 32 year, ongoing study of the biology of 1500 known Patagonian right whales—the world’s longest continuous study of a whale species based on known individuals. But I am here today to speak about another Ocean Alliance program called “The Voyage of the Odyssey.” It is aimed at quantifying a serious threat to ocean life from synthetic compounds known collectively as POPs (Persistent Organic Pollutants). They include such compounds as DDT, DDE, PCBs, aldrin, endrin, dieldrin, dioxins, furans, etc. Their other name, Endocrine Disrupting Compounds, describes their greatest threat to humans—that some of these compounds are hormone mimics which even at concentrations as low as a few parts per billion can upset fetal development, cause reproductive disorders and malformation of sex organs, compromise immune systems, do neural damage, and, in young children, diminish their ability to concentrate and learn. Most EDCs are nearly immortal molecules that most animals store in their fats because they cannot remove them from their bodies (or can do so only very slowly). Because they accumulate throughout an animal’s lifetime, every time an animal eats anything, it adds the EDCs in that food to its body. EDCs thus pass intact up food pyramids, their concentrations getting multiplied by about ten at each step of the pyramid. -
Winter 1993 Volume 42
AWI QrtrlWntr l 42 AWI Cover: Canada Lynx photographed in Montana near Glacier Quaey National Park by Leonard Lee Rue III D.Sc., the most frequently • published wildlife photographer in the United States. Author, columnist, and video maker, his photos have appeared on 1800 magazine covers. 16 Directors Maeeie ememas ea Waace ougas ai i eeo G ewe Cisie Sees oge Sees Aiee ai Cyia Wiso Officers Cisie Sees esie Cyia Wiso ice esie eeo G ewe Seceay oge Sees easue Zero Cut Only Scientific Committee Solution for Maoie Ace °z. US National Gea ea ee ey M Forests 15 aaa Oas Ph.D. oge aye Ph.D. Samue eacock M o Was M International Committee Aie e Aua M - Meico G Aikas M - Geece Amassao aaak usai - agaes Agea Kig - Uie Kigom Simo Muciu - Keya ai icao - Caaa Gooeo Sui - Cie Ms umiiko ogo - aa Kaus esegaa Ph.D. - emak Aeey Yaoko - CIS Staff eie Coaes uicaios Cooiao o Geie Assisa o e Oices iae aeso am Aima Cosua Saa awes eseac Assisa ye uciso Wae Camaig Cooiao Cay iss Eecuie ieco e augo Mai Oe Seceay Family Pet Victim of Gea isso Wiie Cosua eie ike Amiisaie Assisa Indiscriminate Trap 22 Aam oes eseac Assisa E AIMA WEAE ISIUE QUAEY P.O. BOX 3650 WASHINGTON, DC 20007 WINTER 1993 VOL. 42 NO. 1 COES Goeme The New Administration Stands Four-Square for Animal Welfare 4 Judge Richey Rules in Favor of Decent Treatment for Lab Dogs and Primates 5 Maie Mammas Whales and Dolphins - The Turning Point 6 Ministry of Fisheries Charged With Violation of Norwegian Anti-Cruelty Laws 6 Chairman Studds Wins Unanimous Vote for Ban on Commercial Whaling 7 Japanese Whale Watching vs.