DOCSLIB.ORG

NACHWUCHS Inhalt Contents

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
NACHWUCHS Inhalt Contents /NACHWUCHS Inhalt Contents 02 Vorwort Preface 04 Orte Venues 06 Zeiten Times 10 Eröffnungsreden Opening Talks 14 Musikpraxis Practical Music Skills 28 Musik, Medien, Marketing Music, Media, Marketing 40 Musikgeschäft Music industry 52 Club- und Festivalkultur Club and Festival Culture 56 Kulturwissenschaft liche Perspektiven Perspectives in Cultural Studies 62 Kooperationsveranstaltung Cooperation Event 64 Impressum Imprint Lieber Pop-Kultur Nachwuchs, Dear Pop-Kultur Nachwuchs, rund 800 Bewerbungen haben uns dieses Mal aus (fast) der ganzen Welt erreicht. Das This time around, we received about 800 applications from across (almost) the entire Nachwuchs-Program ist, das muss unter uns bleiben, unser heimliches Lieblingskind. Wie world. This is just between you and us, but the Nachwuchs programme is our secret gerne würden wir selber an all den Workshops teilnehmen und dann abends auf die Konzerte favourite. We ourselves would so love to participate in all the workshops during the day gehen, angefüllt mit neuem Wissen und Visionen – als wir jung waren, gab es so etwas nicht. and then go to concerts at night filled with new wisdom and new visions – back when we Oder wenn doch, dann haben wir davon nichts mitbekommen und stattdessen einfach were young, there was nothing comparable. Or if there was we didn’t know about it, and so, auf eigene Faust, über Musik geschrieben, Bands gegründet, Festivals veranstaltet, instead just took it upon ourselves to write about music, to start bands, organise festivals, Radiosendungen produziert oder Jura studiert (um endlich zu verstehen, was es genau mit produce radio shows, or study law (to finally try to get to the bottom of that copyright law diesem sogenannten Urheberrecht auf sich hat). stuff). Was wir damit sagen wollen: Es geht immer auch anders, bitte vergesst niemals, dass es zu What we’re trying to say is: there are lots of ways to get to any given point – in any case, großen Teilen auf Euer eigenes Engagement ankommt… Mit unserem Nachwuchs-Programm never forget that it all largely depends on your own level of engagement… With our möchten wir Euch Inspirationen und praktische Hilfen geben. Wie verbessert sich das eigene Nachwuchs programme, we’d like to give you inspiration and practical help. How can Schreiben über Musik? Wie schaffe ich es, einen interessanten Sound zu entwickeln, der sich you improve your own writing about music? How do you develop an interesting sound von anderen Bands unterscheidet? Wie finanziert sich ein Festival, und wie war das nochmal that differs from that of other bands? How is a festival financed? How does sampling genau mit dem Sampling? Erlaubt? Nicht erlaubt? Irgendwas dazwischen, oder? Einige work, again? Allowed? Not allowed? Or maybe something in between? Some of these der Fragen können die Dozent*innen Euch sicherlich beantworten, aber wenn »Pop Kultur questions can definitely be answered by the workshop instructors, but when »Pop-Kultur Nachwuchs« vorbei ist, seid Ihr wieder auf Euch alleine gestellt. Wobei: Haltet doch den Kontakt Nachwuchs« is over, you’re on your own again. That being said: keep in touch with each zueinander aufrecht! Wer, wenn nicht Ihr, betreibt die heißen Labels von morgen? Wer, wenn other! Who, if not all of you, will run the hottest labels of tomorrow? Who, if not all of you, nicht Ihr, erfindet den Pop neu? will reinvent pop? 2 3 Unser besonderer Dank gilt den Förderern und natürlich all den Stätten, in denen wir nun We’d like to say a special thanks to our sponsors and to all of the venues that will be gemeinsam mit euch und den Mentor*innen diese zwei sicherlich lehrreichen Tage verbringen hosting you and your mentors for what will certainly be two very educational days. dürfen. We wish you a very exciting time! Wir wünschen euch eine aufregende Zeit! Yours, Eure Amelie, Anika, Birgit, Cagia, Christian, Florian, Jonas, Julia, Katja, Martin, Michael, Milena, Amelie, Anika, Birgit, Cagia, Christian, Florian, Jonas, Julia, Katja, Martin, Michael, Milena, Nina und Stella Nina and Stella Lageplan Map Kulturbrauerei Schönhauser Allee 36 Sredzkistraße Kino in der Kulturbrauerei Knaackstraße Soda Palais Frannz Biergarten Center of Dance Museum in der Kulturbrauerei Enter Studio Schönhauser Allee Danziger Straße U Eberswalder Straße /NACHWUCHS Mittwoch 23.08.2017 Kino Saal 4 Kino Saal 8 Palais Atelier Palais Palais Büro Center of Dance Museum Enter Studio Soda Moon Floor Soda Club 2 Seminarraum Bibliothek 10.00 10.00 (en) .10 Katja Lucker, Martin Hossbach, .20 Christian Morin .30 Official Opening »Pop-Kultur Nachwuchs« .40 10.15 (en) Mona Rübsamen .50 Opening Talk 11.00 11.00 (en) 11.00 (de) 11.00 (en) 11.00 (de) 11.00 (en) 11.00 (de) 11.00 (de) 11.00 (en) 11.00 (en) .10 Lutz Leichsenring Anna Meyer Dirk Peitz Antje Øklesund Sky Deep – Olaf Kretschmar Henryk Gericke Jochen Arbeit Black Cracker – .20 Bottom-up Booster Grundlagen des Schreiben über Alternative präsentiert von Gemeinsame Subkultur als Musik aus präsentiert .30 Bottom-up Booster Booking Musik ist ein Orte (1/2) BIMM Interessen, Transitraum Nichts (1/2) von Native .40 The Basics of Problem Alternative Kreative Kontrolle gemeinsame Subcultures as Music from Instruments Booking The Problem of Places (1/2) und künstlerische Sache – die BMC Transitional Spaces Nothing (1/2) Elektronische .50 Writing About Integrität Common Interests, Musikproduktion 12.00 Music The Business of Common Goals Electronic Music .10 Creative Control & – The BMC Production .20 Artistic Integrity 12.20 (en) 12.20 (de) .30 Thomas Sonderby Dr. Lina Boecker .40 Jepsen Musik und ihre .50 Festivalbooking rechtliche Seite 13.00 Festival Booking The Legal Side of Music .10 .20 .30 13.30–14.30 / Frannz Biergarten .40 Lunch Break .50 14.00 .10 .20 .30 14.30 (de) 14.30 (de) 14.30 (de) 14.30 (en) 14.30 (en) 14.30 (de) 14.30 (de) 14.30 (en) 14.30 (en) .40 Henrietta Bauer Eike Wittrock Nadine Moser & Christopher Nene Hatun Mo Loschelder Aleksandra Jochen Arbeit Kristen .50 Studieren, Aufführung, Florian Hirsch Blenkinsop Werkzeuge zum Geschlechterun- Skwarc Musik aus Gallerneaux 15.00 managen und Liveness und Unabhängigkeit, Was muss ich tun Aufpeppen Deiner gleichheiten und Wie wichtig ist Nichts (2/2) Gute Beats aus vermarkten .10 Inszenierung Subkultur, um mitzuspielen? Musik weibliche Pioniere Musik für Marken? Music from schlechter Muzak Studying, Performance, Mainstream What Does it Take Tools to spice up Gender Imbalances How Important is Nothing (2/2) Good Beats Out of .20 Managing, and Liveness, and Independance, to Play the Game? your music and Female Music to Brands? Bad Muzak .30 Marketing Staging Subculture, Pioneers .40 Mainstream .50 15.50 (de) 16.00 Jörg Heidemann .10 Die Musikbranche .20 ist ein Universum für sich! .30 The Music Industry .40 is a Universe in .50 Itself! 17.00 .10 .20 .30 17.30–18.30 / Soda Terrassen Official Opening Pop-Kultur Festival 21:00 - 00:00 / Soda Salon »Pop-Kultur Nachwuchs« Live Donnerstag 24.08.2017 Kino Saal 4 Kino Saal 8 Palais Atelier Palais Palais Büro Center of Dance Museum Enter Studio Soda Moon Floor Soda Club 2 Seminarraum Bibliothek 10.00 10.00 (en) .10 Amanda .20 Petrusich .30 Opening Talk .40 .50 11.00 11.00 (en) 11.00 (en) 11.00 (de) 11.00 (de) 11.00 (en) 11.00 (en) 11.00 (en) 11.00 (en) 11.00 (en) .10 Howard Monk Circuit Des Yeux Daniel Meteo, Jan Simon Stephanie Von Rob Young Paul Williams, Lucrecia Dalt Noveller .20 Überleben in Gesangsübung Felix Schramm – Sampling Beauvais Schreiben über Rob Curry Die Transformation Pedale und Effekte .30 kleinen Strukturen Vocal Practice präsentiert vom Sampling Shoot it Yourself! Musik Filme über Musik von Klangquellen Pedals and Effects Writing About und Sound .40 Survival in Small Jules Verne Shoot it Yourself! und was alles Structures Musikvereyn Music schief gehen kann Processing .50 Musik anschauen Making Films Transformation Of 12.00 Watching Music About Music and Sound Sources .10 What Will Go And Sound .20 Wrong Processing 12.20 (en) 12.20 (de) .30 Christof Moses Schneider .40 Ellinghaus, Horst Sinn und Unsinn .50 Weidenmüller eines Musikstudios Misserfolge 13.00 The Sense and Failures Nonsense of a .10 Music Studio .20 .30 13.30–14.30 / Frannz Biergarten .40 Lunch Break .50 14.00 .10 .20 .30 14.30 (en) 14.30 (en) 14.30 (de) 14.30 (en) 14.30 (de) 14.30 (en) 14.30 (en) 14.30 (en) 14.30 (de) .40 Amanda Petrusich Throwing Shade Max Rieger Antje Øklesund Melissa Perales / Mark Chung Stephanie Von Electric Indigo Yesim Duman .50 Musikkritik: Was Geschichte der Das Album, der Alternative Andrea Goetzke Wozu brauche ich Beauvais Granularesynthese CDJ-2000 15.00 funktioniert und Musikproduktion Wahn Orte (2/2) Dein eigenes einen Verlag? Shoot It Yourself: – Überblick über CDJ-2000 was nicht? .10 seit 1960 The Album, The Alternative Festival What Do I Need a Video- Theorie und Music Criticism: The History of Madness Places (2/2) Your Own Festival Publisher For? Sprechstunde Geschichte .20 What Works and Music Production Shoot it Yorself: Granular Synthesis .30 What Doesn’t? Since 1960 Video Workshop – A Theoretical and .40 Practical Overview .50 15.50 (en) 16.00 Hello .10 Psychaleppo .20 Tradition und .30 Moderne Tradition and .40 Modernity .50 17.00 .10 .20 .30 18.00–19.30 / Soda Salon Music Pool Community Evening 21:00 - 00:00 / Soda Salon »Pop-Kultur Nachwuchs« Live Mona Rübsamen 23.08 / 10.15 – 10.50 Kino in der Kulturbrauerei (Saal 4) / en Moderation: Christian Morin Mona Rübsamen ist geschäftsführende Gesellschafterin des Radiosenders Flux FM und verantwortet das Programm und die strategische Ausrichtung des crossmedialen Sendernetzwerks. Mit FluxMusic werden 25 kuratierte Radiosender als Livestream via Internet bzw. App verbreitet. 2004 gründete die ehemalige MTV-Managerin zusammen mit Markus Kühn die Plattform für regionale Musikwirtschaft GmbH.
Load more

Recommended publications
  • May 18, 2016 for Immediate Release WATCH MODERAT's “RUNNING
    May 18, 2016 For Immediate Release WATCH MODERAT’S “RUNNING” VIDEO https://youtu.be/tVawpT44Hrk MODERAT KICK OFF NORTH AMERICAN TOUR THIS FRIDAY MODERAT’S III OUT NOW VIA MUTE/MONKEYTOWN ModerAt, the alliance of electronic heavy weights, Modeselektor and AppArAt, kick off their North American tour in support of new album, III, this Friday in New York. They’ll be joined throughout by longtime creative collaborators, PfadfiNderei, who will take the reins on visual production. Last week, Moderat announced the release of the album’s second single, “RuNNiNg,” which presents a highly emotive kind of pop, built for dancing, but never simple. Today, the trio reveals the single’s visual accompaniment, directed by JAkob GruNert. Grunert uses the incessant momentum of “Running” to narrate a pilot’s final flight in the Mojave Desert. After abandoning his plane in an aircraft boneyard, the pilot grapples with the frailty of purpose and the pursuit of rebirth. The story goes hand-in-hand with Apparat’s description of “Running” in that the song is about being part of a mass that constantly needs to move to function, but a mass that’s not deciding directions by itself. Mute/MoNkeytown will release “Running,” featuring the exclusive b-side, “90% WAsser,” on May 20th. The digital bundle includes remixes by Shed and KiNK. The “RuNNiNg” 10”, available July 1st, will feature both remixes, and the “RuNNiNg” 12”, available July 15th, will feature the original track and exclusive b-side. WAtch “RuNNiNg” Video – https://youtu.be/tVawpT44Hrk ListeN To “RuNNiNg (Shed Remix)” – https://souNdcloud.com/moNkeytowNrecords/moderAt-ruNNiNg-shed-remix/ “RemiNder” Video – https://youtu.be/cJwsNUoazUg ModerAt Tour DAtes (tix oN sale via www.moderat.fm.): Thu.
    [Show full text]
  • Some Albums to Keep Your Toes Warm This October Pt 2
    Some Albums To Keep Your Toes Warm This October Pt 2. Bittles‘ Magazine | Record Review I was arm-wrestling a tiger the other day (my editor told me I had to make the beginning of my articles more exciting) when I suddenly realised that I had no time for such frivolity as I had some great albums to review. Quickly admitting defeat, I retreated to my listening studio (bedroom) and immersed myself in some of the fantastic records that will be hitting the record store shelves this October. By JOHN BITTLES We have the UK house of Huxley, the indie bleakness of Grouper, the disco diva-isms of Munk, the techno bass of Distal and so much more. But really, in a month when there is, finally, a new album by Glaswegian duo Slam, there is only one place we can begin. Stuart McMillan and Orde Meikle have long been established as bona fide legends of the house and techno scene! Their record label Soma is over 400 releases old, their DJ sets at clubs like The Sub Club and The Arches in Glasgow are discussed with an air of awed reverence, and, as Slam, the duo have released some of the finest electronic music known to man. And now, in the year 2014 they give us their first album in seven years with the deep and moody brilliance of Reverse Proceed. The cinematic ambience of Tokyo Subway, Visual Capture and the title track open proceedings and are the perfect introduction to the deliciously deep sounds to come. In fact it’s not until the techno futurism of Synchronicity that we even get our very first sign of a beat.
    [Show full text]
  • Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
    Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time.
    [Show full text]
  • MODERAT III: Le Date: 28 Aprile Milano, Alcatraz 29 Aprile Roma, Spazio Novecento
    MODERAT III: Le date: 28 aprile Milano, Alcatraz 29 aprile Roma, Spazio Novecento 26/01/2016 Gernot Bronsert, Sebastian Szary (aka Modeselektor)e Sascha Ring (aka Apparat) tornano in Italia per due imperdibili date per presentare il nuovo atteso album della loro creatura, MODERAT III, in uscita il 1 aprile per Monkeytown Records e definitiva consacrazione del progetto Moderat. Perfezione maniacale, ma anche felicità creativa, ed innata capacità a completarsi artisticamente l'uno con l'altro. L'unione fra i tedeschi Modeselektor ed Apparat nel progetto Moderat è davvero una delle avventure più esaltanti nella musica elettronica dell'ultimo decennio. Lo è per la statura dei singoli protagonisti: i Modeselektor fin dal loro debutto, con la loro techno creativa e piena di colpi di scena, si sono guadagnati i favori della stampa specializzata ma anche di star come Thom Yorke (prima loro fan e poi direttamente collaboratore), Apparat dal canto suo sia come solista che in collaborazione con Ellen Allien si è guadagnato la fama di producer incredibilmente bravo e sensibile nello sposare elettronica, ritmi e fortissimo senso melodico. Risultato: entrambi ormai, ad ogni apparizione italiana, radunano pubblici foltissimi e inanellano sold out. Moderat diventa il modo migliore per unire il potenziale artistico di queste due entità così importanti. Non si sovrappongono fra di loro in questo progetto, diventano invece perfettamente complementari: la potenza ritmica e l'impatto ipnotico dei Modeselektor, la preziosità dei ricami armonici e melodici di Apparat. Un equilibrio perfetto, a cui si arriva peraltro non senza fatica. Il loro primo lavoro in comune, l'ep “Auf Kosten Der Gesundheit” (2003), racconta già dal titolo (“Al costo della salute”) quanto è stato complesso arrivare alla giusta misura e alla giusta interazione, figlie di sfibranti sedute in studio di registrazione all'insegna del più maniacale perfezionismo.
    [Show full text]
  • Foreign Service of the TELEGRAM United States of America 13/1 OUTGOING U
    Foreign Service of the TELEGRAM United States of America 13/1 OUTGOING u. s. lISSION BERLIN rot- CONFIDENrIAL Classification USGOB Charge: Control: 29 1-1--3 POL.....3 Date: October 6, 1964 FA 1900 hrs EGO usrs ACTION: Secstate W PRIORITY 509 ASAG INFO: Am mbassy BONN 456 ro/u Amembassy LONDON 184 F&H Amembassy MOS CO\-I 187 mbassy PARIS 214 USAREUR/POLAD USCINCEUR/POLAD USElMLO USNMR SHAPE FOR IDRNS PARIS .~O FOR USRO SUBJEm': Tunnel Escape from East Berlin Escape of 57 East German refugees October 3 and 4 through t unn I under Bernauerstrass (French Sector) has aroused great public interest here . During operation East German border brigade s rgeant apparently was killed under circumstances still not clear. Escape effort was w ll-organi zed~ professional job. According one s ource~ Free University students did actual work. ~~ anwhile# French have heard that Der Stern provided financing. I n any case# three Ger man press and film representatives wer at scen and r eportedly paid 15~000 DM for rights on escape . Tutmel discovered 0030 October 5 by East German border guards shortly after last r efugee passed through. r~chine pistol fire \-las h ard at Eastern entrana to tunnel. Observers saw man remov d from scene on stretcher and (Esp,n Schultz) East German Def ns Ministry subsequently announced ser ean1( had be n "murdered by armed bandits from W st. It st Berlin police investigation of shooting was suddenly called off Tuesday morning with no serious effort to clarify facts. ~lission officers have l earned that confidential inv stigation has been turned over to security 29/jm CONFIDENl.'IAL REPRODUCTION FROM THIS COpy IS C Iass iIicat i 0 1Z PROHIBITED UNLESS "UNCLASSIFIED" OFFICIAL FILE COPY Foreign Service of the TELEGRAM United States of America OUTGOING CONFIDENl'IAL Charge: Classification Control: 29 2 Date: agency (Lf'v).
    [Show full text]
  • Popular Music in Germany the History of Electronic Music in Germany
    Course Title Popular Music in Germany The History of Electronic Music in Germany Course Number REMU-UT.9811001 SAMPLE SYLLABUS Instructors’ Contact Information Heiko Hoffmann [email protected] Course Details Wednesdays, 6:15pm to 7:30pm Location of class: NYU Berlin Academic Center, Room “Prenzlauer Berg” (tbc) Prerequisites No pre-requisites Units earned 2 credits Course Description From Karlheinz Stockhausen and Kraftwerk to Giorgio Moroder, D.A.F. and the Euro Dance of Snap!, the first nine weeks of class consider the history of German electronic music prior to the Fall of the Wall in 1989. We will particularly look at how electronic music developed in Germany before the advent of house and techno in the late 1980s. One focus will be on regional scenes, such as the Düsseldorf school of electronic music in the 1970s with music groups such as Cluster, Neu! and Can, the Berlin school of synthesizer pioneers like Tangerine Dream, Klaus Schulze and Manuel Göttsching, or Giorgio Moroder's Sound of Munich. Students will be expected to competently identify key musicians and recordings of this creative period. The second half of the course looks more specifically at the arrival of techno, a new musical movement, and new technology in Berlin and Germany in the turbulent years after the Fall of the Berlin Wall, up to the present. Indeed, Post-Wall East Berlin, full of abandoned spaces and buildings and deserted office blocks, was the perfect breeding ground for the youth culture that would dominate the 1990s and led techno pioneers and artists from the East and the West to take over and set up shop.
    [Show full text]
  • Some Australian Bees in the Berlin Museum
    Utah State University DigitalCommons@USU Co Bee Lab 6-1-1910 Some Australian Bees in the Berlin Museum T. D. A. Cockerell University of Colorado Follow this and additional works at: https://digitalcommons.usu.edu/bee_lab_co Part of the Entomology Commons Recommended Citation Cockerell, T. D. A., "Some Australian Bees in the Berlin Museum" (1910). Co. Paper 258. https://digitalcommons.usu.edu/bee_lab_co/258 This Article is brought to you for free and open access by the Bee Lab at DigitalCommons@USU. It has been accepted for inclusion in Co by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. •· ,: 1 i 98 JOURNAL NEW YORK ENTOMOLOGICAL SOCIETY. (Vol.XVlll. I l i J une , 19 10 • .J • l ', ..l· brown , more or less powdery , the se,:ondaries more whitish ::.t base and more i I obviously powdered th ::.n the primaries. th e anteri or , t .•·I Expand :;, 37-40 m en . r.48-r.60 inche s. below, alo 11~ t! i = n1argin s; il ,irt · H abitai .-Claremont, California. light m ark i11,• J Two males, two females , in good conditicn from :!l'fr . C. W. Metz, t dark in f runt . , J without dates of capture. The species is a very weil-marked one in r. n. j ol nin~~ • ~ l I ,I the division with the well-mark ed ordi nary spots and obsolete median ing inw: ud :-., , i ,,,1 lines . The difference between th e sexes is very mark ed and, at first ·mandib k s h.,, • I i blush, the two do not look at all alike.
    [Show full text]
  • 2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI Via AP Balazs Mohai
    2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI via AP Balazs Mohai Sziget Festival March 26-April 2 Horizon Festival Arinsal, Andorra Web www.horizonfestival.net Artists Floating Points, Motor City Drum Ensemble, Ben UFO, Oneman, Kink, Mala, AJ Tracey, Midland, Craig Charles, Romare, Mumdance, Yussef Kamaal, OM Unit, Riot Jazz, Icicle, Jasper James, Josey Rebelle, Dan Shake, Avalon Emerson, Rockwell, Channel One, Hybrid Minds, Jam Baxter, Technimatic, Cooly G, Courtesy, Eva Lazarus, Marc Pinol, DJ Fra, Guim Lebowski, Scott Garcia, OR:LA, EL-B, Moony, Wayward, Nick Nikolov, Jamie Rodigan, Bahia Haze, Emerald, Sammy B-Side, Etch, Visionobi, Kristy Harper, Joe Raygun, Itoa, Paul Roca, Sekev, Egres, Ghostchant, Boyson, Hampton, Jess Farley, G-Ha, Pixel82, Night Swimmers, Forbes, Charline, Scar Duggy, Mold Me With Joy, Eric Small, Christer Anderson, Carina Helen, Exswitch, Seamus, Bulu, Ikarus, Rodri Pan, Frnch, DB, Bigman Japan, Crawford, Dephex, 1Thirty, Denzel, Sticky Bandit, Kinno, Tenbagg, My Mate From College, Mr Miyagi, SLB Solden, Austria June 9-July 10 DJ Snare, Ambiont, DLR, Doc Scott, Bailey, Doree, Shifty, Dorian, Skore, March 27-April 2 Web www.electric-mountain-festival.com Jazz Fest Vienna Dossa & Locuzzed, Eksman, Emperor, Artists Nervo, Quintino, Michael Feiner, Full Metal Mountain EMX, Elize, Ernestor, Wastenoize, Etherwood, Askery, Rudy & Shany, AfroJack, Bassjackers, Vienna, Austria Hemagor, Austria F4TR4XX, Rapture,Fava, Fred V & Grafix, Ostblockschlampen, Rafitez Web www.jazzfest.wien Frederic Robinson,
    [Show full text]
  • Moderat Albums Free Download Moderat Albums Free Download
    moderat albums free download Moderat albums free download. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 67a8dbd3eb0e75b7 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Moderat albums free download. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 67a8dbd41c70cb0c • Your IP : 188.246.226.140 • Performance & security by Cloudflare.
    [Show full text]
  • Cologne Music Festival and Convention 22—26 04 2020
    Cologne Music Festival and Convention 22—26 04 2020 Get involved! »c/o pop Festival has been bringing »At Cologne's c/o pop, national and international acts from you could learn how to the genres of electro, indie and similar listen again, whether styles to Cologne's indoor and outdoor stages since 2004 – including it's in a concert hall, in established artists and newcomers. the moshpit or at a Since then, the focus has shifted more kebab stand.« and more towards national newcomers – after all, c/o pop sees Kölner Stadt-Anzeiger itself as a festival of discovery.« »Among the highlights are special »The musical explosion events like the pop-NRW-Award, inKölner Cologne: Stadtanzeiger Pop music where the best acts from North Rhine- all the way to the Westphalia are honored, label nights, showcases and networking events, kebab stand« where labels, musicians and other Express Köln players can get to know each other.« c/o pop Festival 2 The past few years have shown that »Everywhere in the streets and the concept works: several national subways you see young people acts such as The Whitest Boy Alive, with programs in their hands BrandtBrauerFrick, Moderat, and posters can be seen all over Roosevelt, Dillon and the city.« AnnenMayKantereit played the festival long before their Kölnische Rundschau breakthroughs, proving that the c/o pop Festival is an ideal stepping stone – also for international success. In »The beauty of this festival is 2019, the organizers revised the entire (...) that it takes place in the concept of c/o pop and even made a middle of the city.
    [Show full text]
  • FESTIVAL - 100% Berlin Vad Varje Svensk Bör Veta Om Berlin! Lördag 4 Oktober 2008, Goethe-Institut Och Debaser Medis
    Pressmeddelande 2008-09-11 FESTIVAL - 100% Berlin Vad varje svensk bör veta om Berlin! Lördag 4 oktober 2008, Goethe-Institut och Debaser Medis Under en helkväll serverar Goethe-Institutet och Debaser Medis allt du behöver för att känna dig som om du vore i Berlin! Poesin, bilderna, musiken, filmen, maten, ölen och de skarpaste Berlin- iakttagelserna genom ett par Berlinska ögon - allt 100% Berlin! På Goethe-Institutet träffas Jakob Hein och Falko Hennig , två streetsmarta Berlinförfattare som rapporterar från huvudstadens asfalt. Interpret: Daniel Boyacioglu. Sascha Ring från den elektroniska popgruppen Apparat (Shitkatapult, Berlin) kommer för första gången att gästa Sverige med sin musik och medverkar i ett exklusivt soffsamtal med Calle Dernulf (P3 Dans) om Berlin-scenen. Med sig i pratsoffan har han dj-akter som kommer att spela under kvällen på Debaser Medis. Programmet på Goethe-Institutet avlutas med en Sverigepremiär av den purfärska episodfilmen Berlin 1. Mai från 2008. Filmen hade premiär på årets Berlinale under kategorin ”Perspektives German Cinema” och fick lysande mottagande av både publik och press. En elvaårig turk, två inresta ungdomar från en småstad och en bedragen provinspolis: alla hamnar den 1 maj i Berlin- Kreuzberg. Tiden och platsen där känslorna varje år stormkokar! Avsluta natten på Debaser Medis! Apparat aka Sascha Ring (Shitkatapult, Berlin) gör för första gången en live-konsert i Stockholm, dessutom kommer Dj Bleed (från elektroniska musikmagasinet De:Bug i Berlin) och DJ Stefan Goldmann. Förband är Stockholm/ Berlinbaserade akten Pluxus (Pluxemburg). Program på Goethe-Institutet, Bryggargatan 12 a kl. 18-22 Fri entré. Endast inbjudna, OSA till: [email protected] senast 4/10 kl.15.00 kl.
    [Show full text]
  • アーティスト 商品名 フォーマット 発売日 商品ページ 555 Solar Express CD 2013/11/13
    【SOUL/CLUB/RAP】「怒涛のサプライズ ボヘミアの狂詩曲」対象リスト(アーティスト順) アーティスト 商品名 フォーマット 発売日 商品ページ 555 Solar Express CD 2013/11/13 https://tower.jp/item/3319657 1773 サウンド･ソウルステス（DIGI） CD 2010/6/2 https://tower.jp/item/2707224 1773 リターン・オブ・ザ・ニュー CD 2009/3/11 https://tower.jp/item/2525329 1773 Return Of The New (HITS PRICE) CD 2012/6/16 https://tower.jp/item/3102523 1773 RETURN OF THE NEW（LTD） CD 2013/12/25 https://tower.jp/item/3352923 2562 The New Today CD 2014/10/23 https://tower.jp/item/3729257 *Groovy workshop. Emotional Groovin' -Best Hits Mix- mixed by *Groovy workshop. CD 2017/12/13 https://tower.jp/item/4624195 100 Proof (Aged in Soul) エイジド・イン・ソウル CD 1970/11/30 https://tower.jp/item/244446 100X Posse Rare & Unreleased 1992 - 1995 Mixed by Nicky Butters CD 2009/7/18 https://tower.jp/item/2583028 13 & God Live In Japan [Limited] ＜初回生産限定盤＞（LTD/ED） CD 2008/5/14 https://tower.jp/item/2404194 16FLIP P-VINE & Groove-Diggers Presents MIXCHAMBR : Selected & Mixed by 16FLIP ＜タワーレコード限定＞ CD 2015/7/4 https://tower.jp/item/3931525 2 Chainz Collegrove（INTL） CD 2016/4/1 https://tower.jp/item/4234390 2000 And One Voltt 02 CD 2010/2/27 https://tower.jp/item/2676223 2000 And One ヘリタージュ CD 2009/2/28 https://tower.jp/item/2535879 24-Carat Black Ghetto : Misfortune's Wealth（US/LP） Analog 2018/3/13 https://tower.jp/item/4579300 2Pac (Tupac Shakur) TUPAC VS DVD 2004/11/12 https://tower.jp/item/1602263 2Pac (Tupac Shakur) 2-PAC 4-EVER DVD 2006/9/2 https://tower.jp/item/2084155 2Pac (Tupac Shakur) Live at the house of blues（BRD） Blu-ray 2017/11/20 https://tower.jp/item/4644444
    [Show full text]