Cologne Music Festival and Convention 22—26 04 2020
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May 18, 2016 for Immediate Release WATCH MODERAT's “RUNNING
May 18, 2016 For Immediate Release WATCH MODERAT’S “RUNNING” VIDEO https://youtu.be/tVawpT44Hrk MODERAT KICK OFF NORTH AMERICAN TOUR THIS FRIDAY MODERAT’S III OUT NOW VIA MUTE/MONKEYTOWN ModerAt, the alliance of electronic heavy weights, Modeselektor and AppArAt, kick off their North American tour in support of new album, III, this Friday in New York. They’ll be joined throughout by longtime creative collaborators, PfadfiNderei, who will take the reins on visual production. Last week, Moderat announced the release of the album’s second single, “RuNNiNg,” which presents a highly emotive kind of pop, built for dancing, but never simple. Today, the trio reveals the single’s visual accompaniment, directed by JAkob GruNert. Grunert uses the incessant momentum of “Running” to narrate a pilot’s final flight in the Mojave Desert. After abandoning his plane in an aircraft boneyard, the pilot grapples with the frailty of purpose and the pursuit of rebirth. The story goes hand-in-hand with Apparat’s description of “Running” in that the song is about being part of a mass that constantly needs to move to function, but a mass that’s not deciding directions by itself. Mute/MoNkeytown will release “Running,” featuring the exclusive b-side, “90% WAsser,” on May 20th. The digital bundle includes remixes by Shed and KiNK. The “RuNNiNg” 10”, available July 1st, will feature both remixes, and the “RuNNiNg” 12”, available July 15th, will feature the original track and exclusive b-side. WAtch “RuNNiNg” Video – https://youtu.be/tVawpT44Hrk ListeN To “RuNNiNg (Shed Remix)” – https://souNdcloud.com/moNkeytowNrecords/moderAt-ruNNiNg-shed-remix/ “RemiNder” Video – https://youtu.be/cJwsNUoazUg ModerAt Tour DAtes (tix oN sale via www.moderat.fm.): Thu. -
Some Albums to Keep Your Toes Warm This October Pt 2
Some Albums To Keep Your Toes Warm This October Pt 2. Bittles‘ Magazine | Record Review I was arm-wrestling a tiger the other day (my editor told me I had to make the beginning of my articles more exciting) when I suddenly realised that I had no time for such frivolity as I had some great albums to review. Quickly admitting defeat, I retreated to my listening studio (bedroom) and immersed myself in some of the fantastic records that will be hitting the record store shelves this October. By JOHN BITTLES We have the UK house of Huxley, the indie bleakness of Grouper, the disco diva-isms of Munk, the techno bass of Distal and so much more. But really, in a month when there is, finally, a new album by Glaswegian duo Slam, there is only one place we can begin. Stuart McMillan and Orde Meikle have long been established as bona fide legends of the house and techno scene! Their record label Soma is over 400 releases old, their DJ sets at clubs like The Sub Club and The Arches in Glasgow are discussed with an air of awed reverence, and, as Slam, the duo have released some of the finest electronic music known to man. And now, in the year 2014 they give us their first album in seven years with the deep and moody brilliance of Reverse Proceed. The cinematic ambience of Tokyo Subway, Visual Capture and the title track open proceedings and are the perfect introduction to the deliciously deep sounds to come. In fact it’s not until the techno futurism of Synchronicity that we even get our very first sign of a beat. -
Dans Natten Væk Med Tyske Modeselektor
2013-02-07 21:00 CET Dans natten væk med tyske Modeselektor VEGA, Live Nation og FROST præsenterer Dans natten væk med tyske Modeselektor Programmet for din lillefredags-fest er sikret torsdag den 14. februar. Modeselektor indtager nemlig VEGA med både artist talk, koncert og efterfølgende fest i Ideal Bar. Som perfekt opvarmning til Modeselektors koncert giver den tyske producerduo et eksklusivt gæste-dj-sæt i Ideal Bar. Fra kl. 18-20 kigger makkerparret Gernot Bronsert og Sebastian Szary forbi med et udvalg af deres yndlingsplader, som de vil spille og præsentere i dialog med P6 Beat- radioværten Carsten Holm. Arrangementet er gratis. Kontrolleret og dansabelt kaos i Store VEGA Sebastian Szary og Gernot Bronsert er musikalske legebørn, som laver musik, der ikke kun kan sættes én betegnelse på. Deres tracks byder på en overflod af uimodståelige grooves med melodisk kant, hvirvlet ind i electronica, dance, techno og hiphop. Duoen betegner det selv som et kontrolleret kaos. Men det er et kaos, som resulterer i både begejstrede anmeldere og et ry som en sveddryppende intens og hyperenergisk live-oplevelse. Der blev således uddelt superlativer efter Modeselektors koncert på årets Roskilde Festival, hvor duoen fyrede op under Apollo-scenen. De to producere har da også udtalt, at de ser sig selv mere som et live-act end studiemusikere. Prominente gæstevokalister På album er Modeselektor dog også leveringsdygtige. Deres nye album Monkeytown (2011) har fået fem stjerner i Gaffa og Soundvenue samt 7.4 ud af 10 hos Pitchfork. De mange kollaborationer med forskellige musikalske kollegaer bliver i særdeleshed fremhævet, og det er da også prominente navne som medvirker på albummet bl.a. -
PARTNER PROFILE 2015 Partnerpartner Pprofilerofile C/Oc/O Ppopop 2015
PARTNER PROFILE 2015 PARTNERPartner PprofileROFILE C/OC/O PpopOP 2015 CONTENTS c/o pop Festival 06 Locations 08 Bands & Acts 12 Press Coverage 14 c/o pop Convention 16 Feedback 18 Speakers & Panelists 20 Partner & Sponsors 2014 23 Contact 24 3 Partner profile C/O pop 2015 Partner profile C/O pop 2015 C/O pop 2015 “C/O POP: THIS IS WHERE musICIANS, 19—23 A FANS AND BusINEss PEOPLE COME UGUS T TOGETHEr – aN URBAN, DIVERSE AND UNIQUE FESTIVAL!“ Make your brand and your product part of this unforgettable feeling. At c/o pop, you can reach urban young people, opinion leaders and music lovers! On the following pages, you will find out more about the festival, the convention and the possibilities for partners, promoters and sponsors. We offer you a variety of options for being part of at c/o pop: Promotional activities of all kinds, media integrations, brand and product presence on site or your own partner events within the framework of the festival and the convention. We would be happy to create a tailor-made solution for your brand and your product at c/o pop! C/O POP MARKETING & SPONSORING Jutta Unger Tel: +49 221 998 911 00 Mail: [email protected] 4 5 KELIS PARTNER PROFILE C/O POP 2015 PARTNER PROFILE C/O POP 2015 C/O POP cOLOGNE MUSIC FESTIVAL elBOW MOUNT KIMBIE Five days, over 30,000 visitors, 60 concerts and parties in 30 different locations and around 100 artists from 20 countries: urban and diverse! The c/o pop festival’s recipe for success is simple: musically, the c/o pop festival has been offering a good mix of established artists and newcomers since 2004, including electro, indie, and related styles as well as international and national acts. -
Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time. -
MODERAT III: Le Date: 28 Aprile Milano, Alcatraz 29 Aprile Roma, Spazio Novecento
MODERAT III: Le date: 28 aprile Milano, Alcatraz 29 aprile Roma, Spazio Novecento 26/01/2016 Gernot Bronsert, Sebastian Szary (aka Modeselektor)e Sascha Ring (aka Apparat) tornano in Italia per due imperdibili date per presentare il nuovo atteso album della loro creatura, MODERAT III, in uscita il 1 aprile per Monkeytown Records e definitiva consacrazione del progetto Moderat. Perfezione maniacale, ma anche felicità creativa, ed innata capacità a completarsi artisticamente l'uno con l'altro. L'unione fra i tedeschi Modeselektor ed Apparat nel progetto Moderat è davvero una delle avventure più esaltanti nella musica elettronica dell'ultimo decennio. Lo è per la statura dei singoli protagonisti: i Modeselektor fin dal loro debutto, con la loro techno creativa e piena di colpi di scena, si sono guadagnati i favori della stampa specializzata ma anche di star come Thom Yorke (prima loro fan e poi direttamente collaboratore), Apparat dal canto suo sia come solista che in collaborazione con Ellen Allien si è guadagnato la fama di producer incredibilmente bravo e sensibile nello sposare elettronica, ritmi e fortissimo senso melodico. Risultato: entrambi ormai, ad ogni apparizione italiana, radunano pubblici foltissimi e inanellano sold out. Moderat diventa il modo migliore per unire il potenziale artistico di queste due entità così importanti. Non si sovrappongono fra di loro in questo progetto, diventano invece perfettamente complementari: la potenza ritmica e l'impatto ipnotico dei Modeselektor, la preziosità dei ricami armonici e melodici di Apparat. Un equilibrio perfetto, a cui si arriva peraltro non senza fatica. Il loro primo lavoro in comune, l'ep “Auf Kosten Der Gesundheit” (2003), racconta già dal titolo (“Al costo della salute”) quanto è stato complesso arrivare alla giusta misura e alla giusta interazione, figlie di sfibranti sedute in studio di registrazione all'insegna del più maniacale perfezionismo. -
Foreign Service of the TELEGRAM United States of America 13/1 OUTGOING U
Foreign Service of the TELEGRAM United States of America 13/1 OUTGOING u. s. lISSION BERLIN rot- CONFIDENrIAL Classification USGOB Charge: Control: 29 1-1--3 POL.....3 Date: October 6, 1964 FA 1900 hrs EGO usrs ACTION: Secstate W PRIORITY 509 ASAG INFO: Am mbassy BONN 456 ro/u Amembassy LONDON 184 F&H Amembassy MOS CO\-I 187 mbassy PARIS 214 USAREUR/POLAD USCINCEUR/POLAD USElMLO USNMR SHAPE FOR IDRNS PARIS .~O FOR USRO SUBJEm': Tunnel Escape from East Berlin Escape of 57 East German refugees October 3 and 4 through t unn I under Bernauerstrass (French Sector) has aroused great public interest here . During operation East German border brigade s rgeant apparently was killed under circumstances still not clear. Escape effort was w ll-organi zed~ professional job. According one s ource~ Free University students did actual work. ~~ anwhile# French have heard that Der Stern provided financing. I n any case# three Ger man press and film representatives wer at scen and r eportedly paid 15~000 DM for rights on escape . Tutmel discovered 0030 October 5 by East German border guards shortly after last r efugee passed through. r~chine pistol fire \-las h ard at Eastern entrana to tunnel. Observers saw man remov d from scene on stretcher and (Esp,n Schultz) East German Def ns Ministry subsequently announced ser ean1( had be n "murdered by armed bandits from W st. It st Berlin police investigation of shooting was suddenly called off Tuesday morning with no serious effort to clarify facts. ~lission officers have l earned that confidential inv stigation has been turned over to security 29/jm CONFIDENl.'IAL REPRODUCTION FROM THIS COpy IS C Iass iIicat i 0 1Z PROHIBITED UNLESS "UNCLASSIFIED" OFFICIAL FILE COPY Foreign Service of the TELEGRAM United States of America OUTGOING CONFIDENl'IAL Charge: Classification Control: 29 2 Date: agency (Lf'v). -
Imperial Celebrates Inaugural Liberation & Community Week
FR IDAY, 25 TH JANUARY, 2019 – Keep the Cat Free – ISSUE 1711 Felix The Student Newspaper of Imperial College London NEWS Cancer Awareness in Young People Week PAGE 4 COMMENT Who should vote on what? PAGE 6 SUSTAINABILITY Inclusivity starts here // Imperial College Union Imperial celebrates inaugural Liberation & Imperial Green Community Week being represented, go out spoke about how they 2019 Calendar and make those events have advocated for change and start those projects and championed diversity. PAGE 19 NEWS College Union’s first of microaggressions, yourself” - the importance Final year Biochemistry Liberation & Commu- which are unconscious of remembering that “the student and Student Andy Djaba nity Week, with a panel expressions of racism or burden of making sure Trustee, Hafiza Irshad, Editor-in-Chief discussion hosted by the sexism. Attendees at the we’re all represented talked about her work SPORT Deputy President (Wel- event heard more about shouldn’t be left on those with the outreach depart- fare), Becky Neil. why diversity is important of us that are unrepresent- ment, working to fully The launch event, and how every member ed” was also emphasised. include Muslim students The week involved a which was titled, “Inclu- of the Imperial commu- Panel members, includ- attending the summer panel event and social sivity Starts Here” and nity can be involved in ing Richard Carruthers camp by accommodating media campaign took place in the Union making the university (Deputy Director [Careers their prayer times, which Concert Hall, featured a more inclusive. Although Service]), Dr. Rahma had a positive impact on panel of seven speakers underrepresented stu- Elmahdi (Senior Teaching the students’ experience. -
Connecting Time and Timbre Computational Methods for Generative Rhythmic Loops Insymbolic and Signal Domainspdfauthor
Connecting Time and Timbre: Computational Methods for Generative Rhythmic Loops in Symbolic and Signal Domains Cárthach Ó Nuanáin TESI DOCTORAL UPF / 2017 Thesis Director: Dr. Sergi Jordà Music Technology Group Dept. of Information and Communication Technologies Universitat Pompeu Fabra, Barcelona, Spain Dissertation submitted to the Department of Information and Communication Tech- nologies of Universitat Pompeu Fabra in partial fulfillment of the requirements for the degree of DOCTOR PER LA UNIVERSITAT POMPEU FABRA Copyright c 2017 by Cárthach Ó Nuanáin Licensed under Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 Music Technology Group (http://mtg.upf.edu), Department of Information and Communication Tech- nologies (http://www.upf.edu/dtic), Universitat Pompeu Fabra (http://www.upf.edu), Barcelona, Spain. III Do mo mháthair, Marian. V This thesis was conducted carried out at the Music Technology Group (MTG) of Universitat Pompeu Fabra in Barcelona, Spain, from Oct. 2013 to Nov. 2017. It was supervised by Dr. Sergi Jordà and Mr. Perfecto Herrera. Work in several parts of this thesis was carried out in collaboration with the GiantSteps team at the Music Technology Group in UPF as well as other members of the project consortium. Our work has been gratefully supported by the Department of Information and Com- munication Technologies (DTIC) PhD fellowship (2013-17), Universitat Pompeu Fabra, and the European Research Council under the European Union’s Seventh Framework Program, as part of the GiantSteps project ((FP7-ICT-2013-10 Grant agreement no. 610591). Acknowledgments First and foremost I wish to thank my advisors and mentors Sergi Jordà and Perfecto Herrera. Thanks to Sergi for meeting me in Belfast many moons ago and bringing me to Barcelona. -
Popular Music in Germany the History of Electronic Music in Germany
Course Title Popular Music in Germany The History of Electronic Music in Germany Course Number REMU-UT.9811001 SAMPLE SYLLABUS Instructors’ Contact Information Heiko Hoffmann [email protected] Course Details Wednesdays, 6:15pm to 7:30pm Location of class: NYU Berlin Academic Center, Room “Prenzlauer Berg” (tbc) Prerequisites No pre-requisites Units earned 2 credits Course Description From Karlheinz Stockhausen and Kraftwerk to Giorgio Moroder, D.A.F. and the Euro Dance of Snap!, the first nine weeks of class consider the history of German electronic music prior to the Fall of the Wall in 1989. We will particularly look at how electronic music developed in Germany before the advent of house and techno in the late 1980s. One focus will be on regional scenes, such as the Düsseldorf school of electronic music in the 1970s with music groups such as Cluster, Neu! and Can, the Berlin school of synthesizer pioneers like Tangerine Dream, Klaus Schulze and Manuel Göttsching, or Giorgio Moroder's Sound of Munich. Students will be expected to competently identify key musicians and recordings of this creative period. The second half of the course looks more specifically at the arrival of techno, a new musical movement, and new technology in Berlin and Germany in the turbulent years after the Fall of the Berlin Wall, up to the present. Indeed, Post-Wall East Berlin, full of abandoned spaces and buildings and deserted office blocks, was the perfect breeding ground for the youth culture that would dominate the 1990s and led techno pioneers and artists from the East and the West to take over and set up shop. -
2.+ENG Dossierprensa2018.Pdf
1 THE FESTIVAL 3 LINEUP 5 PLACES 11 ORGANIZATION AND PARTNERS 12 TICKETS 14 GRAPHIC CAMPAIGN 15 PRESS QUOTES 16 CONTACT 17 2 THE FESTIVAL Primavera Sound has always concentrated all its efforts on uniting the latest musical proposals from the independent scene together with already well established artists, while embracing any style or genre in the line up, fundamentally looking for quality and essentially backing pop and rock as well as underground electronic and dance music. Over the last years, the festival has had the most diverse range of artists. Some of those who have been on stage are Radiohead, Pixies, Arcade Fire, PJ Harvey, The National, Nine Inch Nails, Kendrick Lamar, Neil Young, Sonic Youth, Portishead, Pet Shop Boys, Pavement, Echo & The Bunnymen, Lou Reed, My Bloody Valentine, Brian Wilson, Pulp, Patti Smith, Nick Cave, Cat Power, Public Enemy, Franz Ferdinand, Television, Devo, Enrique Morente, The White Stripes, LCD Soundsystem, Tindersticks, Queens of the Stone Age, She- llac, Dinosaur Jr., New Order, Fuck Buttons, Swans, The Cure, Bon Iver, The xx, Iggy & The Stooges, De La Soul, Marianne Faithfull, Blur, Wu-Tang Clan, Phoenix, The Jesus and Mary Chain, Tame Impala, The Strokes, Belle & Sebastian, Antony & the Johnsons, The Black Keys, James Blake, Interpol and Sleater-Kinney amongst many others. Primavera Sound has consolidated itself as the urban festival par excellence with unique characteristics that have projected it internationally as a reference cultural event. The event stands out from other large music events and is faithful to its original artistic idea, keeping the same standards and maintaining the same qua- lity of organization of past years, without resorting to more commercial bands. -
Mochipetmochipet
MochipetMochipet rawrrawr meansmeans i You! Born in Taiwan R.O.C. to Rocket Scientist father and Kindergarten Teacher mother, David Wang (a.k.a. Mochipet) has been tinkering with electronics since he was a child. However, not until he added music to the equation, did something special begin to take shape. Having grown up listening to metal guitar, avant-garde jazz, and mainstream hip-hop, David’s eclectic taste can now be seen in his music – ever changing, and always evolving. His fervency for diversity can also be noted in the mixed bag of his many artist collaborations which include the likes of legendary skateboarder Ray Barbee (Powell Peralta), Techo producer Ellen Allien (Berlin), hip-hop MCs Mikah9 (Freestyle Fellowship), Casual (Hieroglyphics), and Raashan Ahmad (Crown City Rockers), electro Miami gangster Otto Von Schirach , booty bass rockstars 215 The Freshest Kids and Spank Rock (BigDada), mashup glitch tweeker Kid606 (Tigerbeat6), Edwardian suit-wearing Daedelus (Ninjatune), glitch popstars Jahcoozi (Kitty-Yo), and avant-garde jazz legend Weasel Walter (Flying Luttenbach- ers). David has also shared the stage with a myriad of influential music pioneers, including Aaron Spectre, Andrea Parker, Autechre, Bassnectar, Boom Bip, Bucovina Club, Cargo Natty, Carl Craig, Chris Clark, CLP, Cristian Vogal, Daedelus, Dat Politics, Devlin & Darko, DJ DJ Plasticman, Qbert, DJ Spooky, Drop the Lime, Ellen Allien, Felix Da Housecat, Fluokids, Flying Lotus, Ghislain Poirier, Gift of Gab, Glitchmob, Jahcoozi, Juan Maclean, Ken Ishii, Kid606, Kid Koala, Lazersword, Luke Vibert, Mary Ann Hobbs, Meat Beat Manifesto, Matmos, M.I.A, Mikah 9, Modeselektor, Otto Von Schirach, Skream, Superpitcher, The Bug, Tittsworth, and Tussle, to name a select few.