Unit 6 MAIN COURSE BOOK
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Nepali Times V Peter Rowan at Moksh 19 March, 6:30 PM Onwards Inside Club Hardic, and Wave Magazine
Subscriber’s copy #188 19 - 25 March 2004 24 pages Rs 25 KISHORE NEPAL EYE CONTACT in KAWASOTI A world-class eye care centre in his township along the East- Kathmandu is giving thousands of West Highway, west of the Nepalis the T gift of sight, Narayani River, used to be a and Nepal quiet, peaceful place. Farmers and has emerged traders came here to make phone as a major calls and buy newspapers. They sat exporter of artificial intraocular eye lenses. If only there were more along the streets, drinking tea, cornea donors. p 12-13 talking politics. Nothing really exciting ever happened here. Like a lot of other districts in Nepal, Nawalparasi has changed in Weekly Internet Poll # 128 Q. Does a banda help or harm the organiser? the past three years. The local vocabulary is full of new words like ambush and search opera- tion. But the most dreaded word is bepatta. Total votes:1,002 These days, the only people Weekly Internet Poll # 129. To vote go to: www.nepalitimes.com who come to Kawasoti are those Q. Should the political parties take part in looking for a missing son or hus- elections if the government announces dates? band. Shanti is from Deurali village, SUBHAS RAI Apartment and has been searching for her Newly converted long stay two- husband who was abducted by an bedroom apartment. En suite bathrooms, kitchen, spacious living room/ dining armed group several days ago. room. Room maid service, Air This seems to be my fate, I conditioning, cable TV, roof terrace, in a pleasant quiet location. -
DREAMWORLD INDIA Product Description - 2014
DREAMWORLD INDIA Product Description - 2014 About DREAMWORLD INDIA DWI is India’s fastest growing multilayered marketing firm demonstrating deep experience & expertise spanning over a decade. The gradual progression has been challenging & exciting with DWI’s multilayered marketing divisions such as “Direct to consumer, Exhibition sales, Magazine subscription, Institutional sales, Wise Buyers Club & Dream Niketana (Shop)”. Over the years DWI has expanded its distribution nationwide & would shortly go overseas. DWI’s strong sales force has created a direct selling network that has a reach beyond expectations. Our products are sourced from Living Media India Ltd which includes brands like “India Today, Music Today, Business Today, Good house Keeping, Harper Collins, Leopard, Britannica and also branded households, Electronics & several different highly popular magazines of international repute. DWI unceasingly keeps pace with the dynamic market environment to innovate remarkable strategies understanding customer’s needs ensuring unique, branded & exclusive products at an incredible price without any compromise in quality. DWI aims to become a “One-Stop Shop” i.e., our goal is to bring every branded product you need to your door step keeping in mind “Branded products at incredible prices” to help save your hard earned money. Our confidence in our work & product is at the highest level which is why you receive the product or gifts first & then pay. COMPLETE HISTORY OF THE WORLD This is one of the great works of historical reference in the English language .If you were allowed only one history book in the whole of your life. The Complete History of the world would be hard to beat because it conveys a sense not only of time, but also of place. -
Indian-Express-29-June-2011-25
6 alk TheIndianEXPRESS EXPRESSNewsline I NEW DELHI WEDNESDAY JUNE 29 2011 T www.expressindia.com l l l IN THE NEWS Stay Stylish Wendell Rodricks’ luxury linen collection will not let you get out of bed LAST week, on a work meeting, I was taken to the Presidential suite in Mumbai’s ITC hotel. Then I was told to get comfortable on a bed. It was a spectacular bed, with powder- pink linen and a large mosquito net canopy with embroidered butterflies on it. I lay down willingly. Next bed: A queen-size beauty with a beauteous white self-printed sheet. And an- other: white sheet with an emerald tree mo- tif on it. I wanted more. Of course, this was an exhibit for luxury bed linen. But with the designer Wendell Rodricks on duty, it became a lesson in art and craft as well. Regretfully, not many newspapers have written on Rodricks’ second collection in three years for Bombay Dyeing, but then where was his pet muse Malaika Arora lur- ing in hacks who ironically complain of celebrity showstoppers? SONG Rodricks and the Bombay Dyeing team had on display at least four lines of bed section features lost sound record- linen, each one in a high thread count and in A FILM, FINDING CARLTON, TRACES ings of Mickey Correa’s last con- an old revived cotton-satin weave that cre- cert at the Ta j Hotel in Mumbai, ated the most sumptuous, creamy sheets. THE BYGONE ERA OF JAZZ IN INDIA SUNG BLUE then called Bombay. Among the “Like my clothes, I wanted the sheets to feel tear-inducing interviews in the as good as they looked,” says Rodricks as ex- documentary is one with Correa’s cited as the proverbial candy-store kid. -
1 Na Turk, Na Hindu: Shared Language, Accents and Located
1 This is a draft of a chapter that has been accepted for publication by Oxford University Press in the forthcoming book ‘A Multilingual Nation: Translation and Language Dynamic in India’ edited by Rita Kothari due for publication in December 2017: https://global.oup.com/academic/product/a- multilingual-nation-9780199478774?cc=gb&lang=en& Draft Version downloaded from SOAS Research Online: http://eprints.soas.ac.uk/24828/ Na Turk, na Hindu: Shared language, accents and located meanings Francesca Orsini (SOAS) ‘The words of a language belong to nobody, but still we hear those words only in particular individual utterances, we read them in particular individual works’ (Mikhail Bakhtin, Speech Genres and Other Late Essays, 1986, p. 88) ‘languages do not exclude each other, but rather intersect with each other in many different ways’ (Mikhail Bakhtin, The Dialogic Imagination, 1992, p. 291) 1. Bhakha and circulation Modern language ideologies firmly believe that languages “belong” to specific communities, be they ethnic, regional, or religious. These imagined communities, Benedict Anderson has taught us (1991), get simultaneously projected in the past, present, and future. In the late-nineteenth and early-twentieth centuries the slogan “Hindi-Hindu-Hindustan” projected Hindi (in the Nagari script) as the language of Hindus in north India “from the beginning”, urged contemporary north Indian Hindus to embrace it, and claimed that Hindi would become the national language of all Indians, explicitly coded as Hindus.1 This modern imagination forged -
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International Journal of Social Science and Economic Research ISSN: 2455-8834 Volume:05, Issue:07 "July 2020" MUSIC AND ARCHIVAL: ASSESSING THE CULTURAL CONSERVATION OF MUSIC IN INDIA BY PUBLIC INSTITUTIONS Namay Agarwal Step by Step School Noida DOI: 10.46609/IJSSER.2020.v05i07.030 URL: https://doi.org/10.46609/IJSSER.2020.v05i07.030 ABSTRACT Ethnomusicology is the study of music from cultural and social perspectives. This paper has determined that there is a coherent link between culture and music and that studying the music of different communities gives us valuable insights about their culture and engagement with other communities. Tracing these links between cultures and communities has been established as a useful means of promoting socio-cultural harmony both within and beyond national boundaries, which makes ethnomusicological research important in today’s hostile and populist geopolitical environment. This paper has also explored the efforts made by the Indian government to facilitate the culturala conservation of music and conduct research surrounding it. Whilst efforts made by India surpass those made by other developing countries, it has been found that academia in this sphere has been dominated by ‘upper caste’ narratives at the cost of subaltern ones. The solution to this lies in expanding accessibility and scope of research of these institutions and centers with an aim of making research reflective of indigenous and subaltern cultures. Keywords: Ethnomusicology, music, communities ,cultural, government. Introduction Culture is defined as the ideas, customs, and social behaviors specific to a set of people or a community. It is the manifestation of collective human intellectual achievement and is reflected in art, language, and social behavior. -
Mind the Mind
Rs 40 THE February 1-15, 2008 The fortnightly from agencyfaqs! www.thebrandreporter.com 36 MEDIA MINDMIND THETHE PROFILE LANGUAGELANGUAGE Sandip Tarkas The IIT-IIM alumni, talks The list of regional channels across genres is about his career moves. growing significantly. A look at the forthcoming 30 action in this space. DEFINING MOMENTS Ravi Deshpande The CCO of Contract believes in being stubborn. 22 COMIC LEGENDS Mighty Myth A comic series inspired by the Mahabharata. ADVERTISING Mimic Gimmick 16 DHL Flip for a Flag 18 PRINT Sound Business Sense 20 2828 STAR Kklothes and More 40 The fortnightly from agencyfaqs! This fortnight... Volume III, Issue 13 While the attention of the advertising and media business is focused on the new wave of EDITOR & PUBLISHER high profile Hindi channels, another tide is coming in. It is quieter but significant all the Sreekant Khandekar same – a rush of regional channels from players big and small. It is being set off for different reasons in the south of India as well as in the rest of the EXECUTIVE EDITOR M Venkatesh country. In the South, the Sun TV Group has had a virtual monopoly not just in CREATIVE CONSULTANTS broadcasting but in cable distribution as well. This discouraged new channels from PealiDezine venturing there. The political split last year within the DMK, the ruling party in LAYOUT Tamil Nadu and Sun’s home state, has given rise to Kalaignar which is challeng- Vinay Dominic ing the leader. The state government has also floated a cable distribution firm to MARKETING rival Sun’s. This is spurring a number of new channels to go south. -
Copyright by Peter James Kvetko 2005
Copyright by Peter James Kvetko 2005 The Dissertation Committee for Peter James Kvetko certifies that this is the approved version of the following dissertation: Indipop: Producing Global Sounds and Local Meanings in Bombay Committee: Stephen Slawek, Supervisor ______________________________ Gerard Béhague ______________________________ Veit Erlmann ______________________________ Ward Keeler ______________________________ Herman Van Olphen Indipop: Producing Global Sounds and Local Meanings in Bombay by Peter James Kvetko, B.A.; M.M. Dissertation Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment for the Degree of Doctor of Philosophy The University of Texas at Austin May 2005 To Harold Ashenfelter and Amul Desai Preface A crowded, red double-decker bus pulls into the depot and comes to a rest amidst swirling dust and smoke. Its passengers slowly alight and begin to disperse into the muggy evening air. I step down from the bus and look left and right, trying to get my bearings. This is only my second day in Bombay and my first to venture out of the old city center and into the Northern suburbs. I approach a small circle of bus drivers and ticket takers, all clad in loose-fitting brown shirts and pants. They point me in the direction of my destination, the JVPD grounds, and I join the ranks of people marching west along a dusty, narrowing road. Before long, we are met by a colorful procession of drummers and dancers honoring the goddess Durga through thundering music and vigorous dance. The procession is met with little more than a few indifferent glances by tired workers walking home after a long day and grueling commute. -
Born in a Family of Musicians, Music Is a Divine Blessing to Pravin
! ! GURU AND EARLY TUTELAGE: Born in a family of musicians, music is a divine blessing to Pravin. He hails from Dharwad, a place which has given to the world many great musicians like Pt Bhimsen Joshi, Gangubai Hangal and Pt Kumar Gandharva. He is fortunate to have his father Pandit VENKATESH GODKHINDI, an eminent vocalist and Bansuri arCste of the country, as his first and only Guru for Flute. Pravin started toying with a small flute at the tender age of 3 and since then it has been his best companion. His passion for Flute could hardly be matched with anything else even during his childhood. With such a passion blended with early hours of rigorous Riyaz under the able guidance of his guru, Pravin started exhibiCng the glimpses of a genius in the making. Pravin gave his first public concert at the age of 6 years and held the audience spellbound. His quest for deeper knowledge about LAYAKAARI brought him to his Guru, Vidwan ANOOR ANANTH KRISHNA SHARMA a reputed Mridangam arCste who is providing able guidance to Pravin on the deeper aspects of LAYA and LAYAKAARI. TWO DIFFERENT STYLES OF PLAYING: His father has taught him Hindustani BANSURI in KIRANA GHARAANA GAYAKI STYLE. But Pravin added the GATKAARI or TANTRAKAARI STYLE by his own efforts and succeeded in it. He is adept in both the styles. Sonorous blowing, control over the breath, elaboraCons of Raga with its aestheCc appeal, extraordinary and skillful rendiCon of Layakaari are but a few salient features of his flute recital. He has been ably balancing both tradiConal and creaCve music. -
Branding Unity: Impact of Advertisements on Patriotism, Unity and Communal Harmony
© Media Watch 6 (1) 82-91, 2015 ISSN 0976-0911 e-ISSN 2249-8818 DOI: 10.15655/mw/2015/v6i1/55391 Branding Unity: Impact of Advertisements on Patriotism, Unity and Communal Harmony JYOTI RAGHAVAN Kamala Nehru College, University of Delhi, India Patriotism and national unity have become favorite brand positioning propositions for advertisers in India. The paper explores the reasons behind the popularity of these patriotic themes that also embrace notions of nationhood, communal harmony and national unity in commercials and public service advertisements. While these patriotic themes used to be the exclusive domain of the government media in the country, they are being taken up in a big way by private business houses in their public communication endeavors. The research study has examined six frequently telecast advertisements on Indian television networks centered upon the theme of national pride, communal harmony and national unity. While tracing the historical context of these advertisements, the paper also attempts to study their impact upon the public. The primary research for the study comprised interviews with respondents to explore the impact of these advertisements upon the public. The findings of the study show that positioning brands on the themes of national pride, unity and patriotism succeed in establishing a strong emotional connect in public minds leading to brand recall. Keywords: Public service advertisements, corporate social responsibility, positioning, branding, Advertising and marketing managers of the 21st century have to contend with multiple markets, multiple customers, multiple channels, multiple media, advertising clutter, advances in information technology and audience fragmentation among several factors (Schlutz and Kitchen, 2000). -
THE RECORD NEWS ======The Journal of the ‘Society of Indian Record Collectors’, Mumbai ------ISSN 0971-7942 Volume – Annual: TRN 2008 ------S.I.R.C
THE RECORD NEWS ============================================================= The journal of the ‘Society of Indian Record Collectors’, Mumbai ------------------------------------------------------------------------ ISSN 0971-7942 Volume – Annual: TRN 2008 ------------------------------------------------------------------------ S.I.R.C. Branches: Mumbai, Pune, Solapur, Nanded, Tuljapur, Baroda, Amravati ============================================================= Feature Article: Gramophone Celebrities-III 1 ‘The Record News’ - Annual magazine of ‘Society of Indian Record Collectors’ [SIRC] {Established: 1990} -------------------------------------------------------------------------------------------- President Narayan Mulani Hon. Secretary Suresh Chandvankar Hon. Treasurer Krishnaraj Merchant ==================================================== Patron Member: Mr. Michael S. Kinnear, Australia -------------------------------------------------------------------------------------------- Honorary Members V. A. K. Ranga Rao, Chennai Harmandir Singh Hamraz, Kanpur -------------------------------------------------------------------------------------------- Membership Fee: [Inclusive of the journal subscription] Annual Membership Rs. 1000 Overseas US $ 100 Life Membership Rs. 10000 Overseas US $ 1000 Annual term: July to June Members joining anytime during the year [July-June] pay the full membership fee and get a copy of ‘The Record News’ published in that year. Life members are entitled to receive all the back issues in five bound volumes -
University of Alberta 'Indo-Jazz Fusion'
University of Alberta ‘Indo-Jazz Fusion’: Jazz and Karnatak Music in Contact by Tanya Kalmanovitch A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of Music Edmonton, Alberta Spring 2008 Abstract An inherently intercultural music, jazz presents a unique entry in the catalog of interactions between Indian music and the west. This dissertation is situated in a line of recent accounts that reappraise the period of Western colonial hegemony in India by tracing a complex continuum of historical and musical events over three centuries. It charts the historical routes by which jazz and Karnatak music have come into contact in the twentieth and twenty-first centuries, both in India and abroad. It presents a detailed account of the history of jazz in India, and Indian music in jazz, and examines jazz’s contact with Karnatak music in three contexts—jazz pedagogy, intercultural collaboration, and the Indian diaspora in the United States—illustrating the musical, social and performative spaces in which these musics come into contact, and describing the specific musical and social practices, and political and social institutions that support this activity. Case studies in this dissertation include an educational exchange between the Jazz and Contemporary Music Program of the New School University (New York, NY) and the Brhaddhvani Research and Training Centre for Musics of the World (Chennai, India), directed by the author in December 2003 – January 2004; a 2001 collaboration between Irish jazz/traditional band Khanda and the Karnataka College of Percussion; and analyses of recent recordings by pianist Vijay Iyer, saxophonist Rudresh Mahanthappa and drummer Ravish Momin. -
Entertainment Worldwelcome to Entertainment World HERE You
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