Programs 20140205.Pdf
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Activity Report 2014-15
ACTIVITY REPORT 2014-15 10TH ANNIVERSARY PROJECT ELAN celebrated its 10th anniversary in 2014 and received project funding from the Government of Canada through the Department of Canadian Heritage for a number of special activities. The first was to feature trailblazers in building Quebec’s current dynamic English- language arts community from the sparsely populated, marginal scene of the 1970s and 80s. Three panel discussions were presented in collaboration with POP Montreal and Expozine: The Montreal Formula: Thinking outside the box for survival in Montreal arts (POP Montreal) with Albert Nerenberg (host; filmmaker and laughologist), Murray Lightburn (the Dears), Krista Muir (Lederhosen Lucil), and visual artist J.C. Little; Literary Legacies: A Montreal Story (POP Montreal) with host Katia Grubisic (writer and translator), Linda Leith, founder of Blue Metropolis Foundation, and Marianne Ackerman, founder of the bilingual theatre company Theatre 1774 and Rover Arts; and Montreal Blooming: From Backwater to Music Hotbed (Expozine) with Howard Bilerman (legendary Montreal producer, former drummer for Arcade Fire), Kevin Komoda (Rational Youth), Ryhna Thompson (Envision Management), and musician Molly Sweeney. For our 10th anniversary year, ELAN co-produced Schmoozers with partners from each of the major artistic disciplines: April in collaboration with the Quebec Writers' Federation; June in collaboration with the St-Ambroise Montreal International Fringe Festival; October in collaboration with the Montreal Film Group; and December at McGill's Schulich School of Music, with a focus on students. Eastern Bloc was selected as the venue for ELAN's 10th anniversary event because it is a well- equipped visual and media arts centre. A photo retrospective of ELAN's 10-year history was projected on one wall while the Wonderwall, created at three stations where guests were photographed as they arrived, was projected on another. -
EIROPAS KULTŪRAS GALVASPILSĒTA EUROPEAN CAPITAL of CULTURE Juriskalniņš / Fotocentrs
ENG EIROPAS KULTŪRAS GALVASPILSĒTA EUROPEAN CAPITAL OF CULTURE Juris Kalniņš / Fotocentrs. Bird’s-eye view of Rīga Experience the Force Majeure of Culture! Rīga takes its visitors by surprise with its will introduce you to the most extensive and most Umeå 2014 external beauty as well as its rich world of interiors. significant activities of the European Capital of If you have never been to Rīga before, now is the Culture programme – and remember, whichever of time to experience the pleasure of discovering the them you choose to attend, be open-minded and diversity of Latvia’s capital city. Ancient and at the prepared to experience the unexpected! same time youthful, European and multicultural, today’s Rīga is the place to recharge your cultural Diāna Čivle, batteries. Head of the Rīga 2014 Foundation Rīga 2014 After you get to know the medieval streets of the Old Town, the Art Nouveau heritage and the shabby chic of the creative quarters, let us surprise you Kosice 2013 once more – this time with the saturated content Welcome to Maribor 2012 of Rīga’s cultural events calendar for the whole of Marseille 2013 2014. EsplanādE 2014! It is the surprising, the unexpected and even the Guimarães 2012 provocative that underpin the Force Majeure cultural The end of June will see a new building rise in programme of the European Capital of Culture. It the very heart of Rīga, between the Nativity of is the creative power that cannot be foreseen or Christ Orthodox Cathedral and the monument to planned beforehand. The miracle happens and the poet Rainis in the Esplanāde Park. -
Taj Mahal Andyt & Nick Nixon Nikki Hill Selwyn Birchwood
Taj Mahal Andy T & Nick Nixon Nikki Hill Selwyn Birchwood JOE BONAMASSA & DAVE & PHIL ALVIN NUMBER FIVE www.bluesmusicmagazine.com US $7.99 Canada $9.99 UK £6.99 Australia A$15.95 COVER PHOTOGRAPHY © ART TIPALDI NUMBER FIVE 6 KEB’ MO’ Keeping It Simple 5 RIFFS & GROOVES by Art Tipaldi From The Editor-In-Chief 24 DELTA JOURNEYS 11 TAJ MAHAL “Jukin’” American Maestro by Phil Reser 26 AROUND THE WORLD “ALife In The Music” 14 NIKKI HILL 28 Q&A with Joe Bonamassa A Knockout Performer 30 Q&A with Dave Alvin & Phil Alvin by Tom Hyslop 32 BLUES ALIVE! Sonny Landreth / Tommy Castro 17 ANDY T & NICK NIXON Dennis Gruenling with Doug Deming Unlikely Partners Thorbjørn Risager / Lazy Lester by Michael Kinsman 37 SAMPLER 5 20 SELWYN BIRCHWOOD 38 REVIEWS StuffOfGreatness New Releases / Novel Reads by Tim Parsons 64 IN THE NEWS ANDREA LUCERO courtesy of courtesy LUCERO ANDREA FIRE MEDIA SHORE © PHOTOGRAPHY PHONE TOLL-FREE 866-702-7778 E-MAIL [email protected] WEB bluesmusicmagazine.com PUBLISHER: MojoWax Media, Inc. “Leave your ego, play the music, PRESIDENT: Jack Sullivan love the people.” – Luther Allison EDITOR-IN-CHIEF: Art Tipaldi CUSTOMER SERVICE: Kyle Morris Last May, I attended the Blues Music Awards for the twentieth time. I began attending the GRAPHIC DESIGN: Andrew Miller W.C.Handy Awards in 1994 and attended through 2003. I missed 2004 to celebrate my dad’s 80th birthday and have now attended 2005 through 2014. I’ve seen it grow from its CONTRIBUTING EDITORS David Barrett / Michael Cote / Thomas J. Cullen III days in the Orpheum Theater to its present location which turns the Convention Center Bill Dahl / Hal Horowitz / Tom Hyslop into a dazzling juke joint setting. -
35 Music, Drama, Dance and Performing Arts Title of Case
Impact case study (REF3b) Institution: SOAS Unit of Assessment: 35 Music, Drama, Dance and Performing Arts Title of case study: Bringing Malian Music to International Audiences (Lucy Duran) 1. Summary of the impact (indicative maximum 100 words) Dr Lucy Duran’s ethnomusicological research into the traditional musical forms, cultural practices and instruments of Mali has underpinned the studio production of two internationally acclaimed albums, Segu Blue, winner of two BBC Radio 3 Music Awards for Best World Music Album and Best African Artist in 2008, and I Speak Fula, a 2010 Grammy nominee for Best Traditional World Music Album. Both have raised awareness amongst musicians and global audiences of Bamana musical traditions, including the ngoni, the oldest of the West African lutes and, until Segu Blue, an instrument hardly known beyond West Africa. 2. Underpinning research (indicative maximum 500 words) Dr Lucy Duran has worked with musicians in Mali since the late 1980s, primarily as a researcher, but also as a music producer and broadcaster. Since 1992, Dr Duran has been Lecturer in African Music at SOAS, where she completed her PhD in 1999. Since 2000 she combined this role with presenting the World Routes programme on Radio 3 (1, below). Fundamentally, Duran’s research examines how music encapsulates the core values of southern Malian identities and explores how traditional music and song participate in communicating those values. Duran considers her work as a producer in Mali to fall within the rubric practice-based research as such participation in the mediation of the creative process can provide unique insights into the aesthetics and dynamics of a musical culture. -
In Loving Memory of Bob Johnston: Some People Mentor You Directly, in Person
in loving memory of bob johnston: some people mentor you directly, in person. other times, a person’s body of work mentors you, without their knowledge. for me, bob johnston was such a mentor. it’s impossible to listen to “blonde on blonde” and not learn something…be it about record production, or song writing, or musical arrangements. that record is a master class in creating a timeless work. the same is true of other johnston 1960’s productions…”highway 61”, “songs of love & hate”, “nashville skyline”, “john wesley harding”, “at folsom prison”, “songs from a room”…those records teach you that it’s about songs, and the people in the room playing them, end of story. there is an intimacy to all of those recordings that is staggering. nothing gets in the way between the song & the listener. it feels like the artists are playing those songs for you. that is because of bob Johnston. as a producer, you get paid to intervene…bob johnston had the good sense not to. bob trusted his musicans, and he trusted their songs. this was lesson number one in my mentorship. the unbelievable fact that most of the records we associate with him were made in 2 weeks or less was lesson number two. too much time could be just as much of a curse as too little, often worse in fact. the hallmark of a bob Johnston production is that you can almost hear the musicians listening to each other. that is a product of working quickly. It always felt like johnston took the producer’s version of the hippocratic oath, to do no harm. -
4Th European Summer Music Academy in Prishtina 19-30 JULY 2015 Sponsors Let’S Make Music Together
Let’s make music together. Here! Now! master classes chamber music concerts opera night composition competition festival string orchestra 4th European Summer Music Academy in Prishtina 19-30 JULY 2015 Sponsors Let’s make music together. Here! Now! 06 Editorial - Samuel Zbogar 08 Editorial - Pierre Weber 10 Editorial - Desar Sulejmani 14 About 16 Events Content 18 ESMA Composition competition Opera Project Festival String Orchestra 20 Professors 22 Biographies 58 Notes 06 Samuel Žbogar Head of the European Union Office in Kosovo and EU Special Representative 06 \ 07 Welcome to 2015 edition of European Summer Music Academy! It is for the fourth time already that music students and professors are meeting in Pristina not only to master their skills but also to enrich the spirit of the audience. The Red Hall of Youth and Sports Centre became a venue where you know what to expect if you go there one of those summer evenings in July: the finest sounds are mixed with strong emotions and thanked by sincere applauses. There is one major difference, In our other Culture for All projects though, from the previous years. you will see that our goal is not It may not be important for the only bringing the best professors audience, but it is essential for us, to Kosovo, but also to send the supporting this event. If during the best Kosovo musicians to different first three years funding was more of venues around Europe – as we have a symbolic gesture of EU member recently doneat the music market statesand our EU office to recognise Classical: Next in Rotterdam. -
Baltic Sea Discovery Tour 2016
Baltic Sea Discovery Tour 2016 Baltic Sea Philharmonic Welcome Thank you for joining us for the latest chapter of our story – our ‘Baltic Sea Discovery’ tour. The journey of discovery is an important one for us all as human beings, and especially for musicians and music lovers. The end point may be finding exciting new places, people, things or knowledge, but often it’s the actual process of discovery that leaves the greatest mark on us. The musicians of the Baltic Sea Philharmonic, together with Kristjan Järvi, will be making and offering many discoveries on this tour – travelling to new cities, collaborating with new partners, performing rarely heard music and playing to new audiences, some of whom have never heard classical music live before. But more than all of this, they will have their eyes and ears open to the world and the people around them. As Proust said: ‘The real voyage of discovery consists not in seeking new landscapes but in having new eyes.’ We look forward to sharing our new vision with you. beyond music More than the music notes on the page Find out about our motivation and our journey, as well as about the concert schedule and the pieces you will be hearing. beyond borders 06 Borders exist only on maps: we are teaching students to be free in their thinking and in their music Travel in time with us through our past achievements and into our future ambitions. 28 beyond culture We have evolved from a youth orchestra into a social movement Discover Kristjan Järvi’s mission and Gidon Kremer’s beyond views about the future of music, and meet Kremerata countries Baltica and Lidia Baich. -
Press Release
Press Release Baltic Sea Philharmonic releases new ‘Musical Chain’ video – ‘Nutty Christmas’, based on dances from Tchaikovsky’s The Nutcracker Fourth release in music video series featuring original transformations and remixes of iconic classical pieces Innovative production combines audio recording by 22 musicians with video featuring 14 musicians, under creative direction of Kristjan Järvi Video series reflects Baltic Sea Philharmonic’s drive to break boundaries and explore new formats ‘Musical Chain’ to continue in 2021 with wide-ranging collaborations between orchestra and guest artists Berlin 11 December 2020. The Baltic Sea Philharmonic and Kristjan Järvi today release the fourth video in their innovative digital project ‘Musical Chain’. The new video, ‘Nutty Christmas’, continues the orchestra’s striking transformations and remixes of iconic classical pieces. It follows the release of ‘Midnight Mood’, based on Grieg’s ‘Morning Mood’ from Peer Gynt, ‘Beethoven’s Twilight’, inspired by Beethoven’s Symphony No. 5, and ‘Ascending Swans’, based on the ‘Song of Praise’ from Sibelius’s Swanwhite Suite. With ‘Nutty Christmas’ the Baltic Sea Philharmonic and Kristjan Järvi transform the ‘Dance of the Reed Pipes’ and the ‘Dance of the Sugar Plum Fairy’ from Tchaikovsky’s The Nutcracker into a unique musical Christmas cracker. The audio for the new production was recorded by 22 musicians from the orchestra, and the video features 14 musicians, most of whom filmed themselves outside in wintery landscapes and city streets lit up by Christmas decorations. Reflecting the international make-up of the ensemble, the film takes in performances from Wroclaw, Berlin, Hamburg, St. Petersburg, Moscow, Belgrade, Madrid and the countryside of Finland and Lithuania. -
" African Blues": the Sound and History of a Transatlantic Discourse
“African Blues”: The Sound and History of a Transatlantic Discourse A thesis submitted to The Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of Master of Music in the Division of Composition, Musicology, and Theory of the College-Conservatory of Music by Saul Meyerson-Knox BA, Guilford College, 2007 Committee Chair: Stefan Fiol, PhD Abstract This thesis explores the musical style known as “African Blues” in terms of its historical and social implications. Contemporary West African music sold as “African Blues” has become commercially successful in the West in part because of popular notions of the connection between American blues and African music. Significant scholarship has attempted to cite the “home of the blues” in Africa and prove the retention of African music traits in the blues; however much of this is based on problematic assumptions and preconceived notions of “the blues.” Since the earliest studies, “the blues” has been grounded in discourse of racial difference, authenticity, and origin-seeking, which have characterized the blues narrative and the conceptualization of the music. This study shows how the bi-directional movement of music has been used by scholars, record companies, and performing artist for different reasons without full consideration of its historical implications. i Copyright © 2013 by Saul Meyerson-Knox All rights reserved. ii Acknowledgements I would like to express my utmost gratitude to my advisor, Dr. Stefan Fiol for his support, inspiration, and enthusiasm. Dr. Fiol introduced me to the field of ethnomusicology, and his courses and performance labs have changed the way I think about music. -
Khatia Buniatishvili Mardi 6 Février 2018 – 20H30
Khatia Buniatishvili Mardi 6 février 2018 – 20h30 GRANDE SALLE PIERRE BOULEZ – PHILHARMONIE PROGRAMME Johannes Brahms Sonate no 3 ENTRACTE Piotr Ilitch Tchaïkovski Casse-Noisette – arrangement de Mikhaïl Pletnev Franz Liszt Mephisto-Waltz no 1 Rhapsodie espagnole Khatia Buniatishvili, piano FIN DU CONCERT VERS 22H25. LES œUVres Johannes Brahms (1833-1897) Sonate pour piano n° 3 en fa mineur op. 5 I. Allegro maestoso II. Andante. Andante espressivo III. Scherzo. Allegro energico – Trio IV. Intermezzo (Rückblick). Andante molto V. Finale. Allegro moderato ma rubato – Presto Composition : 1853. Dédicace : à la comtesse Ida von Hohenthal. Création : Andante et Scherzo, le 23 octobre 1854, au Gewandhaus de Leipzig, par Clara Schumann ; en entier, début décembre 1854, à Magdebourg, par Hermann Richter. Première édition : Bartholf Senff, Leipzig, 1854. Durée : environ 40 minutes. « Mir ist leide dass der Winter biede wald und auch die Heide hat gemacht kahl… » * « Il est arrivé, cet homme au sang jeune, autour du berceau de qui les Grâces et les Héros ont veillé. Il a nom Johannes Brahms. Il vient de Hambourg où il travaillait en silence et où un professeur excellent et enthousiaste l’instruisait dans les règles les plus difficiles de son art. Il m’a été présenté récemment par un maître estimé et bien connu. […] À peine assis au piano, il commença à nous découvrir de merveilleux pays. Il nous entraîna dans des régions de plus en plus enchantées. Son jeu, en outre, est absolument génial : il transforme le piano en un orchestre aux voix tour à tour exultantes et gémissantes. Ce furent des sonates, ou plutôt des symphonies déguisées ; des chants, dont on saisissait la poésie sans même connaître les paroles […] ; de simples * « Combien je suis triste que l’hiver ait dépouillé la forêt et la lande » (premiers vers d’une chanson traditionnelle allemande à laquelle Brahms emprunta le thème de sa Sonate no 3). -
Money Trouble in an African Art World: Copyright, Piracy and The
Skinner, Ryan Thomas. "Money Trouble in an African Art World: Copyright, Piracy and the Politics of Culture in Postcolonial Mali." Postcolonial Piracy: Media Distribution and Cultural Production in the Global South. Ed. Lars Eckstein and Anja Schwarz. London: Bloomsbury Academic, 2014. 243–272. Bloomsbury Collections. Web. 25 Sep. 2021. <http:// dx.doi.org/10.5040/9781472519450.ch-011>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 25 September 2021, 16:58 UTC. Copyright © Lars Eckstein and Anja Schwarz 2014. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 11 Money Trouble in an African Art World Copyright, Piracy and the Politics of Culture in Postcolonial Mali1 Ryan Thomas Skinner Money trouble In November 2006, the Triton Stars, an aspiring Malian dance band, finished a four-day run at Studio Bogolan in Bamako, Mali’s capital along the upper Niger River. The recordings were for the band’s second album, a follow-up to their first release, Immigration, which had been on the market since January of the same year without any sales to speak of. In an effort to rejuvenate the band’s prospects, producer Racine Dia decided to re-release the first album in January 2007, to be followed soon thereafter by the second (as yet untitled) album, building on the anticipated success of the first. The problem, Dia told me, was 1 Reprinted with permission from R. T. Skinner (2012), ‘Money Trouble in an African Art World: Copyright, Piracy and the Politics of Culture in Postcolonial Mali’, in IASPM@ Journal, 3(1): 63–79. -
Gidon Kremer, Violin Daniil Trifonov, Piano
Tuesday, January 13, 2015, 8pm First Congregational Church Gidon Kremer, violin Daniil Trifonov, piano PROGRAM Wolfgang Amadeus Mozart (1756–1791) Fantasia for Piano in D minor, K. 397 (1782) Mieczysław Weinberg (1919–1996) Sonata No. 5 for Violin and Piano in G minor, Op. 53 (1953) Andante con moto Allegro molto Allegro moderato Allegro — Andante — Allegretto Mozart Sonata for Piano and Violin in E-flat major, K. 481 (1785) Molto allegro Adagio Thema con variazioni: Allegretto INTERMISSION Weinberg Sonata No. 3 for Solo Violin, Op. 126 (1978) Franz Schubert (1797–1828) Fantasy for Violin and Piano in C major, D. 934 (1827) Andante molto — Allegretto — Andantino — Tempo I — Allegro vivace — Allegretto — Presto Funded, in part, by the Koret Foundation, this performance is part of Cal Performances’ – Koret Recital Series, which brings world-class artists to our community. This performance is made possible, in part, by Patron Sponsors Liz and Greg Lutz and Lance and Dalia Nagel. Cal Performances’ – season is sponsored by Wells Fargo. CAL PERFORMANCES 15 PROGRAM NOTES Wolfgang Amadeus Mozart (;A?@–;AC;) Romanticism. Repetitions of this sad song are Fantasia for Piano in D minor, K. =CA twice interrupted by sweeping cadenza-like eruptions be fore the Fantasia pauses on an in - Composed in 1782. conclusive harmony, takes a small breath, and trots off with a cheerful D major melody of In 1782, one year after he had bolted from opera buffa jocularity. Mozart, perhaps unsure Salzburg to take up life as a freelance composer of how to bring these two vastly different kinds and pianist in Vienna, Mozart developed a new, of music into balance, did not finish notating gleaming admiration for the music of Bach, the piece.