Cast of Characters: Wolcott Gibbs, E. B. White, James Thurber, and the Golden Age of the New Yorker Online

Total Page:16

File Type:pdf, Size:1020Kb

Cast of Characters: Wolcott Gibbs, E. B. White, James Thurber, and the Golden Age of the New Yorker Online QfAUD [Library ebook] Cast of Characters: Wolcott Gibbs, E. B. White, James Thurber, and the Golden Age of the New Yorker Online [QfAUD.ebook] Cast of Characters: Wolcott Gibbs, E. B. White, James Thurber, and the Golden Age of the New Yorker Pdf Free Thomas Vinciguerra ePub | *DOC | audiobook | ebooks | Download PDF Download Now Free Download Here Download eBook #625713 in Books Thomas Vinciguerra 2016-10-18 2016-10-18Original language:EnglishPDF # 1 8.30 x 1.20 x 5.60l, .0 #File Name: 0393353532480 pagesCast of Characters Wolcott Gibbs E B White James Thurber and the Golden Age of the New Yorker | File size: 27.Mb Thomas Vinciguerra : Cast of Characters: Wolcott Gibbs, E. B. White, James Thurber, and the Golden Age of the New Yorker before purchasing it in order to gage whether or not it would be worth my time, and all praised Cast of Characters: Wolcott Gibbs, E. B. White, James Thurber, and the Golden Age of the New Yorker: 7 of 7 people found the following review helpful. Highly RecommendedBy Anne E HendlerAs a lover of New York and the New Yorker magazine, and more importantly a lover of words and language, I found this book fascinating. The author uses the best of his characters' language play and plays with language himself quite a bit to tell their stories. I learned a lot about the place in history of the people who started the magazine I admire. I don't read a lot of non- fiction, but I found this book compelling. Highly recommended.2 of 2 people found the following review helpful. A Terrific Read That Lives Up to E.B. White's LegacyBy David ZapolskyAs I read Thomas Vinciguerra's masterful recounting of the New Yorker's golden ages, I kept thinking how difficult it must have been not only to organize and compile the wealth of material that exists about the literary giants whose lives and works are so deftly portrayed, but to tell their story in a simple, elegant, and compelling way that E.B. ("Andy") White would have demanded. The very act of writing about the lives and works of White, Gibbs, Ross, and Thurber implicitly requires the author to live up to the high literary standards to which they all held themselves - and countless would-be New Yorker contributors. Fortunately, Mr. Vinciguerra lives up to that standard, giving us an eloquent, eminently readable, and swiftly moving account of the lives, loves, and works of those men, and other colorful characters such as Charles Addams, who made the New Yorker what it is today. It reminded me of A. Scott Berg's wonderful Max Perkins: Editor of Genius, one of my favorite biographies. Whether you are already a fan of literary history, or simply curious about how the New Yorker came to be, you will thoroughly enjoy this terrific history.1 of 1 people found the following review helpful. ... literacy needs to read this outstanding history of the brilliant and lunatic characters responsible for creating the first tBy Greg AmiciAnyone interested in literature and literacy needs to read this outstanding history of the brilliant and lunatic characters responsible for creating the first true "modern" American magazine, The New Yorker. Author Thomas Vinciguerra does a masterful job in capturing the mad world of Wolcott Gibbs, E.B. White, and founder/editor Harold Ross, along with an agglomeration of the Twentieth Century's most talented American essayists, cartoonists and fiction writers. They were gifted artists, but they were also 14 hour a day workaholics, which probably accounts for the fact that they were often mean-spirited drunks as well -- Raymond Chandler characterized their cynicism as "undergraduate sarcasm." Cast of Characters is essential reading for anyone dabbling in essay form; Vinciguerra, a graduate of Columbia's School of Journalism, has a great understanding of the reporter's craft, and gives a fascinating and detailed account of the writing and editing rules that came down from 20 West Forty-third Street (the use of "43rd," instead of Forty-third, for example, was forbidden), many of which remain firmly in place within the American lexicon, and were later codified by White in his now standard English language grammar and syntax guide, The Elements of Style. Vincigeurra's own clean, snappy prose conjures up images of chain-smoking, gum-cracking wisenheimers who never let up on their work, or each other. The rivalry between Time magnate Henry Luce and Ross makes for great drama and comedy, and the magazine's exposeacute; of Walter Winchell provides a lesson in the perils of hubris. If only we had journalists like Gibbs and fact checkers like the indefatigable Freddie Packard working the field and holding down the fort today, government officials might actually be scrutinized when they contradict themselves every hour on the hour. Vinciguerra does an exceptional job in creating the mood and setting of the times, evoking a Central Park moon reflecting off a silver cigarette case during the halcyon days of the 20's and 30's and then shifting the tone when all joys are shattered by war and the H-Bomb. Writers, linguists, historians, and anyone who appreciates a superbly told story of a revolutionary period in American literature must own this encyclopedic work. ldquo;Exuberant . elegantly conjures an evocative group dynamic.rdquo; ?Sam Roberts, New York TimesFrom its birth in 1925 to the early days of the Cold War, The New Yorker slowly but surely took hold as the countryrsquo;s most prestigious, entertaining, and informative general-interest periodical. In Cast of Characters, Thomas Vinciguerra paints a portrait of the magazinersquo;s cadre of charming, wisecracking, driven, troubled, brilliant writers and editors.He introduces us to Wolcott Gibbs, theater critic, all-around wit, and author of an infamous 1936 parody of Time magazine. We meet the demanding and eccentric founding editor Harold Ross, who would routinely tell his underlings, "I'm firing you because you are not a genius," and who once mailed a pair of his underwear to Walter Winchell, who had accused him of preferring to go bare-bottomed under his slacks. Joining the cast are the mercurial, blind James Thurber, a brilliant cartoonist and wildly inventive fabulist, and the enigmatic E. B. White?an incomparable prose stylist and Ross's favorite son?who married The New Yorker's formidable fiction editor, Katharine Angell. Then there is the dashing St. Clair McKelway, who was married five times and claimed to have no fewer than twelve personalities, but was nonetheless a superb reporter and managing editor alike. Many of these characters became legends in their own right, but Vinciguerra also shows how, as a group, The New Yorkerrsquo;s inner circle brought forth a profound transformation in how life was perceived, interpreted, written about, and published in America.Cast of Characters may be the most revealing?and entertaining?book yet about the unique personalities who built what Ross called not a magazine but a "movement." 8 pages of illustrations ldquo;Swift and enjoyable reading.rdquo; - Pamela Erens, New York Times Book ldquo;Vinciguerra is an artful stage manager of his material; at times, one has a stirring sense of eavesdropping on intimate, literate, testy conversations. As a writer, he has a knack for understatement, an eye for the odd and telling facthellip;.his writing would not be out of place in a New Yorker issue of, say, 1938. I hasten to add that that is a high compliment.rdquo; - Ben Yagoda, Wall Street Journalldquo;Fresh and invigoratinghellip;itrsquo;s to Vinciguerrarsquo;s great credit that he manages to avoid both condescension and hagiography in writing about the flawed, brilliant people behind it.rdquo; - Kate Tuttle, Boston Globeldquo;Captures the eccentricities and idiosyncrasies of its editors and writershellip;will be embraced be faithful New Yorker readers.rdquo; - Publishers Weeklyldquo;Vinciguerrarsquo;s writing has a way of bringing these characters to sparkling lifehellip;. New Yorker readers are a dedicated lot and will snap this lsquo;golden agersquo; volume up.rdquo; - Booklistldquo;Irresistiblehellip;a banquet of information about the good writing and bad manners of the eccentric crew who made a myth both of themselves and of the journal they made famous. Vinciguerra writes a sharp, crisp sentence, and tells his story with brio.rdquo; - John Lahr, author of Tennessee Williams: Mad Pilgrimage of the Fleshldquo;Reading Thomas Vinciguerrarsquo;s Cast of Characters is like being at a tantalizing gossip session about the star writers and supporting players of The New Yorker in its formative years. The book is entertaining, often surprising, and deeply interesting. Vinciguerra is an avid chronicler and a fair one.rdquo; - Mary Norris, New York Times best-selling author of Between You and Meldquo;To lovers of The New Yorker, Tom Vinciguerrarsquo;s marvelous Cast of Characters is a must-have. Itrsquo;s as close as yoursquo;ll ever get to going behind the scenes with Wolcott Gibbs, James Thurber, E. B. and Katharine White, and their colleagues as they helped Harold Ross create this influential publication. Gibbsrsquo;s role in particular is a revelation.rdquo; - Thomas Kunkel, author of Man in Profile: Joseph Mitchell of The New Yorkerldquo;Too many of the books about the Algonquin Round Table and The New Yorker magazine are little more than laundry lists of well-worn anecdotes. Thomas Vinciguerra gives us substance along with the bon mots and, in so doing, evokes the bright, brilliant, long-ago Manhattan that all newcomers have dreamed of finding.rdquo; - Tim Page, author of Dawn Powell: A Biography and winner of the Pulitzer Prize for Criticismldquo;Writing this scrupulous is almost never this completely entertaining.
Recommended publications
  • Local Pictures Needed for Coming Celebration
    VOL. Ill, NO. 49 • $1.00 A YEAR "~potllgllt NOVEMBER 13, 1958 • TEN CENTS A WEEKLY NEWSMAGAZINE A· D A I L Y H A B I T Will You Be There? "YEARS AGO" SCHEDULED LOCAL PICTURES NEEDED FOR BY LOCAL PLAYERS Mrs. Betty Sherwin, Chairman1 Motor Service, Albany County COMING CELEBRATION "Years Ago, 11 a comedy by Chapter, American Red Cross, Ruth Gordon, will open at the announced today the second an­ Hudson and Champlain sail a­ pictorial history exhibit, includ­ Bethlehem Central Junior High nual training •course for those in­ gain • • • and ideas about their ing many periods of town his­ School on Wednesday, Novem­ terested in joining as volunteer historical time and period are tory, is being sought. ber 19, at 8:30 p.m. The play, drivers. The course, under the causing many a group and com­ It is not necessary to have a which is presented in arena style leadership of Mrs. E.L. Larcher, mittee to unfurl their sails and pictme of Hemy Hudson riding by the Slingerlands Community Training Chairman for the Ser­ establish their communities par­ at anchor at the mouth of the Players, will run for four suc­ 1 vice, is scheduled for November ticipation in New York State s Normanskill; or of Albery Bradt, cessive nights. All seats are re­ 12, 19, and 25, and December year of Historical obserVances, who leased mill privileges on the served. Tickets may be ordered 3 and 10, fl'om 7:30 to 9:30 which begins January 1, 1959. No"rmanskill in 1630, and is con­ by telephoning 9-4158 or may be p.m.
    [Show full text]
  • Good Chemistry James J
    Columbia College Fall 2012 TODAY Good Chemistry James J. Valentini Transitions from Longtime Professor to Dean of the College your Contents columbia connection. COVER STORY FEATURES The perfect midtown location: 40 The Home • Network with Columbia alumni Front • Attend exciting events and programs Ai-jen Poo ’96 gives domes- • Dine with a client tic workers a voice. • Conduct business meetings BY NATHALIE ALONSO ’08 • Take advantage of overnight rooms and so much more. 28 Stand and Deliver Joel Klein ’67’s extraordi- nary career as an attorney, educator and reformer. BY CHRIS BURRELL 18 Good Chemistry James J. Valentini transitions from longtime professor of chemistry to Dean of the College. Meet him in this Q&A with CCT Editor Alex Sachare ’71. 34 The Open Mind of Richard Heffner ’46 APPLY FOR The venerable PBS host MEMBERSHIP TODAY! provides a forum for guests 15 WEST 43 STREET to examine, question and NEW YORK, NY 10036 disagree. TEL: 212.719.0380 BY THOMAS VIncIGUERRA ’85, in residence at The Princeton Club ’86J, ’90 GSAS of New York www.columbiaclub.org COVER: LESLIE JEAN-BART ’76, ’77J; BACK COVER: COLIN SULLIVAN ’11 WITHIN THE FAMILY DEPARTMENTS ALUMNI NEWS Déjà Vu All Over Again or 49 Message from the CCAA President The Start of Something New? Kyra Tirana Barry ’87 on the successful inaugural summer of alumni- ete Mangurian is the 10th head football coach since there, the methods to achieve that goal. The goal will happen if sponsored internships. I came to Columbia as a freshman in 1967. (Yes, we you do the other things along the way.” were “freshmen” then, not “first-years,” and we even Still, there’s no substitute for the goal, what Mangurian calls 50 Bookshelf wore beanies during Orientation — but that’s a story the “W word.” for another time.) Since then, Columbia has compiled “The bottom line is winning,” he said.
    [Show full text]
  • Ii. Theory and Practice of Editing New Yorker Articles
    II. THEORY AND PRACTICE OF EDITING NEW YORKER ARTICLES This was written by Wolcott Gibbs around 1937, apparently at the request of Katharine White, who was then trying out a succession of new fiction editors. Though it has passed into New Yorker legend, "Theory and Practice" was a working document and fairly reflected the magazine's guidelines and tastes of the time. [--from Genius in Disguise: Harold Ross of the New Yorker, by Thomas Kunkel (Carroll & Graf,NY 1995] THE AVERAGE CONTRIBUTOR TO THIS MAGAZINE IS SEMI-LITERATE; that is, he is ornate to no purpose, rull of senseless and elegant variations, and can be relied on to use three sentences where a word would do. It is impossible to lay down any exact and complete formula for bringing order out of this underbrush, but there are a few general rules. 1. Writers always use too damn many adverbs. On one page, recently, I found eleven modifying the verb "said": "He said morosely, violently, eloquently," and so on. Editorial theory should probably be that a writer who can't make his context indicate the way his character is talking ought to be in another line of work. Anyway, it is impossible for a character to go through all these emotional states one after the other. Lon Chancy might be able to do it, but he is dead 2. Word "said" is O.K. Efforts to avoid repetition by inserting "grunted," "snorted," etc., are waste motion, and offend the pure in heart. 3. Our writers are full of cliches, just as old barns are full of bats.
    [Show full text]
  • Portraits in the Life of Oliver Wolcott^Jn
    'Memorials of great & good men who were my friends'': Portraits in the Life of Oliver Wolcott^Jn ELLEN G. MILES LIVER woLCOTT, JR. (1760-1833), like many of his contemporaries, used portraits as familial icons, as ges- Otures in political alliances, and as public tributes and memorials. Wolcott and his father Oliver Wolcott, Sr. (i 726-97), were prominent in Connecticut politics during the last quarter of the eighteenth century and the first quarter of the nineteenth. Both men served as governors of the state. Wolcott, Jr., also served in the federal administrations of George Washington and John Adams. Withdrawing from national politics in 1800, he moved to New York City and was a successful merchant and banker until 1815. He spent the last twelve years of his public life in Con- I am grateful for a grant from the Smithsonian Institution's Research Opportunities Fund, which made it possible to consult manuscripts and see portraits in collecdüns in New York, Philadelphia, Boston, New Haven, î lartford. and Litchfield (Connecticut). Far assistance on these trips I would like to thank Robin Frank of the Yale Universit)' Art Gallery, .'\nne K. Bentley of the Massachusetts Historical Society, and Judith Ellen Johnson and Richard Malley of the Connecticut Historical Society, as well as the society's fonner curator Elizabeth Fox, and Elizabeth M. Komhauscr, chief curator at the Wadsworth Athenaeum, Hartford. David Spencer, a former Smithsonian Institution Libraries staff member, gen- erously assisted me with the VVolcott-Cibbs Family Papers in the Special Collectiims of the University of Oregon Library, Eugene; and tht staffs of the Catalog of American Portraits, National Portrait Ciallery, and the Inventory of American Painting.
    [Show full text]
  • Storytelling and Social Media
    NIEMAN REPORTS Storytelling and Social Media HANNA, one of the subjects in “Maidan: Portraits from the Black Square,” Kiev, February 2014 Nieman Online From the Archives For some photojournalists, it’s the shots they didn’t take they remember best. In the Summer 1998 issue of Nieman Reports, Nieman Fellows Stan Grossfeld, David Turnley, Steve Northup, Stanley Forman, and Frank Van Riper reflect on the shots they missed, whether by mistake or by choice, in “The Best Picture I Never Took” series. Digital Strategy at The New York Times In a lengthy memo, The New York Times revealed that it hopes to double its “Made in Boston: Stories of Invention and Innovation” brought together, from left, author digital revenue to $800 million by 2020. Ben Mezrich, Boston Globe reporter Hiawatha Bray, author Steve Almond, WGBH’s “Innovation The paper plans to simplify subscriptions, Hub” host Kara Miller, NPR’s “On Point” host Tom Ashbrook, “Our Bodies, Ourselves” improve advertising and sponsorships, co-founder Judy Norsigian, journalist Laurie Penny, and MIT Media Lab director Joi Ito optimize for different mediums, and nieman.harvard.edu, events extend its international reach. No Comments An in-depth look at why seven major news organizations—Reuters, Mic, The Week, Popular Science, Recode, The Verge, and USA Today’s FTW—suspended user comments, the results of that decision, and Innovators “always said how these media outlets are using social no when other people media to encourage reader engagement. said yes and they always 5 Questions: Geraldine Brooks Former Wall Street Journal foreign said yes when other correspondent and Pulitzer Prize-winning novelist Geraldine Brooks talks with her old Columbia Journalism School classmate people said no.
    [Show full text]
  • Catalog Records April 7, 2021 6:03 PM Object Id Object Name Author Title Date Collection
    Catalog Records April 7, 2021 6:03 PM Object Id Object Name Author Title Date Collection 1839.6.681 Book John Marshall The Writings of Chief Justice Marshall on the Federal 1839 GCM-KTM Constitution 1845.6.878 Book Unknown The Proverbs and other Remarkable Sayings of Solomon 1845 GCM-KTM 1850.6.407 Book Ik Marvel Reveries of A Bachelor or a Book of the Heart 1850 GCM-KTM The Analogy of Religion Natural and Revealed, to the 1857.6.920 Book Joseph Butler 1857 GCM-KTM Constitution and Course of Nature 1859.6.1083 Book George Eliot Adam Bede 1859 GCM-KTM 1867.6.159.1 Book Charles Dickens The Old Curiosity Shop: Volume I Charles Dickens's Works 1867 GCM-KTM 1867.6.159.2 Book Charles Dickens The Old Curiosity Shop: Volume II Charles Dickens's Works 1867 GCM-KTM 1867.6.160.1 Book Charles Dickens Nicholas Nickleby: Volume I Charles Dickens's Works 1867 GCM-KTM 1867.6.160.2 Book Charles Dickens Nicholas Nickleby: Volume II Charles Dickens's Works 1867 GCM-KTM 1867.6.162 Book Charles Dickens Great Expectations: Charles Dickens's Works 1867 GCM-KTM 1867.6.163 Book Charles Dickens Christmas Books: Charles Dickens's Works 1867 GCM-KTM 1868.6.161.1 Book Charles Dickens David Copperfield: Volume I Charles Dickens's Works 1868 GCM-KTM 1868.6.161.2 Book Charles Dickens David Copperfield: Volume II Charles Dickens's Works 1868 GCM-KTM 1871.6.359 Book James Russell Lowell Literary Essays 1871 GCM-KTM 1876.6.
    [Show full text]
  • This Is the Bennington Museum Library's “History-Biography” File, with Information of Regional Relevance Accumulated O
    This is the Bennington Museum library’s “history-biography” file, with information of regional relevance accumulated over many years. Descriptions here attempt to summarize the contents of each file. The library also has two other large files of family research and of sixty years of genealogical correspondence, which are not yet available online. Abenaki Nation. Missisquoi fishing rights in Vermont; State of Vermont vs Harold St. Francis, et al.; “The Abenakis: Aborigines of Vermont, Part II” (top page only) by Stephen Laurent. Abercrombie Expedition. General James Abercrombie; French and Indian Wars; Fort Ticonderoga. “The Abercrombie Expedition” by Russell Bellico Adirondack Life, Vol. XIV, No. 4, July-August 1983. Academies. Reproduction of subscription form Bennington, Vermont (April 5, 1773) to build a school house by September 20, and committee to supervise the construction north of the Meeting House to consist of three men including Ebenezer Wood and Elijah Dewey; “An 18th century schoolhouse,” by Ruth Levin, Bennington Banner (May 27, 1981), cites and reproduces April 5, 1773 school house subscription form; “Bennington's early academies,” by Joseph Parks, Bennington Banner (May 10, 1975); “Just Pokin' Around,” by Agnes Rockwood, Bennington Banner (June 15, 1973), re: history of Bennington Graded School Building (1914), between Park and School Streets; “Yankee article features Ben Thompson, MAU designer,” Bennington Banner (December 13, 1976); “The fall term of Bennington Academy will commence (duration of term and tuition) . ,” Vermont Gazette, (September 16, 1834); “Miss Boll of Massachusetts, has opened a boarding school . ,” Bennington Newsletter (August 5, 1812; “Mrs. Holland has opened a boarding school in Bennington . .,” Green Mountain Farmer (January 11, 1811); “Mr.
    [Show full text]
  • Appendix Plays Discussed in This Book
    Appendix Plays Discussed in This Book Abe Lincoln in Illinois, Robert Sherwood. 1938 Broadway run: 472 performances. 1993 Lincoln Center revival: 27 previews, 40 performances. Abraham Lincoln, John Drinkwater. 1919 Broadway run: 193 per- formances. 1929 Broadway revival: 8 performances. Abraham Lincoln’s Big Gay Dance Party, Aaron Loeb. 2008 San Francisco. 2010 off-Broadway run. American Iliad, Donald Freed. 2001 Burbank, California. As the Girls Go, William Roos (book), Jimmy McHugh (music), Harold Adamson (lyrics). 1948 Broadway run: 414 performances. Assassins, John Weidman (book), Stephen Sondheim (music and lyrics). 1990 off-Broadway run: 73 performances. 1992 London revival. 2004 Broadway revival: 26 previews, 101 performances. The Best Man, Gore Vidal. 1960 Broadway run: 520 performances. 2000 Broadway revival: 15 previews, 121 performances. Bloody, Bloody Andrew Jackson, Alex Timbers (book), Michael Friedman (music and ly73rics). 2008 Los Angeles. 2009 and 2010 off-Broadway runs. Buchanan Dying, John Updike. 1976 Franklin and Marshall College. Bully! Jerome Alden. 1977 Broadway run: 8 previews, 8 performances. 2006 off Broadway revival. The Bully Pulpit, Michael O. Smith. 2008 off-Broadway. Camping with Henry and Tom, Mark St. Germain. 1995 off- Broadway run: 105 performances. Numerous regional theater revivals since then. An Evening with Richard Nixon, Gore Vidal. Broadway run: 14 previews, 16 performances. First Lady, Katherine Dayton and George S. Kaufman. 1935 Broadway run: 246 performances. 1952 off-Broadway revival. 1980 Berkshire Theater Festival revival. 1996 Yale Repertory Theatre revival. First Lady Suite, Michael John LaChiusa. 1993 off-Broadway run: 32 performances. Revivals include Los Angeles 2002, off Broadway 2004, and London 2009. 160 Appendix Frost/Nixon, Peter Morgan.
    [Show full text]
  • The Elusive Object and the Fading Craft of Theatre Criticism: a Conversation with Gordon Rogoff
    Fall 2010 99 The Elusive Object and the Fading Craft of Theatre Criticism: A Conversation with Gordon Rogoff Bert Cardullo A cofounder and editor of Encore Magazine (London) in the 1950s and Administrative Director of The Actors’ Studio, New York (1959-1962), Gordon Rogoff (1931-) was a dramaturg with The Open Theatre during the 1960s. He is Professor Emeritus at Brooklyn College and the Graduate Center of the City University of New York (CUNY), and Professor of Dramaturgy and Dramatic Criticism at the Yale School of Drama, a position he assumed in 1987. He has been Associate Dean of the Yale School of Drama (1966-1969), chair of two departments of drama (State University of New York [SUNY] at Buffalo and Brooklyn College of CUNY), and Adjunct Professor of Humanities at The Cooper Union. From 1995-1999, he was Co-Director of Exiles, a school for theatre training in Ireland. Mr. Rogoff has directed plays Off-Broadway and in Chicago, as well as in Williamstown and Stockbridge, Massachusetts. He directed his own adaptation of six stories from Italo Calvino’s Cosmicomics, in Buffalo, New York, and Off- Broadway. In 1976, he won an Obie Award for his direction of Morton Lichter’s Old Timers’ Sexual Symphony (and Other Notes). His honors include a Guggenheim Fellowship, the Morton Dauwen Zabel Award of the American Academy of Arts and Letters, and the George Jean Nathan Award for Dramatic Criticism. He has contributed numerous essays and reviews to such periodicals as American Theatre, Theater, The Village Voice, Parnassus, The New Republic, The Nation, and Plays and Players.
    [Show full text]
  • CORT THEATER, 138-146 West 48Th Street, Manhattan
    Landmarks Preservation Commission November 17, 1987; Designation List 196 LP-1328 CORT THEATER, 138-146 West 48th Street, Manhattan. Built 1912-13; architect, Thomas Lamb . Landmark Site: Borough of Manhattan Tax Map Block 1000, Lot 49. On June 14 and 15, 1982, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the Cort Theater and the proposed designation of the related Landmark Site (Item No. 24). The hearing was continued to October 19, 1982. Both hearings had been duly advertised in accordance with the provisions of law. Eighty witnesses spoke or had statements read into the record in favor of designation. One witness spoke in opposition to designation. The owner, with his representatives, appeared at the hearing, and indicated that he had not formulated an opinion regarding designation. The Commission has received many letters and other expressions of support in favor of this designation. DESCRIPTION AND ANALYSIS The Cort Theater survives today as one of the historic theaters that symbolize American theater for both New York and the nation. Built in 1912- 13, the Cort is among the oldest surviving theaters in New York. It was designed by arc hi teet Thomas Lamb to house the productions of John Cort , one of the country's major producers and theater owners. The Cort Theater represents a special aspect of the nation's theatrical history. Beyond its historical importance, it is an exceptionally handsome theater, with a facade mode l e d on the Petit Trianon in Versailles. Its triple-story, marble-faced Corinthian colonnade is very unusual among the Broadway theater s.
    [Show full text]
  • Double Play the Epic Dialectic of Tony Kushner
    SPRING 2011 COLUMBIA MAGAZINE Double Play The epic dialectic of Tony Kushner C1_FrontCover2.indd C1 3/25/11 4:22 PM C2_CUClub.indd C2 3/20/11 11:32 AM CONTENTS Spring 2011 62214 DEPARTMENTS FEATURES 3 Letters 14 A Sentimental Education By Paul Hond 6 College Walk Playwright and political activist Meet the Flockers . Feeding the Meter . Tony Kushner provides insight Letter from Brisbane . Hands and Hearts into a key stage of his development. 38 News 22 What Happened to Angkor? Purdy in charge of research . Northwest Corner By David J. Craig Building opens . Alumni at the Oscars . Columbia tree-ring scientists journey Gift launches collaboration between the business to a remote forest in Cambodia to and law schools search for clues about the demise of a civilization. 46 Newsmakers 28 The Arab Reawakening 48 Explorations Tunisia, Egypt, Yemen, Libya, Bahrain, Syria –– and counting. Arab studies 50 Reviews professor Rashid Khalidi discusses the popular revolts reshaping North Africa 62 Classifi eds and the Middle East. 64 Finals 34 Daughter, Lost: A Short Story By Julie Wu ’96PS A mother answers a knock on the door. Cover illustration by Gary Kelley 1-2 ToC.indd 1 3/29/11 12:44 PM IN THIS ISSUE COLUMBIA MAGAZINE Executive Vice President for University Development and Alumni Relations Fred Van Sickle Dustin Rubenstein is an assistant professor in Columbia’s Publisher Department of Ecology, Evolution, and Environmental Jerry Kisslinger ’79CC, ’82GSAS Biology. He received the 2010 American Ornithologists’ Editor in Chief Union Ned K. Johnson Young Investigator Award and the Michael B.
    [Show full text]
  • Enacting Ethnicity: Yiddishkeit Masked and Unmasked on the Contemporary American Stage
    Please do not remove this page Enacting Ethnicity: Yiddishkeit Masked and Unmasked on the Contemporary American Stage Shandler, Jeffrey https://scholarship.libraries.rutgers.edu/discovery/delivery/01RUT_INST:ResearchRepository/12643380200004646?l#13643529630004646 Shandler, J. (2018). Enacting Ethnicity: Yiddishkeit Masked and Unmasked on the Contemporary American Stage. In Jewish Social Studies (Vol. 23, Issue 2, pp. 1–23). Rutgers University. https://doi.org/10.7282/T3BG2S26 This work is protected by copyright. You are free to use this resource, with proper attribution, for research and educational purposes. Other uses, such as reproduction or publication, may require the permission of the copyright holder. Downloaded On 2021/10/02 06:24:56 -0400 1 Enacting Ethnicity: Yiddishkeit Masked and Unmasked on the Contemporary American Stage Jeffrey Shandler ABSTRACT Two recent productions of American dramas employed provocative strategies for enacting Jewish ethnicity: National Asian American Theatre Company’s performance of Clifford Odets’s Awake and Sing! with an all–Asian American cast and New Yiddish Rep’s staging of Toyt fun a seylsman, a Yiddish translation of Arthur Miller’s Death of a Salesman. Each production entails a different approach to performing Jewishness that exemplifies these companies’ respective artistic agendas regarding the enactment of ethnicity, resulting in complex performances of masking and unmasking Jewishness. Moreover, their analysis illuminates how ethnicity is conceptualized and realized in the United States in the early decades of the twenty-first century. Yiddish appears strategically, if often obliquely, in the histories of composition, production, and reception for both dramas, emblematic of shifting notions of enacting ethnicity. Key words: ethnic performance, American Jews, Asian Americans, Yiddish, theater Two recent productions of major American dramas, both staged in New York City, employed provocative strategies for performing Jewish ethnicity.
    [Show full text]