Different Symbols in Stephen King's Novels
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The Key to Stephen King's the Dark Tower
ANGLO-SAXON: THE KEY TO STEPHEN KING'S THE DARK TOWER ____________ A Thesis Presented to the Faculty of California State University, Chico ____________ In Partial Fulfillment of the Requirements for the Degree Master of Arts in English ____________ by Jennifer Dempsey Loman 2009 Summer 2009 ANGLO-SAXON: THE KEY TO STEPHEN KING'S THE DARK TOWER A Thesis by Jennifer Dempsey Loman Summer 2009 APPROVED BY THE INTERIM DEAN OF THE SCHOOL OF GRADUATE, INTERNATIONAL, AND INTERDISCIPLINARY STUDIES: _________________________________ Mark J. Morlock, Ph.D. APPROVED BY THE GRADUATE ADVISORY COMMITTEE: _________________________________ _________________________________ Rob G. Davidson, Ph.D. Harriet Spiegel, Ph.D., Chair Graduate Coordinator _________________________________ Geoffrey Baker, Ph.D. PUBLICATION RIGHTS No portion of this thesis may be reprinted or reproduced in any manner unacceptable to the usual copyright restrictions without the written permission of the author. iii ACKNOWLEDGMENTS I am so grateful to Drs. Harriet Spiegel, Lois Bueler, Carol Burr, and Geoff Baker. Your compassion, patience, accessibility, and encouragement went far beyond mere mentorship. I feel very fortunate to have had the honor to work with you all. I am so grateful to Drs. Rob Davidson, John Traver, and Aiping Zhang for their wise counsel. Thank you to Sharon Demeyer as well for her indefatigable congeniality. I thank Connor Trebra and Jen White for their calming camaraderie. I am so grateful to my parents, Jim and Penny Evans, and my grandmother, Jean Quesnel, for teaching me the importance of coupling work with integrity. I am so grateful to my dear husband, Ed, for his unconditional support of my efforts. -
An Antihero's Journey to the Dark Tower
An Antihero‘s Journey to the Dark Tower Manifestations and Variations of the Hero‘s Journey in Stephen King‘s The Dark Tower Series Ritgerð til MA-prófs í Enskukennslu Sigríður Aðils Magnúsdóttir January 2019 Háskóli Íslands Hugvísindasvið Enska An Antihero‘s Journey to the Dark Tower Manifestations and Variations of the Hero‘s Journey in Stephen King‘s The Dark Tower Series Ritgerð til MA-prófs í Enskukennslu Sigríður Aðils Magnúsdóttir Kt.: 290182-4769 Leiðbeinandi: Dr. Ingibjörg Ágústsdóttir January 2019 Acknowledgements Many people aided me in the completion of this thesis. Firstly, I would like to thank my sister, Ásrún, who convinced me to finish my master’s degree alongside her. There were times when I secretly cursed her name for tricking me onto this path of further education, though truly I am grateful, for even though the road has at times been difficult it has also been extremely rewarding. Ásrún has proven to be a great sounding board and an invaluable friend throughout this whole process and I am happy to share this experience with her. I would also like to thank my family, my husband and children, for their endless support and patience. My children were very understanding of their mother’s never-ending writing sessions throughout their summer holidays and my husband is an endless fountain of love and encouragement, he truly is my rock. I would also like to acknowledge my mother who has had to endure losing both her daughters at the same time into the abyss of academia, she too has been an invaluable support and a great friend. -
The Dark Tower" - a Modern Myth
2008:237 C-UPPSATS Stephen King´s "The Dark Tower" - a Modern Myth Henrik Fåhraeus Luleå tekniska universitet C-uppsats Engelska Institutionen för Språk och kultur 2008:237 - ISSN: 1402-1773 - ISRN: LTU-CUPP--08/237--SE Stephen King’s The Dark Tower – a Modern Myth C-Essay by Henrik Fåhraeus Supervisor: Billy Gray Table of Contents Introduction......................................................................................................................... 1 Background......................................................................................................................... 3 The Elements of Myth ........................................................................................................ 6 The First Cycle – Roland’s Youth .................................................................................... 10 Initiation........................................................................................................................ 10 Separation ..................................................................................................................... 11 Return............................................................................................................................ 13 The Main Cycle – The Dark Tower.................................................................................. 15 Initiation........................................................................................................................ 15 Separation .................................................................................................................... -
In the United States Court of Appeals for the Eleventh
USCA11 Case: 19-11224 Date Filed: 02/23/2021 Page: 1 of 18 [DO NOT PUBLISH] IN THE UNITED STATES COURT OF APPEALS FOR THE ELEVENTH CIRCUIT ________________________ No. 19-11224 ________________________ D.C. Docket No. 3:17-cv-00348-HES-MCR BENJAMIN MICHAEL DUBAY, Plaintiff - Appellant, WILLIAM B. DUBAY, LLC, Plaintiff, versus STEPHEN KING, MEDIA RIGHTS CAPITAL, IMAGINE ENTERTAINMENT, SONY PICTURES ENTERTAINMENT, MARVEL ENTERTAINMENT, et al., Defendants - Appellees. ________________________ Appeal from the United States District Court for the Middle District of Florida ________________________ (February 23, 2021) USCA11 Case: 19-11224 Date Filed: 02/23/2021 Page: 2 of 18 Before NEWSOM and BRANCH, Circuit Judges.* BRANCH, Circuit Judge: In this copyright infringement action, Benjamin DuBay appeals the district court’s grant of summary judgment to Stephen King, Media Rights Capital, Imagine Entertainment, Sony Pictures Entertainment, Marvel Entertainment, and Simon & Schuster (collectively, “King”). DuBay owns the copyright for a comic book series called The Rook, which recounted the adventures of Restin Dane. King is the author of The Dark Tower novel series, which features the character Roland Deschain as its protagonist. DuBay sued King for copyright infringement, alleging that Roland Deschain is a copy of Restin Dane. DuBay also sued the other defendants for contributory and vicarious copyright infringement for their respective roles in publishing King’s novel series and adapting the book series into graphic novels and a motion picture. After careful consideration and with the benefit of oral argument, we affirm. I. BACKGROUND Because the parties are familiar with the facts of this case, we recount only those facts that are necessary to the disposition of this appeal. -
Stephen King's the Dark Tower and the Postmodern Serial
Trinity University Digital Commons @ Trinity English Honors Theses English Department 4-2-2008 Stephen King’s The aD rk Tower and the Postmodern Serial Jessica Waller Trinity University Follow this and additional works at: http://digitalcommons.trinity.edu/eng_honors Part of the English Language and Literature Commons Recommended Citation Waller, Jessica, "Stephen King’s The aD rk Tower and the Postmodern Serial" (2008). English Honors Theses. 10. http://digitalcommons.trinity.edu/eng_honors/10 This Thesis open access is brought to you for free and open access by the English Department at Digital Commons @ Trinity. It has been accepted for inclusion in English Honors Theses by an authorized administrator of Digital Commons @ Trinity. For more information, please contact [email protected]. Stephen King’s The Dark Tower and the Postmodern Serial Jessica Waller A departmental senior thesis submitted to the Department of English at Trinity University in partial fulfillment of the requirements for graduation with departmental honors. April 2, 2008 _________________________ _________________________ Thesis Advisor Department Chair _________________________ Associate Vice President for Academic Affairs Student Copyright Declaration: the author has selected the following copyright provision: [ ] This thesis is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs License, which allows some noncommercial copying and distribution of the thesis, given proper attribution. To view a copy of this license, visit http://creativecommons.org/licenses/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. [X] This thesis is protected under the provisions of U.S. Code Title 17. Any copying of this work other than “fair use” (17 USC 107) is prohibited without the copyright holder’s permission. -
A Textual Analysis of the Gunslinger by Stephen King
AND JUST AS FAR AS EVER FROM THE END: A TEXTUAL ANALYSIS OF THE GUNSLINGER BY STEPHEN KING Sharmin T.M. Kent Submitted to the faculty of the University Graduate School in partial fulfillment of the requirements for the degree Master of Arts in the Department of English, Indiana University November 2009 Accepted by the Faculty of Indiana University, in partial fulfillment of the requirements for the degree of Master of Arts. ______________________________________ Jonathan R. Eller, Ph.D., Chair ______________________________________ William F. Touponce, Ph.D. Master’s Thesis Committee ______________________________________ Robert Rebein, Ph.D. ii DEDICATION For Stephen King, who showed me the path; For my parents, who encouraged me to take it; And for my husband, who traveled the path with me. iii ACKNOWLEDGMENTS My hometown public library is the coolest place on Earth, and my dad and I spent many afternoons together in its magical children’s section when I was little. Eventually, however, I started to notice the “grown-up” novels my mother brought home from the library, and began reading them on the sly. I soon learned there was no need to hide: my parents almost never kept me from reading anything I got my hands on. They encouraged me to read and ask questions, and to look for my own answers when theirs weren’t good enough for me. William and Geneva McGown nurtured my desire to learn, and for that, I owe them an infinite amount of gratitude and love. The success of this project is owed first and foremost to Dr. Jonathan Eller, who served as my thesis director, my personal science fiction historian, and my cheerleader. -
Tarot and T.S. Eliot in Stephen King's Dark Tower Novels [Article]
Volume 36 Number 2 Article 22 4-15-2018 Tarot and T.S. Eliot in Stephen King's Dark Tower Novels [Article] Emily E. Auger Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the English Language and Literature Commons Recommended Citation Auger, Emily E. (2018) "Tarot and T.S. Eliot in Stephen King's Dark Tower Novels [Article]," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 36 : No. 2 , Article 22. Available at: https://dc.swosu.edu/mythlore/vol36/iss2/22 This Special Section is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Characters and events in King’s Dark Tower series are inspired by the Fisher King, Arthurian, and other mythologies and legends, as well as the works of more contemporary authors who derived inspiration from similar sources. -
Stephen King's Dark Tower Gothic Multiverse Charles William Ripley Iowa State University
Iowa State University Capstones, Theses and Graduate Theses and Dissertations Dissertations 2014 Other worlds than this: Stephen King's Dark Tower Gothic Multiverse Charles William Ripley Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/etd Part of the American Literature Commons, and the Literature in English, North America Commons Recommended Citation Ripley, Charles William, "Other worlds than this: Stephen King's Dark Tower Gothic Multiverse" (2014). Graduate Theses and Dissertations. 13711. https://lib.dr.iastate.edu/etd/13711 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Other worlds than this: Stephen King’s Dark Tower gothic multiverse by Charles William Ripley A thesis submitted to the graduate faculty in partial fulfillment of the requirements for the degree of MASTER OF ARTS Major: English (Literature) Program of Study Committee: Matthew Sivils, Major Professor Dometa Brothers Elanor Taylor Iowa State University Ames, Iowa 2014 Copyright © Charles William Ripley, 2014. All rights reserved. ii DEDICATION To my parents. They let me discover the terror of redrum all on my own. iii TABLE OF CONTENTS Page DEDICATION ii NOMENCLATURE v ACKNOWLEDGEMENTS vi ABSTRACT vii INTRODUCTION -
Master of the Boot's Deadliest Warrior Randall Flagg Vs. Voldemort
Master of the Boot’s Deadliest Warrior Randall Flagg vs. Voldemort Disclaimer: I do not own Harry Potter or The Dark Tower series. I also do not own Mythbusters of any registered shit you see in here. I hope you enjoy :D The three deadliest warrior hosts appear before the camera. “Okay,” begins Geoff, “Today we have a battle of magic versus magic.” The camera changes to show a snake like man in black robes standing before the rubble of Hogwarts Castle. “That’s right,” chirps Max, “And it’s not a case of light versus dark but evil versus evil. Like Freddy versus Jason but on steroids and with magic wands.” The camera shifts to show a frightening man walking down a deserted highway at night; his gaze causes birds on a power line to die, glasses to shatter in waitresses hands and men to develop prostate cancer. “When it comes to dark Wizards,” says Armand, “you can’t really top the sheer evil of Lord Voldemort and Randall Flagg.” “But who is deadliest?” says Geoff, “Now that is the question.” Announcer: Voldemort! Shows the dark lord himself standing over the shattered remnants of the Potter household. He just murdered Harry’s mom and he looks like he liked it. The Dark Wizard who so terrorized the wizarding world that even today his name is unspeakable. The Camera shows a sinister man wearing denim and cowboy boots, he grins as he transforms into a medieval sorcerer and holds up a sinister crystal ball of pink hue that threatens to suck out your soul. -
Westhoek Resma Final Version 20190723
MAGICAL REALISM OR REALIST MAGIC: THE ONTOLOGY OF MAGIC IN STEPHEN KING’S INSOMNIA AND THE DUFFER BROTHERS’ STRANGER THINGS Research Master’s Thesis Literary Studies Leiden University By Alyssa Westhoek 0809470 Supervisor: Prof.dr. F.W.A. Korsten Second reader: Dr. S.A. Polak 2 This Thesis is dedicated to my parents who never let me stop believing I can do whatever I set my mind to - no matter how long it takes. A special thanks to my mother who introduced me to Stephen King at a probably inappropriately young age and Shereen Siwpersad for the writing sessions, pity parties and encouragement. As I write the last sentence of this thesis after almost four years of on and off writing I would like to echo Ralph: “Anything’s possible [...]’ he said. ‘I know that now.” 3 Table of Contents Chapter 1 – Stephen King’s Magical Realism ........................................................... 8 Chapter 2 – The Duffer Brother’s Realist Magic ................................................... 24 Chapter 3 – Magical Realism in Flux ....................................................................... 33 Chapter 4 – The Sliding Scale: from Magical Realism to Realist Magic .............. 59 Conclusion .................................................................................................................. 63 Works Cited ................................................................................................................ 67 4 In this thesis, I will outline how the ontology and the use of the magic in magical realism has changed over time, taking as my starting point Stephen King’s novel Insomnia (1994) and comparing and contrasting this with The Duffer Brother’s Netflix original series Stranger Things (2016). Additionally, I will examine whether the medium of the cultural object – novel versus on-demand series – has had an influence on this change. I argue that the ontology of the magic in the cultural objects has shifted from external threats to internal ones. -
2021 Lore Dump.Pdf
Lore Dump 99 Toss-Ups on the cultures, sciences, magicks, and histories within fictional franchises Written and edited by Patrick Quion with contributions by Sarah Benner Dedicated to the editors and contributors of Fandom Wikias, the unsung heroes of the Internet RULES: All toss-ups in Lore Dump are composed of in-universe clues from a single media franchise. Clues stick to an official canon if there is one. If there is not, liberties were taken in clue selection. Only a handful of franchises are represented more than once so expect a variety of different topics. This is intended to be slightly hard but mostly gettable. Have fun! Big thanks to the Purdue Quizbowl Team for playtesting and contributions to editing. TOSSUPS: 1. The ability to recover wounds via regenesis is a skill of The Ravager, a combat-focused caste of these beings that can also come in “Colossal” forms. Cloned members of these beings were destroyed by a crash of the Auriga. A horizontal gene-jumping phenomenon called the “DNA Reflex” explains the general variety of these beings. These beings are called kiande amedha, or “hard meat” by another race who use the blood of these beings in their ritualized Hunts. The signature killing maneuver of these beings is called their “Headbite”. These creatures are the prized prey of the (*) Yautja. These creatures’ unique exo-and-endo-skeleton combination is named their mesoskeleton, which, along with their dorsal spines, are studied by biologists at the British-Japanese corporation Weyland-Yutani. These creatures have a second, extendable inner jaw. For 10 points, name this alien species that has larval stages of facehugger and chestburster. -
An Index to CROSSOVERS 2: a SECRET CHRONOLOGY of the WORLD by WIN SCOTT ECKERT (From the Black Coat Press Edition, 2010) Prepared by Adrian Nebbett
An Index To CROSSOVERS 2: A SECRET CHRONOLOGY OF THE WORLD By WIN SCOTT ECKERT (From the Black Coat Press edition, 2010) Prepared by Adrian Nebbett 120 Rue de la Gare (Léo Malet), 31, 31 Adamant, Adam, 233-234, 453 “A” is for Alibi (Sue Grafton), 236 Adams, Douglas, A Rebours (J.K. Huysmans), 455 Hitchhiker’s Guide to the Galaxy, The, 385 Abbalah, 229 Restaurant at the End of the Universe, The, Abbot, John, 462 385 Abbott, Bud, 94, 225 Adams, Neal Abbott and Costello Meet Frankenstein (1948), Brave and the Bold: The Angel, The Rock, 71-73, 299, 335 and the Cowl, The (with Bob Haney), 43, Abbott and Costello Meet the Invisible Man 43-44, 95 (1951), 79, 79, 299 Detective Comics: Ghost of the Killer Skies Abbott and Costello Meet the Mummy (1955), (with Denny O’Neil & Dick Giordano), 89 94, 299 Adams, Nick, Jr, 214 Abner, 315 Adamson, Al, 147 Abnett,, Dan Addams, Charles, 458 Bloodstone (with Andy Lanning, Michael Addams Family, The, 161, 458 Lopez & Scott Hanna), 307, 307 Adele and Co. (Dornford Yates), 85 Abrams, J.J., 342 Adelsberg, Professor, 461 AC Comics, 92 Adey, Robert C.S., Accident – Or Murder? (J.T. Edson), 161 As It Might Have Been, 427, 439 AC-DC, 351 Adieu, Gary, 185 Ace Books, 114, 123, 125, 130, 135, 137, 140, Adkins, Dan, 149, 243 Brave and the Bold: Ice Station Alpha, The Ace Reporter, The, 396 (with Marv Wolfman & Dave Cockrum), ACG Comics, 110, 310 44 Acid Test (Jean-Marc Lofficier), 214 Deadly Hands of Kung Fu: The Master Plan Ackerman, Forrest J., 125, 137 of Fu Manchu, The (with Tony Isabella, Just Imagine: Jeanie (with