Master of the Boot's Deadliest Warrior Randall Flagg Vs. Voldemort
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Staff Picks – July 2017
Staff Picks – July 2017 Some great reads for your summer pleasure! FOR KIDS A Hungry Lion (or a dwindling assortment of animals) / Lucy Ruth Cummings (Easy Fiction) - Natalie The very hungry lion is all set to enjoy an exciting day with his other animal pals. But all of a sudden his friends start disappearing at an alarming rate Is someone stealing the hungry lion's friends, or is the culprit a little...closer to home? Alcatraz versus the Knights of Crystallia / Brandon Sanderson (Junior Fiction) - Mary Anne When Alcatraz and Grandpa Smedry make a pilgrimage to the Free Kingdom city of Crystallia, the Smedry home base, Alcatraz is shocked to see that he is, in fact, a legend. When he was a baby he was stolen by the Evil Librarians, and his mother, a Librarian herself, was behind the whole scheme. Now, with his estranged father, Bastille, and Grandpa Smedry, Alcatraz tries to save a city under siege from the Librarians. FOR TEENS Six of Crows /Leigh Bardugo (Young Adult Fiction) – Kaela Six dangerous outcasts. One impossible heist. Kaz's crew is the only thing that might stand between the world and destruction--if they don't kill each other first. First in a series. Three Dark Crowns / Kendare Blake (Young Adult Fiction)– Hollie On the island of Fennbirn, triplet sisters who each wield a coveted magic skill and claim an equal right to the throne must fight to the death when they turn sixteen for the title of Queen Crowned. First in a series. FOR ADULTS Camino Island /John Grisham (New Fiction) - Felicia The most daring and devastating heist in literary history targets a high security vault located deep beneath Princeton University.Valued at $25 million (though some would say priceless) the five manuscripts of F Scott Fitzgerald's only novels are amongst the most valuable in the world. -
The Key to Stephen King's the Dark Tower
ANGLO-SAXON: THE KEY TO STEPHEN KING'S THE DARK TOWER ____________ A Thesis Presented to the Faculty of California State University, Chico ____________ In Partial Fulfillment of the Requirements for the Degree Master of Arts in English ____________ by Jennifer Dempsey Loman 2009 Summer 2009 ANGLO-SAXON: THE KEY TO STEPHEN KING'S THE DARK TOWER A Thesis by Jennifer Dempsey Loman Summer 2009 APPROVED BY THE INTERIM DEAN OF THE SCHOOL OF GRADUATE, INTERNATIONAL, AND INTERDISCIPLINARY STUDIES: _________________________________ Mark J. Morlock, Ph.D. APPROVED BY THE GRADUATE ADVISORY COMMITTEE: _________________________________ _________________________________ Rob G. Davidson, Ph.D. Harriet Spiegel, Ph.D., Chair Graduate Coordinator _________________________________ Geoffrey Baker, Ph.D. PUBLICATION RIGHTS No portion of this thesis may be reprinted or reproduced in any manner unacceptable to the usual copyright restrictions without the written permission of the author. iii ACKNOWLEDGMENTS I am so grateful to Drs. Harriet Spiegel, Lois Bueler, Carol Burr, and Geoff Baker. Your compassion, patience, accessibility, and encouragement went far beyond mere mentorship. I feel very fortunate to have had the honor to work with you all. I am so grateful to Drs. Rob Davidson, John Traver, and Aiping Zhang for their wise counsel. Thank you to Sharon Demeyer as well for her indefatigable congeniality. I thank Connor Trebra and Jen White for their calming camaraderie. I am so grateful to my parents, Jim and Penny Evans, and my grandmother, Jean Quesnel, for teaching me the importance of coupling work with integrity. I am so grateful to my dear husband, Ed, for his unconditional support of my efforts. -
Childe Roland to the Dark Tower Came *** Robert Browning
Childe Roland to the Dark Tower Came *** Robert Browning epubBooks.com Strictly Not for Commercial Use. This EPUB eBook is released under a Creative Commons (BY-NC-ND/3.0) Licence. (http://creativecommons.org/licenses/by-nc-nd/3.0/) Source text and images taken from the Public Domain. This eBook is provided for free by www.epubbooks.com Support epubBooks and make a donation by visiting: www.epubbooks.com/donations. Childe Roland to the Dark Tower Came I My first thought was, he lied in every word, That hoary cripple, with malicious eye Askance to watch the working of his lie On mine, and mouth scarce able to afford Suppression of[1] the glee, that pursed and scored Its edge, at one more victim gained thereby. II What else should he be set for, with his staff? What, save to waylay with his lies, ensnare All travellers who might find him posted there, And ask the road? I guessed what skull–like laugh Would break, what crutch 'gin write[2] my epitaph For pastime in the dusty thoroughfare, III If at his counsel I should turn aside Into that ominous tract which, all agree Hides the Dark Tower. Yet acquiescingly I did turn as he pointed: neither pride Nor hope rekindling at the end descried So much as gladness that some end might be. IV For, what with my whole world–wide wandering, What with my search drawn out thro' years, my hope Dwindled into a ghost not fit to cope With that obstreperous joy success would bring, I hardly tried now to rebuke the spring My heart made, finding failure in its scope. -
Stephen King the Stephen King the Stephen King Checklist Checklist Checklist the Dark Tower the Stand the Dark Tower the Stand the Dark Tower the Stand 1
The Stephen King The Stephen King The Stephen King Checklist Checklist Checklist The Dark Tower The Stand The Dark Tower The Stand The Dark Tower The Stand 1. The Gunslinger The Dead Zone 1. The Gunslinger The Dead Zone 1. The Gunslinger The Dead Zone 2. The Drawing of the Firestarter 2. The Drawing of the Firestarter 2. The Drawing of the Firestarter Three The Mist Three The Mist Three The Mist 3. The Waste Lands Cujo 3. The Waste Lands Cujo 3. The Waste Lands Cujo 4. Wizard and Glass Pet Sematary 4. Wizard and Glass Pet Sematary 4. Wizard and Glass Pet Sematary 5. Wolves of the Calla Christine 5. Wolves of the Calla Christine 5. Wolves of the Calla Christine 6. Song of Susannah Cycle of the Werewolf 6. Song of Susannah Cycle of the Werewolf 6. Song of Susannah Cycle of the Werewolf 7. The Dark Tower It 7. The Dark Tower It 7. The Dark Tower It 8. The Wind Through the The Eyes of the Dragon 8. The Wind Through the The Eyes of the Dragon 8. The Wind Through the The Eyes of the Dragon Keyhole The Tommyknockers Keyhole The Tommyknockers Keyhole The Tommyknockers Misery Misery Misery Talisman The Dark Half Talisman The Dark Half Talisman The Dark Half (with Peter Straub) Needful Things (with Peter Straub) Needful Things (with Peter Straub) Needful Things 1. The Talisman Dolores Claiborne 1. The Talisman Dolores Claiborne 1. The Talisman Dolores Claiborne 2. Black House Gerald's Game 2. Black House Gerald's Game 2. Black House Gerald's Game Insomnia Insomnia Insomnia The Green Mile Rose Madder The Green Mile Rose Madder The Green Mile Rose Madder 1. -
The Journal of Stephen King Studies, Issue 2
The Journal of Stephen King Studies Winter 2019 1 2 The Journal of Stephen King Studies ————————————————————————————————— Issue 2: Halloween 2019 Artwork by Jane Peet—Instagram @jane_jep27 3 4 Editors: Dawn Stobbart Sorcha Ní Fhlainn Reviews Editor: Lauren Christie Founding Editor: Alan Gregory Fox Advisory Board: Xavier Aldana Reyes Linda Badley Brian Baker Simon Brown Steven Bruhm Regina Hansen Gary Hoppenstand Tony Magistrale Simon Marsden Patrick McAleer Bernice M. Muphy Philip L. Simpson Website: https://pennywisedreadful.wordpress.com/ Twitter: @pennywisedread/ Facebook: https://www.facebook.com/pennywisedrea 5 6 Contents Editors Introduction ………………………………………………………………………………………………………………………………………………………………………...….p. 9 Unlocking Time: The Clock of Horrors in Stephen King’s The Shining, Leslie Savath ……………………...……………………………………………………………………………………………………………………………………………………p. 11 “The town knew about darkness”: An analysis of Stephen King’s treatment of small-town America in his novel ‘Salem’s Lot, Yann Teyssou …………………………………………………………………………………………………………………………………………………………………………….p. 28 The Once and Future Promised Land: Finding the Fisher King of Arthurian Legend in the Post-Apocalyptic American West of Stephen King’s The Dark Tower, Vanessa Erat ……………………………………….……………………………………………………………………………………………………………………………………p. 43 Shall I at least set my lands in order?: Arthurian Imagery and High Speech in Stephen King’s The Dark Tower, Justin Lorenzo Biggi ……………………………………….…………………………………………………………………………………………………………………………………..p. 51 Review: Neil Mitchell, Devil’s -
Western (Genre)
Western (genre) http://en.academic.ru/dic.nsf/enwiki/41275 The Western is a fiction genre seen in film, television, radio, literature, painting and other visual arts. Westerns are devoted to telling stories set primarily in the later half of the 19th century in what became the Western United States (known as the American Old West or Wild West), but also in Western Canada, Mexico ("The Wild Bunch", "Vera Cruz"), Alaska ("The Far Country", "North to Alaska") and even Australia ("Quigley Down Under", "The Proposition"). Some Westerns are set as early as the Battle of the Alamo in 1836 but most are set between the end of the American Civil War and the massacre at Wounded Knee in 1890, though there are several "late Westerns" (e.g., "The Wild Bunch" and "100 Rifles") set as late as the Mexican Revolution in 1913. There are also a number of films about Western- type characters in contemporary settings where they don't fit in, such as "Junior Bonner" set in the 1970s, and "Down in the Valley" and "The Three Burials of Melquiades Estrada" in the 21st Century. Westerns often portray how primitive and obsolete ways of life confronted modern technological or social changes. This may be depicted by showing conflict between natives and settlers or U.S. Cavalry, or by showing ranchers being threatened by the onset of the Industrial Revolution. American Westerns of the 1940s and 1950s emphasise the values of honor and sacrifice. Westerns from the 1960s and 1970s often have more pessimistic view, glorifying a rebellious anti-hero and highlighting the cynicism, brutality and inequality of the American West. -
Different Symbols in Stephen King's Novels
Науковий журнал Львівського державного університету безпеки життєдіяльності «Львівський філологічний часопис». № 6, 2019 Scientific journal of the Lviv State University of Life Safety “Philological Periodical of Lviv”. № 6, 2019 UDC 811.111 DOI https://doi.org/10.32447/2663-340X-2019-6-8 DIFFERENT SYMBOLS IN STEPHEN KING’S NOVELS: A LINGUOPOETIC ASPECT Didukh Lyubov Ivanivna PhD in Pedagogy Associate Professor at the Department of Foreign Languages and Translation Studies Lviv State University of Life Safety Kleparivska Street, 35, Lviv, Ukraine This article deals with special symbols in Stephen King’s novels. It is proved that symbols have always been deeply investigated in Poetics and Text Linguistics; they play an important role in any text; both in ancient and in modern texts many colour, number, animal or graphical images can be found as different symbols.It’s also defined that universal symbols are easily recognizable and that’s why remain in the reader’s memory. Writers often use symbolic images in their literary works, sometimes very overtly, sometime more implicitly. The article also focuses on the fact that S. King uses plenty of symbols and word images to convey some important messages for his readers, to scare them even more or to tell a story of his life. Some examples of these symbols like special animals, colours, numbers, graphical images are discussed in our research. The author states that one of the key themes of his works is the motif of alcoholism or the strength of addiction which can be presented by many symbols, for example the dog’s rabies. The article also deals with the symbolic nature of S. -
Todo Es Eventual Stephen King Todo Es Eventual
STEPHEN KING Todo es Eventual Stephen King Todo es eventual Traducción de Bettina Blanch Tyroller PLAZA & JANÉS Título original: Everything's Eventual Primera edición: octubre, 2003 © 2002, Stephen King Publicado por acuerdo con el autor, representado por Ralph M. Vicinanza © 2003, Random House Mondadori, S. A. © 2003, Bettina Blanch Tyroller, por la traducción Printed in Spain - Impreso en España ISBN: 84-01-32888-8 Depósito legal: M. 36.559 - 2003 AlexDumas(sábado, 29 de noviembre de 2003) 2 Stephen King Todo es eventual A Shane Leonard 3 Stephen King Todo es eventual ÍNDICE Lo que hice fue quitar todas las picas de una baraja de póquer y un comodín. Las cartas que iban del as al rey = 1-13. El comodín - 14. Barajé las cartas y las repartí. El orden en que salieron de la baraja fue el orden de las historias, basándome en el lugar que ocupaban en la lista que mi editor me envió. Así salió un bonito equilibrio entre las historias más literarias y las más humorísticas. Luego añadí una nota explicativa antes o después de cada historia, dependiendo de qué quedaba mejor. La siguiente compilación, con cartas del tarot. 4 Stephen King Todo es eventual PRÓLOGO LA PRÁCTICA DEL ARTE (CASI) PERDIDO Más de una vez he escrito sobre el goce de escribir y no veo la necesidad de volver sobre el mismo tema a estas alturas de la vida, pero he aquí una confesión: también me entrego al placer algo enloquecido que los aficionados experimentan con el aspecto comercial de mi trabajo. Me gusta pasarme de rosca, cruzar distintas especies mediáticas y probar lo más puntero. -
Thesis Complete
“BECAUSE SOME STORIES DO LIVE FOREVER”: STEPHEN KING’S THE DARK TOWER SERIES AS MODERN ROMANCE BY RACHEL MCMURRAY Submitted to the graduate degree program in English and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Arts. ___________________________________ Chairperson Prof. Misty Schieberle ___________________________________ Prof. Giselle Anatol ___________________________________ Prof. Kathryn Conrad Date Defended: April 6, 2012 ii The Thesis Committee for RACHEL MCMURRAY certifies that this is the approved version of the following thesis: “BECAUSE SOME STORIES DO LIVE FOREVER”: STEPHEN KING’S THE DARK TOWER SERIES AS MODERN ROMANCE ________________________________ Chairperson Prof. Misty Schieberle Date approved: April 6, 2012 iii Abstract Stephen King’s Dark Tower series is a seven-volume work that contains elements from myths, fairy tales, American westerns, legends, popular culture, Gothic literature, and medieval romance. Few scholars have engaged with this series, most likely due to its recent completion in 2004 and its massive length, but those who do examine the Dark Tower focus on classifying its genre, with little success. As opposed to the work of the few scholars who have critically engaged with King’s work (and the smaller number still who have written about the Dark Tower), I will examine the ways in which he blends genres and then go further than scholars like Patrick McAleer, Heidi Strengell, James Egan, and Tony Magistrale, to argue that King’s use of motifs, character types, and structure has created his own contemporary version of a medieval romance in the Arthurian tradition. My analysis of King’s work through this lens of Arthurian romance crosses continents and centuries in an attempt to bring together medieval studies and contemporary American fiction. -
An Antihero's Journey to the Dark Tower
An Antihero‘s Journey to the Dark Tower Manifestations and Variations of the Hero‘s Journey in Stephen King‘s The Dark Tower Series Ritgerð til MA-prófs í Enskukennslu Sigríður Aðils Magnúsdóttir January 2019 Háskóli Íslands Hugvísindasvið Enska An Antihero‘s Journey to the Dark Tower Manifestations and Variations of the Hero‘s Journey in Stephen King‘s The Dark Tower Series Ritgerð til MA-prófs í Enskukennslu Sigríður Aðils Magnúsdóttir Kt.: 290182-4769 Leiðbeinandi: Dr. Ingibjörg Ágústsdóttir January 2019 Acknowledgements Many people aided me in the completion of this thesis. Firstly, I would like to thank my sister, Ásrún, who convinced me to finish my master’s degree alongside her. There were times when I secretly cursed her name for tricking me onto this path of further education, though truly I am grateful, for even though the road has at times been difficult it has also been extremely rewarding. Ásrún has proven to be a great sounding board and an invaluable friend throughout this whole process and I am happy to share this experience with her. I would also like to thank my family, my husband and children, for their endless support and patience. My children were very understanding of their mother’s never-ending writing sessions throughout their summer holidays and my husband is an endless fountain of love and encouragement, he truly is my rock. I would also like to acknowledge my mother who has had to endure losing both her daughters at the same time into the abyss of academia, she too has been an invaluable support and a great friend. -
Identifying First Editions (Updated 2018) the Table Below Lists the First Trade
Identifying first editions (updated 2018) Compiled by Bev Vincent with the assistance of materials made available by Rich DeMars, John Mastrocco, Steve Oelrich and Shaun Nauman. E-mail corrections or questions to [email protected] The table below lists the first trade edition identification criteria for each of Stephen King's books. The early Doubleday books all say "First Edition" explicitly on the copyright page (CP). There are other identifiers for these books as well. For books that contain strings of numbers to denote the printing, the important consideration is the presence of the numeral 1 in that string, regardless of the format of the numbers. Some possible variations of the printing numbers are: 1 2 3 4 5 6 7 8 9 10 1 3 5 7 9 10 8 6 4 2 10 9 8 7 6 5 4 3 2 1 All three of these denote a first edition. The numeral 1 will be removed for a second printing. Black House is the exception. First edition copies state "First Edition" on the copyright page and the number sequence will be "2 4 6 8 9 7 5 3". Trim size is given because Book Club editions are often smaller than trade editions. Also, Book Club edition dust jackets (DJ) are occasionally found on first editions to replace lost or damaged jackets. Book Club edition dust jackets are easily identified because they do not have a price marked inside the front cover. Later printing trade edition dust jackets will often have a different price from what is found in the table. -
The Dark Tower" - a Modern Myth
2008:237 C-UPPSATS Stephen King´s "The Dark Tower" - a Modern Myth Henrik Fåhraeus Luleå tekniska universitet C-uppsats Engelska Institutionen för Språk och kultur 2008:237 - ISSN: 1402-1773 - ISRN: LTU-CUPP--08/237--SE Stephen King’s The Dark Tower – a Modern Myth C-Essay by Henrik Fåhraeus Supervisor: Billy Gray Table of Contents Introduction......................................................................................................................... 1 Background......................................................................................................................... 3 The Elements of Myth ........................................................................................................ 6 The First Cycle – Roland’s Youth .................................................................................... 10 Initiation........................................................................................................................ 10 Separation ..................................................................................................................... 11 Return............................................................................................................................ 13 The Main Cycle – The Dark Tower.................................................................................. 15 Initiation........................................................................................................................ 15 Separation ....................................................................................................................