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The Key to Stephen King's the Dark Tower
ANGLO-SAXON: THE KEY TO STEPHEN KING'S THE DARK TOWER ____________ A Thesis Presented to the Faculty of California State University, Chico ____________ In Partial Fulfillment of the Requirements for the Degree Master of Arts in English ____________ by Jennifer Dempsey Loman 2009 Summer 2009 ANGLO-SAXON: THE KEY TO STEPHEN KING'S THE DARK TOWER A Thesis by Jennifer Dempsey Loman Summer 2009 APPROVED BY THE INTERIM DEAN OF THE SCHOOL OF GRADUATE, INTERNATIONAL, AND INTERDISCIPLINARY STUDIES: _________________________________ Mark J. Morlock, Ph.D. APPROVED BY THE GRADUATE ADVISORY COMMITTEE: _________________________________ _________________________________ Rob G. Davidson, Ph.D. Harriet Spiegel, Ph.D., Chair Graduate Coordinator _________________________________ Geoffrey Baker, Ph.D. PUBLICATION RIGHTS No portion of this thesis may be reprinted or reproduced in any manner unacceptable to the usual copyright restrictions without the written permission of the author. iii ACKNOWLEDGMENTS I am so grateful to Drs. Harriet Spiegel, Lois Bueler, Carol Burr, and Geoff Baker. Your compassion, patience, accessibility, and encouragement went far beyond mere mentorship. I feel very fortunate to have had the honor to work with you all. I am so grateful to Drs. Rob Davidson, John Traver, and Aiping Zhang for their wise counsel. Thank you to Sharon Demeyer as well for her indefatigable congeniality. I thank Connor Trebra and Jen White for their calming camaraderie. I am so grateful to my parents, Jim and Penny Evans, and my grandmother, Jean Quesnel, for teaching me the importance of coupling work with integrity. I am so grateful to my dear husband, Ed, for his unconditional support of my efforts. -
Childe Roland to the Dark Tower Came *** Robert Browning
Childe Roland to the Dark Tower Came *** Robert Browning epubBooks.com Strictly Not for Commercial Use. This EPUB eBook is released under a Creative Commons (BY-NC-ND/3.0) Licence. (http://creativecommons.org/licenses/by-nc-nd/3.0/) Source text and images taken from the Public Domain. This eBook is provided for free by www.epubbooks.com Support epubBooks and make a donation by visiting: www.epubbooks.com/donations. Childe Roland to the Dark Tower Came I My first thought was, he lied in every word, That hoary cripple, with malicious eye Askance to watch the working of his lie On mine, and mouth scarce able to afford Suppression of[1] the glee, that pursed and scored Its edge, at one more victim gained thereby. II What else should he be set for, with his staff? What, save to waylay with his lies, ensnare All travellers who might find him posted there, And ask the road? I guessed what skull–like laugh Would break, what crutch 'gin write[2] my epitaph For pastime in the dusty thoroughfare, III If at his counsel I should turn aside Into that ominous tract which, all agree Hides the Dark Tower. Yet acquiescingly I did turn as he pointed: neither pride Nor hope rekindling at the end descried So much as gladness that some end might be. IV For, what with my whole world–wide wandering, What with my search drawn out thro' years, my hope Dwindled into a ghost not fit to cope With that obstreperous joy success would bring, I hardly tried now to rebuke the spring My heart made, finding failure in its scope. -
Stephen King the Stephen King the Stephen King Checklist Checklist Checklist the Dark Tower the Stand the Dark Tower the Stand the Dark Tower the Stand 1
The Stephen King The Stephen King The Stephen King Checklist Checklist Checklist The Dark Tower The Stand The Dark Tower The Stand The Dark Tower The Stand 1. The Gunslinger The Dead Zone 1. The Gunslinger The Dead Zone 1. The Gunslinger The Dead Zone 2. The Drawing of the Firestarter 2. The Drawing of the Firestarter 2. The Drawing of the Firestarter Three The Mist Three The Mist Three The Mist 3. The Waste Lands Cujo 3. The Waste Lands Cujo 3. The Waste Lands Cujo 4. Wizard and Glass Pet Sematary 4. Wizard and Glass Pet Sematary 4. Wizard and Glass Pet Sematary 5. Wolves of the Calla Christine 5. Wolves of the Calla Christine 5. Wolves of the Calla Christine 6. Song of Susannah Cycle of the Werewolf 6. Song of Susannah Cycle of the Werewolf 6. Song of Susannah Cycle of the Werewolf 7. The Dark Tower It 7. The Dark Tower It 7. The Dark Tower It 8. The Wind Through the The Eyes of the Dragon 8. The Wind Through the The Eyes of the Dragon 8. The Wind Through the The Eyes of the Dragon Keyhole The Tommyknockers Keyhole The Tommyknockers Keyhole The Tommyknockers Misery Misery Misery Talisman The Dark Half Talisman The Dark Half Talisman The Dark Half (with Peter Straub) Needful Things (with Peter Straub) Needful Things (with Peter Straub) Needful Things 1. The Talisman Dolores Claiborne 1. The Talisman Dolores Claiborne 1. The Talisman Dolores Claiborne 2. Black House Gerald's Game 2. Black House Gerald's Game 2. Black House Gerald's Game Insomnia Insomnia Insomnia The Green Mile Rose Madder The Green Mile Rose Madder The Green Mile Rose Madder 1. -
Different Symbols in Stephen King's Novels
Науковий журнал Львівського державного університету безпеки життєдіяльності «Львівський філологічний часопис». № 6, 2019 Scientific journal of the Lviv State University of Life Safety “Philological Periodical of Lviv”. № 6, 2019 UDC 811.111 DOI https://doi.org/10.32447/2663-340X-2019-6-8 DIFFERENT SYMBOLS IN STEPHEN KING’S NOVELS: A LINGUOPOETIC ASPECT Didukh Lyubov Ivanivna PhD in Pedagogy Associate Professor at the Department of Foreign Languages and Translation Studies Lviv State University of Life Safety Kleparivska Street, 35, Lviv, Ukraine This article deals with special symbols in Stephen King’s novels. It is proved that symbols have always been deeply investigated in Poetics and Text Linguistics; they play an important role in any text; both in ancient and in modern texts many colour, number, animal or graphical images can be found as different symbols.It’s also defined that universal symbols are easily recognizable and that’s why remain in the reader’s memory. Writers often use symbolic images in their literary works, sometimes very overtly, sometime more implicitly. The article also focuses on the fact that S. King uses plenty of symbols and word images to convey some important messages for his readers, to scare them even more or to tell a story of his life. Some examples of these symbols like special animals, colours, numbers, graphical images are discussed in our research. The author states that one of the key themes of his works is the motif of alcoholism or the strength of addiction which can be presented by many symbols, for example the dog’s rabies. The article also deals with the symbolic nature of S. -
An Antihero's Journey to the Dark Tower
An Antihero‘s Journey to the Dark Tower Manifestations and Variations of the Hero‘s Journey in Stephen King‘s The Dark Tower Series Ritgerð til MA-prófs í Enskukennslu Sigríður Aðils Magnúsdóttir January 2019 Háskóli Íslands Hugvísindasvið Enska An Antihero‘s Journey to the Dark Tower Manifestations and Variations of the Hero‘s Journey in Stephen King‘s The Dark Tower Series Ritgerð til MA-prófs í Enskukennslu Sigríður Aðils Magnúsdóttir Kt.: 290182-4769 Leiðbeinandi: Dr. Ingibjörg Ágústsdóttir January 2019 Acknowledgements Many people aided me in the completion of this thesis. Firstly, I would like to thank my sister, Ásrún, who convinced me to finish my master’s degree alongside her. There were times when I secretly cursed her name for tricking me onto this path of further education, though truly I am grateful, for even though the road has at times been difficult it has also been extremely rewarding. Ásrún has proven to be a great sounding board and an invaluable friend throughout this whole process and I am happy to share this experience with her. I would also like to thank my family, my husband and children, for their endless support and patience. My children were very understanding of their mother’s never-ending writing sessions throughout their summer holidays and my husband is an endless fountain of love and encouragement, he truly is my rock. I would also like to acknowledge my mother who has had to endure losing both her daughters at the same time into the abyss of academia, she too has been an invaluable support and a great friend. -
Identifying First Editions (Updated 2018) the Table Below Lists the First Trade
Identifying first editions (updated 2018) Compiled by Bev Vincent with the assistance of materials made available by Rich DeMars, John Mastrocco, Steve Oelrich and Shaun Nauman. E-mail corrections or questions to [email protected] The table below lists the first trade edition identification criteria for each of Stephen King's books. The early Doubleday books all say "First Edition" explicitly on the copyright page (CP). There are other identifiers for these books as well. For books that contain strings of numbers to denote the printing, the important consideration is the presence of the numeral 1 in that string, regardless of the format of the numbers. Some possible variations of the printing numbers are: 1 2 3 4 5 6 7 8 9 10 1 3 5 7 9 10 8 6 4 2 10 9 8 7 6 5 4 3 2 1 All three of these denote a first edition. The numeral 1 will be removed for a second printing. Black House is the exception. First edition copies state "First Edition" on the copyright page and the number sequence will be "2 4 6 8 9 7 5 3". Trim size is given because Book Club editions are often smaller than trade editions. Also, Book Club edition dust jackets (DJ) are occasionally found on first editions to replace lost or damaged jackets. Book Club edition dust jackets are easily identified because they do not have a price marked inside the front cover. Later printing trade edition dust jackets will often have a different price from what is found in the table. -
The Dark Tower" - a Modern Myth
2008:237 C-UPPSATS Stephen King´s "The Dark Tower" - a Modern Myth Henrik Fåhraeus Luleå tekniska universitet C-uppsats Engelska Institutionen för Språk och kultur 2008:237 - ISSN: 1402-1773 - ISRN: LTU-CUPP--08/237--SE Stephen King’s The Dark Tower – a Modern Myth C-Essay by Henrik Fåhraeus Supervisor: Billy Gray Table of Contents Introduction......................................................................................................................... 1 Background......................................................................................................................... 3 The Elements of Myth ........................................................................................................ 6 The First Cycle – Roland’s Youth .................................................................................... 10 Initiation........................................................................................................................ 10 Separation ..................................................................................................................... 11 Return............................................................................................................................ 13 The Main Cycle – The Dark Tower.................................................................................. 15 Initiation........................................................................................................................ 15 Separation .................................................................................................................... -
Locus-2017-10.Pdf
T A B L E o f C O N T E N T S October 2017 • Issue 681 • Vol. 79 • No. 4 50th Year of Publication • 30-Time Hugo Winner CHARLES N. BROWN Founder (1968-2009) Cover and Interview Designs by Francesca Myman LIZA GROEN TROMBI Editor-in-Chief KIRSTEN GONG-WONG Managing Editor MARK R. KELLY Locus Online Editor-in-Chief CAROLYN F. CUSHMAN TIM PRATT Senior Editors FRANCESCA MYMAN Design Editor LAUREL AMBERDINE ARLEY SORG Assistant Editors BOB BLOUGH JOSH PEARCE Editorial Assistants JONATHAN STRAHAN Reviews Editor TERRY BISSON LIZ BOURKE STEFAN DZIEMIANOWICZ GARDNER DOZOIS AMY GOLDSCHLAGER FAREN MILLER RICH HORTON Staffers at the Worldcon 75 Staff Weekend at the Messukeskus Convention Center KAMERON HURLEY RUSSELL LETSON I N T E R V I E WS ADRIENNE MARTINI COLLEEN MONDOR James Patrick Kelly: Alterations / 10 RACHEL SWIRSKY Annalee Newitz: Reprogramming / 32 GARY K. WOLFE Contributing Editors M A I N S T O R I E S / 5 ALVARO ZINOS-AMARO Jerry Pournelle (1933 - 2017) • 2016 Sidewise Awards Winners • 2017 Dragon Awards Winners • Roundtable Blog Editor Joan Aiken Prize • 2017 National Book Award Longlist • SFWA Call for Grants • Women Injured WILLIAM G. CONTENTO at Dragon Con • 2017 Man Booker Shortlist Computer Projects Locus, The Magazine of the Science Fiction & Fantasy Field (ISSN 0047-4959), is published monthly, at $7.50 TH E D A T A F I L E / 7 per copy, by Locus Publications, 1933 Davis Street, Suite 297, San Leandro CA 94577. Please send all mail to: Locus Publications, 1933 Davis Street, Suite 297, San 2017 WSFA Small Press Award Finalists • Sarem Removed from Times List • Patterson Grants • Leandro CA 94577. -
In the United States Court of Appeals for the Eleventh
USCA11 Case: 19-11224 Date Filed: 02/23/2021 Page: 1 of 18 [DO NOT PUBLISH] IN THE UNITED STATES COURT OF APPEALS FOR THE ELEVENTH CIRCUIT ________________________ No. 19-11224 ________________________ D.C. Docket No. 3:17-cv-00348-HES-MCR BENJAMIN MICHAEL DUBAY, Plaintiff - Appellant, WILLIAM B. DUBAY, LLC, Plaintiff, versus STEPHEN KING, MEDIA RIGHTS CAPITAL, IMAGINE ENTERTAINMENT, SONY PICTURES ENTERTAINMENT, MARVEL ENTERTAINMENT, et al., Defendants - Appellees. ________________________ Appeal from the United States District Court for the Middle District of Florida ________________________ (February 23, 2021) USCA11 Case: 19-11224 Date Filed: 02/23/2021 Page: 2 of 18 Before NEWSOM and BRANCH, Circuit Judges.* BRANCH, Circuit Judge: In this copyright infringement action, Benjamin DuBay appeals the district court’s grant of summary judgment to Stephen King, Media Rights Capital, Imagine Entertainment, Sony Pictures Entertainment, Marvel Entertainment, and Simon & Schuster (collectively, “King”). DuBay owns the copyright for a comic book series called The Rook, which recounted the adventures of Restin Dane. King is the author of The Dark Tower novel series, which features the character Roland Deschain as its protagonist. DuBay sued King for copyright infringement, alleging that Roland Deschain is a copy of Restin Dane. DuBay also sued the other defendants for contributory and vicarious copyright infringement for their respective roles in publishing King’s novel series and adapting the book series into graphic novels and a motion picture. After careful consideration and with the benefit of oral argument, we affirm. I. BACKGROUND Because the parties are familiar with the facts of this case, we recount only those facts that are necessary to the disposition of this appeal. -
Stephen King's the Dark Tower and the Postmodern Serial
Trinity University Digital Commons @ Trinity English Honors Theses English Department 4-2-2008 Stephen King’s The aD rk Tower and the Postmodern Serial Jessica Waller Trinity University Follow this and additional works at: http://digitalcommons.trinity.edu/eng_honors Part of the English Language and Literature Commons Recommended Citation Waller, Jessica, "Stephen King’s The aD rk Tower and the Postmodern Serial" (2008). English Honors Theses. 10. http://digitalcommons.trinity.edu/eng_honors/10 This Thesis open access is brought to you for free and open access by the English Department at Digital Commons @ Trinity. It has been accepted for inclusion in English Honors Theses by an authorized administrator of Digital Commons @ Trinity. For more information, please contact [email protected]. Stephen King’s The Dark Tower and the Postmodern Serial Jessica Waller A departmental senior thesis submitted to the Department of English at Trinity University in partial fulfillment of the requirements for graduation with departmental honors. April 2, 2008 _________________________ _________________________ Thesis Advisor Department Chair _________________________ Associate Vice President for Academic Affairs Student Copyright Declaration: the author has selected the following copyright provision: [ ] This thesis is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs License, which allows some noncommercial copying and distribution of the thesis, given proper attribution. To view a copy of this license, visit http://creativecommons.org/licenses/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. [X] This thesis is protected under the provisions of U.S. Code Title 17. Any copying of this work other than “fair use” (17 USC 107) is prohibited without the copyright holder’s permission. -
Stephen King Kathleen A
Digital Commons @ George Fox University Faculty Publications - Department of English Department of English 2003 Stephen King Kathleen A. Heininge George Fox University, [email protected] Follow this and additional works at: https://digitalcommons.georgefox.edu/eng_fac Part of the Literature in English, North America Commons Recommended Citation Heininge, Kathleen A., "Stephen King" (2003). Faculty Publications - Department of English. 71. https://digitalcommons.georgefox.edu/eng_fac/71 This Article is brought to you for free and open access by the Department of English at Digital Commons @ George Fox University. It has been accepted for inclusion in Faculty Publications - Department of English by an authorized administrator of Digital Commons @ George Fox University. For more information, please contact [email protected]. Stephen King Stephen King, popularly known as “The King of Horror,” is one of the more prolific and successful writers of the twentieth century. Despite a reputation for writing only horror and gore, however, King has written works that do not qualify as either horror or supernatural but rather are thoughtful, intricate slices of human experience that often cause us to reflect on our own childhoods, not always with fond nostalgia. He encourages his readers to get in touch with their own memories of what being a child really means, and innocence has little to do with King's version of childhood. Believing that most adults have lost touch with their imaginations and a sense of the mythic, King constantly challenges his readers to expand their concepts of memory and experience. Life A writer who is remarkably open about his own history, King is frequently asked what seems to be an inevitable question: Where do you get your ideas? He has observed numerous times that this question seems to be asked more frequently of writers within the horror genre than of others, as though his story lines reflect an unstable mind. -
Exploring the Dark Tower: Stephen King's Postmodern Epic
ZESZYTY NAUKOWE UNIWERSYTETU RZESZOWSKIEGO SERIA FILOLOGICZNA ZESZYT 90 / 2015 STUDIA ANGLICA RESOVIENSIA 12 doi: 10.15584/sar.2015.12.12 Maroš BUDAY University of Prešov [email protected] EXPLORING THE DARK TOWER: STEPHEN KING’S POSTMODERN EPIC Abstract: This paper focuses on the postmodernist conceits of Stephen King’s postmodern epic, The Dark Tower series. In his septimology, King examines the very foundation of literary fiction as well as criticism by combining metafiction, intertextuality and the contemporary scientific multiple-worlds theory into a postmodernist chaos of information. King essentially presents a universal model which is composed of purely symbolic composites that encompass the four basic pillars of creating a written text, i.e. the author, objective reality, fictional universe, and language as a medium of written discourse. Furthermore, by dividing intertextuality into its intrinsic and extrinsic form, in combination with the multiple-worlds theory, King renders the opposition of high vs. low culture literature inert. He does so through the element of colliding fictional universes, therefore an act he positions in parallel with the flattening of the worlds of high and low culture, thus creating a vision of culture which functions on the principles of equality. Key words: Stephen King, The Dark Tower series, metafiction, intrinsic intertextuality, extrinsic intertextuality, multiple-worlds theory Introduction This paper deals with the culmination of King’s postmodernist literary tendencies in one ultimate literary piece. Stephen King’s The Dark Tower series is comprised of several of the main characteristics of postmodern fiction. He combines elements of metafiction and intertextuality1 with the scientific concept of the multiple-worlds theory2.