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559199 bk Helps US 12/01/2004 11:54 am Page 8 Robert HELPS AMERICAN CLASSICS (1928-2001) ROBERT HELPS Shall We Dance Piano Quartet • Postlude • Nocturne Spectrum Concerts Berlin 8.559199 8 559199 bk Helps US 12/01/2004 11:54 am Page 2 Robert Helps (1928-2001) ROBERT HELPS (1928-2001) Shall We Dance • Piano Quartet • Postlude • Nocturne • The Darkened Valley (John Ireland) 1 Shall We Dance for Piano (1994) 11:09 Robert Helps was Professor of Music at the University of Minneapolis, and elsewhere. His later concerts included Piano Quartet for Piano, Violin, Viola and Cello (1997) 25:55 South Florida, Tampa, and the San Francisco memorial solo recitals of the music of renowned Conservatory of Music. He was a recipient of awards in American composer Roger Sessions at both Harvard and 2 I. Prelude 10:24 composition from the National Endowment for the Arts, Princeton Universities, an all-Ravel recital at Harvard, 3 II. Intermezzo 2:24 the Guggenheim, Ford, and many other foundations, and and a solo recital in Town Hall, NY. His final of a 1976 Academy Award from the Academy of Arts compositions include Eventually the Carousel Begins, for 4 III. Scherzo 3:02 and Letters. His orchestral piece Adagio for Orchestra, two pianos, A Mixture of Time for guitar and piano, which 5 IV. Postlude 8:12 which later became the middle movement of his had its première in San Francisco in June 1990 by Adam 6 V. Coda – The Players Gossip 1:53 Symphony No. 1, won a Fromm Foundation award and Holzman and the composer, The Altered Landscape was premièred by Leopold Stokowski and the Symphony (1992) for organ solo and Shall We Dance (1994) for 7 Postlude for Horn, Violin and Piano (1964) 9:11 of the Air (formerly the NBC Symphony) at the piano solo, Piano Trio No. -
Pedagogical Literature for Violists: Selected Studies from Lillian Fuchs's 16 Fantasy Études and Corresponding Orchestral Excerpts
PEDAGOGICAL LITERATURE FOR VIOLISTS: SELECTED STUDIES FROM LILLIAN FUCHS’S 16 FANTASY ÉTUDES AND CORRESPONDING ORCHESTRAL AUDITION EXCERPTS A DISSERTATION IN Viola Performance Presented to the Faculty of the University of Missouri-Kansas City in partial fulfillment of the requirements for the degree DOCTOR OF MUSICAL ARTS by YU-FANG CHEN B.M., National Institute of the Arts, Taipei, Taiwan, 2003 M.M., National Institute of the Arts, Taipei, Taiwan, 2005 Kansas City, Missouri 2013 © 2013 YU-FANG CHEN ALL RIGHTS RESERVED PEDAGOGICAL LITERATURE FOR VIOLISTS: SELECTED STUDIES FROM LILLIAN FUCHS’S 16 FANTASY ÉTUDES AND CORRESPONDING ORCHESTRAL AUDITION EXCERPTS Yu-Fang Chen, Candidate for the Doctor of Musical Arts Degree University of Missouri-Kansas City, 2013 ABSTRACT Few colleges and music festivals offer intensive orchestral studies programs as part of the string department curriculum, and those that do focus solely on excerpts and audition preparation. This dissertation proposes a post-graduate course to establish a comprehensive curriculum. The course utilizes two resources, Lillian Fuchs’s 16 Fantasy Études and common orchestral audition excerpts. The 16- week course will help students build their musicality and craftsmanship by studying selected études and standard viola audition repertoire. Each étude will address the technical and musical demands of its given excerpt, and the course will offer students suggestions as how to practice them. Aiming to foster future educators and professional orchestral violists, the author concentrates on the pedagogical and problem-solving aspects of audition preparation. iii APPROVAL PAGE The faculty listed below, appointed by the Dean of the Conservatory of Music have examined a thesis titled “Pedagogical Literature for Violists: Selected Studies from Lillian Fuchs’s 16 Fantasy Études and Corresponding Orchestral Excerpts,” presented by Yu-Fang Chen, candidate for the Doctor of Musical Arts degree, and certify that in their opinion it is worthy of acceptance. -
Kirk Clinic Changes Command Four-Day “Best Warrior” Competition
AAPGPublishedP in the interestG of the people of AberdeenNNEWS Proving Ground,E MarylandWS www.TeamAPG.com THURSDAY, JULY 2, 2015 Vol. 59, No. 26 Local Holiday Celebrations Looking for something festive to Development and Engineering do with your family and friends this Command. After the opening cer- weekend? Check out these local emonies the parade will turn right events featuring participants from on Jerusalem Road and end at St. major APG commands. Paul’s Church. For more informa- tion: http://kingsvilleparade.org/ Kingsville 4th of July Parade Day: July 4 Bel Air 4th of July Parade Time: 9:30 a.m. pre-parade enter- Day: July 4 tainment; parade starts 11 a.m. Time: 6 p.m. Location: The parade starts at Location: Parade will start at 10:45 a.m. and proceeds down the intersection of Gordon and Bradshaw Road for opening cere- North Main streets, at the “Wel- monies at the judge’s stand. APG participants include the Research, See FOURTH OF JULY, page 18 APG warns not to feed wildlife By YVONNE JOHNSON APG News Sure, they’re cute. And maybe they look hun- gry. But more often than not, feeding APG’s furry friends will do more harm than good. Stanley Futch, APG Garrison entomologist, has a one-word warning for those who engage in feed- ing local wildlife: Stop! Futch said incidents of individuals on the installa- tion providing local wild- life with food are on the rise and the continued behavior – however well-intentioned – will have negative results in the long run. “It’s never a good idea to start feeding wildlife,” he said. -
Recent Sample Program
A Reese-Leonard Production Marc Reese, trumpet and Lisa Leonard, piano 2014-2015 Season A Reese-Leonard Production Marc Reese, trumpet and Lisa Leonard, piano Thursday October 16th, 2014 Amarnick-Goldstein Concert Hall, Boca Raton, Fla. An die ferne Geliebte Ludwig van Beethoven “To the Distant Beloved” (1770-1827) I Sit on the Hill, Gazing Where the mountains so blue Light veils in the heights These Clouds on high May is returning, the meadow's in Flower Take them, then, these Songs Songs In The Rear View Mirror (2010) Kenneth Frazelle Beech Tree Initials (1955- ) Kudzu Pictures at an Exhibition Modest Mussorgsky Promenade (1839-1881) Gnomus Promenade The Old Castle Baba Yaga Great Gate of Kiev Intermission 2 Kinderszenen “Scenes from Childhood” Op.15 Robert Schumann Curious Story (1810-1856) Blindman’s Buff- Catch me Entreating Child Perfect Happiness Important Event Reverie Frightening Child Falling Asleep The Poet Speaks Romeo and Juliet, Op.75 Sergei Prokofiev Young Juliet (1891-1953) Masks Montagues and Capulets Siete Canciones populares Españolas Manuel de Falla El Pano Moruno (1876-1946) Seguidilla Murciana Asturiana Jota Nana Polo All arrangements by Marc Reese and Lisa Leonard This program is dedicated to Lynn Reese, Judy Leonard and Shelia Barnett 3 Texts An die ferne Geliebte To the Distant Beloved Auf dem Hügel sitz ich spähend I Sit on the Hill, Gazing Sitting on the hillside, I look Into the blue, haze-covered land For the distant meadows Where, my beloved, I first saw you. Now I am far away, Mountains and valleys part us, Lie between us and our peace, Our happiness and the pain we share. -
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MARLBORO MUSIC 60th AnniversAry reflections on MA rlboro Music 85316_Watkins.indd 1 6/24/11 12:45 PM 60th ANNIVERSARY 2011 MARLBORO MUSIC Richard Goode & Mitsuko Uchida, Artistic Directors 85316_Watkins.indd 2 6/23/11 10:24 AM 60th AnniversA ry 2011 MARLBORO MUSIC richard Goode & Mitsuko uchida, Artistic Directors 85316_Watkins.indd 3 6/23/11 9:48 AM On a VermOnt HilltOp, a Dream is BOrn Audience outside Dining Hall, 1950s. It was his dream to create a summer musical community where artists—the established and the aspiring— could come together, away from the pressures of their normal professional lives, to exchange ideas, explore iolinist Adolf Busch, who had a thriving music together, and share meals and life experiences as career in Europe as a soloist and chamber music a large musical family. Busch died the following year, Vartist, was one of the few non-Jewish musicians but Serkin, who served as Artistic Director and guiding who spoke out against Hitler. He had left his native spirit until his death in 1991, realized that dream and Germany for Switzerland in 1927, and later, with the created the standards, structure, and environment that outbreak of World War II, moved to the United States. remain his legacy. He eventually settled in Vermont where, together with his son-in-law Rudolf Serkin, his brother Herman Marlboro continues to thrive under the leadership Busch, and the great French flutist Marcel Moyse— of Mitsuko Uchida and Richard Goode, Co-Artistic and Moyse’s son Louis, and daughter-in-law Blanche— Directors for the last 12 years, remaining true to Busch founded the Marlboro Music School & Festival its core ideals while incorporating their fresh ideas in 1951. -
Bernard Greenhouse: a Selected Discography
Bernard Greenhouse: A Selected Discography Compiled by: Sonia Archer-Capuzzo and Mac Nelson “Bernard Greenhouse: A Selected Discography,” compiled with William “Mac” Nelson, 2011. Available at http://reuningprivatesales.com/stainlein/bernard-greenhouse-discography. Made available courtesy of Elena Delbanco/Reuning & Son Violins: http://reuningprivatesales.com/stainlein/bernard-greenhouse-discography. ***© Elena Delbanco/Reuning & Son Violins. Reprinted with permission. No further reproduction is authorized without written permission from Elena Delbanco/Reuning & Son Violins. This version of the document is not the version of record. Figures and/or pictures may be missing from this format of the document. *** Abstract: Most numerous among the recordings of Bernard Greenhouse are those he made with the Beaux Arts Trio, the legendary ensemble of which he was the founding cellist in 1955 with pianist Menahem Pressler and violinist Daniel Guilet (later followed by violinist Isidore Cohen). With the Beaux Arts Trio, Greenhouse performed and recorded the entire standard piano trio repertoire before retiring from the group in 1987. However, Greenhouse’s career on the international chamber music stage represents only one dimension of his richly varied musical life. He was also a virtuoso cello soloist, a tireless musical collaborator, and the long-time cellist of New York’s Bach Aria Group. In order to demonstrate the breadth and depth of his recorded legacy, we have organized this discography in three sections: (1) Greenhouse As Soloist and Collaborator; -
1St Infantry Division Post Template
1A HOME OF THE BIG RED ONE THE 1ST INFANTRY DIVISION POST 1DivPost.com FRIDAY, MAY 22, 2015 Vol. 7, No. 21 FORT RILEY, KAN. ‘Quarterhorse’ scouts charge END OF NINE STELLAR YEARS competition Story and photos by Staff Sgt. Aaron Duncan 4TH IBCT PUBLIC AFFAIRS FORT BENNING, Georgia — Soldiers from Troop A, 1st Squadron, 4th Cavalry Regi- ment, 4th Infantry Brigade Combat Team, 1st Infantry Di- vision, representing the division and Fort Riley, were among the 19 teams that competed in this year’s Gainey Cup May 4 to 8. The members of the “Quar- terhorse” squad were Staff Sgt. Brian J. Heather, Sgt. Juan F. Rocha, Sgt. Timothy M. Yanez, Sgt. Dawonta R. Henderson, Spc. Joeland Garcia and Spc. Christopher Omara. The Gainey Cup brought together the best cavalry squads from across the Army, along with one team from Canada, to test the troopers’ knowledge and tactical competence in a physically and mentally chal- lenging environment according to the competition website. “What we tried to do in the 2015 Gainey Cup was to find the best scout squad in Sgt. Takita Lawery | 4TH IBCT our Army and in this case with Above, Brig. Gen. Michael E. Kurilla, 1st Inf. Div. deputy commanding general for maneuver, pins the Legion of Merit on our partners in a competi- Sgt. Maj. Brad Kelley, STB, 4th IBCT, 1st Inf. Div. senior noncommissioned officer, May 12 at Cavalry Parade Field, Fort tion that was based on funda- Riley, Kansas. The award ceremony was held prior to the casing and inactivation ceremony for the battalion. -
87 and 84, and Great
■ i S CRITIC AT LARGE by Byron Belt I i 87 and 84, and Great Everyone talks too much about age, onstrated the sort of musical virtuosity but when one Sunday boasts rare per and immaculate ensemble that have formances of great music gloriously per placed them at the top of the chamber formed, and 87-year-old Leopold Stokow- grouigroups in this age. A performance not ski is in charge of the matinee and a i.p'bebe missed! newly §4 Artur Rubinstein performs at ArturArt Rubinstein truly needs no night, then age seems to matter. f Ccommentomh at this stage. The man is com Not that either great artist is “youth-/ rpletelpletely old-fashioned: He never learned ful.” Each is in the full bloom of a how to make an ugly sound or an un career spanning three-quarters of a cen musical phrase. He is a musical aristo tury, and to imply that their music crat, and the world needs him desperate making is “youthful” would be a sin. ly. In music of Chopin and Schumann his Both 'Stokowski and Rubenstein have piano simply sang with joy and majesty, mellowed and gained in insight through and Philharmonic Hall resounded with the years, and we may only be humble the appropriate acclaim. Long live the and grateful to be able to feast at the King! $ feet of their towering artistry. Stokowski conducted his ever-finerX ’YOUTH DID pretty well this weekend American Symphony in a Carnegie Hall too, and may be heard at the last of the matinee yesterday which, happily, will Philharmonic’s subscription set tonight be repeated at 8:30 on Tuesday. -
Brooklyn Philharmonia
BROOKlYN PHilHARMONIA SIEGFRIED LANDAU, Conductor 1969-1970 Saturday, January 17, 1970 at 8:30 p.m. BROOKLYN ACADEMY OF MUSIC 30 Lafayette Avenue, Brooklyn, N. Y. GUEST ARTISTS THE BEAUX ARTS TRIO ISIDORE COHEN, Violin BERNARD GREENHOUSE, Cello MENAHEM PRESSLER, Piano PRO G RA M LEONORE OVERTURE No. 1 ............................. ..................Be ethoven CONCERTO FOR VIOLIN, CELLO, PIANO AND ORCHESTRA INc MAJOR .. H •••• HHO .............B eethoven Allegro Largo Rondo all Polacca BEAUX ARTS TRIO ISIDORE COHEN, Violin BERNARD GREENHOUSE, Cello MENAHEM PRESSLER, Piano !1ztermission SYMPHONY N o. 7 IN A MAJOR ........ ........ ......................................................... Beethoven Poco $Ostenuto - vivace Allegretto Presto - assai menu prt:sto Allegro con brio The Baldwh1 h the official piatlo of the Brooklytl Philharmot1ia PROGRAM OTES By SJEG FRI ED LAc DAU LUDWIG VA BEETHOVEr 1770-1827 - BICENTENNIAL YEAR The composer whose name is a lmost synonymous with symphonic form and the symphony orchestra is Ludwig van Beethoven. Bo rn on December 16, 1770, his 200th anniversary i..; being celebrated all over the world during the 1969/70 season. T onight's all-Beethoven concert is the Brooklyn Philharmonia's tribute to the great master. Beetho ven· s music not only refl ects the highest level of inspiratio n and intellect, but also an essentially undefinable sense of human dignity and inde pendence. It is this fa.;c in ating combination of arti stic quality and deep sense of mission which makes Beethoven such a re vered personality in Western civiliza tion - n ~t only as a m usician, but as representative of the very best this civiliza tion can produce. For his musical language has the power to inspire: it speaks from the heart and mind to the: heart and mind. -
August 28, 2015
Vol. 73, No. 34 Aug. 28, 2015 4ID troops earn Ranger Tab Haver 1 of 2 women; Calderon earns distinguished honor By Dani Johnson Garrison Public Affairs Offi ce Four Fort Carson Soldiers, to include one of the fi rst female Soldiers to attend the course, graduated the U.S. Army Ranger School at Fort Benning, Georgia, Aug. 21. 1st Lt. Shaye L. Haver, an AH-64 Apache pilot, 1st Attack Reconnaissance Battalion, 4th Aviation Regiment, 4th Combat Aviation Brigade, 4th Infantry Division, and another female offi cer were the fi rst women to graduate from Ranger School. The fi rst Ranger class in Army history to include female candidates began April 19 with 20 women among the 400 Soldiers. Photo by Pfc. Ebony Banks Other Fort Carson graduates include infantrymen 1st Stryker Brigade Combat Team, 4th Inf. Div.; and 1st Lt. Shaye L. Haver, right, 1st Attack Reconnaissance Staff Sgt. Michael C. Calderon, 1st Battalion, 12th Spc. Logan A. Williams, 3rd Squadron, 61st Cavalry Battalion, 4th Combat Aviation Brigade, 4th Infantry Division, Infantry Regiment, 2nd Infantry Brigade Combat Team, Regiment, 2nd IBCT, 4th Inf. Div. and other Soldiers conduct Mountaineering training during 4th Infantry Division, who was named the William Haver said she wanted to go to Ranger School the Ranger Course on Mount Yonah in Cleveland, Ga., July O. Darby Distinguished Honor Graduate; Sgt. 1st 14. Haver was one of two females who completed Ranger Class Cyril L. Komanecky II, 1st Bn., 38th Inf. Reg., See Rangers on Page 4 School for the fi rst time in Army history. -
Juilliard String Quartet Today, with (L to R) Smirnoff, Krosnick, Rhodes and Copes
Opposite page: The Juilliard String Quartet today, with (l to r) Smirnoff, Krosnick, Rhodes and Copes. Inset: In the late 1950s with Hillyer, Mann, Isidore Cohen and Claus Adam. he Juilliard String Quartet is arguably America’s best-known chamber music ensemble—and certainly one of the most admired. And although its current members are only in middle age, the quartet itself cannot escape the adjective “venerable.” Violinist Robert Mann founded the T group in 1946 with violist Raphael Hillyer, cellist Arthur Winograd and the late violinist Robert Koff. With Mann in the first violinist’s chair for an amazing fifty of the ensemble’s sixty-one years— and with remarkably few other personnel changes—the quartet has performed and recorded, taught aspiring chamber musicians, championed American com- posers, and introduced at least two generations of concertgoers to the European masterworks. In 1962—with Isidore Cohen as second violinist and Claus Adam as cellist—the Juilliard succeeded the legendary Budapest String Quartet as ensemble-in-residence at the Library of Congress and went on to perform there often broadcasting live concerts nationwide for 40 years. In recognition of its extraordinary contribution to the nation’s cultural #life, the Juilliard String Quartet has been named the 2008 recipient of Chamber Music America’s Richard J. Bogomolny National Service Award, the organization’s highest honor. On January 6, 2008, founding members Mann, Winograd, and Hillyer will #join Earl Carlyss (violin II from 1966 to 1986) and the current quartet— violinists Joel Smirnoff and Ronald Copes, violist Samuel Rhodes, and cellist Joel Krosnick—to receive the award at CMA’s Thirtieth Anniversary National Conference in New York City. -
CRI 244 EZRA LADERMAN STRING QUARTET No. 2 Isidore Cohen
CRI 244 EZRA LADERMAN STRING QUARTET No. 2 Isidore Cohen, Hiroko Yajima, violins Samuel Rhodes, viola Robert Sylvester, cello MARK BRUNSWICK STRING QUARTET (contrabass) SEVEN TRIOS FOR STRING QUARTET Felix Galimir, Hiroko Yajima, violins Samuel Rhodes, viola; Fortunato Arico, cello Julius Levine, contrabass EZRA LADERMAN (b. 1924) has been recognized as one of the important younger composers of mid-century America. He is the recipient of a rare trio of Guggenheim Fellowships as well as many other prizes. He has been commissioned most recently by the New York City Opera (SHADOWS AMONG US, libretto by Norman Rosten), the Minnesota Symphony (CONCERTO FOR ORCHESTRA, 1968-69) and CBS-TV (GALILEO, with libretto by Joe Darion). He has composed scores for two Oscar-winning movies, THE ELEANOR ROOSEVELT STORY and THE BLACK FOX. He has no fewer than fifteen scores published by the Oxford University Press, with more in the works. Like Aaron Copland, Roger Sessions and George Gershwin, Ezra Laderman was born in Brooklyn. Music occupied his attention as far back as he can remember. He attended the High School of Music and Art, where a performance of his PIANO CONCERTO convinced him — if he had been in doubt — that he should devote his life to music. He was with the Army in Europe when hostilities ceased. After conducting a performance of his LEIPZIG SYMPHONY, composed after its liberation, he became the official orchestrator for the GI Symphony Orchestra. Returning home, he studied with Stefan Wolpe for three years, and then with Otto Luening, at Columbia, earning his M.A. there.