BROOKlYN PHilHARMONIA

SIEGFRIED LANDAU, Conductor

1969-1970

Saturday, January 17, 1970 at 8:30 p.m.

BROOKLYN ACADEMY OF MUSIC 30 Lafayette Avenue, Brooklyn, N. Y.

GUEST ARTISTS

THE

ISIDORE COHEN, ,

MENAHEM PRESSLER, Piano

PRO G RA M

LEONORE OVERTURE No. 1 ...... Be ethoven

CONCERTO FOR VIOLIN, CELLO,

PIANO AND ORCHESTRA INc MAJOR .. H •••• HHO ...... B eethoven Allegro Largo Rondo all Polacca BEAUX ARTS TRIO ISIDORE COHEN, Violin BERNARD GREENHOUSE, Cello , Piano

!1ztermission

SYMPHONY N o. 7 IN A MAJOR ...... Beethoven Poco $Ostenuto - vivace Allegretto Presto - assai menu prt:sto Allegro con brio

The Baldwh1 h the official piatlo of the Brooklytl Philharmot1ia PROGRAM OTES By SJEG FRI ED LAc DAU

LUDWIG VA BEETHOVEr 1770-1827 - BICENTENNIAL YEAR The composer whose name is a lmost synonymous with symphonic form and the symphony orchestra is . Bo rn on December 16, 1770, his 200th anniversary i..; being celebrated all over the world during the 1969/70 season. T onight's all-Beethoven concert is the Brooklyn Philharmonia's tribute to the great master. Beetho ven· s music not only refl ects the highest level of inspiratio n and intellect, but also an essentially undefinable sense of human dignity and inde­ pendence. It is this fa.;c in ating combination of arti stic quality and deep sense of mission which makes Beethoven such a re vered personality in Western civiliza­ tion - n ~t only as a m usician, but as representative of the very best this civiliza­ tion can produce. For his musical language has the power to inspire: it speaks from the heart and mind to the: heart and mind. A clear voice of hope a nd challenge reflecting the ti pirit of enlig htenment of the early nineteenth century before the chorus of doom, frustnti cn and conformity o f a later century sought to silence it, it is still a vo1ce which refuses to be muffled. because: i t ha> an ete rnal vitalit)' it only we permit ourselves to hea r it.

LEOr ORE OVERT URE r o. I , Opus 1.)8 (Posthumous)

Beethoven wrote the Leonon: O verture No. I for the first production of his opera '"F idtlio" in Vienna on November 20, 1805. But during rehearsals, he rejected it as being "too s imple" and proceeded to write Leonore O verture To. 2. Eventuallr Beethoven was to write four overtures for "Fidelio". T hi.s struggle with the formal and dramatic problems of introducing the opera are symptomatic of his concept of what an opera was supposed to be. H e was quite explicit in hi s view t:1at he could o nly write h. H owever, the Archduke did not play at the first performance of the score dunng a summer wncen in the Augarten in Vienna, in M ay 1808. Due to ~ lack of proper preparation, th:: Concerto was indifferently received and was not performed again until ~c:ver;il years after Beethoven's death, but then w1th great tsuccess. This extraordinarr work demands tareful preparation because both the co­ o rdination between the solo instruments themselves and between them and the orchestra must be perfect. lketh:>Ven distributes the thematic material bt:twet:n the 'oloists, especia lly in the first movement, in such a way as to make it man­ datory to achieve the shifo; from nne instrumt:nt to th e:: o thh without the slightest loss of continuity.

BALDWIN exclusive piano of

SIEGFRIED LAND AU

and the

BROOKLYN PHI LHARMONIA

BALDWIN MUSIC CENTER 922 • 7th Avenue at 58th Street An old and respected name a new and admired piano The slow second movement Jinks directly with the Finale, a rondo in polka rhythm. Beethoven retains this polka rhythm in the background while the solo strings play a most delightful theme. It is high time that the relative obscurity of the Triple Concerto lbe ended with the rediscovery of this charming, off-beat score.

SYMPHONY No. 7 lN A MAJOR, Opus 92 Completed in 1812 and first performed in D ecember, 1813, in the concert hall of the University of Vienna with Beethoven him·elf conducting, the Seventh ymphony was dedicated to Count Moritz von Fries. Wagner characterized this symphony as the " Apotheosis of the Dance·· since its outstanding effe cts are built on rhythmic motifs. A long, slow introduction gradually initiates the rhythm which is the driving force of the first movem{-nt. The slow second movement is replaced by an allegrel/o which abo has a rhythmic moJ if as a coordinating factor. Alternating the contrapuntal treatment of a march-li ke subject with the homophonic treatment of a lovely lyric melody creates an architectural design of convincing musical logic. The third movement is .1 scher=o with all that title implies in form and content. The melody of the Trio is said to havt been derived from a pilgrim·s hymn. The last movement h:b an trresistablt entrgy whith reaches a frenetic cl irmtx.

ABOUT OUR GUEST '!HE B.EA UX ARTS TRIO OF Menahem Pres;ler, Pim10 lsidcrt Cohen, Violin Bernard Greenhouse, Celio f reshness of approach, oneness of ensemble playing, suptrb mu-sicianship and tremendous ztst characterize the ptrformancts of T HE BEAUX ARTS TRIO OF NEW YORK. ow in its 12th season, the Trio has betn hailed on three continents, and played over I ,000 engagements throughout North Amt rica, Europe, Africa and the Middle East. In To vember, 1965, the)' performed in hrael, Turkey, and Iran under the auspices of The State Departmenfs Cultural Prtsentation Program . Charles Munch said that "they are worthy succesors to the last great trio - T hi­ baud, Casals and Cortot." And th is praise has been echoed again and again. For nin e successive sea:sons, T HE BEAU ARTS TRIO was engaged at the famed Berkshire Music Festival. They are also favorites at the festivals of Edinburg h, Lisbon (Gulben­ kian festival) , and the Holland Fes tival. They are also heard regularly at the festivals cf Dubrovnik. Israel and Etlingen (Germany). l n April , 1969, the TRIO adds another festival and another country: Osaka and Japan. Since their fimt European tour, tht Trio has returned tvtry season, and standing ovations in Berlin, Paris, Lisbon and numerous other music centers have been the order of the day. As recording artists, T HE B E-AU ARTS T RIO has won the Grand Prix du Disque for their recordings of tri ~s of Mendelssohn and D vorak, and The Times of London listed their discs containing all the Beethoven Trios a~ among the best recordings. For Philips they have made all the trio reperto ire of Mozart, Schubert an.d Brahms, in ad­ dition to the above mentioned Beethovt"n, and additional works of M endelssohn and Dvorak.

COMING EVENTS THIRD SUBSCRIPTIOI CO CERT: Saturday, February 21, 1970 ...... 8:30 p.m. Conce rto Grosso No. I ...... Ernest Bloch Violin Concerto N :>. 5 in A Major ...... Mozart JOH N PJNTAVALLE, Viol in Solo ist .. Ptlleas and M eli sande...... Faure ymphonl' No. 5 i•~ B fl:tt l\lajor ...... Schubert FOURTH SUBSCRIPTIO CO CERT: Saturday, March 14, 1970 ...... 8: 30 p.m. Haydn·s ..1 1HE CREAT IOJ'i .. with MARI A fERR IERO, Soprano; WILLI AM BROWr , T enor; ROBERT PATTER O r , .Baritone and T he Brooki)ll Pbilbm·mo11itt Chort~L Society Sidney M orrow, Assistant Director

/IIIIJOI!IIcillg the 1970 BROOKLYN P'H I LHA RMON IA YOUTH MUS IC FESTIVAL I. O PERA-IN-Er G U SH - Satu rday Afternoon, Apri l 25, 1970 .tt 2:30 p.m . .. ABU HASSAN .. - D elig htful comic one-act opera by Carl M aria v:;n W eber wi th cait to be announctd. 2. D Ar CE AND MUSIC - Saturday Afternoon, May 23, 1970 ,rt 2:30 p.m . .Ethnic - f olk - Ballet - M odern featuring the Dance D epartment of the High chool of Performing Art~ Dr. Rachel Yocom, Chairman

F IRE N OTICE: T he exit ind icated by a red light and sign nearest to the seat you occupy is the shortest route to the street. In event o f fire please do not r un- WALK TO THAT EXI T . ROBERT LOWERY Fire Commission er It is u rgen t for the comfort :ond safety of all that patrons refrain from lighting matches in th is theater. J969J70 BROOKLYN PHILHARMONIA CONCERTS PATRONS Mr. Max l. Koeppel DONORS Mrs. Felicia leon The Ma.rtin FoundatiOn I. Stanley Kriegel & Co. BENEFACTORS Brooklyn Union Gas Co. Mr. Daniel S. Schwartz Topps Chewing Gum, Inc. INDUSTRIAL SPONSORS Dush Univcrs:ll, Jnc. tan ley H. Kaplan Educationa I Center Morse Electro Products Corp. Mr. John Calicchio Kirsch Beverages No-Cal CorP.orat10n Consolidated Mutual Ins. Co. Martin's Department Store Sco-Fuel Od Co ., Inc. Chase Bank Mays Department Store E. R. Squibb and Sons East New York Savings Bank J. Michaels, Inc. SUSTAINING SPONSORS A & S Foundation Mrs. Murray Heorn Mr. S. H. Scheuer Mr. Bernard S. Barr Mr. Hesper A. j ockson, Jr. Mr. Abram J. Shorin 1\l r. joseph Bostic joseph Katz Memori al Fund Mr. Allen Cymrot Dr. Arthur J. lapovsky R~: ~~~~~ s.y:it:elbaum 1\!r. Theodore Friedman lion. Herbe1t II. /l!orke1 Mr. George S. Teter Mr. Max Hailpern SPONSORS Mr. Joseph Abeles Mr. Raymond Feiden Dr. Abraham 1\lackles lllrs. Lee Agnew ~lr. Edward l. Feinberg S. i\1. & D. E. Meeker Mr. Harry Alpert Fir>t , at10nal City Bank of 1'-. Y. lllr. Elliot Ira Miller Sam Ash, Inc. Dr. Henry F. Gardstem Hon. l eonard P. Moore Hon. Emil Saar Dr. Benjamin Gilson Mr. Sidney Morrow Mr. Alexander Barash Mr. Elliott Golden Mrs. Irene Morse Rev. Robert Bauers Mr. Nathan Gordon Mr. Robert Morse Mr. Henry Bayles Dr. Norman T. Gottlieb Major Benjamin H. Namm lllr. Bernard llcnjamm ,\Jr. Samuel Gottlieb 1\IJ~. Louis Nathanson Dr. Harold Bergman Dr. Harry J. Greene Mr. John T. Norton lllr. David llerk Greenpoint Savings Bonk Dr. Melvin M. Owen Mr. Edward B. Bermas Halsey X-Ray P1 oducts, In <. Mrs. Samuel Perlman Dr. Horold E. Berson Mr. Allen Haske! Philharmonic Soc1ety of Brooklyn Mr. Julius Bloom Mr. Julius A. Hellenbrand Pntt Institute Dr. \'V'illiam Bloom ,\Irs. Claire Heller Dr. & Mrs . Halsey J... RaHman Mr. Robert E. Blum Dr. Ernc>t Herman Mr. Leonard }. Reade Dr. Nathan Botstein Mr. Donald F. Irving Mr. Albert Rosenfeld Mr. Ralph T. Brande Dr. Abner I. Jaffe Mr. Abraham S. Rubin Mr. Aaron S. Bring Dr. Morton Kaufman Miss Agnes Rygg Brook lyn Music Teacher's Guild Kings County Savings Bank Rabbi Eugene J. Sack Brooklyn Savings Bank Mr. Everett Kirsten Dr. j ack J. Safian Chemical Bank N . Y. Trust Co. Mr. David l. Klein St. Francis College Dr. Clifford Cohen Mr. Harry Koeppel St. J ohn's University Samuel H . Cohen Dr. Daniel Kravitz Dr. Carl Schiller Mr. Harvey Danieb Mr. I. Stanley Kriegel Dr. Leo J. Swirsky Mr. Harold Deitchman Legra. Sportswear Mrs. Clyde Teter East Flatbush Civic Assoc. Lincoln Savings Bank Mr. Hollis K. Thayer Mr. Daniel Eisenberg Hon. Abraham Lindenbaum The Title Guarantee Company Mrs. Samuel Fallow Local ~25, Cooks & Assistants Or. Bernard \'V'asserman Dr. Eugene Fanta Long Island University Dr. Ernst Weber Dr. David Farber Mr. Salomon C. Lowenstein Williamsburgh Savines Bank Dr. Morton G. Farber Mr. Lawrence A. Ludwig Patron ··--- ··--··-··...... $5,000 Industrial Sponsor ...... $250 Donor ...... - ..... - ...... _._.. _.$1,000 Sustaining Sponsor ...... - S250 Friend .....- ...... - ...... Up to $100 Benefactor .... _...... ·-·- ..-- ..·----$500 Sponsor ...... $125 OFFICERS OF THE BROOKLYN PHILH,A.JtMONIA Mr. Max L. Koeppel, President Mr. Bernard S. Barr, Vice-President Mr. J ohn C. Hilly, Vice-President Hon. i\lorris Kirsch. Treasurer Hon. Leonard P. Moore, Vice-President Rabbi Eugene J. Sack, Vice-President 1\lrs. J.\luJJay J learn, Secretary HONORARY CHAIRMAN Hon. Abe Stark Hon. Abraham Beame Hon. Francis E. Dorn Hon. john R. Crews Hon. John M. Murphy BOARD 00 DIRECTORS lion. Emil Boar Mrs. Murray Hearn Hon. Leonord P. Moore Bernard S. Barr lion. Louis B. Heller Robert Morse Mrs. Bernard S. Barr John C. Hilly j ohn T. Norton Saul I. Birnbaum Hesper A. Jackson, J r. Or. J oseph j . Obst Julius Bloom Hon. Aaron L. Jacoby Dr. Melvin M. Owen Hon. Frank Brasco Or. Abner I. jatle Abraham S. Rub•" Very Rev. Joseph T. Cahill Hon. J.\'Iorris Kirsch Mrs. Eugene .1. Sack Harvey Daniels Mox L. Koeppel Rabbi Eugene J. Sack Or. James B. Donovan Hon. Aaron E. Koota Daniel S. Schwartz Daniel Eisenberg I. Stanley Kriegel Abram J. Shorin Edward I. Feinberg Dr. Arthur Lapovsky Abe Silverstein Meade Esposito Mrs. Felicia Leon Dr. Moses Spatt Mrs. Eugene Fanta Hon. Arthur Levitt David Teitelbaum H<>n. Euflene Gold Hamilton Love George Teter Hon. Ell1ott Golden Hon. John J. Lynch William Walker Hon. John F. Haves Jules Michaels Dr. Ernst Weber Elliot Ira Miller WOMEN'S COMMITTEE P~:esidium: Mrs. William Bloom; Mrs. Albert Rosenfeld BROOKLYN PHILHARMONIA CHORAL SOCIETY Mr. William W alker, President Mr. Sidney Morrow, Ass't. Choral Director YOUTH CONCERT COMMITTEE Mrs. Albert Rosenfeld, Chairman M rs. Alvin Konigsberg, Co-Ghaitman MIGNONNH P. LADIN, Orchestra Manager Maurice Edward~. A SJistt/111 lvfauttger SECONDO PROTO, Orchestra. Personnel Ma11ager STEFAN A UBER, A ss't. Orchestra PersOimel l'vJ.anager Arrangements for the concerts in cooperation with the Brooklyn Academy of Music HARVEY LICHTENSTEIN, Director LJ;w LLOYD. General Managtr 'taff: Alfredo Salmaggi, H ouse Manager; Harry Pearl, Box Office Treasurer; Richard T. Beck, Chief Carpenter; Donald Beck, Chief Electrician; John Cooney, Masler af Properties.