Santamuerte.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

Santamuerte.Pdf Death Welcomes Everyone Santa Muerte (Holy Death or Saint Death) is the female personifi cation of death. This powerful and mysterious folk saint provides blessings including safe passage to the afterlife. Santa Muerte is the patron saint of those who live on the fringes of society, as well as those who face violence and death. She is hailed as a potent and powerful guardian and protector. Death is the great equalizer, and Santa Muerte potentially grants miracles to anyone and everyone. Santa Muerte is a complete ritual guide to working with this famous—and infamous!—Mexican folk saint. Go beyond the sensational headlines to dis- cover the truth about why Santa Muerte is so beloved by so many. Author Tracey Rollin presents simple, straightforward methods for working with Holy Death that may be used alone or easily incorporated into your own magical practice. “Tracey Rollin’s very well written book Santa Muerte: The History, Rituals, and Magic of Our Lady of the Holy Death avoids a dogmatic approach to Santa Muerte. The author, who hails from New Mexico, where Doña Sebastiana, Lady Death, presaged Santa Muerte, incorporates more research on Santa Muerte than other books aimed at devotees.” —Professor R. ANDREW CHESNUT, author of Devoted to Death: Santa Muerte, the Skeleton Saint www.redwheelweiser.com U.S. $16.95 is edition rst published in 2017 by Weiser Books, an imprint of Red Wheel/Weiser, LLC With oces at: 65 Parker Street, Suite 7 Newburyport, MA 01950 www.redwheelweiser.com Copyright © 2017 by Tracey Rollin All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechan- ical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from Red Wheel/Weiser, LLC. Reviewers may quote brief passages. ISBN: 978-1-57863-621-1 Library of Congress Cataloging-in-Publication Data available upon request Cover design by Kathryn Sky-Peck Interior by Frame25 Productions Typeset in Adobe Devanagari Printed in Canada MAR 10 9 8 7 6 5 4 3 2 1 Chapter 1 Introducing Santa Muerte, the Skeletal Lady of Mexico Who Is Santa Muerte? Santa Muerte, or Holy Death in Spanish, is a folk saint who is believed to be the feminine embodiment of death. Her modern form comes to us from Mexico, where she is styled as a female Grim Reaper gure. She is oªen depicted as a skeleton wearing a long robe and carrying a scythe, but with added feminine features such as jewelry, ©owers, and ©owing hair. Her devotees describe her as a warm, friendly, and convivial spirit who is delighted by the antics of the living and who enjoys interacting with them. Santa Muerte has power over everything that can be touched by death and decay, which gives her an incredibly broad scope of in©uence. Since life ©owers before it fades, Santa Muerte cures illnesses and addiction. Since fortunes can quickly change, she showers her devotees with money and prosperity and untangles legal problems. She also provides ironclad protection from harm, cutting short with her scythe the curses and maledictions of others. Because death touches on everything, her knowledge and wisdom are unparalleled. She empowers her devotees to deepen their understanding and strengthen their creativity; like necessity, mortality is the mother of invention. Because death touches every- one, she may also throw open the doors of social in©uence as well as attract a wide variety of lovers. Santa Muerte holds the keys to the underworld as well as other planar realms, and she may unlock their gates to allow communication with spirits of the dead as well as other entities. Since death and dying both have the power to transform your consciousness, Santa Muerte is also a powerful patron spirit of magic. She may assist in shaping and empowering the consciousness of devotees, deepening their wisdom, strength- ening their willpower, and expanding their awareness. ese three things translate to increased magical power, making Santa Muerte the natural ally of both witches and magicians. Even this is not an exhaustive list of Santa Muertes broad portfolio of powers. Because she is the face of death incarnate, her capacity to act is limited only by her devotees capacity to ask. It is deeply ingrained within many of us to openly deny what we really want because we are afraid of being viewed as greedy, sin- ful, or cynical. For example, many people ask spirits for help with winning money in the lottery. Oªen these requests are lled with prom- ises to use the winnings to help the less fortunate, such as giving large sums of money to charity. If this is done honestly as a form of spiritual bribery, it can be quite e®ective. Some spirits respond well to being paid for their services, such as with charitable dona- tions made publicly in their name. However, making such prom- ises to simply mask your greed will actually have two di®erent e®ects. First, spirits tend not to respond well to deception. Not 2 SANTA MUERTE only is being deceptive itself very rude, but you are also telling the spirits that you think they are stupid enough to be deceived. Since no one likes being insulted, spirits will respond poorly—if at all. Second, making such promises also weakens the power of your request, since you are wasting time and energy trying to convince a spirit that you truly desire to donate millions to charity when actually you dont. Since this attempt will fail anyway, making these kinds of false promises is an ultimately self-defeating practice. Many people try these tactics because we believe that friendly and helpful spirits will not help a person whose desire to win the lottery is rooted in greed, as greed is thought to be destructive and evil. e kind of spirit that would fulll such a request is oªen not the kind of spirit that many peo- ple would choose to ask for help. Santa Muerte is notable because she is not concerned with the underlying motivations driving the requests of her devotees. She assigns no particular moral weight to any kind of request, because, to death, everything is a zero-sum game. Whether you dedicate your lottery winnings to feeding the homeless or to retiring to a beach in Fiji, you will still die in the end. erefore, Santa Muerte is far more likely to respond to a greedy but heartfelt request than one that is diluted by fake feelings of altruism. Because she is so nonjudgmental, her willingness to intervene is limited only by her devotees willingness to ask for her help. Because she assigns no moral weight to any kind of request, her response also extends to using her power to harm other people. is has led to Santa Muertes condemnation by religious and civil authorities and to her followers oªen being considered suspect. It is the destructive side of Santa Muerte that has helped her garner so much attention in recent years. e US Federal INTROD UCING SANTA MUERTE 3 Bureau of Investigation labels Santa Muerte as a narco-saint that is idolized by drug trackers; it blames her cults for shock- ing acts of violence and ritual slayings committed on both sides of the US–Mexico border. Cults dedicated to Santa Muerte fre- quently operate within drug cartels because it is believed that she will grant their members supernatural protection and aid. e media oªen sensationalizes stories of her statues found in graveyards and at roadsides, apparently leª there as components of spells designed to harm specic targets. Her veneration is not condoned by the Catholic Church. In fact, the Catholic Church condemns Santa Muerte as a Satanic gure. To the police, the appearance of Santa Muerte at a crime scene presents a dark omen indeed. During an interview with a law enforcement ocial from New Mexico, I was told about a local drug bust conducted by the US Drug Enforcement Admin- istration. While raiding a cartel compound, the agents found an entire room turned into a temple dedicated to the worship of Santa Muerte. e main feature of the temple was a Santa Muerte statue made out of a female skeleton wearing an elaborate black silk wedding dress. e ocial explained to me the primary reason that authorities fear Santa Muerte cults and thus specically target them for eradication. Its not that they fear supernatural repercus- sions. What they fear is how reckless and violent drug trackers can become when they believe they have supernatural protection. Such a criminal is incredibly dangerous and capable of anything. In an attempt to curb cartel violence, the Mexican military speci- cally targets Santa Muerte shrines for demolition in an attempt to demoralize drug cartel members. Even if the authorities do not believe in Santa Muerte, they are forced to respect her power. 4 SANTA MUERTE Santa Muertes ocial condemnation has done little to slow her meteoric rise in popularity. Interest in Santa Muerte has exploded in recent years, fueled by increased immigration and sensationalized media reports linking her to the activities of drug tracking cartels. is increased exposure has helped Santa Muerte successfully transition from being a mere folk saint to being a virtual pop culture icon. For example, in the popular television series Breaking Bad, the season three episode No Más opens with two cartel assassins belly-crawling through a dusty village to pray at a Santa Muerte shrine. She has also been featured in the popular television series American Horror Story, Criminal Minds, and Dexter, among others.
Recommended publications
  • The Revolution of Antonio Gil. Again
    ARGENTINA THE REVOLUTION OF ANTONIO GIL. AGAIN. ©Toni Meneguzzo National headquarters of popular saint Gauchito Gil at km 42 of the Ruta Provincial 210 in Alejandro Korn, a suburb of Buenos Aires. In the great barn there’s the icon of Gauchito, where devotees gather to pray A legendary hero of the past revives and fuels today’s hopes in South America. From the suburbs of Buenos Aires to the most isolated Pampas’ areas, a few words sound loud across Argentina: ”Gracias, Gauchito Gil!”. The veneration of the legendary hero of the Paraguayan War (1864-1870), a man who came from a rural life to end being de- capitated by the Liberal Party, is revealing something deeper and more complex than the umpteenth popular expression of the Santa Muerte cult. In his time, Antonio Gil became a legend stealing livestock from the rich and giving it to the poorest, giving miraculous healings and deserting a conflict imposed by the elites of the Plata states and their hegemonic wills. Today, his cult talks about the hope for redemption of the people severely hit by the economical crises. The interests that led Argentina, Brasil and Uruguay to declare war on Paraguay until its defeat had, and have now, just one victim: all the people of South America, decimated in the name of the free market and condemned to pay with their life the dream of having a different future. That’s what happened to Antonio Gil, in the end: decapitated for his insubordination, but still alive in the heart of those who keep on believing in sacrifice and in the miraculous power of pure souls.
    [Show full text]
  • A Case Study of Folk Religion and Migración: La Santa Muerte and Jesus Malverde
    California State University, Monterey Bay Digital Commons @ CSUMB Capstone Projects and Master's Theses Capstone Projects and Master's Theses 5-2020 A Case Study of Folk Religion and Migración: La Santa Muerte and Jesus Malverde Zulema Denise Santana California State University, Monterey Bay Follow this and additional works at: https://digitalcommons.csumb.edu/caps_thes_all Recommended Citation Santana, Zulema Denise, "A Case Study of Folk Religion and Migración: La Santa Muerte and Jesus Malverde" (2020). Capstone Projects and Master's Theses. 871. https://digitalcommons.csumb.edu/caps_thes_all/871 This Capstone Project (Open Access) is brought to you for free and open access by the Capstone Projects and Master's Theses at Digital Commons @ CSUMB. It has been accepted for inclusion in Capstone Projects and Master's Theses by an authorized administrator of Digital Commons @ CSUMB. For more information, please contact [email protected]. A Case Study of Folk Religion and Migración: La Santa Muerte and Jesus Malverde Global Studies Capstone Project Report Zulema D. Santana May 8th, 2020 California State University Monterey Bay 1 Introduction Religion has helped many immigrants establish themselves in their new surroundings in the United States (U.S.) and on their journey north from Mexico across the US-Mexican border (Vásquez and Knott 2014). They look to their God and then to their Mexican Folk Saints, such as La Santa Muerte and Jesus Malverde, for protection and strength. This case study focuses on how religion— in particular Folk Saints such as La Santa Muerte and Jesus Malverde— can give solace and hope to Mexican migrants, mostly Catholics, when they cross the border into the U.S, and also after they settle in the U.S.
    [Show full text]
  • La Santa Muerte Mexicana. IN
    TRANSFORMISMOS Y TRANSCULTURACIÓN DE UN CULTO NOVOMESTIZO EMERGENTE: LA SANTA MUERTE MEXICANA JUAN ANTONIO FLORES MARTOS Universidad de Castilla-La Mancha “Voy a cantarle un corrido a la Santísima Muerte Para que también lo escuchen Aquellos que son creyentes Porque ya somos millones Que damos culto a la Muerte…” (La Santísima, Gerardo Beltrán). “Hace 15 años hice mi primer tatuaje de la Santa Muerte, que era una imagen religiosa exclusiva de delincuentes y prostitutas; ahora se ha puesto de moda” (Dr. Lakra, tatuador y pintor del Defe). Un culto y práctica ritual emergente y de reciente desarrollo en México, el de la Santa Muerte, constituye un desafío para la etnografía y la teoría antropológica actual. Su manufactura popular y mediática de este complejo e imaginario espiritual, sus tensiones y resistencias hacia la institucionalización, se entrevera con las realidades cotidianas de carácter socioeconómico y vivencial en México. Con materiales etnográficos de Veracruz, Ciudad de México, medios masivos de comunicación, y páginas web y foros de Internet, analizo la Santísima Muerte como una mutación más del amplio y polimórfico panteón del catolicismo, de su sistema ritual. En este trabajo exploro las transformaciones y transculturación del culto de la Santa Muerte en los fenómenos de reapropiación y reelaboración local en distintos territorios urbanos: en mayor medida en el Distrito Federal y Veracruz (en México), y más tangencialmente en Madrid o Talavera de la Reina. Para miles de personas en estos escenarios complejos, apostarle a la Santa Muerte, constituye la única una apuesta segura, sin riesgo, que hacer en México, Estados Unidos, y en los mundos accesibles y virtuales de Internet.
    [Show full text]
  • Final Thesis
    1 THE CULT OF SANTA MUERTE: THE DOMESTICATION OF SANCTITY A THESIS Presented to The Department of Religion The Colorado College In Partial Fulfillment of the Requirements for the Degree Bachelor of Arts By Rachel M. Seto-Templeton March/2014 2 Santa Muerte is a contradictory, transgressive, immoral saint that is venerated and beloved by millions. Her cult following has mushroomed over the course of the past decade or so. She is unsanctioned by the Catholic Church as well as by the Mexican government. What causes people who claim to be practicing Catholics to continue to venerate her despite the official condemnation of her cult, and what is the cause of her immense popularity? I seek to interpret the cult of Santa Muerte through Georges Bataille’s Theory of Religion. In Bataille’s Theory of Religion, he explains how people are searching for lost intimacy with the sacred. By “the sacred,” he is referring to a state of consciousness in which humans experience a continuity in which they do not distinguish themselves as separate from everything else. Bataille explains how continuity is disrupted by the subject-object relationship and distinction of an individual as separate from an “other.” This disruption is what characterizes a state of consciousness that Bataille calls discontinuity. Discontinuity is what Bataille considers the profane, and the disruption of consciousness is what keeps people subordinate to a state of awareness in “the world of things.” Although all humans come from this state of continuity, they are now subordinate to discontinuity. People are only able to obtain momentary states of continuous consciousness through sacrifice, ritual, and subverting morality.
    [Show full text]
  • Syncretic Santa Muerte: Holy Death and Religious Bricolage
    religions Article Syncretic Santa Muerte: Holy Death and Religious Bricolage Kate Kingsbury 1,* and R. Andrew Chesnut 2 1 Anthropology Department, University of Alberta, Edmonton, AB T6G 2HV, Canada 2 School of World Studies, Virginia Commonwealth University, Richmond, VA 23284, USA; [email protected] * Correspondence: [email protected] Abstract: In this article, we trace the syncretic origins and development of the new religious move- ment centered on the Mexican folk saint of death, Santa Muerte. We explore how she was born of the syncretic association of the Spanish Catholic Grim Reapress and Pre-Columbian Indigenous thanatologies in the colonial era. Through further religious bricolage in the post-colony, we describe how as the new religious movement rapidly expanded it integrated elements of other religious traditions, namely Afro-Cuban Santeria and Palo Mayombe, New Age beliefs and practices, and even Wicca. In contrast to much of the Eurocentric scholarship on Santa Muerte, we posit that both the Skeleton Saint’s origins and contemporary devotional framework cannot be comprehended without considering the significant influence of Indigenous death deities who formed part of holistic ontologies that starkly contrasted with the dualistic absolutism of European Catholicism in which life and death were viewed as stark polarities. We also demonstrate how across time the liminal power of death as a supernatural female figure has proved especially appealing to marginalized Citation: Kingsbury, Kate, and R. socioeconomic groups. Andrew Chesnut. 2021. Syncretic Santa Muerte: Holy Death and Keywords: Santa Muerte; death; liminality; religion; syncretic; Mexico; Santeria; Palo Mayombe; Lat- Religious Bricolage. Religions 12: 220. inx https://doi.org/10.3390/rel12030220 Academic Editor: Malgorzata Oleszkiewicz-Peralba 1.
    [Show full text]
  • Santa Muerte Honors Thesis Master File.Docx
    VENERATING DANGER: IDENTITY AND RITUAL IN THE CULT OF SANTA MUERTE by Kailey Muñoz Honors Thesis Appalachian State University Submitted to the Department of Philosophy and Religion in partial fulfillment of the requirements for the degree of Bachelor of Arts May 2021 Laura Ammon, Ph.D., Thesis Director Cuong Mai, Ph.D., Second Reader Laura Ammon, Ph.D., Departmental Honors Director Santa Muerte is a Mexican folk saint that is the female personification of death. The cult of Santa Muerte is characterized as being one of the fastest-growing religious movements in the Americas, with an estimated 10 to 12 million devotees. This large following was amassed quite quickly as the cult has only become widely public since 2001. This growing popularity for Santa Muerte hints at the many appealing qualities she has. Arguably one of her most enticing characteristics is her multidimensionality. Even though she is the saint of death she deals with a variety of issues and concerns that her devotees have. Santa Muerte is most commonly known for being the saint of healing, wisdom, prosperity, protection, love sorcery, justice, and even vengeance. It is through this multifaceted aspect of her character that many of her devotees feel like they can come to her for any reason. In this cult there is a strong emphasis on the materiality and physicality of Santa Muerte’s multidimensionality. This is best expressed through the different colored votive candles that are each representative of a different aspect of Santa Muerte’s character. Red symbolizes her work with love and troubles of the heart.
    [Show full text]
  • Les Actes De Colloques Du Musée Du Quai Branly Jacques Chirac
    Les actes de colloques du musée du quai Branly Jacques Chirac 2 | 2009 Performance, art et anthropologie Contested Grounds: Fieldwork Collaborations with Artists in Corrientes, Argentina Arnd Schneider Electronic version URL: http://journals.openedition.org/actesbranly/431 DOI: 10.4000/actesbranly.431 ISSN: 2105-2735 Publisher Musée du quai Branly Jacques Chirac Electronic reference Arnd Schneider, « Contested Grounds: Fieldwork Collaborations with Artists in Corrientes, Argentina », Les actes de colloques du musée du quai Branly Jacques Chirac [Online], 2 | 2009, Online since 18 May 2010, connection on 08 September 2020. URL : http://journals.openedition.org/actesbranly/431 ; DOI : https://doi.org/10.4000/actesbranly.431 This text was automatically generated on 8 September 2020. © Tous droits réservés Contested Grounds: Fieldwork Collaborations with Artists in Corrientes, Argen... 1 Contested Grounds: Fieldwork Collaborations with Artists in Corrientes, Argentina1 Arnd Schneider 1 This essay is an exercise in dialogical anthropology which fathoms for the present those ‘speaking terms’ which James Clifford (1988:126) found characteristic of art – anthropology encounters in France in the 1920s and 1930s, epitomized by the interdisciplinary, surrealist journal Documents. Since the early 1990s a number of writings and initiatives2 have tried to gage and critically assess the potentials of contemporary (visual) art – anthropology collaborations. The trope of ‘dialogue’, of course, has been a much discussed term in anthropology (e.g. Tedlock, 1983, Tedlock/ Mannheim 1995, Maranhão 1990, Crapanzano 2004, Maranhão/Streck 2003), and despite different emphases it is clear that it can never just mean a level position of partners, collaborators, or actors, but has to account for difference. 2 This essay, then, explores the critical implications and potential of dialogical art- anthropology collaborations, which are not set up in the closed ‘laboratory’ of a university workshop,3 but use the seemingly more ‘open’ ethnographic fieldwork situation as their locale.
    [Show full text]
  • Lecturas Antroposemioticas Sobre La Muerte LIBRO
    LECTURAS ANTROPOSEMIOTICAS SOBRE LA MUERTE Y EL MORIR DESDE LATINOAMERICA Compiladores Elena María Krautstofl // César Iván Bondar EDICIONES ESPECIALES LECTURAS ANTROPOSEMIOTICAS SOBRE LA MUERTE Y EL MORIR DESDE LATINOAMERICA Compiladores Elena María Krautstofl // César Iván Bondar EDITORIAL UNIVERSITARIA UNIVERSIDAD NACIONAL DE MISIONES EDITORIAL UNIVERSITARIA UNIVERSIDAD NACIONAL DE MISIONES Cnel José Félix Bogado 2160 | Posadas - Misiones | Tel-Fax: (0376) 4428601 Correo electrónico: [email protected] Página Web: www.editorial.unam.edu.ar Colección: Ediciones Especiales Coordinación de la edición: Claudio O. Zalazar Armado de Interiores: Javier B. Giménez ISBN: Impreso en Argentina ©Editorial Universitaria Universidad Nacional de Misiones Posadas, 2015. Todos los derechos reservados para la primera edición. ÍNDICE Prólogo ................................................................................................ 9 San la Muerte. Estética y estilos de veneración al Santo de La Muerte ....................................................................................... Elena María Krautstofl Altares a un muerto ausente: fotografía y reliquias de Francisco I. Madero .......................................................................................... Adriana Gómez Aiza Antropo-Semiótica de la muerte: Suicidio asistido, ritualización y des-ritualización........................................................................... José Enrique Finol Formas de valoración socio cultural del suicidio: Estudio en una zona
    [Show full text]
  • 2. the Cult of Santa Muerte
    Assignment: Master Thesis Name: Laura Hurkxkens Date: 19-12-2016 Wordcount: 28.239 (excluding footnotes and bibliography) Supervisor: Prof. dr. Gerard Wiegers Second reader: Dr. Ulrike Popp-Baier 2 Content Introduction ..................................................................................................................... 4 The cult of Santa Muerte ....................................................................................................... 5 Academic context and research question ............................................................................. 8 1. Popular and public religion ......................................................................................... 11 1.1 Popular religion .............................................................................................................. 11 1.2 Public religion ................................................................................................................. 15 2. The cult of Santa Muerte .................................................................................................... 20 2.1 Death and its centrality in Mexican culture ................................................................... 20 2.2 La Santa Muerte ............................................................................................................. 21 2.3 History and origins ......................................................................................................... 23 2.4 Santa Muerte today ......................................................................................................
    [Show full text]
  • La Santa Muerte: Origin and Significance of a Mexican
    LA SANTA MUERTE: ORIGIN AND SIGNIFICANCE OF A MEXICAN FOLK SAINT BY CHRISTINE A. WHITTINGTON A Thesis Submitted to the Graduate Faculty of WAKE FOREST UNIVERSITY GRADUATE SCHOOL OF ARTS AND SCIENCES in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS IN LIBERAL STUDIES MAY 2011 Winston-Salem, North Carolina Approved By: Candyce Leonard, Ph.D., Advisor Jeanne Simonelli, Ph.D., Chair Neal H. Walls, Ph.D ACKNOWLEDGMENTS I am grateful to Dr. Candyce Leonard for serving as my advisor on this thesis. Her guidance, enthusiasm for my subject, inspiration, suggestions of resources I might not have considered, and editing suggestions are greatly appreciated. I would also like to thank Dr. Neal Walls for the encouragement he provided when I was a student in his courses on the creation myth and the goddess. These courses inspired my interest in comparative religion. I am also grateful to Dr. Jeanne Simonelli for her generosity in sharing her intimate knowledge of contemporary social and political issues in Mexico. I am grateful to James and Helen Sheehy for their friendship, for their interest in Santa Muerte, and for the many hours we have spent discussing our experiences in Mexico. My husband, Stephen Whittington, has also shared many ideas about research in Mexico and always had an eye toward Santa Muerte images to add to my collection. My sons, Daniel and Joseph, have been amazingly supportive of their mother‘s dedication to lifelong learning, disruptive as it may be to family life. My mother, Elizabeth Sigerfoos Carlson, was always determined that I would be scholar and always knew that I would succeed.
    [Show full text]
  • “El Santo Quiere Fiesta”. Devoción, Virajeshalagos Y Agasajo a San La Muerte, Provincia De Buenos Aires, Argentina*
    “EL SANTO QUIERE FIESTA”. DEVOCIÓN, VIRAJESHALAGOS Y AGASAJO A SAN LA MUERTE, PROVINCIA DE BUENOS AIRES, ARGENTINA* WALTER ALBERTO CALZATO** GABRIELA SÁNCHEZ HERNÁNDEZ*** Recibido: 15 de agosto de 2012 Aprobado: 11 de septiembre de 2012 Artículo de Investigación * Artículo de investigación. El artículo hace parte de los resultados de la investigación doctoral de los autores. ** Lic. En Ciencias Antropológicas, UBA. Doctorando, Universidad Nacional de La Plata. Docente. *** Lic. En Sociología, UNAM. Doctora en Cs Antropológicas, UNAM. Profesora de Tiempo completo, UPN-Ajusco, México, D,F. VIRAJES antropol.sociol. Vol. 14 No. 2, julio - diciembre 2012, págs. 255 - 273 “El santo quiere fiesta”. Devoción, halagos y agasajo a san la muerte... Resumen En el siguiente artículo se presenta el análisis de las fiestas en honor de san La Muerte, culto religioso popular (figura esquelética) con epicentro en la provincia de Corrientes, pero que se encuentra representado en Chaco, Formosa, Misiones, Santa Fe, provincia de Buenos Aires y Capital Federal (Fig. 1). Se analiza el carácter devocional del mismo, las características que imponen las dueñas del santo a cada templo y cómo influye esta impronta en el carácter propio de las fiestas que se celebran el 15 y el 20 de agosto de cada año con baile, asado y procesión. Se analizan varias posturas referentes al concepto de lo festivo y se contrastan con las propias fiestas del santo. Este patrimonio inmaterial, se define como culto católico popular, debido a su fondo estructural, liturgia y praxis devocional profundamente católica. Se atiende a las definiciones de Manuel Marzal sobre este tópico. Palabras clave: ceremonia, devoción, existencia, fiesta, lo festivo, san la Muerte.
    [Show full text]
  • The Death Cult of the Drug Lords Mexico's Patron Saint of Crime
    WARNING! The views expressed in FMSO publications and reports are those of the authors and do not necessarily represent the official policy or position of the Department of the Army, Department of Defense, or the U.S. Government. The Death Cult of the Drug Lords Mexico’s Patron Saint of Crime, Criminals, and the Dispossessed by Kevin Freese, Foreign Military Studies Office, Fort Leavenworth, KS. Table of Contents Introduction Executive Summary Sources Terms and Concepts Death in Mexican Culture Epithets and Aliases The Power of Color Iconography Common Offerings Death’s Collects Objectives of Prayer The Origin and Spread of the Cult The Goddess of Tepito The Lord of the Rings Santa Muerte Witnesses Violent Crimes Prisoners Pray to Santa Muerte The Skeleton in the Family Closet Was Santa Muerte Criminals Carry Accoutrements of Santa Muerte Santa Muerte Has Following in Major Criminal Organizations Santa Muerte on the U.S. Border The Patron Saint of Crime Conclusion Table of Figures Figure 1 Santa Muerte in the Zocalo, Mexico City Figure 2 La Catrina Calavera Figure 3 Imprisoned Cult Practitioner with Tattooed Santa Muerte and Tattooed Amulet Figure 4 A Prisoner's Tattoo of Santa Muerte Figure 5 Santa Muerte devotee displays amulet Figure 6 Statues of Santa Muerte Figure 7 Table of Santa Muerte Rituals Figure 8 Mictlantecuhtli Figure 9 Mictlantecuhtli Figure 10 Mictecacíhuatl Figure 11 Oyá Figure 12 Yewá Figure 13 Maman Brigitte Figure 14 Shrine to Maximón Figure 15 Aerial Photograph of Tepito Market Figure 16 David Romo Guillén Figure 17 A Worshipper inside the Santa Muerte National Sanctuary Figure 18 David Romo Guillén Figure 19 Martínez’ Tattoos Figure 20 Ramirez’ Tattoos Figure 21 Pérez’ Tattoo Introduction In Tony Scott’s 2004 action film Man on Fire, the haunted protagonist John Creasy (played by Denzel Washington) seeks revenge against a gang of kidnappers that, he believes, has murdered a little girl he was hired to protect.
    [Show full text]