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The Revolution of Antonio Gil. Again
ARGENTINA THE REVOLUTION OF ANTONIO GIL. AGAIN. ©Toni Meneguzzo National headquarters of popular saint Gauchito Gil at km 42 of the Ruta Provincial 210 in Alejandro Korn, a suburb of Buenos Aires. In the great barn there’s the icon of Gauchito, where devotees gather to pray A legendary hero of the past revives and fuels today’s hopes in South America. From the suburbs of Buenos Aires to the most isolated Pampas’ areas, a few words sound loud across Argentina: ”Gracias, Gauchito Gil!”. The veneration of the legendary hero of the Paraguayan War (1864-1870), a man who came from a rural life to end being de- capitated by the Liberal Party, is revealing something deeper and more complex than the umpteenth popular expression of the Santa Muerte cult. In his time, Antonio Gil became a legend stealing livestock from the rich and giving it to the poorest, giving miraculous healings and deserting a conflict imposed by the elites of the Plata states and their hegemonic wills. Today, his cult talks about the hope for redemption of the people severely hit by the economical crises. The interests that led Argentina, Brasil and Uruguay to declare war on Paraguay until its defeat had, and have now, just one victim: all the people of South America, decimated in the name of the free market and condemned to pay with their life the dream of having a different future. That’s what happened to Antonio Gil, in the end: decapitated for his insubordination, but still alive in the heart of those who keep on believing in sacrifice and in the miraculous power of pure souls. -
A Case Study of Folk Religion and Migración: La Santa Muerte and Jesus Malverde
California State University, Monterey Bay Digital Commons @ CSUMB Capstone Projects and Master's Theses Capstone Projects and Master's Theses 5-2020 A Case Study of Folk Religion and Migración: La Santa Muerte and Jesus Malverde Zulema Denise Santana California State University, Monterey Bay Follow this and additional works at: https://digitalcommons.csumb.edu/caps_thes_all Recommended Citation Santana, Zulema Denise, "A Case Study of Folk Religion and Migración: La Santa Muerte and Jesus Malverde" (2020). Capstone Projects and Master's Theses. 871. https://digitalcommons.csumb.edu/caps_thes_all/871 This Capstone Project (Open Access) is brought to you for free and open access by the Capstone Projects and Master's Theses at Digital Commons @ CSUMB. It has been accepted for inclusion in Capstone Projects and Master's Theses by an authorized administrator of Digital Commons @ CSUMB. For more information, please contact [email protected]. A Case Study of Folk Religion and Migración: La Santa Muerte and Jesus Malverde Global Studies Capstone Project Report Zulema D. Santana May 8th, 2020 California State University Monterey Bay 1 Introduction Religion has helped many immigrants establish themselves in their new surroundings in the United States (U.S.) and on their journey north from Mexico across the US-Mexican border (Vásquez and Knott 2014). They look to their God and then to their Mexican Folk Saints, such as La Santa Muerte and Jesus Malverde, for protection and strength. This case study focuses on how religion— in particular Folk Saints such as La Santa Muerte and Jesus Malverde— can give solace and hope to Mexican migrants, mostly Catholics, when they cross the border into the U.S, and also after they settle in the U.S. -
Read, Which Was Hand-Embroidered in 1927 by the Nuns of a Secluded Religious Order
Massimo Polidoro nd EDITION 2 SECRET MILAN LOCAL GUIDES BY LOCAL PEOPLE CENTRE WALKING IN THE FOOTSTEps 3 OF ALEssANDRO MAZZUCOTELLI Casa Ferraro – 3-5, Via Spadari Casa Galimberti – 3, Via Malpighi Casa Guazzoni – 12, Via MalpighiCasa Campanini – 11, Via BelliniCasa Moneta – 3, Via Ausonio • Public transport: MM1, MM3 Duomo, Cordusio; tram 2, 3, 14 he wrought ironwork designed by Wrought Alessandro Mazzucotelli in the early ironwork Tdecades of the twentieth century often by an Art Nouveau goes unnoticed, either hidden inside palatial interiors or because you have to look up to see artist it. Nevertheless it is one of the most beautiful examples of Milanese Art Nouveau. A tour around the masterpieces left to the city“ by this great artist – sought out by the finest architects for his creativity and his ability to give iron the lithe and “flowery” look so typical of Art Nouveau – has to begin at Casa Ferraro in the city centre. On this building, which has one of Milan’s most popular fine food shops on the ground floor, the complex floral motifs of the balustrades climb upwards to link the various balconies. On the front of the imposing Palazzo Castiglioni (47 Corso Venezia), the first real example of Art Nouveau in Milan, Mazzucotelli’s twisted ironwork is perfectly integrated with the circular openings hollowed into the rough stone for the small ground-floor windows. Inside, the same artist’s “dragonfly lamp” can be admired in the entrance hall, as well as the balustrade of the main double staircase. Mazzucotelli also designed the wrought-iron terraces of Casa Galimberti, with brightly coloured ceramics covering the façade, and those of the adjacent Casa Guazzoni; as well as the gate and large woven leaves of the balconies of Casa Campanini and the naturalistic elements of Casa Moneta. -
La Santa Muerte Mexicana. IN
TRANSFORMISMOS Y TRANSCULTURACIÓN DE UN CULTO NOVOMESTIZO EMERGENTE: LA SANTA MUERTE MEXICANA JUAN ANTONIO FLORES MARTOS Universidad de Castilla-La Mancha “Voy a cantarle un corrido a la Santísima Muerte Para que también lo escuchen Aquellos que son creyentes Porque ya somos millones Que damos culto a la Muerte…” (La Santísima, Gerardo Beltrán). “Hace 15 años hice mi primer tatuaje de la Santa Muerte, que era una imagen religiosa exclusiva de delincuentes y prostitutas; ahora se ha puesto de moda” (Dr. Lakra, tatuador y pintor del Defe). Un culto y práctica ritual emergente y de reciente desarrollo en México, el de la Santa Muerte, constituye un desafío para la etnografía y la teoría antropológica actual. Su manufactura popular y mediática de este complejo e imaginario espiritual, sus tensiones y resistencias hacia la institucionalización, se entrevera con las realidades cotidianas de carácter socioeconómico y vivencial en México. Con materiales etnográficos de Veracruz, Ciudad de México, medios masivos de comunicación, y páginas web y foros de Internet, analizo la Santísima Muerte como una mutación más del amplio y polimórfico panteón del catolicismo, de su sistema ritual. En este trabajo exploro las transformaciones y transculturación del culto de la Santa Muerte en los fenómenos de reapropiación y reelaboración local en distintos territorios urbanos: en mayor medida en el Distrito Federal y Veracruz (en México), y más tangencialmente en Madrid o Talavera de la Reina. Para miles de personas en estos escenarios complejos, apostarle a la Santa Muerte, constituye la única una apuesta segura, sin riesgo, que hacer en México, Estados Unidos, y en los mundos accesibles y virtuales de Internet. -
From My Vow the Mexican Ex-Voto and the Secular-Sacred in Poetry
From My Vow the Mexican ex-voto and the secular-sacred in poetry By Jen Hadfield I The witnessed miracle From Francisco Trujillo... Candelaria Arreola... Miss Josephine Rivera... from the place where you find Braulio Barrientos... Al Señor de los milagros... To our little mother... our most mysterious... the holiest Virgin...1 Before I begin to describe my research visit to Mexico, in the Año Nuevo of 2008 (an account that will reveal that I'm a terrible traveller, being neither courageous, resourceful, social nor spontaneous), I need to deliver a little spiel on Mexican devotional folk-art, in particular, the ex-voto. This is a votive painting on a small rectangle of tin, reliably possessing a trinity of consistent elements. First, the image of the holy person, generally cushioned by a nimbus of stylised light, occupies one corner of the upper part of the ex-voto. The remaining space is shared by the retablo scene – the depiction of a calamity in which a person finds themself at the moment of the saint's miraculous intervention – and an explanatory text: 1 All italicised excerpts from ex‐voto texts from Miracles on the Border, Retablos of Mexican Migrants to the United States, Jorge Durand and Douglas S. Massey, The University of Arizona Press, Tucson & London, 1995 I began to pray your novena, and I hadn't even finished when he returned... for having saved me from a Texan who tried to carry me off... I ask the Lord of the Conquest that he allow them to give me my liberty... When the bandit struck me with a dagger, I thought for sure I would lose my life.. -
Santería: from Slavery to Slavery
Santería: From Slavery to Slavery Kent Philpott This, my second essay on Santería, is necessitated for two reasons. One, requests came in for more information about the religion; and two, responses to the first essay indicated strong disagreement with my views. I will admit that my exposure to Santería,1 at that point, was not as thorough as was needed. Now, however, I am relying on a number of books about the religion, all written by decided proponents, plus personal discussions with a broad spectrum of people. In addition, I have had more time to process what I learned about Santería as I interacted with the following sources: (1) Santería the Religion,by Migene Gonzalez-Wippler, (2) Santería: African Spirits in America,by Joseph M. Murphy, (3) Santería: The Beliefs and Rituals of a Growing Religion in America, by Miguel A. De La Torre, (4) Yoruba-Speaking Peoples, by A. B. Ellis, (5) Kingdoms of the Yoruba, 3rd ed., by Robert S. Smith, (6) The Good The Bad and The Beautiful: Discourse about Values in Yoruba Culture, by Barry Hallen, and (7) many articles that came up in a Google search on the term "Santería,” from varying points of view. My title for the essay, "From Slavery to Slavery," did not come easily. I hope to be as accepting and tolerant of other belief systems as I can be. However, the conviction I retained after my research was one I knew would not be appreciated by those who identified with Santería. Santería promises its adherents freedom but succeeds only in bringing them into a kind of spiritual, emotional, and mental bondage that is as devastating as the slavery that originally brought West Africans to the New World in the first place. -
East Side of Saint Paul Crime Related Needs Assessment
EAST SIDE OF SAINT PAUL CRIME RELATED NEEDS ASSESSMENT A REPORT TO THE SAINT PAUL FOUNDATION FEBRUARY 2003 PREPARED BY THE COUNCIL ON CRIME AND JUSTICE RACIAL DISPARITY INITIATIVE EAST SIDE OF SAINT PAUL CRIME RELATED NEEDS ASSESSMENT TABLE OF CONTENTS ACKNOWLEDGEMENTS 3-4 HISTORY OF THE COUNCIL AND RACIAL DISPARITY INITIATIVE 5 PROJECT IMPLEMENTATION 6-7 PROJECT RESULTS 8-21 IMPLICATIONS FOR FUTURE PROJECTS 22-25 2 Acknowledgements First and foremost, our sincerest thanks to the Saint Paul Foundation for investing in Payne- Phalen and Dayton’s Bluff so that we might assess the needs of the two communities relevant to crime. Thank you also to the many men and women who shared their personal experiences relevant to crime in their communities. There is a certain amount of vulnerability that is associated with opening up to a group of total strangers and sharing stories and experiences that are near and dear to our hearts. Stories that included, but were not limited to: • random crimes (often senseless acts of violence, vandalism and theft) • fear that has and continues to exist among various communities and within the hearts of community members • potential solutions to these problems • mixed emotions about law enforcement (the role officials currently play as opposed to the role that would best serve the community) • and tackling the seemingly unanswerable question of what would give the community in which you live more hope that crime can be reduced. Again, thank you for the courage and the willingness to trust and open up to us. Thanks are also extended to the focus group facilitators: Jeff Groves, Gaoxee Yang, Lynn Adkins and Bibiano Colon for the tremendous service rendered to the Council and their community by allowing us to train them in focus group facilitation and put their new found skill to work. -
Final Thesis
1 THE CULT OF SANTA MUERTE: THE DOMESTICATION OF SANCTITY A THESIS Presented to The Department of Religion The Colorado College In Partial Fulfillment of the Requirements for the Degree Bachelor of Arts By Rachel M. Seto-Templeton March/2014 2 Santa Muerte is a contradictory, transgressive, immoral saint that is venerated and beloved by millions. Her cult following has mushroomed over the course of the past decade or so. She is unsanctioned by the Catholic Church as well as by the Mexican government. What causes people who claim to be practicing Catholics to continue to venerate her despite the official condemnation of her cult, and what is the cause of her immense popularity? I seek to interpret the cult of Santa Muerte through Georges Bataille’s Theory of Religion. In Bataille’s Theory of Religion, he explains how people are searching for lost intimacy with the sacred. By “the sacred,” he is referring to a state of consciousness in which humans experience a continuity in which they do not distinguish themselves as separate from everything else. Bataille explains how continuity is disrupted by the subject-object relationship and distinction of an individual as separate from an “other.” This disruption is what characterizes a state of consciousness that Bataille calls discontinuity. Discontinuity is what Bataille considers the profane, and the disruption of consciousness is what keeps people subordinate to a state of awareness in “the world of things.” Although all humans come from this state of continuity, they are now subordinate to discontinuity. People are only able to obtain momentary states of continuous consciousness through sacrifice, ritual, and subverting morality. -
Saint Expeditus
Saint Expeditus SAINT OF THE DAY 19-04-2021 If St Jude Thaddeus and St Rita of Cascia are particularly invoked for impossible causes, St Expeditus, the most popular of the Martyrs of Melitene, is similarly venerated as the saint of urgent causes par excellence. The most important information about him can be found in the Hieronymian Martyrology, which was originally written in the first half of the 5th century. Thanks to it we know the day of his martyrdom, 19th April, and the place, Melitene (present-day Malatya, Turkey), the site of an ancient legionary fortress, where Expeditus was martyred together with St Hermogene and other Christians. In Arminia Militana civitate Hermogeni, Gagi, Expediti, Aristonici, Rufi, Galatae una die coronatorum , reads the Hieronimian Martyrology. The most widespread tradition reports that he was a contemporary of Saint Philomena (c. 290-302), the very young Christian martyred at the behest of Diocletian, who was also the patron saint of impossible causes. Expeditus is also mentioned as commander of the XII Roman Legion, known as the Fulminata (it had been formed by Julius Caesar and was active until the 5th century), which guarded the crossing of the Euphrates at Melitene. Iconography shows him always dressed as a Roman soldier. His name, Expeditus, which in Latin means 'free from encumbrances, free from burdens' (in Greek it means 'ingenious'), probably inspired the essential features of his depictions, which are devoid of heavy weapons and armour, since in military terminology expediti were light infantrymen. His iconography has rendered the various hagiographic accounts with very suggestive symbols. -
Syncretic Santa Muerte: Holy Death and Religious Bricolage
religions Article Syncretic Santa Muerte: Holy Death and Religious Bricolage Kate Kingsbury 1,* and R. Andrew Chesnut 2 1 Anthropology Department, University of Alberta, Edmonton, AB T6G 2HV, Canada 2 School of World Studies, Virginia Commonwealth University, Richmond, VA 23284, USA; [email protected] * Correspondence: [email protected] Abstract: In this article, we trace the syncretic origins and development of the new religious move- ment centered on the Mexican folk saint of death, Santa Muerte. We explore how she was born of the syncretic association of the Spanish Catholic Grim Reapress and Pre-Columbian Indigenous thanatologies in the colonial era. Through further religious bricolage in the post-colony, we describe how as the new religious movement rapidly expanded it integrated elements of other religious traditions, namely Afro-Cuban Santeria and Palo Mayombe, New Age beliefs and practices, and even Wicca. In contrast to much of the Eurocentric scholarship on Santa Muerte, we posit that both the Skeleton Saint’s origins and contemporary devotional framework cannot be comprehended without considering the significant influence of Indigenous death deities who formed part of holistic ontologies that starkly contrasted with the dualistic absolutism of European Catholicism in which life and death were viewed as stark polarities. We also demonstrate how across time the liminal power of death as a supernatural female figure has proved especially appealing to marginalized Citation: Kingsbury, Kate, and R. socioeconomic groups. Andrew Chesnut. 2021. Syncretic Santa Muerte: Holy Death and Keywords: Santa Muerte; death; liminality; religion; syncretic; Mexico; Santeria; Palo Mayombe; Lat- Religious Bricolage. Religions 12: 220. inx https://doi.org/10.3390/rel12030220 Academic Editor: Malgorzata Oleszkiewicz-Peralba 1. -
Santa Muerte Honors Thesis Master File.Docx
VENERATING DANGER: IDENTITY AND RITUAL IN THE CULT OF SANTA MUERTE by Kailey Muñoz Honors Thesis Appalachian State University Submitted to the Department of Philosophy and Religion in partial fulfillment of the requirements for the degree of Bachelor of Arts May 2021 Laura Ammon, Ph.D., Thesis Director Cuong Mai, Ph.D., Second Reader Laura Ammon, Ph.D., Departmental Honors Director Santa Muerte is a Mexican folk saint that is the female personification of death. The cult of Santa Muerte is characterized as being one of the fastest-growing religious movements in the Americas, with an estimated 10 to 12 million devotees. This large following was amassed quite quickly as the cult has only become widely public since 2001. This growing popularity for Santa Muerte hints at the many appealing qualities she has. Arguably one of her most enticing characteristics is her multidimensionality. Even though she is the saint of death she deals with a variety of issues and concerns that her devotees have. Santa Muerte is most commonly known for being the saint of healing, wisdom, prosperity, protection, love sorcery, justice, and even vengeance. It is through this multifaceted aspect of her character that many of her devotees feel like they can come to her for any reason. In this cult there is a strong emphasis on the materiality and physicality of Santa Muerte’s multidimensionality. This is best expressed through the different colored votive candles that are each representative of a different aspect of Santa Muerte’s character. Red symbolizes her work with love and troubles of the heart. -
High School & Faculty
High School and Faculty Suggested Reading List Summer, 2014 Abbott, Alysia. Fairyland: a Memoir of My Father. When Alysia Abbott is just two years old, her mother dies. Her father, struggling to meet his own needs as well as his daughter's, moves them to San Francisco, where he can live as an openly gay man in a thriving artistic community. This is one family's story, set against the backdrop of gay life from the poetry of the 1970s through the AIDS crisis of the 1980s and beyond. (Hannah Mermelstein) Adichie, Chimamanda Ngozi. Americanah. R The novel opens with Ifemelu getting her hair braided in preparation for a move back to Nigeria after living in the states for thirteen years. As she sits in the hair-braiding chair, we learn about her growing-up in Nigeria (and about her first love, Obinze), how she came to the United States to study, and all the highs and lows of her time here. By far the most interesting aspect of this novel is Ifemelu's observations about race as seen through posts in her widely read blog called Raceteenth or Various Observations About American Blacks (Those Formerly Known as Negroes) by a Non- American Black. At times profound, usually perceptive, and occasionally infuriating, this novel is nothing if not thought-provoking. (Ragan O’Malley) Alexie, Sherman. What I’ve Stolen, What I’ve Earned. In what I think is his best collection to date, Alexie re-invents the sonnet, inverts the abecedary, Use the and consistently delivers poems that make us reconsider who and what we Saint Ann’s Digital Library really are.