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hrvatski filmski ljetopis god. 16 (2010) broj 64, zima 2010. Hrvatski filmski ljetopis utemeljili su 1995. Hrvatsko društvo filmskih kritičara, Hrvatska kinoteka i Filmoteka 16 Utemeljiteljsko uredništvo: Vjekoslav Majcen, Ivo Škrabalo i Hrvoje Turković Časopis je evidentiran u FIAF International Index to Film Periodicals i u Arts and Humanities Citation Index (A&HCI) Uredništvo / Editorial Board: Nikica Gilić (glavni urednik / editor-in-chief) Krešimir Košutić (novi filmovi i festivali / new films and festivals) Bruno Kragić Jurica Starešinčić Tomislav Šakić (izvršni urednik / managing editor) Hrvoje Turković (odgovorni urednik / supervising editor) Suradnici/Contributors: Ana Brnardić (lektorski savjeti / proof-reading) Juraj Kukoč (kronika/chronicles) Sandra Palihnić (prijevod sažetaka / translation of summaries) Duško Popović (bibliografije/bibliographies) Anka Ranić (UDK) Dizajn i priprema za tisak / Design and pre-press: Barbara Blasin Naslovnica / Front cover: Glave, serija od 12 fotografija (Tom Gotovac, 1971) Stražnje korice / Back cover: Glave, serija od 12 fotografija (Tom Gotovac, 1971) Nakladnik/Publisher: Hrvatski filmski savez Za nakladnika / Publishing Manager: Vera Robić-Škarica ([email protected]) Tisak / Printed By: Tiskara C.B. Print, Samobor Adresa/Contact: Hrvatski filmski savez (za Hrvatski filmski ljetopis), HR-10000 Zagreb, Tuškanac 1 Tajnica redakcije: Vanja Hraste ([email protected]) telefon/phone: (385) 01 / 4848771 telefaks/fax: (385) 01 / 4848764 e-mail uredništva: [email protected] / [email protected] www.hfs.hr/ljetopis Izlazi tromjesečno u nakladi od 1000 primjeraka Cijena: 50 kn / Godišnja pretplata: 150 kn Žiroračun: Zagrebačka banka, 2360000-1101556872, Hrvatski filmski savez (s naznakom “za Hrvatski filmski ljetopis”) Hrvatski filmski ljetopis is published quarterly by Croatian Film Association Subscription abroad: 60 € / Account: 2100058638/070 S.W.I.F.T. HR 2X Godište 16. (2010) izlazi uz potporu Ministarstva kulture Republike Hrvatske i Gradskog ureda za obrazovanje, kulturu i šport Grada Zagreba Ovaj broj zaključen je 15. siječnja 2011. hrvatski filmski ljetopis SADRŽAJ 64, zima 2010/2011. UVODNIK 5 Film u doba krize TOMISLAV GOTOVAC 6 Slobodan Šijan / Kolaž o Tomu u 24 kvadrata (1937–2010) 48 Goran Trbuljak / Tomislav Gotovac, s 1000 kilometara IZ POVIJESTI HRVATSKOGA FILMA 52 Sanja Lovrić / Poetizacija narativnog: neki aspekti Ronda Zvonimira Berkovića 63 Petar Sarjanović / Od teorije prema umjetnosti i natrag: štoperica u ruci Ivana Ladislava Galete 72 Miljenko Buljac /Konjanik od romana Ivana Aralice do filma Branka Ivande STUDIJE 78 Irena Paulus / Tišina kao dimenzija vremena u filmskoj glazbi SNIMATELJSKI PRILOZI 86 Krešimir Mikić / Portret snimatelja (VI) – Henri Alekan ESEJI 91 Marijan Krivak / Dvije srodne poetike u dva različita filma: Taj mračni predmet žudnje Luisa Buñuela i Labirint strasti Pedra Almodóvara 95 Slaven Zečević / Život redatelja Sama Peckinpaha kao povijesna fikcija: “If They Move... Kill’Em!” FESTIVALI I REVIJE 99 17. tjedan češkog filma (2010): Traume prošlosti, Krešimir Košutić 102 6. 25 FPS – internacionalni festival eksperimentalnog filma i videa (2010):Mastodonti lete u nebo, Željko Kipke 106 8. Zagreb Film Festival (2010): Utabanim stazama, Krešimir Košutić / Dokumentarnost i vjerodo- stojnost (Uz prikazivanje Banksyjeva filmaUradi i bježi – Exit Through the Gift Shop), Janko Heidl 115 5. One Take Film Festival – Međunarodni festival filmova snimljenih u jednom kadru (2010): Proble- matiziranje međuljudskih odnosa, Vladimir Šeput 118 8. Human Rights Film Festival (2010): Obrisi nataloženog vremena, Stipe Radić NOVI FILMOVI 122 Iz kinorepertoara: Amerikanac, Karla Lončar / Che: dio drugi, Marijan Krivak / Cirkus Columbia, Josip Grozdanić / Društvena mreža, Mario Slugan / Granice kontrole, Diana Nenadić / Machete, Tomislav Šakić / Majka asfalta, Mima Simić / Med, Dragan Rubeša / Ondine, Sonja Tarokić / Poezija, Dean Kotiga / Sedamdeset i dva dana, Juraj Kukoč / Srpski film,Mario Kozina / Šuma summarum, Vladimir Šeput / Ulaz u prazninu, Mario Kozina / Wallstreet: novac nikad ne spava, Boško Picula NOVE KNJIGE 169 Janko Heidl / Putovi kraćenja filmske povijesti / Ivo Škrabalo, Hrvatska filmska povijest ukratko (1896-2006), 2008. 173 Tonči Valentić / Aktualizacija filozofije kroz popularne filmove / Ollivier Pourriol,Filmozofija, 2010. DODACI 175 Kronika / Filmografija kinorepertoara / Bibliografija filmskih publikacija / English summaries / O suradnicima / Upute suradnicima hrvatski filmski ljetopis CONTENTS 64, Winter 2010/2011 EDITORIAL 5 Film in the age of crisis TOMISLAV GOTOVAC 6 Slobodan Šijan / Collage on Tom in 24 frames (1937–2010) 48 Goran Trbuljak / Tomislav Gotovac, from a thousand miles distance FROM THE HISTORY 52 Sanja Lovrić / Poetization of the narrative discourse: Zvonimir Berković’s Rondo OF CROATIAN CINEMA 63 Petar Sarjanović / From theory to art and back: stop watch in the hands of Ivan Ladislav Galeta 72 Miljenko Buljac / Konjanik – from the novel by Ivan Aralica to the film by Branko Ivanda FILM STUDIES 78 Irena Paulus / Silence as dimension of time in film music STUDIES IN CINEMATOGRAPHY 86 Krešimir Mikić / Portrait of a cinematographer (VI) – Henri Alekan ESSAYS 91 Marijan Krivak / Two different films, one similar poetics: That Obscure Object of Desire by Luis Buñuel and Labyrinth of Passion by Pedro Almodóvar 95 Slaven Zečević / Life of director Sam Peckinpah as historical fiction:If They Move… Kill ’Em! FESTIVALS 99 17th Week of the Czech cinema (2010): Traumas of the Past, Krešimir Košutić 102 6th 25 FPS – International experimental film and video festival (2010): Mastodons fly into the sky, Željko Kipke 106 8th Zagreb Film Festival (2010): Well-trodden paths, Krešimir Košutić / Documentary and Cre- dibility (showcasing the filmExit through the Gift Shop by Banksy), Janko Heidl 115 5th One Take Film Festival (2010): Thematizing Human Relations, Vladimir Šeput 118 8th Human Rights Film Festival (2010): Shapes of sedimented time, Stipe Radić NEW FILMS 122 Theatres: The American, Karla Lončar / Che: Part Two, Marijan Krivak / Cirkus Columbia, Josip Grozdanić / The Social Network, Mario Slugan / The Limits of Control, Diana Nenadić / Machete, Tomislav Šakić / Majka asfalta, Mima Simić / Bal, Dragan Rubeša / Ondine, Sonja Tarokić / Shi, Dean Kotiga / Sedamdeset i dva dana, Juraj Kukoč / Srpski film,Mario Kozina / Šuma summa- rum, Vladimir Šeput / Enter the Void, Mario Kozina / Wallstreet: Money Never Sleeps, Boško Picula NEW BOOKS 169 Janko Heidl / Ways of shortening film history / Ivo Škrabalo, Hrvatska filmska povijest ukratko (1896-2006), 2008. 173 Tonči Valentić / Topicalizing philosophy through popular films / Ollivier Pourriol,Filmozofija , 2010. APPENDICES 175 Chronicle / Filmographies / Bibliographies / English summaries / Contributors to this issue / Submission guidelines UVODNIK Film u doba krize Ovaj broj Hrvatskog filmskog ljetopisa nosi datum od zime 2010/2011, dovršavamo ga kao i obično u prosincu, no umjesto u siječnju, pred vama će se naći tek u prve proljetne dane 2011. godine, sa zakašnjenjem (nadamo se ne većem) od tri mjeseca. Posljedica je to be- zizlazne situacije u kojoj se naš časopis – uslijed sveopćeg kresanja ulaganja u kulturu i nezavisne medije – našao u drugoj polovici 2010. godine, usprkos nizu ušteda koje smo ostvarili tijekom redizajna u zadnje dvije godine. Uz dužnu ispriku našim pretplatnicima (i u nadi da će ih ipak biti više, pogotovo među obrazovnim ustanovama, filmskim kritičarima i samim filmskim radnicima), dužni smo i još jednu ispriku našim suradnicima koji su iz bro- ja u broj sve dulje čekali da im se isplate njihovi honorari. Svi oni bili su obaviješteni o po- tezima koji će uslijediti još krajem prosinca (tko nije, molimo da se obrati na uredništvo). Od ovoga broja naš časopis ide u najmanjoj, ali najsigurnijoj brzini prema Europskoj uniji i svijetloj budućnosti – autorski honorari srezani su od ovoga broja upola; da bismo pre- mostili nastali jaz, idući će broj biti dvobroj za proljeće i ljeto 2011, a ako se tijekom ove i iduće godine dogodi i pokoji tanji broj, razlozi će uvijek biti financijske naravi. Potpore časopisima u kulturi su javne i svatko može saznati kolika je naša na internetskim strani- cama Ministarstva kulture i Grada Zagreba, no olakotna je okolnost u slučaju Hrvatskog filmskog ljetopisa što je naš temeljni predmet bavljenja film, pa – kao cijela filmska nacija u Hrvata – usrdno okrećemo oči prema Hrvatskom audiovizualnom centru (HAVC) kao spasu, ali i nudeći svu našu moguću potporu u provedbi Nacionalnog programa promicanja audiovi- zualnoga stvaralaštva 2010.-2014., za koji se nadamo da će biti u samoj izvedbi konkretniji i odlučniji nego u pomirljivoj petoljetnoj formi na papiru, da će svaki sudionik Programa, a napose javna televizija, obavljati svoje zakonske, profesijske i moralne obveze, ali i da će naš časopis biti cijenjen dio toga nacionalnog filmskog programa. Jer – naspram mogućem stanjivanju naših brojeva u idućim izdanjima – filmologija je u nekoliko zadnjih godina u Hrvatskoj prevalila velik put. Priznata je, formalno i stvarno, kao dio znanosti o umjetnosti, naš časopis indeksira se u tri prominentne svjetske baze podataka, Indeksu časopisa za film i televiziju u Bruxellesu, Indeksu citatnosti za umjetnost i humanistiku (AHCI) i bazi Web of Science (WoS). Također, u sustavu znanosti i visokog školstva, filmologija je postala samostalno područje, zbog čega razloga za “stanjivanje” nema – stručnih članaka i filmoloških studija sve je više, ali je sve više
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    Hotel za odmor i - biznis MONS Hotel & Apartments nalazi se u samom centru Zlatibora, u blizini jezera. Sa svojim modernim enterijerom, raznovrsnim sadržajem i najvišim nivoom usluge, MONS predstavlja pravo mesto za odmor i uživanje svih generacija. Pored 21 smeštajne jedinice, hotel sadrži i café restoran, SPA centar, teretanu, dečiju igraonicu i FUN zonu. Novo u ponudi hotela je moderna kongresna sala opremljena najsavremenijom tehnologijom. Klimatizovan prostor, elegantnog enterijera pruža razne pogodnosti za održavanje svih poslovnih događaja. Kapacitet sale je do 40 mesta i fleksibilna je za najrazličitije postavke. Gostima je na raspolaganju računar, ozvučenje, flip chart, kao i najsavremenija interaktivna smart tabla sa projektorom, zahvaljujući kojoj će svaki kongres ili seminar biti vrlo efikasan i produktivan. Sala je pokrivena brzim internetom, a po potrebi mogu se potpuno besplatno koristiti i usluge štampanja, kopiranja i faksa. Svim učesnicima sastanka nudimo i raznovrstan izbor kvalitetne, zdrave hrane i pića, koja će upotpuniti dobar utisak o hotelu, a boravak učiniti vrhunskim zadovoljstvom. Prenesite svoje sastanke u MONS Hotel & Apartments i - spojite posao i odmor! Ćaldov put bb | 31315 Zlatibor | Srbija Tel: +381 31 848-005 | Fax: +381 31 848-008 www.mons-zlatibor.com | [email protected] Raskoš pod sjajem 5 zvezdica! nogo dobrih hotela je u Novom Sadu, ali samo se jedan izdvaja! Ne samo zbog maksi- NOMINACIJA ZA SVETSKU KLASU Mmalnih pet zvezdica koje u Srbiji ima samo nekoliko hotela, već i zbog modernog ekste - Sa ponosom obaveštavamo da je rijera i jedinstvenog enterijera, u skladu sa najprefinjenjim estetskim merilima i najvišim svetskim Prezident Hotel***** nominovan standardima. za prestižnu nagradu – 2017 Reč je o otmenom i luksuznom hotelu „Prezident“, smeštenom na izuzetnoj lokaciji: centar World Luxury Hotel Awards! „Srpske Atine“ je gostima na dohvat ruke, a od „Novosadskog sajma“ deli ga samo 100 m! Ho- tel raspolaže sa 50 vrlo modernih, komfornih soba i apartmana, u kojima može da se smesti više od 100 gostiju.
  • Maggie Rodford

    Maggie Rodford

    MAGGIE RODFORD SLECTED CREDITS THE SECRET GARDEN (2020) ARTEMIS FOWL (2020) PINOCCHIO (2019) DARKEST HOUR (2017) BIOGRAPHY Maggie Rodford is Managing Director of tHe Air-Edel Group, incorporating one of tHe world’s leading music publisHing and production companies, representing composers worldwide. The company Has offices in London and Los Angeles. Maggie studied music, playing piano and cello and singing in choirs including tHe BBC CHorus. Maggie trained as a music engineer and prior to joining Air-Edel worked at both tHe BBC and EMI. Maggie works closely witH composers, negotiating contracts, producing, music supervising and co-ordinating music recordings. SHe Has worked as music producer, co-ordinator and supervisor on many HigH profile films including ‘Falling’, ‘PinoccHio’, ‘Artemis Fowl’, ‘THe Secret Garden’, ‘Hope Gap’, ‘All Is True’, ‘Bumblebee’, ‘Evelyn’, ‘THe CHildren Act’, ‘THe Guernsey Literary and Potato Peel Pie Society’, ‘Sgt Stubby: An American Hero’, ‘THe Jazz Ambassadors’, ‘Murder On THe Orient Express’ ‘Darkest Hour’, ‘THe Emoji Movie’, ‘Kubo and the Two Strings’, ‘A United Kingdom’, ‘Everest’, ‘Cinderella’, ‘THe Boxtrolls’, ‘Belle’, ‘Jack Ryan: Shadow Recruit’, ‘THird Person’, ‘Anna Karenina’, ‘Brave’, ‘Cabin in tHe Woods’, ‘THor’, ‘Jane Eyre’, ‘My Week with Marilyn’, ‘W.E.’, ‘The King’s SpeecH’, ‘The First Grader’, ‘Atonement’, ‘Gosford Park’, ‘Bridget Jones’ Diary’, ‘Beyond tHe Sea’, ‘Pride & Prejudice’, ‘Harry Potter and the Goblet of Fire’, ‘Miss Potter’ and ‘Igor’. Maggie served as a PRS Director for many years and was an active member of tHe PRS Executive Board. Maggie was a member of tHe BAFTA Film committee for four years and is currently tHe CHairman of tHe BAFTA Archive, Heritage & ExHibitions Committee.
  • 100 Piano Classics

    100 Piano Classics

    100 Piano Classics: In The The Best Of The Red Army Lounge Choir Samuel Joseph Red Army Choir SILCD1427 | 738572142728 SILKD6034 | 738572603427 CD | Lounge Album | Russian Military Songs Samuel Joseph is 'The Pianists' Pianist'. Born in Hobart, Re-mastered from the original session tapes, the recordings Tasmania he grew up performing at restaurants, events and for this 2CD set were all made in Moscow over a number of competitions around the city before settling in London in years. They present the most complete and definitive 2005. He has brought his unique keyboard artistry to many collection of recordings of military and revolutionary songs celebrated London venues including the Dorchester, the by this most versatile of choirs. Includes Kalinka, My Savoy, Claridges, the Waldorf and Le Caprice. He has Country, Moscow Nights, The Cossacks, Song of the Volga entertained celebrities as diverse as Bono to Dustin Boatmen, Dark Eyes and the USSR National Anthem. Hoffman along with heads of state and royalty. Flair, vibrancy and impeccable presentation underline his keyboard skills. This 100 track collection highlights his astounding repertoire Swinging Mademoiselles - The Adventures Of Robinson Groovy French Sounds From Crusoe - Original TV The 60s Soundtrack Various Artists Robert Mellin & Gian-Piero SILCD1191 | 738572119126 Reverberi CD | French FILMCD705 | 5014929070520 CD | TV Soundtracks Long before England started swinging in the mid-1960s, One of the most evocative children's TV series of the 1960s France was the bastion for cool European pop sounds. is equally matched by Robert Mellin and Gian-Piero Sultry young French maidens, heavy on mascara and a Reverberi's enchanting score familiar to any young viewer of languid innocence cast a sexy spell with what became the period.
  • The City of Prague Philharmonic Orchestra and Chorus

    The City of Prague Philharmonic Orchestra and Chorus

    SPRING 2016 NEWS www.tadlowmusic.com THE CITY OF PRAGUE PHILHARMONIC ORCHESTRA AND CHORUS EUROPE’S MOST EXPERIENCED AND VERSATILE RECORDING ORCHESTRA: 70 YEARS OF QUALITY MUSIC MAKING The CoPPO have been recording local film and TV scores at Smecky Music Studios since 1946, and a large number of international productions since 1988. Over the years they have worked with many famous composers from Europe and America including: ELMER BERNSTEN * MICHEL LEGRAND * ANGELO BADALAMENTI * WOJCIECH KILAR * CARL DAVIS GABRIEL YARED * BRIAN TYLER * RACHEL PORTMAN * MYCHAEL DANNA * JEFF DANNA * NITIN SAWHNEY JAVIER NAVARRETE * LUDOVIC BOURCE * CHRISTOPHER GUNNING * INON ZUR * JOHANN JOHANNSSON * NATHANIEL MECHALY * PATRICK DOYLE In recent years they have continued this tradition of recording orchestral scores for international productions with composers now recording in Prague from: Australia * New Zealand * Japan * Indonesia * Malaysia * Singapore * China * Taiwan * Russia * Egypt * The Lebanon * Turkey * Brazil * Chile and India Prague has become the centre for worldwide scoring. COST OF 100% TOTAL BUYOUT RECORDING IN PRAGUE (DUE TO EXCHANGE RATE CHANGES) IS EVEN MORE FAVOURABLE THAN IT WAS 5 YEARS AGO ! TADLOW MUSIC The Complete Recording Package for FILM, TV, VIDEO GAMES SCORING AND FOR THE RECORD INDUSTRY in LONDON + PRAGUE Music Contractor / Producer : James Fitzpatrick imdb page: http://www.imdb.com/name/nm0280533/ NEW PHONE # : +44 (0) 797 181 4674 “It’s an absolute delight to work with Tadlow Music. The Prague musicians are great and I’ve had many happy experiences recording with them.” - Oscar Winning Composer RACHEL PORTMAN “Always a pleasure to work with James, as i have many times over the years.
  • Festivalteilnahmen Deutscher Filme Auf Internationalen Filmfestivals 2019

    Festivalteilnahmen Deutscher Filme Auf Internationalen Filmfestivals 2019

    FESTIVALTEILNAHMEN DEUTSCHER FILME AUF INTERNATIONALEN FILMFESTIVALS 2019 FESTIVAL DATUM BEGINN DATUM ENDE SEKTION FILMTITEL REGIE KOPRODUKTIONSLÄNDER Palm Springs International Film Festival 3. Januar 2019 14. Januar 2019 FLOS: Foreign Language Oscar® Submissions DONBASS Sergei Loznitsa DE/UA/FR/RO/NL Palm Springs International Film Festival 3. Januar 2019 14. Januar 2019 FLOS: Foreign Language Oscar® Submissions ELDORADO Markus Imhoof CH/DE Palm Springs International Film Festival 3. Januar 2019 14. Januar 2019 FLOS: Foreign Language Oscar® Submissions I DO NOT CARE IF WE GO DOWN IN HISTORY AS BARBARIANS Radu Jude RO/DE/BG/FR/CZ Palm Springs International Film Festival 3. Januar 2019 14. Januar 2019 FLOS: Foreign Language Oscar® Submissions SUPA MODO Likarion Wainaina DE/KE Palm Springs International Film Festival 3. Januar 2019 14. Januar 2019 FLOS: Foreign Language Oscar® Submissions THE HEIRESSES Marcelo Martinessi PY/DE/UR Palm Springs International Film Festival 3. Januar 2019 14. Januar 2019 FLOS: Foreign Language Oscar® Submissions WERK OHNE AUTOR Florian Henckel von Donnersmarck Palm Springs International Film Festival 3. Januar 2019 14. Januar 2019 FLOS: Foreign Language Oscar® Submissions WHAT WILL PEOPLE SAY Iram Haq Palm Springs International Film Festival 3. Januar 2019 14. Januar 2019 Modern Masters TRANSIT Christian Petzold DE/FR Palm Springs International Film Festival 3. Januar 2019 14. Januar 2019 New Jewish Stories DER TRAFIKANT Nikolaus Leytner AT/DE Palm Springs International Film Festival 3. Januar 2019 14. Januar 2019 The Gay!La RAFIKI Wanuri Kahlu ZA/KE/FR/LB/NO/NL/DE Palm Springs International Film Festival 3. Januar 2019 14. Januar 2019 The Palm Springs Canon GEGEN DIE WAND Fatih Akin Palm Springs International Film Festival 3.
  • Download Download

    Download Download

    JRFM JOURNAL RELIGION 2019 FILM 05/02 MEDIA JRFM JOURNAL FOR RELIGION, FILM AND MEDIA 2019 05/02 Alexander D. Ornella (ed.) Apocalyptic Imaginings Licensed under Creative Commons CC BY-NC JRFM JOURNAL FOR RELIGION, FILM AND MEDIA CHIEF EDITORS Stefanie Knauss Daria Pezzoli-Olgiati Villanova University University of Munich (LMU) Christian Wessely University of Graz EDITORIAL BOARD Bärbel Beinhauer-Köhler Philippe Bornet University of Marburg University of Lausanne Natalie Fritz Anna-Katharina Höpflinger Catholic Media Center Zurich University of Munich (LMU) Marie-Therese Mäder Alexander D. Ornella University of Munich (LMU) University of Hull ADVISORY BOARD Freek Bakker Chris Deacy Utrecht University University of Kent Cristiana Facchini Peter Hasenberg University of Bologna Catholic Film Commission Germany Theresia Heimerl Julia Helmke University of Graz University of Erlangen Syed Adnan Hussain Athina Karatzogianni Saint Mary´s University of Halifax University of Leicester Gerhard Larcher Markus Leniger University of Graz Cath. Academy Schwerte Walter Lesch Marek Lis Université Catholique de Louvain University of Opole Clive Marsh Charles Martig University of Leicester Catholic Media Center Zurich Marcello Neri Margaret Olin University of Flensburg Yale University Florence Pasche-Guignard Sofia Sjö University of Fribourg Åbo Akademi University Joachim Valentin Paola von Wyss-Giacosa University of Frankfurt University of Zurich Elie Yazbek Reinhold Zwick Saint-Joseph University of Beirut University of Münster CONTACT Institut für Fundamentaltheologie / JRFM Heinrichstrasse 78/B/1, A-8010 Graz, Austria e-mail: [email protected] www.jrfm.eu JRFM JOURNAL FOR RELIGION, FILM AND MEDIA JRFM is a peer-reviewed, open-access, online publication. It offers a platform for scholarly research in the broad field of religion and media, with a particular interest in audiovisual and interactive forms of communication.