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Hrvatski Filmski Ljetopis God hrvatski filmski ljetopis god. 16 (2010) broj 64, zima 2010. Hrvatski filmski ljetopis utemeljili su 1995. Hrvatsko društvo filmskih kritičara, Hrvatska kinoteka i Filmoteka 16 Utemeljiteljsko uredništvo: Vjekoslav Majcen, Ivo Škrabalo i Hrvoje Turković Časopis je evidentiran u FIAF International Index to Film Periodicals i u Arts and Humanities Citation Index (A&HCI) Uredništvo / Editorial Board: Nikica Gilić (glavni urednik / editor-in-chief) Krešimir Košutić (novi filmovi i festivali / new films and festivals) Bruno Kragić Jurica Starešinčić Tomislav Šakić (izvršni urednik / managing editor) Hrvoje Turković (odgovorni urednik / supervising editor) Suradnici/Contributors: Ana Brnardić (lektorski savjeti / proof-reading) Juraj Kukoč (kronika/chronicles) Sandra Palihnić (prijevod sažetaka / translation of summaries) Duško Popović (bibliografije/bibliographies) Anka Ranić (UDK) Dizajn i priprema za tisak / Design and pre-press: Barbara Blasin Naslovnica / Front cover: Glave, serija od 12 fotografija (Tom Gotovac, 1971) Stražnje korice / Back cover: Glave, serija od 12 fotografija (Tom Gotovac, 1971) Nakladnik/Publisher: Hrvatski filmski savez Za nakladnika / Publishing Manager: Vera Robić-Škarica ([email protected]) Tisak / Printed By: Tiskara C.B. Print, Samobor Adresa/Contact: Hrvatski filmski savez (za Hrvatski filmski ljetopis), HR-10000 Zagreb, Tuškanac 1 Tajnica redakcije: Vanja Hraste ([email protected]) telefon/phone: (385) 01 / 4848771 telefaks/fax: (385) 01 / 4848764 e-mail uredništva: [email protected] / [email protected] www.hfs.hr/ljetopis Izlazi tromjesečno u nakladi od 1000 primjeraka Cijena: 50 kn / Godišnja pretplata: 150 kn Žiroračun: Zagrebačka banka, 2360000-1101556872, Hrvatski filmski savez (s naznakom “za Hrvatski filmski ljetopis”) Hrvatski filmski ljetopis is published quarterly by Croatian Film Association Subscription abroad: 60 € / Account: 2100058638/070 S.W.I.F.T. HR 2X Godište 16. (2010) izlazi uz potporu Ministarstva kulture Republike Hrvatske i Gradskog ureda za obrazovanje, kulturu i šport Grada Zagreba Ovaj broj zaključen je 15. siječnja 2011. hrvatski filmski ljetopis SADRŽAJ 64, zima 2010/2011. UVODNIK 5 Film u doba krize TOMISLAV GOTOVAC 6 Slobodan Šijan / Kolaž o Tomu u 24 kvadrata (1937–2010) 48 Goran Trbuljak / Tomislav Gotovac, s 1000 kilometara IZ POVIJESTI HRVATSKOGA FILMA 52 Sanja Lovrić / Poetizacija narativnog: neki aspekti Ronda Zvonimira Berkovića 63 Petar Sarjanović / Od teorije prema umjetnosti i natrag: štoperica u ruci Ivana Ladislava Galete 72 Miljenko Buljac /Konjanik od romana Ivana Aralice do filma Branka Ivande STUDIJE 78 Irena Paulus / Tišina kao dimenzija vremena u filmskoj glazbi SNIMATELJSKI PRILOZI 86 Krešimir Mikić / Portret snimatelja (VI) – Henri Alekan ESEJI 91 Marijan Krivak / Dvije srodne poetike u dva različita filma: Taj mračni predmet žudnje Luisa Buñuela i Labirint strasti Pedra Almodóvara 95 Slaven Zečević / Život redatelja Sama Peckinpaha kao povijesna fikcija: “If They Move... Kill’Em!” FESTIVALI I REVIJE 99 17. tjedan češkog filma (2010): Traume prošlosti, Krešimir Košutić 102 6. 25 FPS – internacionalni festival eksperimentalnog filma i videa (2010):Mastodonti lete u nebo, Željko Kipke 106 8. Zagreb Film Festival (2010): Utabanim stazama, Krešimir Košutić / Dokumentarnost i vjerodo- stojnost (Uz prikazivanje Banksyjeva filmaUradi i bježi – Exit Through the Gift Shop), Janko Heidl 115 5. One Take Film Festival – Međunarodni festival filmova snimljenih u jednom kadru (2010): Proble- matiziranje međuljudskih odnosa, Vladimir Šeput 118 8. Human Rights Film Festival (2010): Obrisi nataloženog vremena, Stipe Radić NOVI FILMOVI 122 Iz kinorepertoara: Amerikanac, Karla Lončar / Che: dio drugi, Marijan Krivak / Cirkus Columbia, Josip Grozdanić / Društvena mreža, Mario Slugan / Granice kontrole, Diana Nenadić / Machete, Tomislav Šakić / Majka asfalta, Mima Simić / Med, Dragan Rubeša / Ondine, Sonja Tarokić / Poezija, Dean Kotiga / Sedamdeset i dva dana, Juraj Kukoč / Srpski film,Mario Kozina / Šuma summarum, Vladimir Šeput / Ulaz u prazninu, Mario Kozina / Wallstreet: novac nikad ne spava, Boško Picula NOVE KNJIGE 169 Janko Heidl / Putovi kraćenja filmske povijesti / Ivo Škrabalo, Hrvatska filmska povijest ukratko (1896-2006), 2008. 173 Tonči Valentić / Aktualizacija filozofije kroz popularne filmove / Ollivier Pourriol,Filmozofija, 2010. DODACI 175 Kronika / Filmografija kinorepertoara / Bibliografija filmskih publikacija / English summaries / O suradnicima / Upute suradnicima hrvatski filmski ljetopis CONTENTS 64, Winter 2010/2011 EDITORIAL 5 Film in the age of crisis TOMISLAV GOTOVAC 6 Slobodan Šijan / Collage on Tom in 24 frames (1937–2010) 48 Goran Trbuljak / Tomislav Gotovac, from a thousand miles distance FROM THE HISTORY 52 Sanja Lovrić / Poetization of the narrative discourse: Zvonimir Berković’s Rondo OF CROATIAN CINEMA 63 Petar Sarjanović / From theory to art and back: stop watch in the hands of Ivan Ladislav Galeta 72 Miljenko Buljac / Konjanik – from the novel by Ivan Aralica to the film by Branko Ivanda FILM STUDIES 78 Irena Paulus / Silence as dimension of time in film music STUDIES IN CINEMATOGRAPHY 86 Krešimir Mikić / Portrait of a cinematographer (VI) – Henri Alekan ESSAYS 91 Marijan Krivak / Two different films, one similar poetics: That Obscure Object of Desire by Luis Buñuel and Labyrinth of Passion by Pedro Almodóvar 95 Slaven Zečević / Life of director Sam Peckinpah as historical fiction:If They Move… Kill ’Em! FESTIVALS 99 17th Week of the Czech cinema (2010): Traumas of the Past, Krešimir Košutić 102 6th 25 FPS – International experimental film and video festival (2010): Mastodons fly into the sky, Željko Kipke 106 8th Zagreb Film Festival (2010): Well-trodden paths, Krešimir Košutić / Documentary and Cre- dibility (showcasing the filmExit through the Gift Shop by Banksy), Janko Heidl 115 5th One Take Film Festival (2010): Thematizing Human Relations, Vladimir Šeput 118 8th Human Rights Film Festival (2010): Shapes of sedimented time, Stipe Radić NEW FILMS 122 Theatres: The American, Karla Lončar / Che: Part Two, Marijan Krivak / Cirkus Columbia, Josip Grozdanić / The Social Network, Mario Slugan / The Limits of Control, Diana Nenadić / Machete, Tomislav Šakić / Majka asfalta, Mima Simić / Bal, Dragan Rubeša / Ondine, Sonja Tarokić / Shi, Dean Kotiga / Sedamdeset i dva dana, Juraj Kukoč / Srpski film,Mario Kozina / Šuma summa- rum, Vladimir Šeput / Enter the Void, Mario Kozina / Wallstreet: Money Never Sleeps, Boško Picula NEW BOOKS 169 Janko Heidl / Ways of shortening film history / Ivo Škrabalo, Hrvatska filmska povijest ukratko (1896-2006), 2008. 173 Tonči Valentić / Topicalizing philosophy through popular films / Ollivier Pourriol,Filmozofija , 2010. APPENDICES 175 Chronicle / Filmographies / Bibliographies / English summaries / Contributors to this issue / Submission guidelines UVODNIK Film u doba krize Ovaj broj Hrvatskog filmskog ljetopisa nosi datum od zime 2010/2011, dovršavamo ga kao i obično u prosincu, no umjesto u siječnju, pred vama će se naći tek u prve proljetne dane 2011. godine, sa zakašnjenjem (nadamo se ne većem) od tri mjeseca. Posljedica je to be- zizlazne situacije u kojoj se naš časopis – uslijed sveopćeg kresanja ulaganja u kulturu i nezavisne medije – našao u drugoj polovici 2010. godine, usprkos nizu ušteda koje smo ostvarili tijekom redizajna u zadnje dvije godine. Uz dužnu ispriku našim pretplatnicima (i u nadi da će ih ipak biti više, pogotovo među obrazovnim ustanovama, filmskim kritičarima i samim filmskim radnicima), dužni smo i još jednu ispriku našim suradnicima koji su iz bro- ja u broj sve dulje čekali da im se isplate njihovi honorari. Svi oni bili su obaviješteni o po- tezima koji će uslijediti još krajem prosinca (tko nije, molimo da se obrati na uredništvo). Od ovoga broja naš časopis ide u najmanjoj, ali najsigurnijoj brzini prema Europskoj uniji i svijetloj budućnosti – autorski honorari srezani su od ovoga broja upola; da bismo pre- mostili nastali jaz, idući će broj biti dvobroj za proljeće i ljeto 2011, a ako se tijekom ove i iduće godine dogodi i pokoji tanji broj, razlozi će uvijek biti financijske naravi. Potpore časopisima u kulturi su javne i svatko može saznati kolika je naša na internetskim strani- cama Ministarstva kulture i Grada Zagreba, no olakotna je okolnost u slučaju Hrvatskog filmskog ljetopisa što je naš temeljni predmet bavljenja film, pa – kao cijela filmska nacija u Hrvata – usrdno okrećemo oči prema Hrvatskom audiovizualnom centru (HAVC) kao spasu, ali i nudeći svu našu moguću potporu u provedbi Nacionalnog programa promicanja audiovi- zualnoga stvaralaštva 2010.-2014., za koji se nadamo da će biti u samoj izvedbi konkretniji i odlučniji nego u pomirljivoj petoljetnoj formi na papiru, da će svaki sudionik Programa, a napose javna televizija, obavljati svoje zakonske, profesijske i moralne obveze, ali i da će naš časopis biti cijenjen dio toga nacionalnog filmskog programa. Jer – naspram mogućem stanjivanju naših brojeva u idućim izdanjima – filmologija je u nekoliko zadnjih godina u Hrvatskoj prevalila velik put. Priznata je, formalno i stvarno, kao dio znanosti o umjetnosti, naš časopis indeksira se u tri prominentne svjetske baze podataka, Indeksu časopisa za film i televiziju u Bruxellesu, Indeksu citatnosti za umjetnost i humanistiku (AHCI) i bazi Web of Science (WoS). Također, u sustavu znanosti i visokog školstva, filmologija je postala samostalno područje, zbog čega razloga za “stanjivanje” nema – stručnih članaka i filmoloških studija sve je više, ali je sve više
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