Jools Holland and His Rhythm & Blues Orchestra Featuring Gilson Lavis with Special Guests Melanie C and Marc Almond and Guest Vocalists Ruby Turner & Louise Marshall

Total Page:16

File Type:pdf, Size:1020Kb

Jools Holland and His Rhythm & Blues Orchestra Featuring Gilson Lavis with Special Guests Melanie C and Marc Almond and Guest Vocalists Ruby Turner & Louise Marshall 8 Jools Holland and his Rhythm & Blues Orchestra featuring Gilson Lavis with special guests Melanie C and Marc Almond and guest vocalists Ruby Turner & Louise Marshall. With support Sponsored by B 19.30 Friday 23rd May O Perth Concert Hall X All tickets £37.00 O F Jools Holland OBE DL was born Julian Miles Holland on 24th January, 1958 in Blackheath, F Melanie C I South East London. At the age of 15 Jools was introduced to Glenn Tilbrook and Chris C Difford; together they formed Squeeze, and shortly afterwards they were joined by Gilson E Lavis (who had already played with, among others, B. B. King, Chuck Berry and Max Wall), 0 Up The Junction Cool For Cats 1 who still drums with Jools. and gave Squeeze meteoric 7 success and their popularity rapidly extended to America, where their tour included 3 performances at New York’s Madison Square Garden. 8 6 In 1987 Jools formed The Jools Holland Big Band, comprising himself and Gilson Lavis. 2 This has gradually metamorphosed into the current 20-piece Jools Holland and his Rhythm 1 0 & Blues Orchestra, which consists of pianist, organist, drummer, three female vocals, 3 guitar, bass guitar, two tenor saxophones, two alto saxophones, baritone saxophone, three 1 trumpets, and four trombones. As always, Jools continues to dazzle audiences across the UK with his Rhythm & Blues Orchestra and their exuberant live performances. They have just come off an extensive UK tour and, for the 21st year in a row, celebrated the dawn of the new year with the whole nation on BBC2’s New Year’s Eve TV Show Jools’ Annual Hootenanny . Doors open: 19:00. Support act on stage: 19:30–19.50. Marc Almond.
Recommended publications
  • The Art Book
    The Art Book 2008 – 15:1 Articles Prodigious Enchantments NORBERT LYNTON 3 Can Art be Evil? Portrait of a Nazi Propagandist JOHN A WALKER 5 Process as Communication VICTORIA KELLER 7 Living it Up in Fifteenth-Century Florence: Magnificence, the Medici and the Renaissance Palace GABRIELE NEHER 9 Translating Apples TACITA DEAN 11 ARTISTS' SELF-PORTRAITS FROM THE UFFIZI BY ANTONIO PAOLUCCI ET AL. BRITTA C DWYER 13 PANIC ATTACK! ART IN THE PUNK YEARS BY MARK SLADEN AND ARIELLA YEDGAR (EDS) JOHN A WALKER 14 MUDMAN: THE ODYSSEY OF KIM JONES BY SANDRA Q FIRMIN AND JULIE JOYCE (EDS) DAVID McCARTHY 15 HARRY THUBRON: COLLAGES AND CONSTRUCTIONS 1972-1984 BY NORBERT LYNTON AND JON THOMPSON BETH L WILLIAMSON 16 IKE TAIGA AND TOKUYAMA GYOKURAN: JAPANESE MASTERS OF THE BRUSH BY FELICE FISCHER WITH KYOKO KINOSHITA CRAIG BUNCH 19 BETWEEN WORLDS: VOYAGERS TO BRITAIN 1700-1850 BY JOCELYN HACKFORTH-JONES ET AL. PATRICIA ANDREW 20 SEAMAN SCHEPPS: A CENTURY OF NEW YORK JEWELRY DESIGN BY AMANDA VAILL AND JANET ZAPATA ROBERTA BERNABEI 21 ONCE UPON A TIME WALT DISNEY: THE SOURCES OF INSPIRATION FOR THE DISNEY STUDIOS BY BRUNO GIRVEAU, LELLA SMITH AND PIERRE LAMBERT VICTORIA DE RIJKE 22 CANALETTO IN ENGLAND A VENETIAN ARTIST ABROAD, 1746- 1755 BY CHARLES BEDDINGTON WITH ESSAYS BY BRIAN ALLEN AND FRANCIS RUSSELL SOPHIE BOSTOCK 23 LEONARDO DA VINCI EXPERIENCE, EXPERIMENT AND DESIGN BY MARTIN KEMP GABRIELE NEHER 24 OUDRY'S PAINTED MENAGERIE: PORTRAITS OF EXOTIC ANIMALS IN EIGHTEENTH-CENTURY EUROPE BY MARY MORTON (ED.) MICHAEL DORSCH 25 Two Saints - Home At Last 27 ‘The Call’ Within and Beyond Africa MARION ARNOLD 29 STILL LIFE AND TRADE IN THE DUTCH GOLDEN AGE BY JULIE BERGER HOCHSTRASSER LARRY SILVER 31 JAPONISME: THE JAPANESE INFLUENCE ON WESTERN ART SINCE 1858 BY SIEGFRIED WICHMANN MAJELLA MUNRO 32 THE MODERN WEST: AMERICAN LANDSCAPES, 1890-1950 BY EMILY BALLEW NEFF ET AL.
    [Show full text]
  • The Daily Egyptian, April 06, 1982
    Southern Illinois University Carbondale OpenSIUC April 1982 Daily Egyptian 1982 4-6-1982 The aiD ly Egyptian, April 06, 1982 Daily Egyptian Staff Follow this and additional works at: https://opensiuc.lib.siu.edu/de_April1982 Volume 67, Issue 128 Recommended Citation , . "The aiD ly Egyptian, April 06, 1982." (Apr 1982). This Article is brought to you for free and open access by the Daily Egyptian 1982 at OpenSIUC. It has been accepted for inclusion in April 1982 by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. Spring book 'Daily ~gyptian co-op axed; Tuesday, April II, 1982-Vol. fn, No. 128 future in doubt By Mike Anthony $1,<100, it will lead to the demise Staff Writer of the co-op. U the Student Center charges The Undergraduate Student the USO "that amount of money " Organization will oot have a to run the co-op, it will be forced book CCHlp this spring and to close," Rogers said whether there will be future c0- Cook said, "I feel that ops rema::na in doobt, ...:.:urding students own the Student to Jerry Cook, USO chief of Center. The book co-op provides staff. a service to the entire student The flnt CCHlp last January, body and we shouldn't be ill which more than $10,000 charged for the use 01 the worth of books changed bands Student Center because we're ::.!'I" JOg 581 s~ta, was ter­ paying for it." Illed successful by both However, Corker and Dean University administrators and Isbell, SIU System treasurer student leaders.
    [Show full text]
  • Glastonburyminiguide.Pdf
    GLASTONBURY 2003 MAP Produced by Guardian Development Cover illustrations: John & Wendy Map data: Simmons Aerofilms MAP MARKET AREA INTRODUCTION GETA LOAD OF THIS... Welcome to Glastonbury 2003 and to the official Glastonbury Festival Mini-Guide. This special edition of the Guardian’s weekly TV and entertainments listings magazine contains all the information you need for a successful and stress-free festival. The Mini-Guide contains comprehensive listings for all the main stages, plus the pick of the acts at Green Fields, Lost and Cabaret Stages, and advice on where to find the best of the weird and wonderful happenings throughout the festival. There are also tips on the bands you shouldn’t miss, a rundown of the many bars dotted around the site, fold-out maps to help you get to grips with the 600 acres of space, and practical advice on everything from lost property to keeping healthy. Additional free copies of this Mini-Guide can be picked up from the Guardian newsstand in the market, the festival information points or the Workers Beer Co bars. To help you keep in touch with all the news from Glastonbury and beyond, the Guardian and Observer are being sold by vendors and from the newsstands at a specially discounted price during the festival . Whatever you want from Glastonbury, we hope this Mini-Guide will help you make the most of it. Have a great festival. Watt Andy Illustration: ESSENTIAL INFORMATION INFORMATION POINTS hygiene. Make sure you wash MONEY give a description. If you lose There are five information your hands after going to the loo The NatWest bank is near the your children, ask for advice points where you can get local, and before eating.
    [Show full text]
  • PDF: V109-N51.Pdf
    MIT Contw inuou lsi Massachusetts' Sithnew erie188 Friday, -Novemnber~17, 1989 Volume 109, Nlumber 51 | re or ON dosing By iReuvena M. Lerner The faculty discussed possible changes in freshman housing and a proposed pornography policy at their monthly meeting on Wednesday. Professor Mary C. Potter, who chaired the Freshman Housinlg Committee, summarized her committee's report for the faculty. She said that the "4residenltial experience is essential" for a full undergrad- uate educational experience, and described the present system of as- signing 'living groups as "~exciting, but chaotic."' Potter said that under the new programn, all freshmen would be pre- assigned to dormitories before arriving at 1MIT, and would live there for at least one year. Instead of the currenzt Residence/Orientation Weeks freshmen would participate in "Orientation Weekc," during which freshmen wo:uld participate in "mcore effective" orientation ac- tivities than presently exist. Faculty reactions to the proposal were generally negative. Associate Professor James L. Kirtley '67 said he was "caught by surprise" by the housing report, and called it a "'lousy idea." He also disputed the committee's opinion that foreign and minority students are underrep- resented at ILG's. Kirtley said that while this might have been true in the past, it is nlo longer the case. Undergraduate Association President Paul Antico '91 said that while freshmen might be unhappy with the residence choices they Williamn Chu/The Tech make, "choice based on limited knowledge is better than no choice at Students slept on the sculptures and enjoyed the last days of -Indiana summer this all." He encouraged -the faculty to "attack student housing problems week.
    [Show full text]
  • Smash-Hits-1980-12-J
    TLY ...,., man League lbums lncolour be won ROXY MUSIC FLESH+BLOOD Phone 01-200 0200 To find out the nearest shop where you can obtain "Flesh & Blood" at a minimwn of £1.00 off tlte album's R.R.P. ALBUM & CASSETTE 1.,.,~.1EiJ NEW AMSTERDAM June 12-25 1980 Elvis Costello ...........................................4 It's tough atthe top. Jerry TIN SOLDIERS Dammers just popped in to Stiff Little Fingers ....................................4 borrow a picture of himself. Seems he was trying to cash a CHRISTINE cheque at the bank and the Siouxsie & The Banshees ....................... 5 people didn't recognise him . .. Our apologies next to the folks CRYING who were disappointed by the Don Mclean .............................................8 absence of the promised Dexy's colour poster in the lastjssue. CHINATOWN r----...:S~ee, thei:O• haef'already been 4 rattled off to the prlntws before THT:~EL~.1oivi. M·~A~s·~·H ........................ ·1 the actual shot arrived and we decided we needed to~ bett.er. The Mash ............................................... 14 have atlence ,and we1t bring LITTLE JEANNIE one soon. This time around eve definitely got a fantastic Elton John .............................................. 16 vid,c> game for our new IF LOVING YOU IS WRONG d prize, our Irresistible lffer OD page 26 plus a Rod Stewart ........................................... 16 S etro"c:ompetition on page • EVERYBODY'S GOTTO LEARN 28. So'-Juat think yourself lucky - we UNd_"to'"1ive7n a _rolled u SOMETIME -~e'.lnidHle ofthe"' The Korgis .............................................. 19 BACK TOGETHER AGAIN Roberta Flack & Donny Hathaway ........22 THE MAN WHO DIES EVERYDAY ntributon Ultravox .................................................29 qb' K'-atz TO BE OR NOT TO BE R~ttrr Fr,cl Deller B.
    [Show full text]
  • Robert Glasper's In
    ’s ION T T R ESSION ER CLASS S T RO Wynton Marsalis Wayne Wallace Kirk Garrison TRANSCRIP MAS P Brass School » Orbert Davis’ Mission David Hazeltine BLINDFOLD TES » » T GLASPE R JAZZ WAKE-UP CALL JAZZ WAKE-UP ROBE SLAP £3.50 £3.50 U.K. T.COM A Wes Montgomery Christian McBride Wadada Leo Smith Wadada Montgomery Wes Christian McBride DOWNBE APRIL 2012 DOWNBEAT ROBERT GLASPER // WES MONTGOMERY // WADADA LEO SmITH // OrbERT DAVIS // BRASS SCHOOL APRIL 2012 APRIL 2012 VOLume 79 – NumbeR 4 President Kevin Maher Publisher Frank Alkyer Managing Editor Bobby Reed News Editor Hilary Brown Reviews Editor Aaron Cohen Contributing Editors Ed Enright Zach Phillips Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Assistant Theresa Hill 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Or- leans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D.
    [Show full text]
  • Broadcast Bulletin Issue Number 181 09/05/11
    Ofcom Broadcast Bulletin Issue number 181 9 May 2011 1 Ofcom Broadcast Bulletin, Issue 181 9 May 2011 Contents Introduction 4 Standards cases In Breach Music Video: Rihanna - "S&M" WTF TV, 10 March 2011, 11:25 5 Various ‘adult’ material Red Hot Mums, 8 January 2011, 22:20 to 22:30 Red Hot Mums, 8 January 2011, 23:20 to 23:30 Red Hot Mums, 9 January 2011, 00:20 to 00:30 Red Hot Mums, 9 January 2011, 22:20 to 22:30 10 ITV News ITV1, 14 February 2011, 18:30 14 Zor ka Zatka sponsorship credits NDTV Imagine, 1 February 2011, constantly until 18:00 17 QI Dave, 22 February 2011, 14:00 19 Resolved Chris Evans Breakfast Show BBC Radio 2, 28 January 2011, 08:50 21 The Real Housewives of Orange County ITV2, 11 February 2011, 07:15 23 Advertising Scheduling Cases In Breach Advertising minutage UTV, 13 March 2011, 11:56 25 Fairness & Privacy cases Upheld Complaint by Miss B The Ugly Face of Beauty, Channel 4, 20 July 2010 28 2 Ofcom Broadcast Bulletin, Issue 181 9 May 2011 Not upheld Complaint by Ms Denise Francis The Wire, The Hillz FM, 15 March 2010 34 Other programmes not in breach 40 3 Ofcom Broadcast Bulletin, Issue 181 9 May 2011 Introduction The Broadcast Bulletin reports on the outcome of investigations into alleged breaches of those Ofcom codes and licence conditions with which broadcasters regulated by Ofcom are required to comply. These include: a) Ofcom‟s Broadcasting Code (“the Code”), the most recent version of which took effect on 28 February 2011and covers all programmes broadcast on or after 28 February 2011.
    [Show full text]
  • September 1988
    Cover photo by Ebet Roberts 18 AIRTO He calls himself the "outlaw of percussion" because he breaks all the rules, but that's what has kept Airto in demand with musicians such as Miles Davis, Chick Corea, and Weather Report for almost two decades. His latest rule-breaking involves the use of electronics, but as usual, he has come up with his own way of doing it. by Rick Mattingly 24 GILSON LAVIS Back when Squeeze was enjoying their initial success, drummer Gilson Lavis was becoming increasingly dependent on alcohol. After the band broke up, he conquered his problem, and now, with the re-formed Squeeze enjoying success once again, Lavis is able to put new energy into his gig. by Simon Goodwin 28 BUDDY Photo by Ebet Roberts MILES He made his mark with the Electric Flag, Jimi Hendrix's Band of Gypsies, and his own Buddy Miles Express. Now, active once again with Santana and the California Raisins, Buddy Miles reflects on the legendary music that he was so much a part of. by Robert Santelli 32 DAVE TOUGH He didn't have the flash of a Buddy Rich or a Gene Krupa, but Dave Tough made such bands as Benny Goodman's, Artie Shaw's, and Woody Herman's play their best through his driving timekeeping and sense of color. His story is a tragic one, and it is thus even more Roberts Ebet remarkable that he accomplished so much in his by relatively short life. Photo by Burt Korall VOLUME 12, NUMBER 9 ROCK BASICS PERSPECTIVES Heavy Metal Power Warming Up: Part 1 Fills: Part 1 by Kenny Aronoff by Jim Pfeifer 38 90 UP AND COMING DRUM SOLOIST ROCK'N'JAZZ David Bowler Max Roach: "Jordu" CLINIC by Bonnie C.
    [Show full text]
  • The Story So Far
    1. How Long (Ace) 2. Tempted (Squeeze) 3. Silent Running (Live) 4. When You Walk In The Room (Live) 5. The Living Years (2006 Version) 6. I Live On A Battlefield (with the Royal Philharmonic Orchestra) 7. Dedicated (2006 Version) 8. Over My Shoulder (Live from Abbey Road) 9. Love Will Keep Us Alive (Full Version) - Featuring Timothy B Schmit of the Eagles 10. Eyes Of Blue 11. Beautiful World 12. Satisfy My Soul 13. Groovin’ 14. Any Day Now 15. Where Did I Go Wrong? 16. It Ain’t Over 17. What A Wonderful World (with the SWR Big Band) PCARiT14. This Compilation P2014 Carrack-UK. g2014 Carrack-UK Unauthorised copying, reproduction, hiring, lending, public performance and broadcasting prohibited. All rights reserved. Unauthorised duplication is a violation of applicable laws. Paul Carrack-The Story So Far... In my own words 1. How Long Taken from the album Blue Views. Originally released by Ace in 1974 In 1973 I was sharing a one-room bedsit in Camden with my girlfriend (now my wife) Kathy. The band I’d been with for the last 5 years since leaving home and going on the road had finally returned from Germany broke after having our equipment stolen. I reluctantly got a job cleaning cars at Henley’s Cars for the princely sum of 42 pence an hour. When the initial novelty of doing ‘real work’ with overalls and everything, wore off (after about a week) I was thoroughly miserable, apart from the fact that Kathy and I were madly in love. At some point I got a call from Tex Comer, the bass player in the aforementioned band.
    [Show full text]
  • Ecg1151 EJF2017 FINAL.Indd
    14-23 July 2017 edinburghjazzfestival.com Welcome to our 2017 Festival. Blues from America For ten summer days Edinburgh will be Hamilton Loomis - p17 alive with uplifting music. years from the fi rst jazz recordings, we celebrate the Centenary of Jazz with a 100range of unique performances and special events. Jazz has been intertwined with blues since its origins and our blues programme, delves into the history of the music and showcases the musicians who are updating the tradition. Across both idioms and those around and in-between, this year’s programme off ers styles for all tastes – from bop to boogie to blues-rock; and from samba to swing to soul. International acts rub shoulders with homegrown talent and rising stars. Check out your favourites, of course, but we encourage you to get into the spirit of the Festival and try something new – you’re likely to discover a hidden gem! There are strong themes running through the programme: Jazz 100 marks the Centenary of jazz with a host of historic concerts Scottish Jazz Expo celebrates Scottish musicians take on that history, new Scottish bands and collaborations The Sound of New Orleans New Orleans comes to Edinburgh as we feature a host of musicians from the Soul Brass Band - p25 birthplace of jazz Cross The Tracks crosses the boundaries between jazz and contemporary urban music. And let yourself be transported by another Festival star – our venues! Dance under the magic mirrors of a grandiose cabaret tent located at the foot of Edinburgh Castle; enjoy the sumptuous surroundings and acoustics of Festival Theatre; get a great listening experience in the newly refurbished Rose Theatre, or drop in to the Traverse Café Bar - turned hip jazz joint.
    [Show full text]
  • Jools Holland Teams up with Music Legend José Feliciano for New Album and Tour
    JOOLS HOLLAND TEAMS UP WITH MUSIC LEGEND JOSÉ FELICIANO FOR NEW ALBUM AND TOUR New album ‘As You See Me Now’ released 17 November Let’s Find Each Other Tonight available as an instant grat track from 19 September Jools and José to go on 35-date UK tour this autumn Music maestro Jools Holland has announced a collaborative album with Latin musician José Feliciano. ‘As You See Me Now’ will be released on 17 November through East West Records with physical pre-orders available from 18 September and digital pre-orders from 19 September. Let’s Find Each Other Tonight will be available on all download and streaming services from 19 September. The album will be available on CD, vinyl and digital formats. The 14-track album includes iconic covers from a wide range of artists such as Stevie Wonder’s Treat Myself, Lead Belly’s Midnight Special and the timeless soul classic, Percy Mayfield’s Hit The Road Jack. The album also features international hits from Jo- sé Feliciano such as Let’s Find Each Other Tonight and One More Drink. Many of the tracks on the album feature Jools’ renowned Rhythm & Blues Orchestra. José’s fes- tive favourite Feliz Navidad is given a completely new ska makeover. Jools says of José, “One of my greatest musical heroes musically for years and years…you put something in front of him and he just makes it sound better. When I first heard his music, it had the same effect on me as Ray Charles, The Beatles and Mo- town.
    [Show full text]
  • Past the First Association
    Arts & Entertainment 2 A Thursday, May 30,1985 Daily Nexus Past The First Association On the first listen Paul Young’s new album, The Secret of You Go Away.” Like most of Paul Young’s covers it’s Association gets lost in over-production and over-powering ambitious and showy, yet Young’s vocals never hit any details. The blend of rhythm and blues ballads and funky strains. With the contrast of modern instrumentation and dance tunes are, at first, buried in hard-to-follow melodies Temptation-sounding back-ups, “ Everytime” does more and confusing special effects. Give Association a few than justice to the original. It revives, enhances, and blends listens, however, and the lyrical content combined with its older rhythm and blues style into a heart breaking love Young’s incredibly powerful voice sends the album off and song. This song also shows, however, how good the flying. production of the entire album might have been. Most of Association has a sixties* R&B feel laced with modern synthesizers and off-beat effects. Young makes his The strength of The Secret of Association is the com­ first attempts at writing on half of the album with flair and bination of Young’s powerful voice and cutting lyrics. Both surprising depth. The R&B influence of the songs he côvers “ One Step Forward” and “ Soldier’s Things” have haunting clearly inspires his own writing. Most of Association con­ lyrics with images of the desolation of war. Like the soul he sists of fantastically stabbing ballads of love gone awry.
    [Show full text]