An Comunn Gaibhealach Pnognam A' Mholb Nalseanm Mob Bhail
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View Or Download Full Colour Catalogue May 2021
VIEW OR DOWNLOAD FULL COLOUR CATALOGUE 1986 — 2021 CELEBRATING 35 YEARS Ian Green - Elaine Sunter Managing Director Accounts, Royalties & Promotion & Promotion. ([email protected]) ([email protected]) Orders & General Enquiries To:- Tel (0)1875 814155 email - [email protected] • Website – www.greentrax.com GREENTRAX RECORDINGS LIMITED Cockenzie Business Centre Edinburgh Road, Cockenzie, East Lothian Scotland EH32 0XL tel : 01875 814155 / fax : 01875 813545 THIS IS OUR DOWNLOAD AND VIEW FULL COLOUR CATALOGUE FOR DETAILS OF AVAILABILITY AND ON WHICH FORMATS (CD AND OR DOWNLOAD/STREAMING) SEE OUR DOWNLOAD TEXT (NUMERICAL LIST) CATALOGUE (BELOW). AWARDS AND HONOURS BESTOWED ON GREENTRAX RECORDINGS AND Dr IAN GREEN Honorary Degree of Doctorate of Music from the Royal Conservatoire, Glasgow (Ian Green) Scots Trad Awards – The Hamish Henderson Award for Services to Traditional Music (Ian Green) Scots Trad Awards – Hall of Fame (Ian Green) East Lothian Business Annual Achievement Award For Good Business Practises (Greentrax Recordings) Midlothian and East Lothian Chamber of Commerce – Local Business Hero Award (Ian Green and Greentrax Recordings) Hands Up For Trad – Landmark Award (Greentrax Recordings) Featured on Scottish Television’s ‘Artery’ Series (Ian Green and Greentrax Recordings) Honorary Member of The Traditional Music and Song Association of Scotland and Haddington Pipe Band (Ian Green) ‘Fuzz to Folk – Trax of My Life’ – Biography of Ian Green Published by Luath Press. Music Type Groups : Traditional & Contemporary, Instrumental -
Kilmichael Glassary Graveyard Dalriada Project
KILMICHAEL GLASSARY GRAVEYARD DALRIADA PROJECT DESK BASED ASSESSMENT May 2009 Kilmartin House Museum Argyll, PA31 8RQ Tel: 01546 510 278 [email protected] Scottish Charity SC02274 Dunadd Historic Gravestones Group Contents 1. Introduction 1 2. Desk Based Survey Methodology 1 2.1 Previous Work 1 2.2 Other Sources Searched 1 3. Kilmichael Glassary Parish Church 2 3.1 Church History 2 3.1.1 A list of Ministers of Kilmichael Glassary 3 3.2. Church Description 6 3.3. Graveyard Description 6 3.3.1 Funerary Monuments and other Carved Stones 6 3.3.1.1 Early Christian 7 3.3.1.2 Medieval 7 3.3.1.3 Post-Reformation 12 4. List of Archive material held by National Monuments Record of Scotland 13 5. The Names on Gravestones in Kilmichael Glassary Churchyard 16 6. References 45 Appendix 1: Gravestone Images ii 1. Introduction In January 2009 Kilmartin House Museum conducted a Desk Based Survey (DBA) on the church and graveyard of Kilmichael Glassary. The aim of the report was to locate and compile all known information on the church and graveyard. The collated information will to be used as a basis for the survey and recording of the gravestones within the graveyard. The project was undertaken in partnership with the Dunadd Historic Graveyard Group, Historic Scotland, the Church of Scotland and Argyll and Bute District Council. The project is part of the Dalraida Project which is the major funder. 2. Desk Based Survey Methodology 2.1 Previous Work The historic graveyard of Kilmichael has aroused the interest of some of the earliest Scottish antiquarians, some of whom made descriptions and drawings following their observations (White 1875 and Drummond 1879). -
Martin Cloonan: Trying to Have an Impact
58 International Journal of Music Business Research, October 2020, vol. 9 no. 2 Trying to have an impact: Some confessions of a live music researcher Martin Cloonan1 Abstract This article offers the author's reflections on over fifteen years of researching the live music industry in the UK. It raises issues such as the role of academics, how to have impact and the meaning of value. Overall it suggests that impact can be found in various ways and that it needs to be built via establishing long term relationships while remaining impartial, to be collective and to involve some opportunism. Keywords: Live music, music industries, music policy, impact 1 Introduction This article offers some reflections on the policy and other implications of researching live music. It draws upon six research projects: Mapping the Music Industry in Scotland (2002-3), the History of Live Music in the UK (2008-11), Live Music Exchange (2012-), two projects on Cultural Value (2013 and 2014) and the UK Live Music Census (2016-2018). Each is summarised and lessons drawn before a concluding section draws the findings together. Before continuing it is necessary to note that the paper deals with live music, something which can be characterised in economic terms as an experiential good. What is essentially being sold is something which the audience can imagine in its heads beforehand, experience at the event and then remember afterwards (Cloonan 2012). But the gig itself cannot be taken home, even if audience members or others video rec- ord it. A major aspect of live music - and something which helps some artists to command high fees - is the aspect of being there, of being pre- sent and involved. -
Highland Council Archive
1 L/D73: MacColl papers RECORDS’ IDENTITY STATEMENT Reference number: GB3218/L/D73 Alternative reference number: N/A Title: MacColl papers Dates: 1811-1974 Level of description: Fonds Extent: 16 linear metres Format: Paper, photographs, wooden objects RECORDS’ CONTEXT Names of creators: Hugh Geoffrey MacColl and his ancestors and family; Clan MacColl Society Administrative history: Hugh MacColl, tailor in Glasgow (1813- 1882), whose family were originally from Mull, married in 1849 Janet Roberton (1826-1871) whose sister was Mary Christie, nee Roberton. Their children were Agnes MacColl (1852-1924), Mary Paterson MacColl (b. 1854); James Roberton MacColl (b. 1856), who emigrated to the USA, Rev. John MacColl, (b. 1863); whose sons were Dr Hugh Ernest MacColl (b. 1893) and Dr Robert Balderston MacColl (b. 1896); Rev. Alexander MacColl, (b. 1866) who also emigrated to the USA and became minister of the 2nd Presbyterian Church in Philadelphia in 1911; Jane Wilson MacColl (b. 1859) and Hugh MacColl (1861-1915). Hugh MacColl (1861-1915) was born in Glasgow on 30 June 1861 and became an apprentice engineer at Robert Napier & Sons on the Clyde in 1876. While employed here as a draftsman, he pursued further technical studies at Anderson’s College (now the University of Strathclyde). After GB3218/ 08/12/08 2 this, he became a draftsman at the Central Marine Engine Works at Hartlepool, and then at Harland & Wolff in Belfast, before returning to Glasgow as chief draftsman with James Howden & Co. In 1889, he was appointed technical manager of the engineering works of Portilla, White & Co., in Seville in Spain, where he was known as ‘Don Hugo’ and where he remained until 1895, when he returned to Britain and founded the Wreath Quay Engineering Works in Sunderland, later known as MacColl & Pollock. -
The Landscapes of Scotland 1 Shetland
The Landscapes of Scotland Descriptions 1 - 10 1 Shetland and Fair Isle 2 Orkney 3 Lewis 4 North Coast 5 Caithness 6 Assynt 7 Sutherland 8 Flow Country 9 Sutherland Kyles and Coast 10 Harris 1 Shetland Description An elongated group of islands, whose character is accentuated by the north-south trend of the hills and ridges. The dramatic coastlines are highly varied, with fjords, arches, stacks, beaches and tombolos (sand bars). The seas are busy with boat and ferry traffic. The coast is where most of the settlement is located, including the distinctive capital of Lerwick with its narrow stone-flagged streets. The islands are mostly tree-less while seabirds throng the coasts and cliffs. Frequent winds sweep over landscapes with long hours of summer light and winter darkness, and a strong sense of Nordic culture. The landscape is rich in exceptionally well preserved archaeological remains. This includes a high proportion of nationally important sites, such as, at Mousa, the best preserved broch in Scotland, and extensive Norse remains in Unst Key technical information sources: Selected creative associations LCA: Shetland Isles Music St Ninian's Isle (Aly Bain); NHF – Shetland 2002 (1) Foula, Papa Stour (Boys of the Lough) HLA Naismith – Buildings of the Scottish Countryside pp 204-206 1 The Landscapes of Scotland 2 Orkney Description A group of diverse islands centred around a larger “mainland”. The southern islands encompass the renowned anchorage of Scapa Flow. Most of the land is low-lying, with fertile green farmland, sandy beaches and rocky headlands. Hoy, with its high moorland hills and towering cliffs, provides a strong contrast. -
What's on at The
themet.org.uk 0161 761 2216 Music Theatre Comedy Family shows Learning Food & drink What’s on at The Met January–April 2018 Address The Met From renovation Market Street Bury BL9 0BW to innovation… Phone Ticket office: 0161 761 2216 Administration: 0161 761 7107 Restaurant: 0161 763 9399 Welcome to The Met Email [email protected] Website themet.org.uk As we approach the first anniversary of our Social refurbishment we’re thrilled to have welcomed L themet 50,000 people to enjoy and be inspired by great F metbury art in Bury. This time last year the finishing touches I metbury were being made for a much anticipated reopening following nearly seven years of work to redevelop our much loved (and well worn) building. The spring 2018 programme continues to build on our ambition to support exciting new work by artists and attract audiences to high quality performance and workshop opportunities. This season we’re thrilled to have a focus on family The Met is here to be enjoyed; to challenge and theatre and comedy alongside our trusted music excite and offer a diverse programme for audiences Learning programme. We sincerely hope you are as excited from throughout the north-west. as we are about the likes of Griff Rhys Jones, the Our thanks to our patrons and funding partners who legendary Graham Fellows (John Shuttleworth) allow us to develop and extend, to deliver projects Festivals amongst new work from exciting new artists we believe are relevant and will impact positively including Just Turf, Lizzie Nunnery’s Horny throughout our community. -
The Musicians______
The musicians_______________________________________________________________________ Ross Ainslie Bagpipes & Whistle Ross hails from Bridge of Earn in Perthshire. He began playing chanter at the age of 8 and like Ali Hutton studied under the watchful eye of the late great Gordon Duncan and was a member of the Vale of Atholl pipe band. Ross also plays with Salsa Celtica, Dougie Maclean's band, India Alba, Tunebook, Charlie Mckerron's trio and in a duo with Irish piper Jarlath Henderson. He released his début solo album "Wide Open" in 2013 which was voted 9th out of 50 in the Sunday Herald "The Scottish albums of 2013". He was nominated for "musician of the year" at the Radio 2 folk awards 2013 and also for "Best Instrumentalist" at the Scots Trad Music Awards in 2010 and 2012. Ali Hutton Bagpipes & Whistle Ali, from Methven in Perthshire, was inspired at the age of 7 to take up the bagpipes and came up through the ranks at the Vale of Atholl pipe band. He was taught alongside Ross Ainslie by the late, great Gordon Duncan and has gone on to become a successful multi‐instrumentalist on the Scottish music scene. He has produced and co‐produced several albums such as Treacherous Orchestra’s “Origins”, Maeve Mackinnon's “Don't sing love songs”, The Long Notes’ “In the Shadow of Stromboli” and Old Blind Dogs’ “Wherever Yet May Be”. Ali is also currently a member of Old Blind Dogs and the Ross Ainslie band but has played with Capercaillie, Deaf Shepherd, Emily Smith Band, Dougie Maclean, Back of the Moon and Brolum amongst many others. -
Princess Margaret of the Isles Memorial Prize for Senior Clàrsach, 16 June 2018 Finallist Biographies and Programme Notes
Princess Margaret of the Isles Memorial Prize for Senior Clàrsach, 16 June 2018 Finallist biographies and programme notes Màiri Chaimbeul is a Boston, Massachusetts-based harp player and composer from the Isle of Skye. Described by Folk Radio UK as "astonishing", she is known for her versatile sound, which combines deep roots in Gaelic tradition with a distinctive improvising voice and honed classical technique. Màiri tours regularly throughout the UK, Europe and in North America. Recent highlights include performances at major festivals and events including the Cambridge Folk Festival, Fairport's Cropredy Convention, Hillside Festival (Canada), WGBH's St Patrick's Day Celtic Sojourn, Celtic Connections, and Encuentro Internacional Maestros del Arpa, Bogota, Colombia. Màiri can currently be heard regularly in duo with US fiddler Jenna Moynihan, progressive-folk Toronto group Aerialists, with her sister Brìghde Chaimbeul, and with legendary violinist Darol Anger & the Furies. She is featured in series 2 of Julie Fowlis and Muireann NicAmhlaoibh's BBC Alba/TG4 television show, Port. Màiri was twice- nominated for the BBC Radio 2 Young Folk Award, finalist in the BBC Young Traditional & Jazz Musicians of the year and twice participated in Savannah Music Festival's prestigious Acoustic Music Seminar. She is a graduate of the Berklee College of Music, where she attended with full scholarship, and was awarded the prestigious American Roots Award. Màiri joins the faculty at Berklee College of Music this year as their lever harp instructor. Riko Matsuoka was born in the Osaka prefecture of Japan and began playing the piano at the age of three. She started playing the harp at the age of fourteen. -
Kith & Kin: Surnames & Clans
1 Kith & Kin: Surnames & Clans An old Gaelic proverb says: ‘Remember the men from whence you came’ Scottish surnames alphabetically arranged to show clan or sept connection, or approximate district or century earliest known in Scotland. Cross-references to other names in this list are printed in capitals. The names of associated clans are printed in bold italic type. SURNAME CLAN or District Source A ABBOT, ABBOTT Fife, 14th c.; MACNAB ABBOTSON MACNAB ABERCROMBIE Fife (place, now St. Monans) 15th c. ABERNETHY Strathern 12th c.; FRASER; LESLIE ADAIR Galloway 14th c.; from EDGAR ADAM, ADAMS Fife 13th c.; GORDON ADAMSON Berwickshire 13th c., Aberdeen 14th c.; GORDON; MACINTOSH ADDIE, ADIE Fife 13th c.; GORDON ADDISON Peeblesshire, 14th c; GORDON AFFLECK From AUCHINLECK, Angus 14th c. AGNEW Galloway 11th c. AIKMAN Lanarkshire 13th c. AINSLIE Roxburghshire 13th c. AIRD Ayrshire 16th c. AIRLIE OGILVIE AIRTH Stirlingshire 12th c.; GRAHAM AITCHISON E. Lothian 14th c.; GORDON AITKEN, AIKEN Aberdeen 15th c.; GORDON AITKENHEAD Lanarkshire (place) 13th c. ALASTAIR MACALISTER; MACDONALD; MACDONNELL of Glengarry ALCOCK From ALLAN ALEXANDER MACALISTER; MACDONALD; MACDONNELL of Glengarry ALISON, ALLISON From MACALISTER; Also ALLANSON ALLAN, ALLEN Aberdeenshire 17th c., MACFARLANE; Clanranald MACDONALD ; GRANT ; MACKAY ; Kirkcudbrightshire 14th c. ALLANACH Aberdeenshire, see MACALLAN ALLANSON From MACALLAN ALLARDYCE Mearns (place) 13th c.; GRAHAM ALLISTER MACALISTER; MACDONALD; MACDONNELL of Glengarry *ALPIN, ALPINE CLAN ALPIN ALVES Moray (Alves) 13th c. AMBROSE Glasgow 15th c., Edinburgh 17th c. ANDERSON Peebles 13th c.; ROSS ; Islay, MACDONALD ANDISON From ANDERSON ANDREW, ANDREWS Dumfries, Aberdeen 14th c.; ROSS ANGUS Angus county 13th c.; MACINNES ANNAL, ANNALL Fife 16th c. -
The Highland Clans of Scotland
:00 CD CO THE HIGHLAND CLANS OF SCOTLAND ARMORIAL BEARINGS OF THE CHIEFS The Highland CLANS of Scotland: Their History and "Traditions. By George yre-Todd With an Introduction by A. M. MACKINTOSH WITH ONE HUNDRED AND TWENTY-TWO ILLUSTRATIONS, INCLUDING REPRODUCTIONS Of WIAN'S CELEBRATED PAINTINGS OF THE COSTUMES OF THE CLANS VOLUME TWO A D. APPLETON AND COMPANY NEW YORK MCMXXIII Oft o PKINTED IN GREAT BRITAIN CONTENTS PAGE THE MACDONALDS OF KEPPOCH 26l THE MACDONALDS OF GLENGARRY 268 CLAN MACDOUGAL 278 CLAN MACDUFP . 284 CLAN MACGILLIVRAY . 290 CLAN MACINNES . 297 CLAN MACINTYRB . 299 CLAN MACIVER . 302 CLAN MACKAY . t 306 CLAN MACKENZIE . 314 CLAN MACKINNON 328 CLAN MACKINTOSH 334 CLAN MACLACHLAN 347 CLAN MACLAURIN 353 CLAN MACLEAN . 359 CLAN MACLENNAN 365 CLAN MACLEOD . 368 CLAN MACMILLAN 378 CLAN MACNAB . * 382 CLAN MACNAUGHTON . 389 CLAN MACNICOL 394 CLAN MACNIEL . 398 CLAN MACPHEE OR DUFFIE 403 CLAN MACPHERSON 406 CLAN MACQUARIE 415 CLAN MACRAE 420 vi CONTENTS PAGE CLAN MATHESON ....... 427 CLAN MENZIES ........ 432 CLAN MUNRO . 438 CLAN MURRAY ........ 445 CLAN OGILVY ........ 454 CLAN ROSE . 460 CLAN ROSS ........ 467 CLAN SHAW . -473 CLAN SINCLAIR ........ 479 CLAN SKENE ........ 488 CLAN STEWART ........ 492 CLAN SUTHERLAND ....... 499 CLAN URQUHART . .508 INDEX ......... 513 LIST OF ILLUSTRATIONS Armorial Bearings .... Frontispiece MacDonald of Keppoch . Facing page viii Cairn on Culloden Moor 264 MacDonell of Glengarry 268 The Well of the Heads 272 Invergarry Castle .... 274 MacDougall ..... 278 Duustaffnage Castle . 280 The Mouth of Loch Etive . 282 MacDuff ..... 284 MacGillivray ..... 290 Well of the Dead, Culloden Moor . 294 Maclnnes ..... 296 Maclntyre . 298 Old Clansmen's Houses 300 Maclver .... -
1000 Estonian–Scottish Business Seminar Reid Kerr College, Paisley
1000 Estonian–Scottish Business Seminar 1000 Estonian–Scottish Business Seminar 1100 Estonian-Dutch-Scottish Jewellery Edinburgh City Chambers Reid Kerr College, Paisley Symposium 1600 Estonian traditional music workshop 1930 Concert of the Estonian National Male Choir Edinburgh College of Art Royal Scottish Academy of Music and Drama, With the RSAMD Chamber Choir and traditional 1100 Panel Discussion: Culture, Communication Glasgow musicians (Estonian and Scottish traditional music) and Media in the New Europe 1830 Opening of Estonian Days in Scotland Royal Scottish Academy of Music and Drama, Glasgow University of Glasgow The Scottish Parliament, Holyrood, Edinburgh 1200 Estonian-Scottish Business Seminar Opening of Bird’s-eye Estonia Tayside, Next Generation Club, Monifieth, Exhibition of aerial photographs by Endel Angus Grensmann 1700 Opening of the Exhibition of Estonian Opening of At the Same Latitude jewellery Rare Leid Exhibition of historical and cultural links Curators: Kristi Paap and Maria Valdma between Scotland and Estonia Edinburgh College of Art 1930 Concert of the Estonian National Male Choir Estonian choral music Greyfriars Kirk, Edinburgh 2130 Session of Estonian traditional music Hootananny Cèilidh Bar, Inverness 1000 Estonian traditional music workshops 1500 Session of Estonian and Shetland 1100 Church concert of Estonian traditional music Inverness traditional music Methodist Church, Lerwick, Shetland 1900 Charity football match: The Tartan Army v Lounge Bar, Lerwick, Shetland 1400 Session of Estonian and Shetland -
Public Document Pack Argyll and Bute Council Comhairle Earra Ghaidheal Agus Bhoid
Public Document Pack Argyll and Bute Council Comhairle Earra Ghaidheal agus Bhoid Corporate and Legal Services Director: Nigel Stewart Lorn House, Albany Street, Oban, Argyll, PA34 4AW Tel: 01631 5679307 Fax: 01631 570379 4 July 2002 NOTICE OF MEETING A meeting of the OBAN LORN & THE ISLES AREA COMMITTEE will be held in the COUNCIL CHAMBER, MUNICIPAL BUILDINGS, ALBANY STREET, OBAN on WEDNESDAY 03 JULY 2002 at 10:30 AM, which you are requested to attend. Nigel Stewart Director of Corporate and Legal Services BUSINESS 1. APOLOGIES FOR ABSENCE 2. DECLARATIONS OF INTEREST 3. CORPORATE & LEGAL SERVICES (a) Minute of meeting of the Area Committee held on 5 June 2002 (Pages 1 - 10) (b) Minute of meeting of the Soroba Area Development Group held on 9 May 2002 (Pages 11 - 14) (c) Minute of Planning Site Inspection Meeting (application reference 02/00414/OUT) held on 5 June 2002 (Pages 15 - 16) (d) Note of meeting with Royal Mail held on 5 June 2002 (Pages 17 - 18) (e) Note of meeting of Oban Airport Member / Officer working group held on 21 June 2002 (to follow) (f) Report by Head of Legal Services in regard to Public Charitable Trust Funds (Pages 19 - 20) (g) Extract of minute of meeting of Strategic Policy Committee held on 30 May 2002 (Pages 21 - 42) (h) Report by Chief Solicitor on Loch Awe bye-laws (to follow) 4. SCOTTISH WATER (a) Verbal report by representatives of Scottish Water in regard to waste water outfall, Oban 5. STRATHCLYDE POLICE (a) Verbal report by Strathclyde Police in regard to abandoned vehicles 6.