Speech of Shri J.P. Rajkhowa Hon'ble Governor
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140926120027 Prospectus 201
1 C o t t o n College Prospectus Cotton College Prospectus 2 From the Principal As Cotton College moves into its one hundred and fourteenth year, it fondly recollects its contribution towards the field of higher education in North East India. A college that has produced stalwarts in fields ranging from scientific research through music to politics, Cotton College stands today to welcome a new generation of students. The college offers a host of facilities for its students. It has an extremely well stocked library with over one lakh twenty three thousand volumes and a special section for old and rare books-a unique feature for a college library. Besides, each department has its own specialized library catering to the needs of students of particular disciplines. Well equipped laboratories and museums serve every academic need of students. A gymnasium, an indoor stadium, activity hubs, counseling centres for academic, career and emotional counseling and facilities for sports and cultural activities ensure a healthy environment for the all-round development of each and every Cottonian. The college also boasts of an Entrepreneurship Development Cell which, besides providing self-employment avenues, also conducts courses in Mass Communication and Foreign Language. Its audio-visual studios have helped students to produce a number of excellent documentaries, short films, music albums as well as plays for the radio. Over the years Cotton College has provided a platform for a great many academicians, dignitaries, cultural icons and a host of other personalities to interact with its students, thereby exposing them to a larger world of positive human activity. -
The Great Indian Epic : Mahabharat in Orissa, Assam and Bengal (Part-I) Dr
Orissa Review * November - 2008 The Great Indian Epic : Mahabharat in Orissa, Assam and Bengal (Part-I) Dr. Satyabrata Das Dr. Uday Nath Sahu Our ancient literature was essentially pan-Indian During his reign a celebrated Assamese poet in Character. As such, all Indian languages Madhava Kandali translated Valmiki's Ramayana descend from only two sources : the Indo-Aryan into Assamese while the versions of Ramayana in and the Dravidian. Obviously, both Oriya and Hindi, Bengali and Oriya appeared about a century Assamese share their common origin from the and a half later. Indo-Aryan stream. Further, as Dr. Grierson But as far as the regionalization of Vyasa's argues, Oriya, Bengali and Assamese are the three magnum opus, the Mahabharata, is concerned, languages those have emerged from one common the scenario changes sharply. While Sarala Dasa source: the Magadhan element, called Magadhi renders the original Mahabharata in Sanskrit into Apabhramsa. As Grierson asserts: Oriya in 15th Century; Rama Saraswati, the Each of the three descendants of Magadhi earliest and the foremost Vaisnavite poet in Apabhramsa (Oriya, Modern Bengali and Assam, translated the major portion (not Assamese) is equally and directly connected with complete) of the Mahabharata a full century later the common immediate parent. (Linguistic Survey i.e. in 16th Century. Both the Oriya and the of India, Vol. I, Part-I, quoted by B. Barua, 56). Assamese version of the Mahabharata by Sarala If we examine, we find "the vocabulary of Dasa and Rama Saraswati show brilliant parallels Assamese is largely derived from that of Sanskrit at multiple levels. -
3.Maheswar-Kalita-Article.Pdf
www.TLHjournal.com Literary Herald ISSN: 2454-3365 An International Refereed/Peer-reviewed English e-Journal Impact Factor: 4.727 (SJIF) Influence of Ramayana on Modern Assamese Poetry Dr. Maheswar Kalita Associate Professor in Assamese Cotton University, Guwahati, Assam Abstract The great Indian epic Ramayana was the origin source of the great tradition i.e. culture, not only of India but also of Nepal, Sri Lanka, Philippines, Thailand, Java, Cambodia and Indonesia. It is to be noted that the ‘culture’ may be described as the characteristics of a society. The ‘characteristics’ consist of every good work carried out by the human beings, i.e. language, literature, music, art, religion, cuisine and social habits. There are deep influences of Ramayana on Indian culture. Indian writers of different ages were influenced by the great epic. That was also seen in the writings of Assamese writers. Madhava Kandali, a famous Assamese poet of 14th century rendered the Ramayana to Assamese. That was not the beginning of the said influence on Assamese literature, as we have seen the influence on the Assamese oral literature also. The romantic and the modern poets had also great respect to Valmiki and to the Ramayana. The influential Assamese literary magazine Ramdhenu was republished in 1952 under the editorial leadership of Dr. Birendra Kumar Bhattacharya and had set trends in Assamese literature. Poets of Ramdhenu tried to combine the western literary styles with Indian ideals. They collected poetic elements from the Ramayana, Mahabharata and other Puranas. Thus, they were deeply influenced by the epics. This paper aims to analysis the influences of the Ramayana on the poetry of Ramdhenu age (1951-60) of Assamese literature. -
A Critical Review of Saint Madhavadeva's Nam-Ghosa
Journal of Xi'an University of Architecture & Technology ISSN No : 1006-7930 A CRITICAL REVIEW OF SAINT MADHAVADEVA’S NAM-GHOSA Bhupen Gogoi Reseach Scholar, Dept. of M.I.L. & L.S., Gauhati University, Assam. India, 781014 Abstract : Nam-Ghosa is the best writing by Madhavadeva. It contains thousand (according to some books of collections thousand and one) verses. Nam-Ghosa has made a remarkable contribution in the context of propagation and spreading of the New Vaishnavism or Ek Sarana Nam Dharma. Nam-Ghosa can be divided into three parts as the gospel of Nam-Dharma or the New Vaishnavism, poetic expression of detached devotional feelings and the appreciation of the qualities of Lord Vishnu and his various names. Madhavadeva got true savour of devotion by the grace of his preceptor Sankardeva. Madhavadeva has offered his honour and devote to Sankardeva for several times in Nam-Ghosa. In this book Madhavadeva has suggested easy way to offer devotion to Lord Krishna or Vishnu. The main philosophy of Nam-Ghosa is based on Vedanta Philosophy. According to Nam-Ghosa people should be devoted to Lord Krishna only when he can be able to come out from selfishness and after that he can be able to reach Krishna Dham - the final destination of a soul. Key words : Madhavadeva, Nam-Ghosa, Devotion, Guru, God, Philosophy. INTRODUCTION : Madhavadeva was an ardent disciple of his preceptor Sankardeva. Sankardeva introduced the new vaishnavism in the 15th century in Assam. For spreading the religion Madhavadeva worked very hard to help his preceptor and he became as a shadow of Sankardeva. -
The Classical Tradition in the Vaisnava Music of Assam
The Classical Tradition in the Vaisnava Music of Assam Maheswar Neog --- www.atributetosankaradeva.org presents before the readers a pioneering paper on the Vaisnava music of Assam, authored by Dr. Maheswar Neog. It covers virtually every aspect of the music of the Sankaradeva Movement (and also touches upon other traditions of music in Assam). As is evidenced by some of its references, this paper was written in the early part of the latter half of the 20th century when Bargit research was still at a nascent stage. We have retained these references as they reflect the important milestones in the progress of research on the Sankaradeva Movement in Assam. The paper is redacted from the Journal of the Srimanta Sankaradeva Research Institute, Nagaon (2006). Editing note(s):- Diacritics has been used sparingly; only the long diacritic (macron) pertaining to a/A has been highlighted and that too, depending upon the context. --- We do not have any particular evidence to show what exact type of music was prevalent in Assam anterior to the spread of the wave of neo-Vaisnavism which was ushered into the valley of the Brahmaputra in the last decades of the 15th and the initial decades of the 16th century by Sankaradeva. We are left to our imagination in this matter; but this imagination can be based on the evidence of the writings of a few pre- Sankaradeva poets, and the song compositions of at least two poets, Mankara and Durgavara, who seem to have remained outside of the neo-Vaisnava circle of Sankaradeva. In the early period of Assamese literature preceding the neo-Vaisnava movement of the last part of the 15th century and the early part of the 16th, the Ramayana and portions of the Mahabharata were rendered into Assamese verse; and these verses were put to ragas or recited in simple tunes. -
Knowledge Management System of Srimanta Sankardeva and His Research Methods
KNOWLEDGE MANAGEMENT SYSTEM OF SRIMANTA SANKARDEVA AND HIS RESEARCH METHODS Dr. Hari Charan Das Chief Editor, Global Research Methodology Journal www.grmgrlaranya.com E-mail: [email protected] Abstract: Vaisnava Saint of Assam Srimanta Sankardeva (1449-1568) was not only the spiritual leader of Medieval Assam but also a Research Scholar. He searched knowledge by following methodologies like ‘literature search’, ‘observation’, ‘experimental method’, ‘analytical method’ etc. He applied his research findings in his creative works of literature, culture and social reform with spiritual as well as scientific attitude which is the back bone of today’s modern Assamese society. The ‘Satra’ and ‘Namghar’ established by Srimanta Sankardeva are not only religious institutions but also the institutions of Knowledge Management. The libraries of Satra institution still reflect the quality knowledge management system of Srimanta Sankardeva. The Main Points Srimanta Sankardeva was also a research scholar and knowledge manager He organized a Knowledge Management System which includes production, collection, dissemination and preservation of knowledge He followed the research methods like literature search, experimental method, observation method, survey method, case study method etc. He had clear objectives of his research with great social relevance He engineered his research findings in creative activities and social reform Srimanta Sankardeva’s Knowledge Management System is still relevant in modern society 1. Introduction “There is no other [thing] sacred than knowledge……. Everything starts from knowledge and everything ends in knowledge” (Bhagavad Gita). Knowledge is regarded as sacred by the Indian society and searching knowledge is regarded as most noble work. ‘Simple living and high thinking’ was the ideal attitude of knowledge activists of ancient time. -
A Quantitative Analysis of Synset of Assamese Wordnet: Its Position and Timeline
A Quantitative Analysis of Synset of Assamese Wordnet: Its Position and Timeline Shikhar Kr. Sarma Dibyajyoti Sarmah Ratul Deka Gauhati University Gauhati University Gauhati University Guwahati,Assam,India. Guwahati,Assam,India. Guwahati,Assam,India. [email protected] [email protected] [email protected] Anup Kr. Barman Jumi Sarmah Himadri Bharali Gauhati University Gauhati University Gauhati University Guwahati,Assam,India. Guwahati,Assam,India. Guwahati,Assam,India. [email protected] [email protected] [email protected] Mayashree Mahanta Umesh Deka Gauhati University Gauhati University Guwahati,Assam,India. Guwahati,Assam,India. [email protected] [email protected] the Satam group of the Indo-European language Abstract family. The main root of this language lies to the Indo-Aryan languages. Dr. Banikanta Kakati has classified the devel- opment of Assamese language into three stages The synsets in Assamese Wordnet play a sig- (Kakati, 2008): nificant role in the enrichment of Assamese language. These synsets are built depending A. Early Assamese (14th to 16th century on the intuition the native speakers of the lan- A.D.) guage. There is no fixed rule in the arranging the positions of each synset. The present paper This period again may be divided into a) Pre- mainly aims to make a quantitative compari- Vaishnavite and b) Vaishnavite sub-periods. The son of every synset position of Wordnet seeing earliest known Assamese writer is Hema the occurrences of these synsets in corpus of Saraswati, who wrote a small poem ‘Prahlad Assamese (approximately 1.5 million words). Charit’. Sankardeva, the great Vaishnavite re- The experimental result of this comparison is former in Assam, born in 1449 A.D. -
Renaissance in Assamese Literature
International Journal of Humanities and Social Science Invention ISSN (Online): 2319 – 7722, ISSN (Print): 2319 – 7714 www.ijhssi.org Volume 3 Issue 9 ǁ September. 2014 ǁ PP.45-47 Renaissance in Assamese Literature Dr. Chandana Goswami Associate Professor Dept. of History D.H.S.K. College Dibrugarh, Assam, India ABSTRACT : The paper entitled “Renaissance in Assamese Literature” attempts to highlight the growing sense of consciousness in the minds of the Assamese people. From 1813 to 1854, the year of Wood’s Despatch, this was the period when Assam was experiencing the beginning of a new phase of national life, being thrown into contact with the west. It was trade that had already brought the British salt merchants into Assam. When finally the British took over Assam it had been suffering for a long period from internal disturbances which were closely followed by the Burmese invasions. Education in the country in the early years of British rule was in a retrograde state. In 1837 when Bengali replaced the Assamese as the language of the court, the missionaries had just arrived in Assam. They took up cudgels against the imposition of the Bengali language. The near total darkness shrouding Assam from the outside world was gradually removed with the entry of the British who gradually broke Assam’s isolation by establishing new routes of communication. The educated elite of the time contributed largely towards the development of Assamese literature. I. INTRODUCTION : The term “renaissance” was first used in a specific European context, to describe the great era from about the fourteenth to the sixteenth centuries, when the entire socio-cultural atmosphere of Europe underwent a spectacular transformation. -
Saurabh Kumar Chaliha
PGEG S4 04 (B) Exam Code : NEL Literature From North-East India (In English And Translation) SEMESTER IV ENGLISH BLOCK 2 KRISHNA KANTA HANDIQUI STATE OPEN UNIVERSITY Fiction (Block 2) 95 Subject Experts Prof. Pona Mahanta, Former Head, Department of English, Dibrugarh University Prof. Ranjit Kumar Dev Goswami, Former Srimanta Sankardeva Chair, Tezpur University Prof. Bibhash Choudhury, Department of English, Gauhati University Course Coordinators : Dr. Prasenjit Das, Associate Professor, Department of English, KKHSOU SLM Preparation Team UNITS CONTRIBUTORS 6-7, 9 Dr. Prasenjit Das 8 Dr. Kalpana Bora Department of English, Cotton University 10 Dr. Merry Baruah Bora Department of English, Cotton University Editorial Team Content: Unit 6,7 : Prof. Bibhash Choudhury Unit 8-10: Dr. Manab Medhi, Department of English, Bodoland University Structure, Format & Graphics: Dr. Prasenjit Das FEBRUARY, 2019 ISBN: 978-93-87940-93-2 © Krishna Kanta Handiqui State Open University This Self Learning Material (SLM) of the Krishna Kanta Handiqui State University is made available under a Creative Commons Attribution-Non Commercial-ShareAlike4.0 License (International) : http.//creativecommons.org/licenses/by-nc-sa/4.0 Printed and published by Registrar on behalf of the Krishna Kanta Handiqui State Open University. Headquarters: Patgaon, Rani Gate, Guwahati-781017 City Office: Housefed Complex, Dispur, Guwahati-781006; Web: www.kkhsou.in The University acknowledges with strength the financial support provided by the 96 Fiction (Block 2) Distance Education -
1 | P a G E Profile
1 | Page Profile 1. Personal Details: Dola Borkataki Assistant Professor in Sociology S. K. Bhuyan School of Social Sciences Krishna Kanta Handiqui State Open University Resham Nagar, Khanapara, NH-37 Near Bodoland House, Guwahati-781022, Assam Email: [email protected] ,[email protected] Mobile: 9435368782 Profile Summary: Dola Borkataki is an Assistant Professor in Sociology, K.K Handiqui State Open University with a demonstrated history of working in the higher education sector. Skilled in Qualitative Research, Ethnography, Creative Writing, and Public Speaking, Mrs. Borkataki is pursuing her doctoral studies from Tezpur Central University. She is a Gold Medalist from Tezpur Central University (2013) and Recipient of many other National level Awards and Accolades including All India Merit Scholarship awarded by UGC (2011-2013). Her research interest are in the areas of economic sociology, sociology of development, issues of ethnicity and identity. Field of Specialisation: Sociological Theories, Economic Sociology, Political Sociology, Sociology of Northeast India. Scholarly Interest: Gender; Environment, Development; Agrarian Structure; Social Movements; Ethnicity; Migration; Society and Politics of Northeastern India. Language Proficiency: Assamese, English, Hindi Award/Accolades: Recipient of Merit Prize for being the First Class First Rank Holder in B.A Sociology from North Eastern Hill University, 2011. Recipient of Platinum Jubilee Academic Excellence Award from St. Edmunds College, Shillong in the year 2011 for being the Best Graduate in the Arts stream. Recipient of Gold Medal from Tezpur Central University for securing First Class First Rank in M.A Sociology in the year 2013. Recipient of the UGC All India Merit Scholarship (2011-2013). Awarded UGC Junior Research Fellowship (JRF) in the year 2013 2. -
Empire's Garden: Assam and the Making of India
A book in the series Radical Perspectives a radical history review book series Series editors: Daniel J. Walkowitz, New York University Barbara Weinstein, New York University History, as radical historians have long observed, cannot be severed from authorial subjectivity, indeed from politics. Political concerns animate the questions we ask, the subjects on which we write. For over thirty years the Radical History Review has led in nurturing and advancing politically engaged historical research. Radical Perspec- tives seeks to further the journal’s mission: any author wishing to be in the series makes a self-conscious decision to associate her or his work with a radical perspective. To be sure, many of us are currently struggling with the issue of what it means to be a radical historian in the early twenty-first century, and this series is intended to provide some signposts for what we would judge to be radical history. It will o√er innovative ways of telling stories from multiple perspectives; comparative, transnational, and global histories that transcend con- ventional boundaries of region and nation; works that elaborate on the implications of the postcolonial move to ‘‘provincialize Eu- rope’’; studies of the public in and of the past, including those that consider the commodification of the past; histories that explore the intersection of identities such as gender, race, class and sexuality with an eye to their political implications and complications. Above all, this book series seeks to create an important intellectual space and discursive community to explore the very issue of what con- stitutes radical history. Within this context, some of the books pub- lished in the series may privilege alternative and oppositional politi- cal cultures, but all will be concerned with the way power is con- stituted, contested, used, and abused. -
The Poetry of Sankaradeva
The Poetry of Sankaradeva Upendranath Sarma - The following is an extract from Upendranath Sarma’s ‘The Poetry of Sankaradeva’ (Forum for Sankaradeva Studies, September, 2000), an appreciation of the Literature of Sankaradeva. For more on the topic, see, e.g.: - http://www.atributetosankaradeva.org/Dasama.htm http://www.atributetosankaradeva.org/lit.htm - Sankaradeva is one of the greatest poets of India and one of her greatest reformers. He was a versatile genius. He was poet, playwright, composer, singer, choreographer, dancer, painter, instrumentalist and actor. Like Goethe (1749-1832), he was also an administrator, for he had to lead his people, the bāra bhuyāns and their dependents, in times of stress and strain. Sankaradeva’s reputation as a poet is often overshadowed by his greatness as a preacher and a religious reformer. His propagation of the Bhāgavati Vaisnava religion took deep roots in Assam, and transformed the Assamese society as a whole. As a social reformer, in Eastern India, his position is comparable to Martin Luther’s (1483-1564) in Germany. Like Luther again, he incurred the wrath of the orthodox, for his translations from the sacred texts. The guilt of translating the Dasama has since become proverbial. For art’s sake alone, Sankaradeva would not write a single line. Yet, he remains the greatest man of letters that Assam has ever produced and one of the greatest in India. His position is similar to that of George Bernard Shaw (1856-1950) who, though a propagator of ideas, was an artist of no mean order. Yet, paradoxically, it is Sankaradeva’s dedication of his art to the cause of Vaisnavism that has richly enhanced its strength and beauty.