Together Through Life
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Tell-Tale Signs - Edgar Allan Poe and Bob Dylan: Towards a Model of Intertextuality
ATLANTIS. Journal of the Spanish Association of Anglo-American Studies. 31.2 (December 2009): 41–56 ISSN 0210-6124 Tell-Tale Signs - Edgar Allan Poe and Bob Dylan: Towards a Model of Intertextuality Christopher Rollason Metz, France [email protected] This article shows how the poetry and prose of Edgar Allan Poe (1809-1849) cast a long shadow over the work of America’s greatest living songwriter, Bob Dylan (1941-). The work of both artists straddles the dividing-line between ‘high’ and ‘mass’ culture by pertaining to both: read through Poe, Dylan’s work may be seen as a significant manifestation of American Gothic. It is further suggested, in the context of nineteenth- century and contemporary debates on alleged ‘plagiarism’, that the textual strategy of ‘embedded’ quotation, as employed by both Poe and Dylan, points up the need today for an open and inclusive model of intertextuality. Keywords: culture; Dylan; Gothic; intertextuality; Poe; quotation Tell-tale signs - Edgar Allan Poe y Bob Dylan: hacia un modelo de intertextualidad Este artículo explica cómo la poesía y la prosa de Edgar Allan Poe (1809-1849) proyectan una larga sombra sobre la obra del mayor cantautor vivo de Estados Unidos, Bob Dylan (1941-). Ambos artistas se ubican en una encrucijada entre la cultura ‘de elite’ y la ‘de masas’, puesto que la obra de cada uno se sitúa en ambos dominios a la vez: leída a través de Poe, la obra dylaniana aparece como una importante manifestación del gótico norteamericano. Se plantea igualmente la hipótesis de que, en el marco de los debates, tanto decimonónicos como contemporáneos, sobre el supuesto ‘plagio’, la estrategia textual, empleada tanto por Poe como por Dylan, de la cita ‘encajada’ señala la necesidad urgente de plantear un modelo abierto y global de la intertextualidad. -
The Songs of Bob Dylan
The Songwriting of Bob Dylan Contents Dylan Albums of the Sixties (1960s)............................................................................................ 9 The Freewheelin’ Bob Dylan (1963) ...................................................................................................... 9 1. Blowin' In The Wind ...................................................................................................................... 9 2. Girl From The North Country ....................................................................................................... 10 3. Masters of War ............................................................................................................................ 10 4. Down The Highway ...................................................................................................................... 12 5. Bob Dylan's Blues ........................................................................................................................ 13 6. A Hard Rain's A-Gonna Fall .......................................................................................................... 13 7. Don't Think Twice, It's All Right ................................................................................................... 15 8. Bob Dylan's Dream ...................................................................................................................... 15 9. Oxford Town ............................................................................................................................... -
Pdf of TODO Austin November 2017
Volume II, 04 August 2010 “You’ve been with thethe professorsprofessors AndAnd they’vethey’ve allall likedliked youryour looks”looks” so many people to thank. In this golden age when American popular culture is a worldwide culture, Bob Dylan is in many ways its fons et origo From Osaka, Japan to Oslo, Norway, from Rio de Janeiro to (its spring and source). “It’s an immense privilege to live at the the Rubber Bowl in Akron, Ohio, from Istanbul to the Isle of same time as this genius,” states British literary critic and former Wight, Dylan has performed his unique distillation of American Oxford Professor of Poetry, Christopher Ricks. musical traditions. His music transcends time and place and On the eve of his August 16th concert date in Austin-a crosses cultural boundaries. Around the world and up and community which has adopted Dylan as one of its own-TODO down Highway 35, Dylan remains the most important artist Austin has invited three American scholars to reflect on Dylan’s alive today, “anywhere and in any field,” to quote England’s wide cultural impact. Poet Laureate, Andrew Motion. One sure sign of Dylan’s influence is that all three scholars, a I had the honor of presenting the key to the City of Austin to noted University of Texas at Austin English professor and poet, Dylan on February 24, 2002, Bob Dylan Day. In our short visit, a UT MacArthur fellow who studies ancient Greek culture and Dylan expressed then to the mayor pro-tem and me how the human response, including song, to war and violence, and a Harvard professor who is the world’s foremost authority happy he was to have been made an honorary Texan by the on the Roman poet Virgil and the later influence of classical previous Governor. -
Still on the Road: 2013 Europe Fall Tour
STILL ON THE ROAD 2013 EUROPE FALL TOUR OCTOBER 10 Oslo, Norway Spektrum 12 Stockholm, Sweden Stockholm Waterfront Auditorium 13 Stockholm, Sweden Stockholm Waterfront Auditorium 15 Copenhagen, Denmark Falconer Salen 16 Copenhagen, Denmark Falconer Salen 18 Hannover, Germany Swiss Life Hall 19 Hamburg, Germany Congress Center Hamburg 20 Hamburg, Germany Congress Center Hamburg 22 Düsseldorf, Germany Mitsubishi Electric Halle 24 Berlin, Germany Tempodrom 25 Berlin, Germany Tempodrom 26 Berlin, Germany Tempodrom 28 Geneva, Switzerland Geneva Arena 30 Amsterdam, The Netherlands Heineken Music Hall 31 Amsterdam, The Netherlands Heineken Music Hall NOVEMBER 2 Milan, Italy Teatro degli Arcimboldi 3 Milan, Italy Teatro degli Arcimboldi 4 Milan, Italy Teatro degli Arcimboldi 6 Rome, Italy Atlantico 7 Rome, Italy Atlantico 8 Padova, Italy Gran Teatro Geox 10 Brussels, Belgium Vorst Nationaal 12 Paris, France Le Grand Rex 13 Paris, France Le Grand Rex 14 Paris, France Le Grand Rex 16 Esch-sur-Alzette, Luxembourg Rockhal 18 Glasgow, Scotland Clyde Auditorium 19 Glasgow, Scotland Clyde Auditorium 20 Glasgow, Scotland Clyde Auditorium 22 Blackpool, England Opera House Theatre 23 Blackpool, England Opera House Theatre 24 Blackpool, England Opera House Theatre 26 London, England Royal Albert Hall 27 London, England Royal Albert Hall 28 London, England Royal Albert Hall Bob Dylan: Still On The Road – 2013 Europe Fall Tour Bob Dylan: Still On The Road – 2013 Europe Fall Tour 35160 Spektrum Oslo, Norway 10 October 2013 1. Things Have Changed 2. She Belongs To Me 3. Beyond Here Lies Nothin' (Bob Dylan-Robert Hunter/Bob Dylan) 4. What Good Am I? 5. Pay In Blood 6. -
Señor (Tales of Yankee Power)”: a Window Into Bob Dylan’S Existential and Religious World
chapter 1 “Señor (Tales of Yankee Power)”: A Window into Bob Dylan’s Existential and Religious World Reidar Aasgaard Professor, idéhistorie, IFIKK, Universitetet i Oslo Professor of History of Ideas, IFIKK, University of Oslo Abstract: “Señor (Tales of Yankee Power)” is a central song on Street-Legal, the album Bob Dylan released in 1978, a short time before his Christian conversion experience and the so-called Christian album trilogy of 1979–1981. Within the set- ting of a journey through a half-real, half-mythical landscape, the song describes an encounter between an I-figure, the singer, and his travel companion, a mysterious, silent “señor”, with the singer going through a process of growing frustration lead- ing to a state of existential despair. The article gives a close, narrative reading of the lyrics and analyzes the song within the contexts of the album, of the development of Dylan’s religious language, of his performances of the song from 1978 to 2011, and of his own comments on it. The main conclusion is that “Señor” can be read in different ways, but that religion, and Christianity in particular, plays an important and integral part in the various readings. The song reflects Dylan’s artistic and per- sonal situation at the time, also by foreshadowing his conversion experience, but at the same time belongs within a long trajectory of Dylan songs from the 1960s until today which deal with fundamental human themes related to history, society, social relations, religion, and life in general. Keywords: Bob Dylan, Christianity, Bible, literary analysis, contextual analysis Samandrag: «Señor (Tales of Yankee Power)» er ein sentral song på Street-Legal, albumet Bob Dylan gav ut i 1978, kort tid før sitt kristne gjennombrot og den såkalla kristne albumtrilogien frå 1979–81. -
2017 Yale Invitational
The 22nd Annual Yale Invitational December 2-3, 2017 || New Haven, Connecticut Bob Dylan Division Round 1 Round 2 Round 3 Round 4 Summary π v. Baylor Δ v. Fordham LC A π v. UMBC A Δ v. Columbia A 4-4-0 American WLT W W W L W L L L CS: 21 OCS: 65.5 Jolene PD +6 +9 +1 -4 +6 -8 -1 -3 PD: 6 π v. Northwestern Δ v. Yale A Δ v. Emory π v. Brown 4-4-0 Arizona WLT L L L L W W W W CS: 18 OCS: 64 Autumn Leaves PD -2 -4 -6 -2 +4 +6 +9 +8 PD: 13 Δ v. American π v. Emory π v. Kentucky Δ v. Illinois 3-5-0 Baylor WLT L L W L W W L L CS: 12 OCS: 70.5 Summer Days PD -6 -9 +4 -2 +15 +2 -3 -2 PD: -1 π v. Brown Δ v. Rochester A π v. Wesleyan A Δ v. Michigan A 0-8-0 Boston College WLT L L L L L L L L CS: 14.5 OCS: 51.5 Drifter's Escape PD -1 -1 -8 -14 -19 -23 -6 -22 PD: -94 Δ v. Boston College π v. NYU A π v. Illinois Δ v. Arizona 3-5-0 Brown WLT W W L L L W L L CS: 10.5 OCS: 67 All Along The Watchtower PD +1+1-29-2-5+5-9-8 PD: -46 Δ v. Rochester B π v. Yale B π v. -
Bob Dylan's 'Duquesne Whistle' – Lyric Analysis – by Kees De Graaf
Bob Dylan’s ‘Duquesne Whistle’ – lyric analysis – by Kees de Graaf ‘Duquesne Whistle’ the first song on Dylan’s new album ‘Tempest’- a co-write with Robert Hunter - is yet another masterpiece. This song is really amazing; there are many thoughtful layers in it. When you listen for the first time, the feel the lyrics of the song may evoke comes close to the song ‘Highlands’ from ‘Time out of Mind’. But there is a difference. ‘Highlands’ was a metaphor for heaven. Highlands portrays the mental attitude of the poet towards those Highlands. His heart is in the Highlands. At the same time it is a journey to the Highlands. It is a learning process. At the end of the song it is as if he already reached his destination: ‘I’m already there in my mind’. In this song the poet waits for and focusses on the final whistle which can be blown at any minute; this whistle when it comes proclaims that the end of times has begun and that there is no turning back. This whistle has a warning for us in store, like in the song ‘Sugar Baby’: ‘Look up, look up—seek your Maker—’fore Gabriel blows his horn’ or in this case his whistle. There can be no doubt: death is calling at the poet’s door, he is about to cross the borderline. Sometimes it looks as if he is already on the other side; he is in and out of the train bound for glory. It is a song depicting human mortality and vulnerability, yet hope is close by. -
The Bob Cats Newsletter 2020-08-21
THE BOB CATS NEWSLETTER AUGUST 21, 2020. CELEBRATING THE ART AND THE MANY LIVES OF BOB DYLAN • NOBEL PRIZE LAUREATE SONG & DANCE MAN. INSPIRED BY THEME TIME RADIO HOUR AND THE SPIRIT IN WHICH IT WAS MADE. ESTABLISHED 2006 BY PETER HOLST • 14 YEARS AND RUNNING. HTTPS://THEBOBCATSNEWSLETTER.WORDPRESS.COM Welcome to another edition of the Bob Cats Newsletter. It's night time in the big city as Della Reese, secretary of the Mason Dixon & Morton Law Firm Incorporated, hurries down Main Street meeting up with a man from the motor trade getting off a streetcar outside The Saint James Hotel named de Soto Avenue, rushing him into the lobby, checking in at room #512, riding the elevator to the top floor, descending the stairs to the 5th floor as Emilio Zardini, the night manager, jovial and sturdy, stares into the ledger reading: Mr. Alexander and Mrs. Alexandra Pushkin, in blue ink, not yet dry. He awakes from his reveries by Paolo Cianerini, padre and proprietor of a small business in jewelry on Beluga Street south of The Holy Church of Mary and the Lamb, entering the lobby in a doctor’s gown, sunglasses and a stethoscope wrapped around his neck requesting asylum. The night nurse sips a Dry martini at The Black Swan as a giant Tahitian man with protrudent gold teeth ransacks her overnight bag. Two police officers watch hesitantly from a car across the street, fear and powdered sugar faces. ••• ROUGH AND ROWDY WAYS • THE SONGS BOB DYLAN AND HOW TO SING A LONG SONG. https://www.pastemagazine.com/music/bob-dylan/bob-dylan-and-the-long-song/ GOODBYE JIMMY REED: I’M JUST AS BEWILDERED AS ANYBODY ELSE. -
A Classical Bard Brings It All Back Home
A Classical Bard Brings It All Back Home ... By Tom Palaima "Everybodymovin' if they ain't already there / Everybody got (1986) composed ca. 1935 Aunt Molly Jackson need to be. Our American heroes, old and new, have to move, to move somewhere· -Bob Dylan, "Mississippi; Love and Theft have to go, have to explore the unknown, face new realities, (2001) © 1997 by Special Rider Music "But me, I'm still on the road/ Headin' foranother joint" dream new dreams, confront new and old problems, meet -Bob Dylan, "Tangled Up in Blue: Blood on the Tracks(1975) strange faces, tryto discover who and what and why they, and ·1 was youngwhen I left home/ But I been out a-ramblin' 'round © 1974 by Ram's Horn Music; renewed 2002 by Ram's Horn we, are. They are loners, by choice or by necessity, and they And I never wrote a letter to my home· -Bob Dylan, "I Was Young Music come to terms with their aloneness each and everyday. Just When I Left Home," performed in Bonnie Beecher's Minneapolis close your eyes and listen in your mind to Dylan's early hero apartment (December 1961) © 2005 by Special Rider Music ·1 wouldn't change it, even if I could / You know what they say Hank Williams sing of the lonesome whippoorwill, time crawling man, it's all good" -Bob Dylan, "It's All Good," TogetherThrough by through too long a night, a tearfully disconsolate moon, a ·1 pitythe poor immigrant/ Who wishes he would've stayed Life (2009) weeping robin,and a lone falling star in a purple sky. -
Dylan Review, Summer 2020
DYLAN REVIEW, SUMMER 2020 MASTHEAD CO-EDITORS Raphael Falco, University of Maryland, Baltimore County Paul Haney, University of Massachusetts, Boston Lisa O'Neill Sanders, Founder DR, Saint Peter's University Shelby Nathanson, Digital Editor Nicole Font, Assistant to the Editors EDITORIAL BOARD Mitch Blank, New York City Michael Gilmour, Providence University College (Canada) Nina Goss, Fordham University Charles O. Hartman, Connecticut College Jonathan Hodgers, Trinity College, Dublin Robert Reginio, Alfred University Christopher Rollason, Luxembourg Richard Thomas, Harvard University Dylan Review 2.1 (Summer 2020) DYLAN REVIEW, SUMMER 2020 TABLE OF CONTENTS SPECIAL TOPIC: CALL FOR SUBMISSIONS………………….……………………………..2 REVIEWS Charles O. Hartman, Rough and Rowdy Ways: Containing History….………....3 John Hunt and Tim Hunt, Travelin’ Thru ...…………………..……………………....16 THE DYLANISTA………………………………………………………………………………28 ARTICLES Richard F. Thomas, “And I Crossed the Rubicon”: Another Classical Dylan....35 Graley Herren, Young Goodman Dylan: Chronicles at the Crossroads..……..65 SONG CORNER Anne Margaret Daniel, “Murder Most Foul”….…………………………………….83 INTERVIEWS Mark Davidson…………………………………………………………………………... 95 LETTERS………………………………………………………………………………….…...106 CONTRIBUTORS…………………………………………………………………….………107 BOOKS RECEIVED………………………………………………………………………….109 BOB DYLAN LYRICS, COPYRIGHT INFORMATION……………………………………110 1 Dylan Review 2.1 (Summer 2020) SPECIAL TOPIC: CALL FOR SUBMISSIONS THE COPS DON’T NEED YOU AND MAN THEY EXPECT THE SAME For the next issue of the Dylan Review, Winter 2.2, the Editors invite articles and Song Corner essays on the special topic of political authority and race in Dylan’s work. Up on Housing Project Hill It’s either fortune or fame You must pick one or the other Though neither of them are to be what they claim If you’re lookin’ to get silly You better go back to from where you came Because the cops don’t need you And man they expect the same This familiar stanza from “Just Like Tom Thumb’s Blues” sets the tenor for the Editors’ special topic. -
Bob Dylan Across the Borderline," TODD Austin 1 :3 July 2009, P
Tom Palaima, "Bob Dylan Across the Borderline," TODD Austin 1 :3 July 2009, p. 8 Gavin Lance Garcia, "Sefior Dylan Bridging the Americas," TODO Austin 1 :3 July 2009, p. 9 Paul Minor, "Bob Dylan Master of Musical Cultural Assimilation," TODO Austin 1 :3 July 2009, p. g BoeDYLAN ACROSSTHE by Tom Pataima ·rm an honorary Texan,· Bob Dylan said character named 'Alias· in "Pat Garrett and Billy recently, while discussing what gives his latest the Kid." Dylan's films have titles like 'Masked CD 'Together Through Life· its clear Texas and Anonymous," "Don't Look Back," and ·rm Mexico borderland feel. ·Irs no small thing I Not There: Small wonder then that he Is drawn take it as a high honor· 10 songs that capture the lives of men, women and children whose identities and worlds Dylan has long felt a connection with our two change when they cross the borderline. Many big parts of Nueva Espana. His sincere shout live namelessly or with false identities. fearfully out to Billy Joe Shaver on "Together Through and honestly outside the law Life's" ·1 Feel a Change Comin' on· is Just one sample of the Tex-Mex flavors in his lyrical Dylan was drawn to the borderland early on. and musical spice box When he hit New York City in 1961, the ailing Woody Guthrie was his guiding spirit. Guthrie In 1972, he played with Doug Sahm and had written a poem 'Deportee· or "Plane Band on their self-named album. helping to Wreck at Los Gatos (Deportees)" in I 948. -
Hibbing Public Library Bob Dylan Collection
Bob Dylan Collection at the Hibbing Public Library 12'' LPs • 4 Songs From "Renaldo And Clara" A Film By Bob Dylan. Columbia, 1978. (Demonstration--not for sale.) • Best of Bob's Bootlegs. Also includes 4 interviews with Dylan. Double Cross, 197?. • Biograph. Five record deluxe edition. Columbia, 1985. • Bob Dylan: Historical Archives, volume 1. Made in Italy by Go International, 1961, 1962. • Bob Dylan London Interview, July 1981. Columbia, 1981. (Demonstration --not for sale.) • Bob Dylan: the Little White Wonder, volume 3. Buhay Records, 1973. • Down in the Groove. Columbia, 1988. • Dylan & the Dead. Columbia, 1989. (Recorded live, July 1987.) • Empire Burlesque. Columbia, 1985. • Folk Jamboree. Columbia Limited Edition, 196?. • Good As I Been To You. England, Columbia, 1992. (Rare import.) • Got My Mind Made Up; Brownsville Girl. Columbia, 1986. (Demonstration--not for sale.) • Great White Wonder. A Different Kind of Music and Media Festival. Future Tense Productions, 1984. (unmarked recordings parts 1 and 2) • Great White Wonder II. 1969? (All disc labels blank.) • Hearts Of Fire. Original motion picture soundtrack. Columbia, 1987. • Historical Archives, Vol. 1. Italy, Go International, 199?. (Tracks 1-6 recorded at the Gaslight Club, NY, Sept. 6, 1961. Tracks 7-8 recorded at the Finjan Club, Montreal, July 2, 1962.) • Infidels. Columbia, 1983. • Knocked Out Loaded. Columbia, 1986. • Life Sentence. Germany, Ruthless Rhymes, Ltd., 1978? (Recorded June 2, 1978 at the Universal Amphitheater in Los Angeles.) • Little White Wonder, Volume 3. Milan, Italy, Buhay, 1973. (Songs performed by the composer and recorded in Italy.) • London Interview - July 1981. Columbia, 1981. (For promotion only. Recorded at the White House Hotel, London, England, July 2, 1981.