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Tell-Tale Signs - Edgar Allan Poe and Bob Dylan: Towards a Model of Intertextuality
ATLANTIS. Journal of the Spanish Association of Anglo-American Studies. 31.2 (December 2009): 41–56 ISSN 0210-6124 Tell-Tale Signs - Edgar Allan Poe and Bob Dylan: Towards a Model of Intertextuality Christopher Rollason Metz, France [email protected] This article shows how the poetry and prose of Edgar Allan Poe (1809-1849) cast a long shadow over the work of America’s greatest living songwriter, Bob Dylan (1941-). The work of both artists straddles the dividing-line between ‘high’ and ‘mass’ culture by pertaining to both: read through Poe, Dylan’s work may be seen as a significant manifestation of American Gothic. It is further suggested, in the context of nineteenth- century and contemporary debates on alleged ‘plagiarism’, that the textual strategy of ‘embedded’ quotation, as employed by both Poe and Dylan, points up the need today for an open and inclusive model of intertextuality. Keywords: culture; Dylan; Gothic; intertextuality; Poe; quotation Tell-tale signs - Edgar Allan Poe y Bob Dylan: hacia un modelo de intertextualidad Este artículo explica cómo la poesía y la prosa de Edgar Allan Poe (1809-1849) proyectan una larga sombra sobre la obra del mayor cantautor vivo de Estados Unidos, Bob Dylan (1941-). Ambos artistas se ubican en una encrucijada entre la cultura ‘de elite’ y la ‘de masas’, puesto que la obra de cada uno se sitúa en ambos dominios a la vez: leída a través de Poe, la obra dylaniana aparece como una importante manifestación del gótico norteamericano. Se plantea igualmente la hipótesis de que, en el marco de los debates, tanto decimonónicos como contemporáneos, sobre el supuesto ‘plagio’, la estrategia textual, empleada tanto por Poe como por Dylan, de la cita ‘encajada’ señala la necesidad urgente de plantear un modelo abierto y global de la intertextualidad. -
Bob Dylan: the 30 Th Anniversary Concert Celebration” Returning to PBS on THIRTEEN’S Great Performances in March
Press Contact: Harry Forbes, WNET 212-560-8027 or [email protected] Press materials; http://pressroom.pbs.org/ or http://www.thirteen.org/13pressroom/ Website: http://www.pbs.org/wnet/gperf/ Facebook: http://www.facebook.com/GreatPerformances Twitter: @GPerfPBS “Bob Dylan: The 30 th Anniversary Concert Celebration” Returning to PBS on THIRTEEN’s Great Performances in March A veritable Who’s Who of the music scene includes Eric Clapton, Stevie Wonder, Neil Young, Kris Kristofferson, Tom Petty, Tracy Chapman, George Harrison and others Great Performances presents a special encore of highlights from 1992’s star-studded concert tribute to the American pop music icon at New York City’s Madison Square Garden in Bob Dylan: The 30 th Anniversary Concert Celebration in March on PBS (check local listings). (In New York, THIRTEEN will air the concert on Friday, March 7 at 9 p.m.) Selling out 18,200 seats in a frantic, record-breaking 70 minutes, the concert gathered an amazing Who’s Who of performers to celebrate the 30th anniversary of the enigmatic singer- songwriter’s groundbreaking debut album from 1962, Bob Dylan . Taking viewers from front row center to back stage, the special captures all the excitement of this historic, once-in-a-lifetime concert as many of the greatest names in popular music—including The Band , Mary Chapin Carpenter , Roseanne Cash , Eric Clapton , Shawn Colvin , George Harrison , Richie Havens , Roger McGuinn , John Mellencamp , Tom Petty , Stevie Wonder , Eddie Vedder , Ron Wood , Neil Young , and more—pay homage to Dylan and the songs that made him a legend. -
Bob Dylan and the Nobel Prize
BOB ENNOBLED BOB DYLAN AND THE NOBEL PRIZE I am a Dylan fan and I know many of his songs by heart. I have seen him perform and have heard him mangle his own work in Birmingham, England, and then delight the Hammersmith Odeon. I have watched him forget some of the words to ‘Mr Tambourine Man’ in the Leisure Centre at Bournemouth. Indeed, since about 1963 and The Freewheelin’ Bob Dylan I have spent many leisure hours and vital pounds, first of pocket money and then of earned income, keeping up with much of Dylan’s copious output. I’ve even tried to read his ‘novel’ Tarantula. While I am aware of his vocal and musical limitations and the way he can move from brilliant to dire, I love some of his songs, his phrasing and intonation this side of idolatry and sometimes beyond. I think the first four Dylan tracks I bought were on an 1963 EP called Dylan (Extended Play: remember those?) which rotated on the turntable at 45 rpm as his astonishing twenty-one-year old-voice sang: ‘Don’t Think Twice, it’s alright’, ‘Blowin’ in the Wind’, ‘When the Ship Comes in’ and then was it ‘Corinna, Corinna’? His way with song words has long held my qualified admiration and I enjoyed reading his Chronicles (Volume One) when they came out in 2004. For me, even with Dylan at his uneven best, it’s the words that matter most and the way he delivers them in the best of his supremely memorable songs. If I had to name my current top ten of his tracks, chosen with particular attention to the words and to do so rapidly from memory, I’d probably go for the following: ‘Boots -
Durham E-Theses
Durham E-Theses `This is what Salvation must be like after a While': Bob Dylan's Critical Utopia KOUVAROU, MARIA How to cite: KOUVAROU, MARIA (2011) `This is what Salvation must be like after a While': Bob Dylan's Critical Utopia, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/1391/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 ‘This is what Salvation must be like after a While’: Bob Dylan’s Critical Utopia Maria Kouvarou MA by Research in Musicology Music Department Durham University 2011 Maria Kouvarou ‘This is what Salvation must be like after a While’: Bob Dylan’s Critical Utopia Abstract Bob Dylan’s work has frequently been the object of discussion, debate and scholarly research. It has been commented on in terms of interpretation of the lyrics of his songs, of their musical treatment, and of the distinctiveness of Dylan’s performance style, while Dylan himself has been treated both as an important figure in the world of popular music, and also as an artist, as a significant poet. -
Bob Denson Master Song List 2020
Bob Denson Master Song List Alphabetical by Artist/Band Name A Amos Lee - Arms of a Woman - Keep it Loose, Keep it Tight - Night Train - Sweet Pea Amy Winehouse - Valerie Al Green - Let's Stay Together - Take Me To The River Alicia Keys - If I Ain't Got You - Girl on Fire - No One Allman Brothers Band, The - Ain’t Wastin’ Time No More - Melissa - Ramblin’ Man - Statesboro Blues Arlen & Harburg (Isai K….and Eva Cassidy and…) - Somewhere Over the Rainbow Avett Brothers - The Ballad of Love and Hate - Head Full of DoubtRoad Full of Promise - I and Love and You B Bachman Turner Overdrive - Taking Care Of Business Band, The - Acadian Driftwood - It Makes No Difference - King Harvest (Has Surely Come) - Night They Drove Old Dixie Down, The - Ophelia - Up On Cripple Creek - Weight, The Barenaked Ladies - Alcohol - If I Had A Million Dollars - I’ll Be That Girl - In The Car - Life in a Nutshell - Never is Enough - Old Apartment, The - Pinch Me Beatles, The - A Hard Day’s Night - Across The Universe - All My Loving - Birthday - Blackbird - Can’t Buy Me Love - Dear Prudence - Eight Days A Week - Eleanor Rigby - For No One - Get Back - Girl Got To Get You Into My Life - Help! - Her Majesty - Here, There, and Everywhere - I Saw Her Standing There - I Will - If I Fell - In My Life - Julia - Let it Be - Love Me Do - Mean Mr. Mustard - Norwegian Wood - Ob-La-Di Ob-La-Da - Polythene Pam - Rocky Raccoon - She Came In Through The Bathroom Window - She Loves You - Something - Things We Said Today - Twist and Shout - With A Little Help From My Friends - You’ve -
Settin' My Dial on the Radio
SETTIN ’ MY DIAL ON THE RADIO BOB DYLAN 2006 by Olof Björner A SUMMARY OF RECORDING & CONCERT ACTIVITIES , NEW RELEASES , RECORDINGS & BOOKS . © 2010 by Olof Björner All Rights Reserved. This text may be reproduced, re-transmitted, redistributed and otherwise propagated at will, provided that this notice remains intact and in place. Settin’ My Dial On The Radio — Bob Dylan 2006 page 2 of 86 1 INTRODUCTION ...................................................................................................................................................................4 2 2006 AT A GLANCE ..............................................................................................................................................................4 3 THE 2006 CALENDAR ..........................................................................................................................................................4 4 NEW RELEASES AND RECORDINGS ..............................................................................................................................6 4.1 MODERN TIMES ................................................................................................................................................................6 4.2 BLUES ..............................................................................................................................................................................6 4.3 THEME TIME RADIO HOUR : BASEBALL ............................................................................................................................8 -
Freewheelin-On-Line Take Twenty One
Freewheelin-on-line Take Twenty One Freewheelin’ 219 This month’s cover could be the ultimate statement on the art of minimalism. Or, as Chris Cooper suggests, it could be a picture of Dylan in a snowstorm. Actually it’s neither of these. In fact, this month’s cover is meant to be a visual representation of silence which I suppose is quite natural when you consider that the journal itself concerns the comings and goings of an artist who makes a lot of noise. Before you accuse me of being a pretentious git let me plead for your sympathy and say that it wasn’t meant to be this way. I had planned a festive cover with bangles, baubles, beads and lots of angles. But then one foggy November eve some malicious spam spreader cast his spell my way and sent me an email, purporting to be from Paypal, inviting me to open an attachment. Dutifully, ignorantly and very stupidly I opened the attachment whereupon some worm leapfrogged my internet security system and crashed my pc. I tried to boot, boot boot the machine into life which only made matters worse. So I was left with no hardware, no software, no email facility and, worst of all, no access to Expecting Rain. Total silence on all fronts. I am now waiting for Santa Baby to hurry down the chimney with a brand new pc packed tight with some massive gigs and other things. Yet all I really wanna do is plug in a machine that works. So that I can hear that Windows jingle. -
View Song List
Song Artist What's Up 4 Non Blondes You Shook Me All Night Long AC-DC Song of the South Alabama Mountain Music Alabama Piano Man Billy Joel Austin Blake Shelton Like a Rolling Stone Bob Dylan Boots of Spanish Leather Bob Dylan Summer of '69 Bryan Adams Tennessee Whiskey Chris Stapleton Mr. Jones Counting Crows Ants Marching Dave Matthews Dust on the Bottle David Lee Murphy The General Dispatch Drift Away Dobie Gray American Pie Don McClain Castle on the Hill Ed Sheeran Thinking Out Loud Ed Sheeran Rocket Man Elton John Tiny Dancer Elton John Your Song Elton John Drink In My Hand Eric Church Give Me Back My Hometown Eric Church Springsteen Eric Church Like a Wrecking Ball Eric Church Record Year Eric Church Wonderful Tonight Eric Clapton Rock & Roll Eric Hutchinson OK It's Alright With Me Eric Hutchinson Cruise Florida Georgia Line Friends in Low Places Garth Brooks Thunder Rolls Garth Brooks The Dance Garth Brooks Every Storm Runs Out Gary Allan Hey Jealousy Gin Blossoms Slide Goo Goo Dolls Friend of the Devil Grateful Dead Let Her Cry Hootie and the Blowfish Bubble Toes Jack Johnson Flake Jack Johnson Barefoot Bluejean Night Jake Owen Carolina On My Mind James Taylor Fire and Rain James Taylor I Won't Give Up Jason Mraz Margaritaville Jimmy Buffett Leaving on a Jet Plane John Denver All of Me John Legend Jack & Diane John Mellancamp Folsom Prison Blues Johnny Cash Don't Stop Believing Journey Faithfully Journey Walking in Memphis Marc Cohn Sex and Candy Marcy's Playground 3am Matchbox 20 Unwell Matchbox 20 Bright Lights Matchbox 20 You Took The Words Right Out Of Meatloaf All About That Bass Megan Trainor Man In the Mirror Michael Jackson To Be With You Mr. -
The Songs of Bob Dylan
The Songwriting of Bob Dylan Contents Dylan Albums of the Sixties (1960s)............................................................................................ 9 The Freewheelin’ Bob Dylan (1963) ...................................................................................................... 9 1. Blowin' In The Wind ...................................................................................................................... 9 2. Girl From The North Country ....................................................................................................... 10 3. Masters of War ............................................................................................................................ 10 4. Down The Highway ...................................................................................................................... 12 5. Bob Dylan's Blues ........................................................................................................................ 13 6. A Hard Rain's A-Gonna Fall .......................................................................................................... 13 7. Don't Think Twice, It's All Right ................................................................................................... 15 8. Bob Dylan's Dream ...................................................................................................................... 15 9. Oxford Town ............................................................................................................................... -
Our Featured Artist, Skye, Wasn't a Fan of Bob Dylan's Music When He Burst Into Popularity in the Mid 1960S— It Was the Be
Shakespeare’sin the Alley: Our featured artist, Skye, wasn’t a fan of Bob Dylan’s music when he burst into popularity in the mid 1960s— it was the Beatles who held the then teenager’s ear. Forty years later, in 2008, her viewing of the Martin Scorcese documentary about Dylan, No Direction Home, captured her attention. “I was amazed at what Dylan did at such a young age,” she A Tribute to Bob Dylan February 9-March 17 said. “His courage to speak out [about social planning a tribute concert in honor of Dylan’s change] was profound and his extreme talent 70th birthday. Titled Buckets of Rain, the was obvious.” concert was held at Woodwalk Gallery in Egg Harbor. Skye created 15 banners that served Yet, the concept for the exhibition as a backdrop for the Labor Day weekend Shakespeare’s in the Alley: A Tribute to Bob event. Dylan did not come immediately into focus for the artist. Skye had a hunger to experience Wanting to make the lyrics the focus, Skye all his music, eventually collecting 35 of his chose a simple design for the banners— 36 CDs. Only after immersing herself in both gray fabric made of recycled hemp and his sound and words, was she inspired to organic cotton with the words formed in create art honoring his influence. black, felt tip markers. After the second Buckets of Rain concert the following year, Skye had incorporated stenciled words into Skye was committed to creating an even earlier projects, but not as the main creative larger installation. -
Bob Dylan Musician, Keith Negus. This File Contains the Pre-Proof
Bob Dylan Musician, Keith Negus. This file contains the pre-proof versions of Chapter One and Chapter Five from Bob Dylan, presented here in this format with the permission of Equinox Publishing. I have called this text Bob Dylan Musician because this was the original agreed title of the book right up to the moment just before publication when pressure from the US publisher resulted in the term ‘musician’ being reluctantly (from my perspective) expunged from the title. That word – musician – was there to concisely signal how my approach differs from most other books on Bob Dylan. I am interested in his work and practice as a musician, rather than his lyrics as poetry or the relationship between his biography and musical art. The book contains five chapters, so these two chapters introduce and conclude the study. If anyone would like electronic copies of additional chapters I am happy to provide these, as long as they are used only for research and teaching. Keith Negus June 2013 CHAPTER ONE Surroundings On 31 October 1964 Bob Dylan performed at the Philharmonic Hall in New York City, just two years after signing a recording contract and with four albums already released. Having quickly gained recognition as a folk ‘protest singer’ he was rapidly moving away from songs of social commentary and ‘finger pointing’. Dylan was beginning to use the popular song in a new and radical manner to explore more internal or subjective experiences, whilst experimenting with the sound, meaning and rhythm of words. Within three months, when recording his fifth album, no longer performing alone with acoustic guitar and harmonica, he was beginning to create an abrasive yet ethereal sonority, mixing the acoustic and electric textures of folk, electric blues, rock’n’roll, gospel, country and pop. -
In Partial Nilfillment of the Requirements York University
OONE WHO SINGS WlTH HIS TONGUE ON FLREn: CHANGE, CONT'WWW AND MEAMNG IN BOB DYLAN'S VOCAL SfYLE, 1960-66. A thesis submitied to the Faculty of Graduate Studies in partial nilfillment of the requirements for the degree of Master of Arts Graduate Programme in Musicology and Ethnomusicology York University North York, Ontario National Li brary Bibliothèque nationale 191 of,,,, du Canada Acquisitions and Acquisitions et Bibliographie Services services bibliographiques 395 Wellington Street 395, nie Wellington OttawaON KtAON4 OttawaON K1A ON4 Canada Canada Yarr ale voba rbfhnœ Our ml9 Nohe dIBnma The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant a la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distriiute or sell reproduire, prêter, distribuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic fomats. la forme de microficheffïlm, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fiom it Ni la thèse ni des extraits substantiels may be printed or othemise de celle-ci ne doivent être imprimés reproduced without the author' s ou autrement reproduits sans son permission. autorisation. "ONE WHO SINGS WITH HIS TONGUE ON FIRE": CKANGE, CONTINUITY AND MEANING IN BOB DYLAN'S VOCAL STYLE, 1960-66 by MICHAEL JOSEPH DALEY a thesis submitted to the Faculty of Graduate Studies of York University in partial fulfillment of the requirements for the degree of MASTER OF ARTS Permission has been granted to the LIBRARY OF YORK LJNIVERSITY to lend or seIl copies of this thesis.