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Songs by Artist
Songs by Artist Artist Title DiscID 10,000 Maniacs Because The Night 00321,15543 10,000 Maniacs Candy Everybody Wants 10942 10,000 Maniacs Like The Weather 05969 10,000 Maniacs More Than This 06024 10cc Donna 03724 10cc Dreadlock Holiday 03126 10cc I'm Mandy Fly Me 03613 10cc I'm Not In Love 11450,14336 10cc Rubber Bullets 03529 10cc Things We Do For Love, The 14501 112 Dance With Me 09860 112 Peaches & Cream 09796 112 Right Here For You 05387 112 & Ludacris Hot & Wet 05373 112 & Super Cat Na Na Na 05357 12 Stones Far Away 12529 1999 Man United Squad Lift It High (All About Belief) 04207 2 Brothers On 4th Come Take My Hand 02283 2 Evisa Oh La La La 03958 2 Pac Dear Mama 11040 2 Pac & Eminem One Day At A Time 05393 2 Pac & Eric Will Do For Love 01942 2 Unlimited No Limits 02287,03057 21st Century Girls 21st Century Girls 04201 3 Colours Red Beautiful Day 04126 3 Doors Down Be Like That 06336,09674,14734 3 Doors Down Duck & Run 09625 3 Doors Down Kryptonite 02103,07341,08699,14118,17278 3 Doors Down Let Me Go 05609,05779 3 Doors Down Loser 07769,09572 3 Doors Down Road I'm On, The 10448 3 Doors Down When I'm Gone 06477,10130,15151 3 Of Hearts Arizona Rain 07992 311 All Mixed Up 14627 311 Amber 05175,09884 311 Beyond The Grey Sky 05267 311 Creatures (For A While) 05243 311 First Straw 05493 311 I'll Be Here A While 09712 311 Love Song 12824 311 You Wouldn't Believe 09684 38 Special If I'd Been The One 01399 38 Special Second Chance 16644 3LW I Do (Wanna Get Close To You) 05043 3LW No More (Baby I'm A Do Right) 09798 3LW Playas Gon' Play -
The Songs of Bob Dylan
The Songwriting of Bob Dylan Contents Dylan Albums of the Sixties (1960s)............................................................................................ 9 The Freewheelin’ Bob Dylan (1963) ...................................................................................................... 9 1. Blowin' In The Wind ...................................................................................................................... 9 2. Girl From The North Country ....................................................................................................... 10 3. Masters of War ............................................................................................................................ 10 4. Down The Highway ...................................................................................................................... 12 5. Bob Dylan's Blues ........................................................................................................................ 13 6. A Hard Rain's A-Gonna Fall .......................................................................................................... 13 7. Don't Think Twice, It's All Right ................................................................................................... 15 8. Bob Dylan's Dream ...................................................................................................................... 15 9. Oxford Town ............................................................................................................................... -
Our Featured Artist, Skye, Wasn't a Fan of Bob Dylan's Music When He Burst Into Popularity in the Mid 1960S— It Was the Be
Shakespeare’sin the Alley: Our featured artist, Skye, wasn’t a fan of Bob Dylan’s music when he burst into popularity in the mid 1960s— it was the Beatles who held the then teenager’s ear. Forty years later, in 2008, her viewing of the Martin Scorcese documentary about Dylan, No Direction Home, captured her attention. “I was amazed at what Dylan did at such a young age,” she A Tribute to Bob Dylan February 9-March 17 said. “His courage to speak out [about social planning a tribute concert in honor of Dylan’s change] was profound and his extreme talent 70th birthday. Titled Buckets of Rain, the was obvious.” concert was held at Woodwalk Gallery in Egg Harbor. Skye created 15 banners that served Yet, the concept for the exhibition as a backdrop for the Labor Day weekend Shakespeare’s in the Alley: A Tribute to Bob event. Dylan did not come immediately into focus for the artist. Skye had a hunger to experience Wanting to make the lyrics the focus, Skye all his music, eventually collecting 35 of his chose a simple design for the banners— 36 CDs. Only after immersing herself in both gray fabric made of recycled hemp and his sound and words, was she inspired to organic cotton with the words formed in create art honoring his influence. black, felt tip markers. After the second Buckets of Rain concert the following year, Skye had incorporated stenciled words into Skye was committed to creating an even earlier projects, but not as the main creative larger installation. -
Three Way Liquors, Inc. 11-07-2012
Capital Reporting Company ABRA - Three Way Liquors, Inc. 11-07-2012 1 DISTRICT OF COLUMBIA ALCOHOLIC BEVERAGE CONTROL BOARD MEETING --------------------------------x IN THE MATTER OF: : : Three Way Liquors, Inc. : t/a Three Way Liquors, Inc. : 4823 Georgia Avenue, NW : Protest Retailer A : Hearing License No. 21972 : ANC 4D : Case No. 12-PRO-00058 : Renewal Application : --------------------------------x November 7, 2012 The Alcoholic Beverage Control Board met in the Alcoholic Beverage Control Hearing Room, Reeves Building, 2000 14th Street, N.W., Washington, D.C., Ruthanne Miller, Chairperson, presiding. (866) 448 - DEPO www.CapitalReportingCompany.com © 2012 Capital Reporting Company ABRA - Three Way Liquors, Inc. 11-07-2012 2 4 1 PRESENT 1 P R O C E E D I N G S 2 2 2:54 p.m. 3 RUTHANNE MILLER, Chairperson 3 CHAIRPERSON MILLER: Okay. It's 2:54. I 4 NICK ALBERTI, Member 4 don't know if everybody is back here on the Three Way 5 DONALD BROOKS, Member 5 Liquors case. Mr. Dietz isn't? Okay. You can come to 6 HERMAN JONES, Member 6 the table, whoever is a party in this case. I'm going 7 CALVIN NOPHLIN, Member 7 to wait for the -- for the other party except to say 8 MIKE SILVERSTEIN, Member 8 you can use this time to sign in on that piece of 9 9 paper. And I'll call the case. I can do that as well. 10 10 This is Case No. 12-PRO-00058, Three Way 11 11 Liquors, located at 4823 Georgia Avenue, N.W., License 12 12 No. -
Savage, C. (2013). 'Why Must You Criticize?': Introductory Notes and Acknowledgements
Savage, C. (2013). 'Why Must You Criticize?': Introductory notes and acknowledgements. Popular Music History, 8(2), 103-105. https://doi.org/10.1558/pomh.v8i2.103 Publisher's PDF, also known as Version of record License (if available): CC BY-NC-ND Link to published version (if available): 10.1558/pomh.v8i2.103 Link to publication record in Explore Bristol Research PDF-document This is the final published version of the article (version of record). It first appeared online via Equinox at https://journals.equinoxpub.com/index.php/PMH/article/view/21352. Please refer to any applicable terms of use of the publisher. University of Bristol - Explore Bristol Research General rights This document is made available in accordance with publisher policies. Please cite only the published version using the reference above. Full terms of use are available: http://www.bristol.ac.uk/red/research-policy/pure/user-guides/ebr-terms/ [PMH 8.2 (2013) 103-105] Popular Music History (print) ISSN 1740-7133 doi:10.1558/pomh.v8i2.103 Popular Music History (online) ISSN 1743-1646 Craig Savage ‘Why must you criticize?’ Introductory notes and acknowledgements Craig Savage is a PhD candidate at the University School of Humanities of Bristol. His thesis is provisionally entitled ‘I got the University of Bristol blood of the land in my voice’: American Landscapes in Bristol, BS8 1TB the Lyrics of Bob Dylan. Along with Daniel Karlin he was UK the convener of The Seven Ages of Dylan, an academic [email protected] conference held to celebrate and investigate the work of Bob Dylan as the artist turned seventy. -
The Cultural World of Bob Dylan, Fall 2013
FS 101–26: the Cultural World of Bob Dylan Fall Semester 2013 • Time and location: MWF 9:00–9:50, Arter 213. • Instructor: Judson Herrman, [email protected]. • Office hours: every day (when classes are in session) 11:00–12:15 in Ruter 304. • Description: an examination of Dylan as a musical, literary, and general cultural phenomenon, in the context of popular and higher literary culture of the last fifty years, but also in the context of those long- lived literary and musical cultures with which he works. We trace the evolution of his songs and lyrics from their early folk, blues, rock, gospel, and protest roots, through the transition from acoustic to electric, in studio and performative contexts, and also through the many evolutions and reinventions that continue to characterize his career in music, literature, film, and painting. Coursework emphasizes the development of effective oral and written communication skills with a focus on description, summary, and critical thinking.1 • Course books: — Chronicles Bob Dylan, Chronicles: Volume One (New York, 2004). — Wilentz Sean Wilentz, Bob Dylan in America (New York, 2010). — Hacker Diana Hacker, A Writer’s Reference (Boston and New York, 7th edition, 2011). We will use this item as needed for reference regarding grammar, style, and formatting in writing and citations. Students should consult this item for questions of this sort that arise as they write. Students are also encouraged to ask in class when they have questions about this material. • Electronic resources: — http://www.expectingrain.com : a daily collection of links to all sorts of Dylan media coverage. -
Señor (Tales of Yankee Power)”: a Window Into Bob Dylan’S Existential and Religious World
chapter 1 “Señor (Tales of Yankee Power)”: A Window into Bob Dylan’s Existential and Religious World Reidar Aasgaard Professor, idéhistorie, IFIKK, Universitetet i Oslo Professor of History of Ideas, IFIKK, University of Oslo Abstract: “Señor (Tales of Yankee Power)” is a central song on Street-Legal, the album Bob Dylan released in 1978, a short time before his Christian conversion experience and the so-called Christian album trilogy of 1979–1981. Within the set- ting of a journey through a half-real, half-mythical landscape, the song describes an encounter between an I-figure, the singer, and his travel companion, a mysterious, silent “señor”, with the singer going through a process of growing frustration lead- ing to a state of existential despair. The article gives a close, narrative reading of the lyrics and analyzes the song within the contexts of the album, of the development of Dylan’s religious language, of his performances of the song from 1978 to 2011, and of his own comments on it. The main conclusion is that “Señor” can be read in different ways, but that religion, and Christianity in particular, plays an important and integral part in the various readings. The song reflects Dylan’s artistic and per- sonal situation at the time, also by foreshadowing his conversion experience, but at the same time belongs within a long trajectory of Dylan songs from the 1960s until today which deal with fundamental human themes related to history, society, social relations, religion, and life in general. Keywords: Bob Dylan, Christianity, Bible, literary analysis, contextual analysis Samandrag: «Señor (Tales of Yankee Power)» er ein sentral song på Street-Legal, albumet Bob Dylan gav ut i 1978, kort tid før sitt kristne gjennombrot og den såkalla kristne albumtrilogien frå 1979–81. -
Party Like It's Your Birthday This June with 50 Cent PDF Download
Party Like it’s Your Birthday this June with 50 Cent Those in and around Atlantic City will find themselves in the club, bottle full of bub all month long ATLANTIC CITY, NJ—May 31, 2019—Haven Nightclub at the Golden Nugget Casino, Hotel & Marina announces its top-notch June lineup which includes a blast-from-the-past rager and an epic end of the month party thrown by one of the biggest rappers in hip-hop history. To close out the first official month of summer, American rapper, singer, and songwriter 50 Cent will be “in da club” on Saturday, June 29 bringing a disco inferno to Atlantic City where he’ll perform some of his greatest hits including 21 Questions, P.I.M.P, and Candy Shop. In addition to 50’s power-house performance, clubgoers are invited to get “just a lil bit” lit with the New York native’s very own champagne, Le Chemin du Roi. For those feeling blue over missing 50 Cent’s performance, Haven will get Sad and Boujee on Friday, June 28 as it closes out the month with a bang. Mixed by Grotzy Versace, emo tracks by Panic! At The Disco, Paramore, Fall Out Boy, and Blink 182 will bring clubgoers back to the early 2000s proving teen angst is “more than just a phase.” Kicking off the month on Saturday, June 1 is Blasterjaxx, known as one of the most promising EDM duos, whose unique crossover electro-house sound showcases why they are ranked alongside the world’s most legendary DJs. -
Friendly Interest
FRIENDLY INTEREST Reflections on Swiss cultural exchange with Poland and Central Europe, 1991-2013 An essay by François Matarasso He was just a fox like a hundred thousand others. But I made a friend of him, and now he’s the only one in the world. Antoine de St. Exupéry PRO HELVETIA, WARSAW December 2013 Friendly interest 2 FRIENDLY INTEREST Reflections on Swiss cultural exchange in Poland and Central Europe, 1991-2013 Foreword 3 You've got a friend 4 The revolution will not be televised 5 The changing of the guards 9 The true protest is beauty 14 ‘We have no friends’ 18 That's how the light gets in 20 Notes 25 Matarasso, F., 2013, Friendly Interest: Reflections on Swiss cultural exchange with Poland and Central Europe, 1991-2013 v. 1 (12/13). © 2013 François Matarasso This work is licensed under the Creative Commons Attribution-Non-Commercial-No Derivative Works 2.0 UK: England & Wales. You are free to copy, distribute, or display the digital version on condition that: you attribute the work to the author; the work is not used for commercial purposes; and you do not alter, transform, or add to it. http://parliamentofdreams.com Foreword The Swiss Arts Council Pro Helvetia is closing its liaison office in Warsaw after more than 20 years of presence in Eastern and Central Europe. For two decades, Pro Helvetia has been both witness and in its own way one of the protagonists of the cultural changes that have taken place in this region. It is difficult–even impossible–to evaluate and put an end to such long-lasting and varied activi- ties. -
The Symbolic Rape of Representation: a Rhetorical Analysis of Black Musical Expression on Billboard's Hot 100 Charts
THE SYMBOLIC RAPE OF REPRESENTATION: A RHETORICAL ANALYSIS OF BLACK MUSICAL EXPRESSION ON BILLBOARD'S HOT 100 CHARTS Richard Sheldon Koonce A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY December 2006 Committee: John Makay, Advisor William Coggin Graduate Faculty Representative Lynda Dee Dixon Radhika Gajjala ii ABSTRACT John J. Makay, Advisor The purpose of this study is to use rhetorical criticism as a means of examining how Blacks are depicted in the lyrics of popular songs, particularly hip-hop music. This study provides a rhetorical analysis of 40 popular songs on Billboard’s Hot 100 Singles Charts from 1999 to 2006. The songs were selected from the Billboard charts, which were accessible to me as a paid subscriber of Napster. The rhetorical analysis of these songs will be bolstered through the use of Black feminist/critical theories. This study will extend previous research regarding the rhetoric of song. It also will identify some of the shared themes in music produced by Blacks, particularly the genre commonly referred to as hip-hop music. This analysis builds upon the idea that the majority of hip-hop music produced and performed by Black recording artists reinforces racial stereotypes, and thus, hegemony. The study supports the concept of which bell hooks (1981) frequently refers to as white supremacist capitalist patriarchy and what Hill-Collins (2000) refers to as the hegemonic domain. The analysis also provides a framework for analyzing the themes of popular songs across genres. The genres ultimately are viewed through the gaze of race and gender because Black male recording artists perform the majority of hip-hop songs. -
2 Column Indented
22,000 Karaoke Songs - AMS Entertainment ARTIST TITLE SONG # ARTIST TITLE SONG # 10 Years Duck And Run 6188 Through The Iris 20005 Here By Me 17629 Wasteland 16042 Here Without You 13010 It's Not My Time (I Won't Go) 17630 10,000 Maniacs Kryptonite 6190 Because The Night 1750 Landing In London 17631 Candy Everybody Wants 2621 Let Me Be Myself 25227 Like The Weather 16149 Let Me Go 13785 More Than This 16150 Live For Today 13648 These Are The Days 1273 Loser 6192 Trouble Me 16151 Road I'm On, The 6193 So I Need You 17632 10cc When I'm Gone 13086 Donna 20006 Dreadlock Holiday 11163 30 Seconds To Mars I'm Mandy 16152 Kill, The (Bury Me) 16155 I'm Not In Love 2631 Rubber Bullets 20007 311 Things We Do For Love, The 10788 All Mixed Up 16156 Wall Street Shuffle 20008 Don't Tread On Me 13649 First Straw 22322 112 Love Song 22323 Come See Me 25019 You Wouldn't Believe 22324 Dance With Me 22319 It's Over Now 22320 38 Special Peaches & Cream 22321 Caught Up In You 1904 U Already Know 13602 Hold On Loosely 1901 Second Chance 17633 2 Tons O' Fun Teacher, Teacher 13492 It's Raining Men (Hallelujah!) 6017 3LW 2 Unlimited No More (Baby I'ma Do Right) 11795 No Limits 6183 3Oh!3 20 Fingers Don't Trust Me 16157 Short Dick Man 1962 3OH!3 & Katy Perry 2Pac Starstrukk 25138 California Love (Original Version) 14147 Changes 12761 4 Him Ghetto Gospel 16153 Basics Of Life 20002 For Future Generations 20003 2Pac & Notorious B.I.G. -
ARTIST TITLE 10 CC DREADLOCK HOLIDAY# 10 CC the Things We
ARTIST TITLE 10 CC DREADLOCK HOLIDAY# 10 CC The Things We do For Love# 10cc The Things We Do For Love2 2 Pac How Do You Want It 2 Pac And Dr Dre California Love 3 Doors Down Here Without You 3 Doors Down When Im Gone# 311 Love Song 4 SEASONS SHERRY# 4pm Sukiyaki 2 5 Seconds Of Summer Don't Stop 5 Seconds Of Summer Hey Everybody 5 Seconds Of Summer She Looks So Perfect 50 Cent Candy Shop 50 Cent In Da Club 50 Cent Just A Lil Bit 50 Cent Window Shopper 50 Cent And Nate Dogg 21 Questions 98 Degrees Give Me Just One Night# 98 Degrees I Do Cherish You 98 Degrees My Everything 98 Degrees Take My Breath Away Aaliyah Try Again ABBA Dancing Queen ABBA DANICING QUEEN# ABBA DOES YOUR MOTHER KNOW# ABBA FERNANDO# ABBA Gimme Gimme Gimme ABBA GIMME GIMME GIMME# ABBA Honey Honey ABBA I DO I DO I DO I DO I DO# ABBA I HAVE A DREAM# ABBA Knowing Me Knowing You ABBA KNOWING ME KNOWING YOU# ABBA Sos2 ABBA Super Trouper ABBA Take A Chance On Me ABBA TAKE A CHANCE ON ME# ABBA Thank You For The Music ABBA THE WINNER TAKES ALL# ABBA The Winner Takes It All ABBA Waterloo Ac Dc Back In Black Ac Dc Dirty Deeds Done Dirt Cheap Ac Dc Thunderstruck ACDC You Shook Me All Night Long Ace Of Base All That She Wants Ace Of Base The Sign Adele Hello Adele Set Fire To The Rain Aerosmith I Don't Want To Miss A Thing Aerosmith Jaded# Aerosmith Walk This Way Afroman Because I Got High# Air Supply All Out Of Love Air Supply Lost In Love Air Supply THE ONE THAT YOU LOVE# Akon & Snoop Dogg I Wanna Love You Alanis Morissette Hand In My Pocket Alanis Morissette Hands Clean# Alanis