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GOTTA SERVE SOMEBODY Genesis 3:14-15
joshua hartwigsen, 6.23.19 (Sunday am) GOTTA SERVE SOMEBODY Genesis 3:14-15 In 1979 Bob Dylan released the song “Gotta Serve Somebody”, selecting a matter-of-fact title that summarized his song’s refrain: “You’re gonna have to serve somebody, Yes indeed you’re gonna have to serve somebody Well, it may be the Devil or it may be the Lord But you’re gonna have to serve somebody” Although well-regarded, his song does not communicate a new idea – a long time before Dylan wrote his song, Jesus himself hinted at the same idea when he said that “no one can serve two masters, for either he will hate the one and love the other, or he will be devoted to the one and despise the other” 1 (Matthew 6:24). The Bible introduces the idea of two masters in its opening chapters where it records humanity division into two groups – the offspring of the serpent and the offspring of the woman (Genesis 3:15). The remainder of the Bible develops the story of those two families and the conflict between them in a way that allows readers to identify which family they belong to while offering them a way to join God’s family, the offspring of the woman. Family feud • God made humanity in His image and gave them the responsibility to representing His rule and character within the world (Genesis 1:26-28). • Humanity’s choice, however, to submit themselves to the serpent introduced division into the world that resulted in the separation of humanity into two groups – the offspring of the serpent and the offspring of the woman (Genesis 3:1-15). -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
POESIA E ROCK a Cura Di Alex R
POESIA E ROCK a cura di Alex R. Falzon “MASKED AND ANONYMOUS” (2003): nendo canzoni dell’‘era della protesta’ coro femminile, ed una It’s Alright, Ma, DYLAN & IL CINEMA (quali Blowin’ in the Wind oppure A Hard I’m Only Bleeding dalla forte carica cor- Rain’s A-Gonna Fall) che da tempo ave- rosiva, e dove lui ‘sputa’ fuori le parole I. I paragrafi che seguono si prefiggono va tolto dalla propria scaletta. con la raffica virulenta di una mitraglia- un duplice scopo: non solo di recensire il Negli altri ‘film-concerto’ in cui appa- trice impazzita). E poi, sempre in questo film Masked And Anonymous, in cui Bob re – e cioè The Last Waltz e Hard Rain – gruppo di films, non vanno tralasciate The Dylan, dopo circa 17 anni, recita una parte egli svolge, rispettivamente, un ruolo ‘co- 30th Anniversary Concert Celebration determinante (anche per via della colon- rale’ e ‘centrale’. In The Last Waltz (1977, (1993; prodotto da Jeff Rosen) e, infine, na sonora stessa del film); ma di conte- diretto da Martin Scorsese e da molti con- MTV Unplugged (del 1994). stualizzare tale film all’interno dell’ormai siderato il miglior film musicale in asso- In The 30th Anniversary Concert Cele- lunga carriera cinematografica del cantau- luto), Dylan è solo uno dei tanti ospiti del bration, di nuovo al Madison Square Gar- tore statunitense. In altre parole, verrà de- concerto d’addio della Band (come Van den, un folto gruppo di musicisti ha reso lineata una breve cronistoria del rapporto Morrison, Dr. John, Neil Young, Muddy tributo all’allora trentennale carriera di rock e Poesia che, a partire dagli anni ’60, ha legato Waters, Joni Mitchell, eccetera), per Dylan (che ha chiuso lui stesso la serata Dylan al mondo dei Fratelli Lumière. -
Romans 6:12-23 12 Therefore Do Not Let Sin Reign in Your Mortal Body So That You Obey Its Evil Desires
Romans 6:12-23 12 Therefore do not let sin reign in your mortal body so that you obey its evil desires. 13 Do not offer any part of yourself to sin as an instrument of wickedness, but rather offer yourselves to God as those who have been brought from death to life; and offer every part of yourself to him as an instrument of righteousness. 14 For sin shall no longer be your master, because you are not under the law, but under grace. 15 What then? Shall we sin because we are not under the law but under grace? By no means! 16 Don’t you know that when you offer yourselves to someone as obedient slaves, you are slaves of the one you obey—whether you are slaves to sin, which leads to death, or to obedience, which leads to righteousness? 17 But thanks be to God that, though you used to be slaves to sin, you have come to obey from your heart the pattern of teaching that has now claimed your allegiance. 18 You have been set free from sin and have become slaves to righteousness. 19 I am using an example from everyday life because of your human limitations. Just as you used to offer yourselves as slaves to impurity and to ever-increasing wickedness, so now offer yourselves as slaves to righteousness leading to holiness. 20 When you were slaves to sin, you were free from the control of righteousness. 21 What benefit did you reap at that time from the things you are now ashamed of? Those things result in death! 22 But now that you have been set free from sin and have become slaves of God, the benefit you reap leads to holiness, and the result is eternal life. -
The Songs of Bob Dylan
The Songwriting of Bob Dylan Contents Dylan Albums of the Sixties (1960s)............................................................................................ 9 The Freewheelin’ Bob Dylan (1963) ...................................................................................................... 9 1. Blowin' In The Wind ...................................................................................................................... 9 2. Girl From The North Country ....................................................................................................... 10 3. Masters of War ............................................................................................................................ 10 4. Down The Highway ...................................................................................................................... 12 5. Bob Dylan's Blues ........................................................................................................................ 13 6. A Hard Rain's A-Gonna Fall .......................................................................................................... 13 7. Don't Think Twice, It's All Right ................................................................................................... 15 8. Bob Dylan's Dream ...................................................................................................................... 15 9. Oxford Town ............................................................................................................................... -
Full Line - January 2021 - Web Edition
FULL LINE - JANUARY 2021 - WEB EDITION CONTENTS FULL LINE - JANUARY 2021 ABOUT L-ACOUSTICS 2 - 5 NEW PRODUCTS 6 - 7 LOUDSPEAKERS 8 - 39 ELECTRONICS 40 - 49 SOFTWARE 50 - 57 SUPPORT 58 - 59 TECHNICAL SPECIFICATIONS 60 - 71 MARKET REFERENCES 72 - 73 CERTIFIED PROVIDERS 74 Page 8 and 9: Omnia Dayclub Los Cabos © Tomas Muscionico; Page 11: Getty Images; Page 13: SPYSCAPE © Scott Frances; Page 15: Machine Hallucination, ARTECHOUSE © Refik Anadol; Page 17: Zero Gravity © Aleksander Pasaric; Page 19: The Los Angeles Philharmonic Orchestra © Mast Media; Page 21: European Games © Scott Willsallen; Page 23: Louis Vuitton Fashion Show © Ludovic Monchat; Page 25: Lexus National Conference @ LGA; Page 27: jazzopen © Wolf Peter Steinheißer; Page 31: EartH © Maria Zhytnikova; Page 35: Aerosmith © Katarina Benzova; Page 37: Zhang Jie © Li Benpao; Pages 39: Ferdinands Feld @ Sandra Hz; Pages 40 and 41: Blue Man Group @ Evan Zimmerman for Murphymade; Page 43: Getty Images; Page 47: Mark Knopfler © Ludovic Monchat SLU; Page 49: Alexandra Palace Theatre @ James Cumpsty; Pages 55 and 57: Bon Iver © Matt Benton; Page 63: Island and Ocean installation © Maria Zhytnikova. 1 -Acoustics can trace its beginning to 1977, when The world has never seen a better era for live entertainment particle physics scientist Christian Heil attended a than right now. Industry publication Pollstar points to L Pink Floyd concert. His love of music combined with 2018 as a “jaw-dropping year” of “goliath ticket sales a fascination for their groundbreaking approach to sound numbers,” with experts forecasting that this upward trend design would ultimately spark a lifelong vocation. Heil will continue for the next decade and beyond. -
Still on the Road 1990 Us Fall Tour
STILL ON THE ROAD 1990 US FALL TOUR OCTOBER 11 Brookville, New York Tilles Center, C.W. Post College 12 Springfield, Massachusetts Paramount Performing Arts Center 13 West Point, New York Eisenhower Hall Theater 15 New York City, New York The Beacon Theatre 16 New York City, New York The Beacon Theatre 17 New York City, New York The Beacon Theatre 18 New York City, New York The Beacon Theatre 19 New York City, New York The Beacon Theatre 21 Richmond, Virginia Richmond Mosque 22 Pittsburg, Pennsylvania Syria Mosque 23 Charleston, West Virginia Municipal Auditorium 25 Oxford, Mississippi Ted Smith Coliseum, University of Mississippi 26 Tuscaloosa, Alabama Coleman Coliseum 27 Nashville, Tennessee Memorial Hall, Vanderbilt University 28 Athens, Georgia Coliseum, University of Georgia 30 Boone, North Carolina Appalachian State College, Varsity Gymnasium 31 Charlotte, North Carolina Ovens Auditorium NOVEMBER 2 Lexington, Kentucky Memorial Coliseum 3 Carbondale, Illinois SIU Arena 4 St. Louis, Missouri Fox Theater 6 DeKalb, Illinois Chick Evans Fieldhouse, University of Northern Illinois 8 Iowa City, Iowa Carver-Hawkeye Auditorium 9 Chicago, Illinois Fox Theater 10 Milwaukee, Wisconsin Riverside Theater 12 East Lansing, Michigan Wharton Center, University of Michigan 13 Dayton, Ohio University of Dayton Arena 14 Normal, Illinois Brayden Auditorium 16 Columbus, Ohio Palace Theater 17 Cleveland, Ohio Music Hall 18 Detroit, Michigan The Fox Theater Bob Dylan 1990: US Fall Tour 11530 Rose And Gilbert Tilles Performing Arts Center C.W. Post College, Long Island University Brookville, New York 11 October 1990 1. Marines' Hymn (Jacques Offenbach) 2. Masters Of War 3. Tomorrow Is A Long Time 4. -
Freewheelin-On-Line Take Twenty Two
Freewheelin-on-line Take Twenty Two Freewheelin’ 220 There can be no question: it is a cinematic masterpiece; a milestone in the history of moving images. I am talking about Peter Jackson’s ‘Lord of the Rings’ trilogy , and, despite the multiple endings to the final part of the trilogy - ‘The Return of the King’ - nothing is lost when you consider the totality of the project. I couldn’t thus resist from having that half-man, half-beast and totally schizophrenic creature Gollum in the fore ground of this month’s cover. It seems that another king is going to return in 2004. It will be 50 years ago next year, in 1954, that Elvis sauntered into the studio and recorded ‘That’s All Right’ which many consider to be the big bang of rock and roll. So expect the usual anniversary celebrations and reports of sightings of the King by shepherds on hillsides and wise men from the north. My sighting of Elvis is taken from the famous 1963 screen print of the legend by Andy Warhol. For every king there must be a queen and who else but Marilyn could equal the iconic status of Elvis? This collage is taken from a study by the artist Mimmo Rotella, completed in 1962, a year of Marilyn’s death. Whilst Elvis is trying to gun Gollum down and Dylan looks inquisitively at the unheavenly creature, Marilyn just wants to take him home and cover him in kisses. Diamonds may be easily had and they may be a girl’s best friend but, for a Steptoe Senior loookalike who prefers thongs to Y-fronts, there’s nothing quite like a search of middle-earth for a golden ring to complete your set. -
Positively Fourth Street
Positively Fourth Street (Bob Dylan) You got a lotta nerve to say you are my friend When I was down, you just stood there grinning You got a lotta nerve to say you gotta helping hand to lend You just want to be on the side that's winning You say I let you down, you know it's not like that If you're so hurt why then don't you show it? You say you lost your faith but that's not where it's at You have no faith to lose and you know it I know the reason that you talk behind my back I used to be among the crowd you're in with Do you take me for such a fool to think I'd make contact With the one who tries to hide what he don't know to begin with? You see me on the street, you always act surprised You say, "How are you? Good luck," but you don't mean it When you know as well as me you'd rather see me paralyzed Why don't you just come out once and scream it? No, I do not feel that good when I see the heartbreaks you embrace If I was a master thief perhaps I'd rob them And now I know you're dissatisfied with your position and your place Don't you understand, it's not my problem I wish that for just one time you could stand inside my shoes And just for that one moment, I could be you Yes, I wish that for just one time, you could stand inside my shoes You'd know what a drag it is to see you 171 "Positively 4th Street" is a song written and performed by Bob Dylan, first recorded in New York City on July 29, 1965. -
Like a Rolling Stone by Bob Dylan in C [5 Chords] Verse: C = 0003, Dm Sus4 = 0210, Em = 0432, F Sus2 = 0553, G = 0775, Interlude: G = 0232, G Sus4 = 0233
Like A Rolling Stone by Bob Dylan in C [5 Chords] Verse: C = 0003, Dm sus4 = 0210, Em = 0432, F sus2 = 0553, G = 0775, Interlude: G = 0232, G sus4 = 0233 C Dm C Dm Once upon a time you dressed so fine Ah, you've gone to the finest school Em F Em F Threw the bums a dime in your prime, all right, Miss Lonely But you know you only used to get G G didn't you? juiced in it C Dm C Dm People'd call, say, 'Beware doll, And nobody has ever taught you how to live Em F Em F you're bound to fall' You thought they were all on the street But now you're gonna have to get G G Kiddin' you Used to it F G F G You used to laugh about You said you'd never compromise F G F G Everybody that was hangin' out With the mystery tramp, but now you realize F Em Dm C F Em Dm C Now you don't talk so loud He's not selling any alibis F Em Dm C F Em Dm C Now you don't seem so proud As you stare into the vacuum of his eyes Dm F G Dm F G About having to be scrounging your next meal. And say do you want to make a deal? G C F G G C F G How does it feel How does it feel G C F G G C F G How does it feel How does it feel G C F G G C F G To be without a home To be on your own G C F G G C F G Like a complete unknown With no direction home G C F G Gsus4 G Gsus4 G C F G Like a rolling stone? A complete unknown G C F G Gsus4 G Gsus4 Like a rolling stone? Page 1 of 2 Like A Rolling Stone by Bob Dylan in C [5 Chords] Verse: C = 0003, Dm sus4 = 0210, Em = 0432, F sus2 = 0553, G = 0775, Interlude: G = 0232, G sus4 = 0233 C C Dm Aww, You never Aww, Princess on the steeple and all the Dm -
Our Featured Artist, Skye, Wasn't a Fan of Bob Dylan's Music When He Burst Into Popularity in the Mid 1960S— It Was the Be
Shakespeare’sin the Alley: Our featured artist, Skye, wasn’t a fan of Bob Dylan’s music when he burst into popularity in the mid 1960s— it was the Beatles who held the then teenager’s ear. Forty years later, in 2008, her viewing of the Martin Scorcese documentary about Dylan, No Direction Home, captured her attention. “I was amazed at what Dylan did at such a young age,” she A Tribute to Bob Dylan February 9-March 17 said. “His courage to speak out [about social planning a tribute concert in honor of Dylan’s change] was profound and his extreme talent 70th birthday. Titled Buckets of Rain, the was obvious.” concert was held at Woodwalk Gallery in Egg Harbor. Skye created 15 banners that served Yet, the concept for the exhibition as a backdrop for the Labor Day weekend Shakespeare’s in the Alley: A Tribute to Bob event. Dylan did not come immediately into focus for the artist. Skye had a hunger to experience Wanting to make the lyrics the focus, Skye all his music, eventually collecting 35 of his chose a simple design for the banners— 36 CDs. Only after immersing herself in both gray fabric made of recycled hemp and his sound and words, was she inspired to organic cotton with the words formed in create art honoring his influence. black, felt tip markers. After the second Buckets of Rain concert the following year, Skye had incorporated stenciled words into Skye was committed to creating an even earlier projects, but not as the main creative larger installation. -
Upgrades, Rebranding Designed to Further
CRANKING UP ‘THE AMP’ BY LISA WHITE UPGRADES, REBRANDING DESIGNED TO FURTHER HEIGHTEN PROFILE OF ST. AUGUSTINE AMPHITHEATRE AND PONTE VEDRA CONCERT HALL . Amphitheatre kicked o its main-stage concert season March 1 with a sold-out show by Alabama, guests at the Florida venue couldn’t help but notice the changes. The 4,000-seat facility had been expanded by 700 seats, and a new food truck area provided fresh local options beyond the traditional concession stands. “We sell out a lot of our shows quickly, so we knew the demand was Athere and the ability to bring in bigger acts,” said Gabe Pellicer, assistant director of the venue and the adjacent Ponte Vedra Concert Hall, about the new seats. “We knew we had a lot of momentum, so we went for it.” The changes coincide with a rebranding for what’s now being called The Amp St. Augustine, including new graphics and brand colors and a fresh tagline — “Big Acts, Small Venue” — that echoes Pellicer’s words. The rebranding eorts are among a continuing eort to create a nationally known venue in a small market. “We felt like we ran into a fork in the road,” Pellicer said. “Do we create more revenue, more shows or a better experience? We’re a government-run venue that doesn’t have to chase prots, so we decided to make it the best we possibly could.” Owned and operated by the cultural events division of St. Johns County, The Amp hosts over 40 concerts and multiple community events annually, including the Saturday Farmers Market, held year-round, and the Sing Out Loud Festival, Florida’s largest free live entertainment festival and benet, held every weekend in September.